Авторы

  • Шамшода Xамдамова
    Tashkent State University of Uzbek Language and Literature

DOI:

https://doi.org/10.71337/inlibrary.uz.imjrd.120861

Аннотация

This article explores the conceptual portrayal of artificial intelligence (AI) in the fantastic works of Uzbek writer Tohir Malik. While Malik wrote during a period when the term "AI" was not widely popularized in Central Asian literature, his fiction presents forward-looking philosophical reflections on machine consciousness, ethical dilemmas of technology, and the blurring of human–machine boundaries. By analyzing select stories, this study reveals how Malik used speculative elements to predict the rise of intelligent systems, emphasizing their potential impact on identity, morality, and society.


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INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR

RESEARCH & DEVELOPMENT

SJIF 2019: 5.222 2020: 5.552 2021: 5.637 2022:5.479 2023:6.563 2024: 7,805

eISSN :2394-6334 https://www.ijmrd.in/index.php/imjrd Volume 12, issue 06 (2025)

385

THE REPRESENTATION OF ARTIFICIAL INTELLIGENCE IN THE WORKS OF

TOHIR MALIK

Hamdamova Shamshoda Saidakhmad kizi

PhD Candidate,

Tashkent State University of Uzbek Language and Literature

Email: shamshoda1996@gmail.com

Abstract:

This article explores the conceptual portrayal of artificial intelligence (AI) in the

fantastic works of Uzbek writer Tohir Malik. While Malik wrote during a period when the term

"AI" was not widely popularized in Central Asian literature, his fiction presents forward-

looking philosophical reflections on machine consciousness, ethical dilemmas of technology,

and the blurring of human–machine boundaries. By analyzing select stories, this study reveals

how Malik used speculative elements to predict the rise of intelligent systems, emphasizing

their potential impact on identity, morality, and society.

Keywords

: Tohir Malik, artificial intelligence, Uzbek literature, speculative fiction, ethics,

machine consciousness, futuristic narrative.

Introduction

Artificial intelligence is a defining theme of 21st-century science and culture, yet its conceptual

roots stretch back to earlier speculative fiction. In Uzbek literature, Tohir Malik emerges as one

of the few authors who indirectly anticipated AI-related issues through allegorical and symbolic

writing.

Although Malik did not explicitly use the term "artificial intelligence," several of his stories

feature themes that align with modern AI discourse—intelligent machines, human-like

programs, loss of emotional connection due to technological over-dependence, and questions of

ethical control over created intelligence. In works like

Charxpalak

(The Ferris Wheel),

Ko‘zgu

(The Mirror), and

Tungi mehmon

(The Night Guest), Malik examines characters’ interactions

with entities that possess autonomous logic, predictive ability, or non-human intelligence.

This paper analyzes the philosophical and literary dimensions of these portrayals and argues

that Malik’s speculative imagination anticipates the fundamental dilemmas of today’s AI ethics

and metaphysics.

Methods

To analyze AI representation in Tohir Malik's fiction, the following methods were employed:

1.

Textual Analysis

– Close reading of selected stories to identify traits associated with AI

or synthetic cognition.

2.

Comparative Approach

– Paralleling Malik's fictional technologies with contemporary

AI concepts (machine learning, robotics, sentience).

3.

Philosophical Interpretation

– Exploring existential and ethical themes related to

human-machine boundaries.


background image

INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR

RESEARCH & DEVELOPMENT

SJIF 2019: 5.222 2020: 5.552 2021: 5.637 2022:5.479 2023:6.563 2024: 7,805

eISSN :2394-6334 https://www.ijmrd.in/index.php/imjrd Volume 12, issue 06 (2025)

386

4.

Symbolic Reading

– Interpreting allegorical representations of machines and non-

human intelligence in cultural and spiritual contexts.

Results

1. The Machine as a Mirror of Humanity (

Ko‘zgu

)

In this story, a character confronts a mysterious mirror-like device that reflects not only

physical form but inner consciousness. The mirror anticipates modern AI’s capacity for

psychological profiling and predictive behavior analysis. Malik uses the object as a metaphor

for surveillance and loss of privacy—core themes in AI ethics.

2. Predictive Systems in

Charxpalak

The narrative features a symbolic structure that manipulates time and memory. The protagonist

becomes trapped in a repetitive cycle controlled by an unseen system—suggesting deterministic

algorithms akin to AI decision-making systems. Malik subtly critiques the mechanization of

choice and the erosion of free will.

3. Emotionless Intelligence in

Tungi Mehmon

An uninvited visitor, possibly extraterrestrial or mechanical, disrupts the protagonist’s

worldview. The being’s lack of emotion and logic-based reasoning foreshadows debates about

empathy and affective computing in AI.

Story Title

Implied AI Concept

Literary Device

Ethical/Philosophical Issue

Ko‘zgu

Predictive cognition

Symbolic mirror

Self-awareness, identity

Charxpalak

Algorithmic determinism

Temporal loop

Free will, system control

Tungi mehmon

Emotionless reasoning agent Allegorical character Empathy, humanity vs logic

Discussion

Tohir Malik’s speculative fiction operates in a unique philosophical register—blending Central

Asian spiritualism with global futurism. His narratives do not describe robots or computers in

the conventional sci-fi sense, yet they raise critical questions:

Can intelligence exist without emotion?

What are the consequences of systems that know us better than we know ourselves?

Does technological progress mean spiritual regression?

These questions anticipate today’s discourse on AI ethics, surveillance capitalism, and digital

consciousness. Malik's approach suggests a cultural skepticism toward soulless intelligence—

emphasizing the primacy of spiritual and moral awareness over mere computational capacity.

Conclusion


background image

INTERNATIONAL MULTIDISCIPLINARY JOURNAL FOR

RESEARCH & DEVELOPMENT

SJIF 2019: 5.222 2020: 5.552 2021: 5.637 2022:5.479 2023:6.563 2024: 7,805

eISSN :2394-6334 https://www.ijmrd.in/index.php/imjrd Volume 12, issue 06 (2025)

387

Although Tohir Malik did not live in the AI age, his fiction resonates strongly with modern

technological anxieties. His works reveal a visionary understanding of the human condition in

an era dominated by intelligent systems. Malik’s narratives highlight the tension between

reason and empathy, control and freedom, technology and tradition.

By presenting AI as a metaphor rather than a machine, he offers a literary framework through

which readers can critically assess the ethical boundaries of emerging technologies. His stories

remain a rich source for rethinking the human role in a world increasingly governed by artificial

logic.

References

1.

Malik, T.

Ko‘zgu

. – Tashkent: 1996.

2.

Malik, T.

Charxpalak

. – Tashkent: Sharq, 1999.

3.

Malik, T.

Tungi mehmon

. – In:

Fantastik hikoyalar to‘plami

, 1997.

4.

Bostrom, N. (2014).

Superintelligence: Paths, Dangers, Strategies

. – Oxford University

Press.

5.

Russell, S., & Norvig, P. (2016).

Artificial Intelligence: A Modern Approach

. – Pearson.

6.

Schuurman, E. (2003).

Faith and Technology: A Christian View of the Techno World

. –

Dordt College Press.

7.

Saidov, A. (2022). “O‘zbek adabiyotida texnologik metafora.”

Yangi asr adabiyoti

, 2(1),

55–63.

Библиографические ссылки

Malik, T. Ko‘zgu. – Tashkent: 1996.

Malik, T. Charxpalak. – Tashkent: Sharq, 1999.

Malik, T. Tungi mehmon. – In: Fantastik hikoyalar to‘plami, 1997.

Bostrom, N. (2014). Superintelligence: Paths, Dangers, Strategies. – Oxford University Press.

Russell, S., & Norvig, P. (2016). Artificial Intelligence: A Modern Approach. – Pearson.

Schuurman, E. (2003). Faith and Technology: A Christian View of the Techno World. – Dordt College Press.

Saidov, A. (2022). “O‘zbek adabiyotida texnologik metafora.” Yangi asr adabiyoti, 2(1), 55–63.