Volume 03 Issue 02-2023
91
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
I
SSUE
02
Pages:
91-96
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
Since the creation of the great thinker poet Alisher Navoi's work "Khamsa", every era has interpreted and evaluated
it based on the criteria of its time. Various commentaries on "Khamsa" epics have been written, dictionaries have been
compiled. The interest of scholars in this royal work has not faded until now, and it continues to be interpreted and
interpreted. This article reflects on the works of Navoi scholar N.Komilov in the research of "Khamsa" interpretations.
KEYWORDS
Navoi scholar, Sufism, wisdom, lesson, epic, metaphorical love, eternity, revolution, journey, perfection, Zullisonayn,
Persian.
INTRODUCTION
Before talking about the scientist's scientific method,
let's talk about the concept of style. The issue of style
applies to all areas of science, and today it is studied
from different perspectives in world science. Concepts
such as scientific way of knowing, scientific way of
thinking are often mentioned in studies of philosophy,
art, sociology, natural sciences, and philology. The
general use of the concept of style in such fields is
Research Article
N. KOMILOV: SCIENTIFIC CONSIDERATIONS IN THE FIELD OF THE
ENLIGHTENMENT OF NAVOI'S EPISTLES
Submission Date:
February 18, 2023,
Accepted Date:
February 23, 2023,
Published Date:
February 28, 2023
Crossref doi:
https://doi.org/10.37547/ijll/Volume03Issue02-16
Elmurad Nasrullaev
Associate Professor Of Jizzakh State Pedagogical University Doctor Of Philosophy In Philology (Phd)
(Uzbekistan)
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 03 Issue 02-2023
92
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
I
SSUE
02
Pages:
91-96
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
explained by one of its important features, which is the
ability to think scientifically.
Today, scientists interpret the style as a "holographic"
concept. The metaphor of the hologram, widely used
in modern science, can be explained as follows: in the
hologram, which is three-dimensional, the rays
returned from each point of the object give a certain
understanding of the whole object. Even if the laser
beam is focused on a part, we will see a complete
image of the object, even if it is blurred, not only about
that part. The larger the piece, the clearer the image,
and the smaller it becomes blurry. When this feature of
the hologram is used in the theory of style, it is
assumed that even a small piece of text contains a
number of information such as the style of the author,
the style of the period, and the national style. The style
begins to appear in minimal text fields. It can be seen
from this that in determining the style of a critic or
literary critic, it is not necessary to cover all his works,
but one can draw certain conclusions about his style
through the analysis of a single article or essay devoted
to the commentary of a ghazal.
Basically, two different criteria are considered in the
style analysis. The first is linguistic, and the second is in
accordance with general aesthetics. In the first case,
the style of writing is more or less understanding of the
system of methods. In fact, today's meaning of the
word "style" arose historically on the basis of
metonymy. In ancient Greece (Greek stylos, Latin
stylus), later in Rome, a stick-pen was called a style. The
end of the stick had a rubber part for erasing mistakes.
This is where the phrase "turning the style" came from,
which is used to work on mistakes and delete poorly
written ones. For this reason, today expressions such
as "a critic with his own pen" and "a sharp pen" can be
used in the sense of "having his own style". In this way,
the concept of style was formed as a characteristic
feature of writing, a system of methods. This is a
descriptive approach, and although it has several
advantages in style analysis, it is not sufficient to rely
on it alone when defining style.
Most theoreticians consider style as "meaningfulness
of form". So, when we talk about style, we mean not
only the originality of form, but also the content of the
content hidden behind that originality.
In Uzbek literary studies, a number of studies have
been created that shed light on the creative style, how
it manifests, and its unique characteristics (A. Fitrat, A.
Sa'diy, I. Sulton, A. Hayitmetov, B. Valikho'jaev, R.
Vohidov, D. Salohi, Q Ergashev ).
The method of orientation, which reflects the general
scientific-aesthetic relations of most scientists, covers
the method of analysis and sets before us the task of
analyzing whether the critic used analytical methods
appropriately and skillfully.
As for the style of the narcissist scientist N. Komilov,
regardless of whether the scientist analyzes a part of
the artistic text or approaches each work as a whole,
he always puts forward his scientific and theoretical
views based on the laws of aesthetics, using various
methods. We think that the following confession of
Professor Rahim Vahidov (r.) can be a proof of our
opinion: "Najmiddin's review of ghazals, studies on
Sufism are rare events in our scientific life armed with
the ideology of independence." In addition, "in
Najmiddin's scientific observations, translation and
mysticism always stand side by side, like the two
fruitful bodies of a single tree."
For example, many ironic symbols, symbolic words
and the secret of hidden meanings behind them, such
Volume 03 Issue 02-2023
93
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
I
SSUE
02
Pages:
91-96
SJIF
I
MPACT
FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
as love, may, maykhana, kharobot, soqi, sogar, kadah,
khum, mahbub, which are found in the works of the
Navoi scientist poet, are examined in the unity of his
creative environment. And focuses on the fact that the
content can be clarified as necessary only if it is
interpreted in the context of human observations.
The Navoi scholar proves this point by analyzing the
ghazal of the great poet, which we have quoted above,
with the title "Sadness that does not reach the end of
a bow", and tries to reveal the mystical meanings of
this ghazal.
Considering that all great things are made of small
things, and the atom is made up of very small particles,
the style of the critic should be understood in the same
sense. As the tributaries join together to form a river,
all these small means of description combine to form
the style of a literary critic. That's why we are
approaching the truth if we say that the spiritual world,
worldview, idea, aesthetic ideal of the creator-critic is
reflected in his thinking, in his attitude to each artistic
text.
The Navoi scholar D. Salakhi states that he discovered
an artistic compositional art, which is sometimes
highlighted in the Eastern poetics of the clever
scientist, but which is clearly and perfectly manifested
in the great Navoi's poetic style and ghazal: .N.) were
understood by the researchers as gazelles in
confusion. In the eyes of the scientist, this is a rather
superficial and one-sided conclusion. His point of view
is different: "Frankly speaking, I am against applying
the term "disorder" to poetry. Because disorganization
is not a characteristic of a work of art, it refers to a
collection of stanzas that are not completely
connected. Great poets, including Navoi, do not have
such a poem. Although the stanzas, on the surface,
seem to be unrelated in content, on different topics,
inwardly they are related. Therefore, in the analysis of
such ghazals, I think it is better to use the concepts of
direct connection (musalsal) and indirect connection.
The scientist calls the ghazals written in the method
under analysis as ghazals written in the "negation-
affirmation" method. In fact, only a poet who has
searched for a deep meaning in a ghazal and accepted
it as an expression of a single idea in different ways and
methods can make a correct statement in this regard.
In particular, he feels that the art of "denial-
affirmation" is very beautiful, folk, light humor, and
pleasant, like a young child's complaint.
Wisdom, as we mentioned, is a combination of science
and inner feeling in Navoi's poetry. Science gives shape
to sense. As the well-known scientist Ibrahim Haqqul
explained, "The most difficult and complicated thing is
to enter the path of meaning, to be a lover of essence."
Scholar D.Salakhi, completing his comments, writes: "A
fan may not be able to memorize the form of the poem
- rhyme, radif, weight, tashbeh, tajni." Meaning enters
the mind. The image can be flirtatious, fun, or sad. The
mind perceives meaning through form. However, if the
form is incomplete and incomplete, if the heart does
not enjoy it, that is, if there is intelligence and no
feeling, then wisdom will not be fully revealed.
In his research on the interpretation of "Khamsa"
epics, scientist Navoi carries out their optimal,
complete analysis, the ability of the scientist to work
on the basis of consistent logic, the ability to select
very important considerations for today's reader from
the core of a great work, and also. The characteristic of
the scientist's style - the ability to see the essence -
becomes clear. For example, in the article entitled
"Hikmat va ibrat dostoni" from his monograph called
"Khizr's spring", Hazrat Navoi interprets "Saddi
Volume 03 Issue 02-2023
94
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
03
I
SSUE
02
Pages:
91-96
SJIF
I
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FACTOR
(2021:
5.
705
)
(2022:
5.
705
)
(2023:
6.
997
)
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
Iskandarii", the last and largest epic of "Khamsa" from
the perspective of Sufism, and refers unexpected
developments to the judgment of the readers. .
It is known that many studies have been conducted by
Navoi scholars on the works of Alisher Navoi, including
his epic "Saddi Iskandari". However, N. Komilov, a
major representative of this field, notes that the
philosophical-philosophical aspect of this work is
neglected in the existing studies, and draws attention
to the fact that the depth of Navoi's artistic thinking is
highlighted at this point.
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(ISSN
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VOLUME
03
I
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02
Pages:
91-96
SJIF
I
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FACTOR
(2021:
5.
705
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