Авторы

  • Jarkinova Tursunoy

DOI:

https://doi.org/10.71337/inlibrary.uz.esiiw.124278

Ключевые слова:

content theme idea poetic image image.

Аннотация

This article discusses the content of the poet Yusuf Shomansur's 
poems. The ideas reflected in his poems are analyzed. 


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ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ

https://scientific-jl.org/obr

Выпуск журнала №-71

Часть–5_ июня–2025

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IDEA AND IMAGE IN YUSUF SHOMANSUR'S PATRIOTIC POEMS

Jarkinova Tursunoy

Doctoral student of TDO'TAU

Abstract.

This article discusses the content of the poet Yusuf Shomansur's

poems. The ideas reflected in his poems are analyzed.

Key words:

content, theme, idea, poetic image, image.

The poets who created in the 60s and 70s of the 20th century enriched their

poems on the theme of the homeland with special melodies. In this regard, Ibrahim

Gafurov said in one place of the book "Yonar soz" that "the age-old traditions of our

literature are being fulfilled in reliable hands. There is a very deep and elaborate

tradition in our poetry, which has always occupied one of the foremost places. This is

the tradition of glorifying the Motherland. Speaking about the poetry of the following

years, in general, I would like to note that the motifs of the national anthem are very

strong in our poetry, and the best works were created on this theme. In works such as

Zulfiya's "Adib safarda", "Shodiyona" by Mirtemir, "Galaba" by Hamid Ghulam,

"Nevara" by Mirmuhsin, "Uzbekistan" by Yusuf Shomansur, the beautiful landscapes

and wonderful people of our country are very uplifting. is sung" - says, in another place,

"For the poets who branched out in the 60s, the motherland is first of all related to the

word soil, the concept of soil that feeds, enriches, and enriches people”

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tells about.

Husniddin Sharipov's poem "Ode to the Soil" deeply explains the relationship between

the motherland and the child, while Erkin Vahidov's poems about the motherland

connect the sanctity of the motherland with human labor and blood shed for the peace

of the country. The poet Yusuf Shomansur, while writing a poem on the theme of the

homeland, combines it with philosophical observations. After all, Erkin Vahidov:

"Poetry is a conversation between the poet and the reader. For the poet, this

conversation is to open the heart with all its being, and for the reader, it is to understand

1

Ғафуров И. Ёнар сўз. – Тошкент: Адабиёт ва санъат, 1973. – Б. 54.


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ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ

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the heartbeats”

2

, ‒ Yusuf Shomansur, as a person who understands the secrets of the

art of poetry, can feel the heart of the reader, no matter what topic he touches, he can

absorb the heart's laments. We observe a unique approach to this topic in the poems of

our writer. Although the poem "I can't get enough of your love" is not made up of quiet,

colorful words, you can feel the poet's soul and emotional experiences in it. He is proud

that he was born in the arms of this country, which gave him freedom and pride. He

wants to fulfill his duty like a shepherd driving a flock of sheep in cancer, like a builder

building the country's buildings. He hopes that the future of his country will be bright.

The idea of the poem is patriotism, that every child should be ready to serve his country,

regardless of his profession. He expresses his love for the motherland with his unique

findings in "Poem about the soil"(“Tuproq haqidagi she’r”) written in honor of mother

earth. da

Atirgul novdasi

Tiniq shishada

Tiniq suvda nozik ildiz chiqardi

Uni koʻrgan sari

Aqlim shoshadi

Tasavvur etaman uyda gulzorni

Choʻgʻday gʻunchalarni

Uzib xayolan,

Kimgadir xayolan qilaman sovgʻa

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.

These verses show that the poet has a passion for nature. Because he sees beauty

and feels infinite pleasure from it. He imagines a flower garden at home. The simile of

"chog-like buds" increased the colorfulness of the verses. In the next stanzas, the poet

says that the root of the rose grew in water because of the light, but he says with regret

that the root has not grown and the branch has lost its greenness. The poet is surprised

2

Воҳидов Э. Шоиру шеъру шуур: Адабий эсселар. – Тошкент: Ёш гвардия, 1987. – Б. 80.

3

Юсуф Шомансур. Қўш юрак. ‒ Тошкент: Адабиёт ва санъат, 1981. ‒ Б. 22.


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ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ

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by this situation. Because there is fresh air and light in his room. At that moment, he

realizes the truth of life: without mother earth, there is no life.

Ha,

Har qanday hayot

Yozolmas tomir

Jindakkina

Qora tuproq boʻlmasa….

4

In this poem, which is a lyrical poem, it is emphasized that there is no life for a

simple plant without mother earth, and it is also said that humanity cannot live without

mother earth and homeland. Because, as the author said, there was enough fresh air

and light in the room for the rose, but it died. Because he had no homeland. The poet

wants to explain to the reader that there is no one without a country through the lyric

plot. The poem is dominated by the idea that a plant without soil, and humanity without

a homeland, cannot live, therefore it should be protected like the apple of an eye.

Everything created from the soil of the homeland is dear to the poet. A mother

sees her motherland on a clay plate, and feels her love. Ancient minarets are painted

with patterns representing the originality of the people. He says that the drawings on

the ceramic plate are also precious because they reflect antiquity. A symbol of the

thousand-year-old experience of the motherland is the "thousand-year-old art", which

has been carrying the heritage of our ancestors for centuries. That is why the poet:

Billur guldonlarning tovlanishini

Bitta loy hidingga, rost gap, olmasman

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, ‒ says

The poem clearly expresses the idea of being proud of the heritage of ancestors

and feeling national pride.

The main form of expressing poetic thought is a poetic image. A. Potebnya calls

the image "processing of imagination". In this sense, the artist reflects his thoughts and

meanings about existence, humanity and the universe through a poetic image. Accurate

4

Юсуф Шомансур. Қўш юрак. ‒ Тошкент: Адабиёт ва санъат, 1981. ‒ Б. 22.

5

Юсуф Шомансур. Мен ўтқазмаган дарахтлар. ‒ Тoшкент: Aдабиёт ва санъат, 1986. – Б. 35.


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ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ

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classification of artistic images in lyrical works is more complicated. Because the poet

transfers the feelings in his heart at a certain moment to his poetic thinking. M. Epstein

groups artistic images according to three levels: 1. Level of objectivity. 2.

Generalization level. 3. Image and expression relations.

According to the level of objectivity, images can be divided into details, events,

character and circumstances, world and fate, and according to the level of

generalization, they can be divided into motifs, topos, archetypes. In his poems on the

theme of patriotism, Yusuf Shomansur uses the following images according to the level

of subjectivity to reveal the idea.

1. From the detailed images:

The image of a rose.

In the "Poem about Soil", a rose in a pot filled with water

served to represent two things: the first, the total number of living beings in the world,

and the second, a person. The reason is that neither living beings nor man can live

without his homeland.

Image of black soil.

This detailed image was used as a symbol of the

Motherland, of life.

An image of a ceramic plate. It is described in the poem as a symbol of

nationality, the way of life of our people's age-old traditions.

1.

From the image of events:

The image of events, through the word "rooted", embodies in our imagination

the birth of humanity in its homeland, and the fact that a person without a country

cannot live without a root.

REFERENCES:

1.

G‘afurov I. Yonar so‘z. – Toshkent: Adabiyot va san’at, 1973. – B. 54.

2.

Vohidov E. Shoiru she’ru shuur: Adabiy esselar. – Toshkent: Yosh gvardiya,

1987. – B. 80.

3.

Yusuf Shomansur. Qo‘sh yurak. ‒ Toshkent: Adabiyot va san’at, 1981. ‒ B. 22.

4.

Yusuf Shomansur. Qo‘sh yurak. ‒ Toshkent: Adabiyot va san’at, 1981. ‒ B. 22.

5.

Yusuf Shomansur. Men o‘tqazmagan daraxtlar. ‒ Toshkent: Adabiyot va san’at,

1986. – B. 35.

Библиографические ссылки

G‘afurov I. Yonar so‘z. – Toshkent: Adabiyot va san’at, 1973. – B. 54.

Vohidov E. Shoiru she’ru shuur: Adabiy esselar. – Toshkent: Yosh gvardiya,

– B. 80.

Yusuf Shomansur. Qo‘sh yurak. ‒ Toshkent: Adabiyot va san’at, 1981. ‒ B. 22.

Yusuf Shomansur. Qo‘sh yurak. ‒ Toshkent: Adabiyot va san’at, 1981. ‒ B. 22.

Yusuf Shomansur. Men o‘tqazmagan daraxtlar. ‒ Toshkent: Adabiyot va san’at,

– B. 35.