Volume 15 Issue 03, March 2025
Impact factor: 2019: 4.679 2020: 5.015 2021: 5.436, 2022: 5.242, 2023:
6.995, 2024 7.75
http://www.internationaljournal.co.in/index.php/jasass
484
THE ROLE OF MUSIC IN EMOTIONAL EXPRESSION AND EXPLORATION IN
19TH-CENTURY ART
Shukirillayeva Ominabonu Xayrulla kizi
Uzbekistan state conservatory
1st year master`s student of the department " Special Piano"
Polatxanova Nargiz Shamilyevna
Scientific supervisor: Professor of the Department of "Special Piano"
Abstract:
In the 19th century, musical art was enriched with new aesthetic and emotional
expressions. During the Romantic period, one of the main tasks of music was to reflect the inner
world and mental states of a person. This article analyzes the role of emotional expression and
emotional research in 19th-century music, especially the formation of Romanticism and new
approaches to music. Music provided new opportunities for expressing not only external
phenomena, but also internal, ambiguous experiences, such as love, sadness, and joy.
Keywords:
19th century music, romanticism, emotional expression, composers, musical forms,
emotional exploration, musical drama
Abstract.
In the 19th century, musical art enriched new aesthetic and
XIX century art, especially
music not only external world events in describing, perhaps
human internal feelings in expression important role plays. This
in the century of music
place not only of art aesthetic aspects, perhaps human of the soul deep and complex layers in
expressing, learning and understanding also central importance profession Romanticism
during in music news entered : free shapes, new melodic and harmonic types, feelings and
internal experiences reflection to continue aspiration It started. of the era main characteristic of
music from head-to-toe human his soul, their feelings, interests, and sufferings
to describe
focus was. Romanticism period in music emotional expression rose and musical works not only
traditional
shapes own
inside took, maybe new melodic research and harmonic
structures with rich. Music main from the duties one composers by of people emotional
circumstances reflection to continue. For example, Frederick
Chopin his / her own sad
and melancholy works with of music feel for them
the secret of the effect Chopin 's
music his / her own subtlety, complexity and internal color - variety with separated stands,
because she is man of the soul the most deep to the layers effect shows. Ferentz
List
own
in turn, in music dramatism strengthen and emotional of expression new forms to
search movement. For example, the works " Faust " and " Prometheus " dramatic power and
emotional research through of music internal the world expanded.
Romanticism and Music : Emotion central place
the 19th century romanticism art wide widespread is, its main from the principles one is feelings
and emotions deep expression was. In music this in the period composer’s human of the soul
various to the circumstances sometimes positive, sometimes and to negative emotions attention
they looked Ludwig van Beethoven, Frederic Chopin, Franz Schubert, Robert Schumann and
Pyotr Ilyich Tchaikovsky such as musicians own in his works traditional from forms give up
Volume 15 Issue 03, March 2025
Impact factor: 2019: 4.679 2020: 5.015 2021: 5.436, 2022: 5.242, 2023:
6.995, 2024 7.75
http://www.internationaljournal.co.in/index.php/jasass
485
emotional of expression new methods They searched. In music of romanticism the strongest
manifestation was in terms of one – tonality and melody structures free use was. Through this
composer their own inner feelings
further free to express successful They were. Music
structure and rhythms often personal feelings reflection provider to the tool From Beethoven's "
9th Symphony" to Chopin 's piano works was wide kind of compositions one from the side of the
people general soul reflection if it does, else from the side musician personal sorrows or in life
struggles with related was emotional experiments to express service did.
Music other art types with connection
the 19th century music other art types with closely related and the emotions of music in
expression usage not only in music, maybe also great in poetry and literature place Music
often poems, stories or ballet reflection in progress used and this of music emotional expression
strength further For example, in Schubert's " Lieder " ( songs ) of music every one movement of
the poem content with in harmony, they through composer his/her own internal experiences and
himself/herself seen world image to the listener delivers.
Music personal and collective in the spirit role
the 19th century music not only personal feelings reflection to hold tool as, maybe collective the
spirit also important in expressing role played. During this period of music collective to the
situation the impact of their national or social consciousness in development importance seen.
France Revolution, Congress of Vienna and United Germany such as events to music own the
impact Composers
own in his works national pride, freedom and humanity future about
expectations Music not only individual research reflection to hold maybe, all of the people
or whole the feelings and hopes of humanity to unite service did.
Emotional expressive and emotional research Uzbek in music
Uzbekistan music art in the 19th century emotional expressive and emotional research not only
local maybe world music traditions own inside Romanticism under the influence of, Uzbek
composers and performers own in his works person's internal world, nature with related feelings
to express Perfect compositions and emotional
of circumstances expression often national
traditions and accumulated perfect music forms with united. This in the period Uzbek composers,
to himself typical thoughts and feelings to illuminate aspiring and very many music works
romantic to the character has been. 19th century from the end of the 20th century in passing In
Uzbekistan music art and romanticism emotional to the expression was Influence, form and
genres each other with synthesis to be done new images and expressions appearance Music
through person's internal world, feelings and spirituality to the circumstances more attention This
period was given. Uzbekistan music in art to oneself typical emotional research to express,
human his/her spirit clear and deep to understand opportunity created.
Conclusion
19th century music art of romanticism raised emotional expression and internal the spirit
reflection in progress high to the peaks achieved. Music such approach not only individual
feelings, but also universal reflecting both grace and sophistication to continue help
Composers to the feelings of music was the impact deep studied and music through human
Volume 15 Issue 03, March 2025
Impact factor: 2019: 4.679 2020: 5.015 2021: 5.436, 2022: 5.242, 2023:
6.995, 2024 7.75
http://www.internationaljournal.co.in/index.php/jasass
486
all emotional diversity
statement to reach successful They were. This in the period music
literature and other art types with together new emotional and aesthetic of species to develop big
contribution added. 19th century music, romanticism high to the top uplifting, emotional
expressive and emotional research deeper to study opportunity created by. Composers own in his
works human of the soul diverse and complex layers to open they sought, this and music and art
only aesthetic in appearance without leaving, maybe his/her social and political also increased its
importance. Therefore for, 19th century music not only historical importance has maybe of
humanity spiritual status and future about thoughts representative tool as big as place holds.
References
1.
Alexandrov, A. V. History of Western European music: XIX century. — M.: Muzyka,
1982.
2.
Boldin, Yu. A. Mythic romance and music of the 19th century. — M.: Sovetsky
Kompozator, 1985.
3.
Gavrilov, A. A. Music romanticism: puti emotional expression. — M.: Muzyka, 2001.
4.
Yunusov, M. X. Classical and romantic music in Uzbekistan (Klassicheskaya i
romanticheskaya muzyka v Uzbekistane). — Tashkent : Academy, 2006.
