Volume 03 Issue 12-2023
28
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
12
Pages:
28-33
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
The article examines the work of the Uzbek modern writer Zulfiya Kurolboy kizi, as a master of women's prose. The
author focuses his attention in his works on the artistic and means of displaying the mother’s inner world in an internal
image, in modern Uzbek literature, which is currently relevant.
KEYWORDS
Woman, mother, understanding, images, feelings, image of the mother.
INTRODUCTION
Modern Uzbek “women's prose” is represented by
such talented novelists as Zulfiya Kurolboy kizi.
The work of this writer opens up new facets of the
image of an Uzbek woman, which no one has touched
before in Uzbek literature. Changes in social life and
national values also changed the moral world of the
Uzbek woman-mother. In the works of the named
author, the subtle feelings, aspirations, suffering, and
inner world of an Uzbek woman-mother are especially
evident, living full of hope, ready to fight for her
destiny, but sometimes powerless in the face of fate,
but not losing faith in the future.
In the works of Zulfiya Kurolboy Kizi, different
situations related to the maternal image are
considered from different sides, because it is
problematic circumstances that are the most
dangerous for the existence of the family. The writer
comes to the conclusion that the right answer, the
right behavior, does not exist at all. In one of her works
at the moment when Alexander has a new lover, Lena,
the focus of attention shifts from the figure of Vera to
the relationship between Lena and Alexander.[2,234].
Research Article
MATERNAL IMAGE IN MODERN UZBEK PROSE
Submission Date:
December 02, 2023,
Accepted Date:
December 07, 2023,
Published Date:
December 12, 2023
Crossref doi:
https://doi.org/10.37547/ijll/Volume03Issue12-06
Murodova Dildora Arabovna
Teacher Of Russian Language And Literature Departments Of History And Philological Disciplines Asian
International University Bukhara, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 12-2023
29
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
12
Pages:
28-33
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
And here we can observe that, even without the
intention of hurting his own wife in the social and
humanities in the 21st century, a person turns the
situation into such that it traumatizes all three - his
wife, him, and his beloved.
This demonstrates another possibility of “women’s
prose”
- the opportunity to look at different options for
the development of the same situation. Since
problems in women's prose are considered, as a rule,
everyday ones, such texts become practically
necessary for readers to have an idea of how the
situation in their own lives might develop if something
similar ever happens to them.
A man’s attempt to save his family and divorce only
five years later, when his son grows up, ultimately
destroys everyone’s happiness. Having already lost
love for his wife, he eventually divorces her, but
marries not his long-time mistress, but a completely
different woman. Waiting, humility, hope that
everything would somehow be resolved on its own led
to the death of love between them all, to the fact that
everyone was just trying to break out of this triad, as if
from heavy bonds. Even Vera, who wanted to save her
family, felt lost when Alexander gave her the keys to
the house, thereby showing that she had won. [1,27].
And, as events showed, her victory turned out to be
Pyrrhic, since she and her husband divorced anyway.
The husband is preparing to marry his second wife in
Kurolboy Kizi’s story “The Daughter
-in-
Law.” The
reader sees the situation mostly through the eyes of
her husband’s mother, Grandma Muslim, but this
limited view only emphasizes that in fact the focus is
on the feelings of her daughter-in-law Holdor. [4.56].
Holdor is unpleasant about her husband's infidelities,
but she does not show feelings. Kurolboy Kizi uses this
writing technique so that the reader tries to
reconstruct Holdor’s feelings
himself, because only in
this way will the reader realize that it is her feelings, her
emotional state that are always neglected. This is
another moral dilemma that also does not have a
correct solution; here, as in Tokareva’s previous story,
everyone has
“their own truth.” [3.189]. A family
without love and respect between father and mother
will not be able to raise normal children, future citizens.
Grandmother Muslim correctly thinks that since her
son loves Oygul, and Oygul is rich, flatters her future
mother-in-law, and Oygul is loved by her future
husband, she will be an excellent acquisition for the
family.[6.346].
But the feelings of daughter-in-law Holdor are
sacrificed in this case. And, as both writers show, the
only way out of such relationships, which begin to fall
apart, is the woman’s self
-realization. Perhaps self-
realization as a mother of children, perhaps as a
specialist, but not an attempt to sacrifice herself to a
man, his desires, since self-denial will not bring her
respect from a man.
The idea of a mother’s self
-development is well
demonstrated in Kurolba Kizi’s story “Pain.” The
heroine Fazilat gives birth to seven children in a row for
her husband in the hope that at least one of the
children will be a boy. At the same time, she knew that
she was sick, that she had a hernia in her spine, and this
ultimately led to disability, which is mentioned right at
the beginning of the story. [5,276].
An attempt to sacrifice herself to her husband and his
desire to have a son put an end to not
only Fazilat’s
family life, as will be shown later in the story when her
Volume 03 Issue 12-2023
30
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
12
Pages:
28-33
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
husband Abdumumin takes another wife, but also
crossed out her opportunity to be a good mother for
her girls, so how now it is not she who will take care of
them, but they of her. She herself insists that her
husband marry his mistress Zulhumor, but then she
suffers when she realizes that her husband is now with
someone else.
Through this heroine, Kurolboy Kizi demonstrates that
being a wife and mother is not just fulfilling all the
desires of a man, but being a wife is being a woman,
that is, understanding that a woman has the whole
house, and a mother takes care of children, cares about
how the family will live with her help or when she is
gone. [8,76].
Having not realized herself as a woman, Fazilat
experiences not only physical, but also mental pain,
since she could not become an ideal wife. In the story
“Pain” Zulfiya Kurolboy kizi showed high artistic
psychologism.[7,250].
The author shows strong psychological conflicts of the
heroine in the last episode. Fazilat, confined to a
wheelchair, sat near the window and watched the
wedding taking place in the courtyard. Fazilat was so
tense that there was not even a single movement in her
veins. Finally the wedding is over. The guests went
home. The newlyweds - husband Fazilat and his young
wife Zulhumor - went to their rooms prepared for
them. The eldest daughter wanted to put her to bed.
But she refused and sent her daughter to her room. It
was deep night. She was jealous of her husband. Fazilat
wanted to take revenge on them. The brain worked
mechanically. It was not possible to cross the threshold
in a wheelchair. She fell to the floor. She crawled and
crossed the threshold, and found herself on the
landing. It was very painful to go down to the yard. She
crawled across the courtyard dividing the distance
between Fazilat's room and the newlyweds' room. I
reached their landing. Something hit her. She crawled
back to her place. Then from myself to them... First, my
knee was scratched. She felt no pain. The ground
turned red from the blood leaking from his leg. This
continued until she fainted [10, p. 297].
It is in this episode that one can trace how a change in
artistic coordinates occurs in the writer’s style
- from an
epic narrative to the highest drama. Psychological
analysis is replaced by psychological gestures of the
heroine. It is worth noting the artistic feature of Zulfiya
Kurolba kizi’s prose
- if in some stories female
characters are in opposition to men, they are vindictive
(“Pain”, “Daughter
-in-
law”, “Love and Hate” and
others), then in others a woman wants to look
beautiful for her beloved a person even before death
(“Woman”).
The writer herself does not give a moral assessment
of what is happening, leaving this work to the reader.
It thereby achieves a high concentration of
involvement of the reader himself in the text.[9, p.391].
Literary critic S.E. Kamilova commented: “Zulfiya
Kurolboy Kizi selects life material in her works with
wonderful aesthetic enthusiasm. She deliberately
refuses the author's assessments, exposition,
condemnation, and at the same time deepens the
reader into the flow of life, only this flow is carefully
sorted out by aesthetic ideas. As a result, the reader
contemplates life without the intervention of the
author. Social and human sciences in the 21st century,
due to the genius of the writer, feels the suffering,
sorrows and tragedies that the heroes of her stories
face” [12, p. 143].
Volume 03 Issue 12-2023
31
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
ISSUE
12
Pages:
28-33
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
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Pages:
28-33
SJIF
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(2021:
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6.
997
)
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–
1121105677
Publisher:
Oscar Publishing Services
Servi
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Pages:
28-33
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(2021:
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705
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(2022:
5.
705
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6.
997
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–
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Publisher:
Oscar Publishing Services
Servi
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