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TYPE
Original Research
PAGE NO.
110-113
DOI
OPEN ACCESS
SUBMITED
26 October 2024
ACCEPTED
30 December 2024
PUBLISHED
30 January 2025
VOLUME
Vol.05 Issue01 2025
COPYRIGHT
© 2025 Original content from this work may be used under the terms
of the creative commons attributes 4.0 License.
Zulfiyakhonim in the
representation of
uzbekistan women
Ergasheva Gulsanam Gulomjonovna
1st year student of the Pediatrics Department of the Tashkent Medical
Academy, Uzbekistan
Askarova Nargiza Abdivalievna
Scientific advisor, Associate Professor of the Department of Pedagogy
and Psychology of the Tashkent Medical Academy, Uzbekistan
Abstract:
Zulfiyakhanim is a bright star of Uzbek
literature, a poetess who, through her creative work,
vividly demonstrated the spirituality and culture of
Uzbek women. This article studies the life and work of
Zulfiya as an image of her as a source of inspiration for
Uzbek women.
Keywords:
Zulfiya, Uzbek literature, image of women,
culture, spirituality.
Introduction:
Zulfiyakhanim is a bright star of Uzbek
literature, a unique poetess and an enlightened woman
of our time. Her life and work are a model of greatness
and spirituality for Uzbek women. The authority of
Zulfiya's poetry lies in its true expression of our
luxurious and complex era, its originality, and its vivid
depiction of the souls and actions of our
contemporaries.
A
prominent
and
honored
representative of the Uzbek people, a prominent public
figure, and a herald of the struggle for international
peace, Zulfiya Isroilova is the owner of the international
"Nilufar", Jawaharlal Nehru and State awards.
Zulfiyakhanim Isroilova was born in 1915 in the ancient
Degrez neighborhood of Tashkent. First, she studied at
a primary school, then at a women's college. In 1935-
1938, she studied at the postgraduate course of the
Institute of Language and Literature of the Academy of
Sciences of Uzbekistan. After that, she worked in
various publishing houses.From 1935 to 1980, she was
the editor-in-chief of the women's magazine "Saodat",
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which was widely distributed in our republic in about
thirty languages. Zulfiyakhanim Isroilova married
Hamid Olimjon. Zulfiya's great talent was recognized
not only in our country, but also worldwide. She was a
poet. However, while they were living a life full of
dreams, she lost her husband in a car accident in 1944.
The poetess died in 1996 at the age of 81. The poetess
began her artistic career very early.
With her first collection of poems, "Sheets of Life,"
written at the age of 17, Zulfiya joined the ranks of
Aydin, Muzayyana Alaviya, and Khosiyat Tillakhanova.
The role of Uzbek and Russian classical literature, folk
oral creativity, and the traditions of world literature
played a significant role in Zulfiya's creative
development. The poetess dedicated her poetic works,
such as "Poems" and "Girls' Song," to the hot lives of
the Motherland and its cotton growers, mechanics, and
tractor drivers. At the same time, the poems in these
collections were also important as works characterizing
the period when the poetess mastered the secrets of
poetic skill. The publication of the poetess' collections,
such as "They Called Her Farhod" (1943) and "In the
Days of Hijron" (1944), during the war, was a sign that
Zulfiya was boldly entering the ranks of leading poets.
The poems in the collection are characterized by their
creation in the spirit of love for the Motherland, hatred
for the enemy, and confidence in victory. Zulfiya's
hopeful poems such as "My Homeland", "A Weapon in
My Hand and a Coat on My Shoulders", and "Wait for
Us" are among the works that express the fighting spirit
of Uzbek poetry during the war. The poetess's series of
poems written in the last years after the war, such as "A
Day in the Field", "Morning Song", and the collections
"I Sing the Morning", "People Close to My Heart", and
"Songs to You", passionately sing the praises of the
Motherland and the lives of those who are selfless in
the process of labor. Her essays and epics such as "My
Poem Questions the Poet", "Oydin", and "Sunny Pen"
are dedicated to the vivid memories of such teachers as
H.Hakimzoda, Oybek, Oydin, and Hamid Olimjon.
Zulfiya also created a play and opera libretto based on
H. Olimjon's epics "Semurg" and "Zaynab and Amon."
WHEN THE APRICOT BLOSSOMS
"In front of my balcony, a bush
The apricot blossomed white..."
Seeing the flower, my amorous heart
Sang from the pain of a thousand words.
Missing you in the evening
The warmth that Hijran adds.
I am dying of longing
—
For your farewell, when there is no time to endure.
Missing you in the evening
I entered this familiar house.
In the house where we once lived
I stayed with my thoughts.
So warm, so cozy
This narrow place where I spent my youth.
Here, strange things live,
More beautiful than the nights spent with love.
Every corner of my consciousness is filled with joy,
How familiar, close.
Just like the sparkle that has reached perfection in the
night
In your song.
In this, life is moments of inspiration
A gem spilled from your pen.
When the wind takes the flower's neck
Those eyes filled with jealousy.
When you finished, with thirst
I was fascinated by reading life.
The fire of your eyes, which was collected as
"How did you say it?" Is life.
Still life, while reading it again
My chest is filled with pleasure.
The majestic, gentle,
The smile on your face is worth a world.
Life is like love,
Your trace is visible everywhere.
Birds sing in the melody
Your voice rings, speak.
Excitement surrounded me,
The power of love increased again.
The east is red, the sun is rising,
The tip of the poplar tree turned golden.
The apricot you sang about last night
Wrapped in white - white flowers.
With precious memories
I left for home alone.
Zulfiya was the laureate of the State Prize of the
Republic named after Hamza for her poetry collections
"Houses" and "Shalola". She was awarded the
Jawaharlal Nehru International Prize for her poems on
Indian themes, the international "Nilufar" prize for her
works praising peace and friendship and active
participation in the movement of progressive Asian and
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African writers. Her poems have been translated into
Russian, English, German, Hindi, Bulgarian, Chinese,
Arabic, Persian and other languages. The poetess
skillfully translated the works of Nekrasov, Lermontov,
V. Inber, Lesya Ukrainka, Edi Ogneshvet, M. Dilboziy,
Amrita Pritam into Uzbek. The wife of the legendary
Uzbek poet Hamid Olimjon, the poetess, who
captivated millions of hearts with her sensitive poetry,
died on August 1, 199. In 2004, the Zulfiya State Prize
was established in our country. This prize is presented
annually on the eve of March 8 to girls who have
achieved success in the fields of literature, art, science,
culture and education. Today, the growing number of
her followers is a sign of love and pride for her. The fate
of the Uzbek woman occupies a large place in the poet's
work. Her active role in the life of the country is of great
importance. The poetess never tires of praising the
elegance of femininity in her poems. Zulfiya's poetry is
permeated with ardent love and affection for nature
and humanity. In her verses, she describes nature in
bright colors, bright paints and symbols.Her lyrics, filled
with nobility, courage, national pride, sincere feelings,
blue colors, unexpected new images, give the reader a
wonderful spring-like pleasure, add confidence in the
person's faith in goodness and purity. In her poems,
Zulfiyakhanim sang mainly about the happiness and
worries of Uzbek women and girls. Each of her lines is
in harmony with spring. These can be seen in the poet's
most famous poems, such as "Hulkar", "Men tongni
kuyulynam", "Yuragimy yanykh shishir", "Mening
bahorim". In a word, Zulfiya glorified the beauty and
courage of women through her works, turning them
into a unique symbol.
CONCLUSION
Zulfiyakhanim is an example for Uzbek women. Her life
and work are a vivid example of raising the position of
women in society and attracting them to
enlightenment and art. Remembering Zulfiyakhan
means honoring the dignity and worth of Uzbek
women.
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