Volume 04 Issue 07-2024
73
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
08
P
AGES
:
73-76
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article discusses the components and dynamics of the creative process, and the influence of the art of the word
on the reader. The fact that artistic creativity is ultimately an individual phenomenon is illustrated by the example of
O
ʻ
tkir Hoshimov's
story “The Affairs of the World”
.
KEYWORDS
Psychology, imagery, character, art, image, subject, object, national tradition, character.
INTRODUCTION
Art psychology is the most general law of all types of
artistic activity. Already, as a branch of psychology, it
allows to analyze various forms related to the influence
of art, especially the art of words on the reader, to
deeply reveal the mechanisms of the formation of the
creative human personality. Unlike other disciplines
that study psychology, the artistic word art, which
works on the basis of imagery, is based on careful
observation of the emotional experiences of the lyrical
hero, the author's and characters' reflections, and the
poetic text. It finds its explanation in the context of the
overall literary process [9.23].
Since the work of art is closely related to categorical
concepts such as creative worldview, national
tradition, space and time, continuity, the approaches
of the literary researcher appear accordingly [3.13]. The
critic tries not to overlook the literary tradition and
genealogical relationship in the image of the character,
but also the author's self-examination processes, his
moods at the time of writing the work, in particular, the
Research Article
DYNAMICS OF THE ARTISTIC CREATIVE PROCESS IN THE STORY "SUCH
IS LIFE"
Submission Date:
Aug 13, 2024,
Accepted Date:
Aug 18, 2024,
Published Date:
Aug 23, 2024
Crossref doi:
https://doi.org/10.37547/ijll/Volume04Issue08-05
Isabayeva Gulhayo Farhadovna
Alisher Navo’ i Tashkent State University of Uzbek Language and Literature, PhD student
, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijll
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 07-2024
74
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
08
P
AGES
:
73-76
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
feelings of indebtedness of the writer to the
authoritative spirit of his mother in the stories where
the image of the mother was created.
For example, let's take O
ʻ
tkir Hashimov's short story
"World Affairs". Until now, most literary critics have
focused on the image of Mother in the work. They
talked about the national-mental image of the
mother's character, selflessness, patience, humility,
and the power to give all of her being for her children.
Obviously, it is important to observe such features.
However, wouldn't it be one-sidedness to define them
as qualities unique only to Uzbek and even great
Eastern mothers? After all, all Mothers, from Eve to the
present day, regardless of their time and place, have
always been watching to honor their children and
sacrifice their lives for them. Yes, it is.
Therefore, if the issue is looked at in a larger scale,
another fact is also clearly visible. This is the feeling of
duty that arises in the heart after losing such a kind
person and the owner of a noble heart. That is, the
feeling of self-examination and inability to forgive the
"deeds" of the creative "I". The same anguish and
dreams are transferred to artistic expression. As the
writer recreates the image of his mother in his
memory, he takes a pen in his hand with the intention
of getting rid of that feeling of debt and duty. He writes
down his pains and sufferings.
Naturally, the desire to create the image of the Mother
begins with the aesthetic intention of the writer. First
of all, the writer is focused on restoring the perfect
image of his mother, her character, from the fragments
scattered in the fragments of memory. At the same
time, in the image of Mother, she also strives to
emdiv the virtues characteristic of all mothers. As a
result, this image acquires the status of a national-
mental type in a certain sense. Because, first of all, the
work of art is intended for a wide readership. So, the
words of O. Hoshimov to the reader in the story "World
affairs" convey the sense of a call to awareness.
Therefore, in our opinion, O'Hoshimov's "I" rises to the
level of a literary hero according to the following
aspects: a) his sense of artistic reality; b) self-
examination; c) the son's feelings of duty and
indebtedness to the Mother's soul; g) the child's inner
need to get rid of the spiritual and spiritual burden and
creative action to satisfy it; d) calling the reader to be
aware through the statement of his statements. It is
understood that relying on the poetic text of the story
"Works of the World" and the achievements of the
psychology of artistic creation allows us to observe the
typical expression of universal humanity and the image
of the author from different angles. Therefore, stories
about the image of the Mother can be studied not only
within the framework of national culture, but also from
the point of view of motivational processes
characteristic of the psychological nature of the art of
speech.
In particular, the connection between the story "The
affairs of the world" and O. Hoshimov, who is its
creator, should not be overlooked. Because by
analyzing various aspects of this relationship, we
discover the writer's worldview, aesthetic perception,
closeness to national literary traditions in image
depiction, creative style and individuality characteristic
of poetic skills. There are strong ties between the
semantic content of the work of art and the author's
mind, the world of experiences and the reader's
feelings. At the same time, the creator brings the
human figure to the fore. It requires a systematic-
typological approach from us.
Volume 04 Issue 07-2024
75
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
08
P
AGES
:
73-76
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
It is known that in rational systems, the relationship
between the subject and the object is given special
importance. Systematic approach models include
various fields of interaction. It involves a detailed study
of all the components of the processes related to the
influence of the object and the subject on each other.
L. Ya. Dorfman, V. P. Morozov, E. A. Golubeva, A.L.
Gottsdiner, L.L. Such system forms are presented in the
works of Bochkarev and others. For example, a person
perceives an artistic image as a) grandeur; b) bottom;
c) perceives and expresses on the basis of modes of
humor. In fact, the system of psychological types is
also: a) rational; b) irrational; c) appears in mixed forms
[6.43].
Eastern fiction considers man as a child of the universe.
The creator of the work of art wishes to raise the
reader to the heavenly heights within himself. It aims
to influence his "I" and take him to the valley of
wonder. The reader tries to bring his mind to the
transcendental height, to introduce his "I" to the great
tones of existence, to create a harmonious harmony as
much as possible. In the phenomenological approach,
the nature and interaction of the complex connections
between the various elements that make up that
harmony is studied.
It is understood that each psychological type has its
own style of approach and creative-aesthetic purpose.
After all, the art of words is a form of self-awareness of
the creator, finding his identity and expressing it
through elegant words. In this sense, the works
created with the image of Ona acquire a deep
autobiographical character. Observing the creative
process and its components and dynamics shows that
artistic creative activity is ultimately an individual
phenomenon.
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76
International Journal Of Literature And Languages
(ISSN
–
2771-2834)
VOLUME
04
ISSUE
08
P
AGES
:
73-76
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
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