The article into historical aspect explores the Korean folklore genre - phansori, as an integral component of the spiritual basis not only of Korean culture, but also of universal human culture. Are considered the origins and origin of phansori – a folk song tale that occupies a special place in Korean folk creativity that embodies traditional features of genesis. Various points of view on the issue of the formation of pansori and the history of the formation of this lyrical-epic genre of songwriting are described. The role of folk musical and dramatic traditions in the spread of phansori is justified. The creation by the performer of a phansori on the basis of material from known stories of a holistic composition is considered. The bilateral nature of interaction of literature and phansori ballads and influence of high literature on phansori are shown on the example of the plot from the legend about Chhunkhyan. The value and artistic identity of phansori are revealed. The techniques of using the improvisational genre phansori, in which the singer-performer acts as a creator-interpreter under the accompaniment of a drum, possessing an extraordinary technique of ownership of voice, gesture, pantomime, ability to reliably reproduce experiences and feelings of heroes, have been justified. Characteristic features of "khan" mental state are considered. The degree of significance of "khan" and its display in the ballads of phansori is argued. External means are considered, visually enriching perception of the plot and understanding of the story of the performer 's narrative. Features of sound formation of singing tone are analyzed. The main means of vocal and speech genre is voice and its special structure, achieved by the performer as a result of long exercises. The role of the breathing type "dungen" due to the work of abdominal muscles is shown. A special method of sound formation is described – shaking, reciting, improvisation with text, recitation, combination of tragic and comic elements. It is justified that phansori is a special genre of Korean folk creativity, a predetermined fairy tale.
In Korean linguistics, the study of auxiliary verbs, which began in the 1930s with the study of the traditional grammar of Choi Hyun Bye, is still the subject of continuous research. This article focuses on auxiliary verbs in Korean linguistics and the criteria for distinguishing them. It addresses issues such as the connection of auxiliary verbs to the main verb, and the complementary meaning of auxiliary verbs that gives the auxiliary verb to the main verb. Such features of the auxiliary verb as semantic and syntactic subordination to the main verb, aspect and modal meanings are investigated. It also explains the relationship of auxiliary verbs with subordinate forms and their use in combination with a main verb in a similar form.
Fabricating a complete denture in a conventional manner may be complicated and difficult. The purpose of this article was to describe the benefits of a fully digital workflow and fabrication procedure of complete dentures based on digital impressions of edentulous jaws. The digital data for the workflow were acquired using an intraoral scanner and were then used to design the den-ture base and teeth. The resulting data were exported to a 3D printer or a milling machine for denture fabrication.