Авторы

  • Шахноза Таирова

Биография автора

  • Шахноза Таирова
    O‘zbekiston Davlat Jahon Tillari Universiteti, ingliz tili o‘qituvchisi

DOI:

https://doi.org/10.71337/inlibrary.uz.science-shine.127213

Аннотация

This article explores the main approaches to the study of the concept including its content, structure and classification. The study primarily focuses on the concept “fire” providing its both denotational and connotational meanings in English.  In this article, the interpretative field of the concept under study is structured by phraseological units, mythological elements, proverbs and quotations, each of which reveals its part. It further provides an overview of the conceptual metaphors regarding the concept “fire”.


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THE CONCEPT OF FIRE IN LINGUOCULTUROLOGY: IMAGE-BEARING

AND EVALUATIVE DIMENSIONS

Tairova Shahnoza Bahromovna

O‘zbekiston

Davlat Jahon Tillari Universiteti, ingliz tili

o‘qituvchisi


Abstract:

This article explores the main approaches to the study of the concept

including its content, structure and classification. The study primarily focuses on the
concept

“fire”

providing its both denotational and connotational meanings in English.

In this article, the interpretative field of the concept under study is structured by
phraseological units, mythological elements, proverbs and quotations, each of which
reveals its part. It further provides an overview of the conceptual metaphors regarding
the concept

“fire”.

Keywords:

concept, fire, classification, content, analyses, phraseological units,

myth, quotations, proverbs, conceptual metaphors.

Introduction.

A concept is generally defined as a complex mental construct that

constitutes a core element of an individual's worldview, bearing significance either at
the level of personal linguistic identity or within the broader linguocultural
community. As V.A. Maslova (2004, 2007) observes, conceptual formation is
inherently influenced by an individual's emotional, physical, historical, personal, and
social experiences acquired through the process of perceiving and interpreting the
world.

Within the framework of linguoculturology, several essential characteristics of

concepts are identified:

they encapsulate structured knowledge about the external world;

they are inherently culturally and nationally specific;

they represent multidimensional mental entities composed of notional,

figurative, and evaluative components;

they possess emotional and expressive qualities, often connected through

associative networks.

Scholars have proposed multiple classifications of concepts. One common

typology distinguishes between concrete and abstract concepts, based on their degree
of abstraction. Another classification, based on verbal representation, differentiates
between verbalized and non-verbalized concepts. In this context, Popova and Sternin


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(2002) introduce the terms sustainable (verbalized) and unsustainable (non-
verbalized) to describe these respective categories.

Verbalized concepts can be further differentiated along several dimensions:
1.

Linguistic structure: including lexical, phraseological, grammatical, and

syntactic forms (Babushkin, 1996; Vezhbitskaya, 2001; Alefirenko, 2002); as well as
simple (single-word) and complex (multi-word) concepts (Schiffer & Steele, 1988);

2.

Discourse context: such as everyday, scientific, or artistic discourse

(Karasik, 1996; Askoldov, 1997). Artistic concepts may also be categorized based on
conventionality, including general artistic types (e.g., archetypes), individual
authorial constructs (idiotypes), and original authorial neologisms (Sergeeva, 2006;
Ponomariov, 2008);

3.

Transmission mode: including active and passive transmission, content

stability (modifiable vs. non-modifiable), and translatability across linguistic and
cultural boundaries (Karasik, 2004);

4.

Sociocultural scope: encompassing universal, ethnic, civilizational,

group-based (micro and macro), and individual concepts (Likhachev, 1997; Karasik,
1996).

The Voronezh school of thought, led by Professor Z.D. Popova, offers a

classification grounded in cognitive layering:

a) Single-level concepts, limited to sensory experience;
b) Multi-level concepts, involving multiple layers of cognitive abstraction;
c) Segmented concepts, composed of a primary sensory base and supplementary

layers of equal abstraction (Pavelenis, 2006, p. 34).

Main part.

The concept fire is ubiquitous and universal in all languages across

the globe. Being one of the main sources of life on Earth, fire gave rise to many
religious legends, rituals, myths and traditions. For instance, various religions view,
represent and symbolize fire differently. More specifically, fire can be regarded as:

1.

Punishment. Fire symbolizes hellfire and represents punishment for

disbelievers and wrongdoers in Islam and Christianity.

2.

Divine Presence. Fire symbolizes spiritual enlightenment and holiness in

Christianity (Pentecost) and Judaism (burning bush).

There exist some rituals where fire is used. In Hinduism, fire is regarded as a

sacred element and purifier. Fire is worshipped directly. They worship Agni, fire god.
Similar to Hinduism, in Zoroastrianism, fire is deemed as a divine light, as the
manifestation of Ahura Mazda, a supreme god in this religion; hence, they maintain
eternal flames in Fire Temples.


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Alongside religious views and rituals, there are many traditions closely

associated with fire. For example, in Hindu weddings, the bride and groom walk
around sacred fire named Agni seven times so that sacred fire binds their vows and
blesses the union. Similarly, based on ancient Turkic shamanistic and folk beliefs, in
the villages of some Turkic nations, the bridge jumps over fire as it is believed fire
banishes evil curses from the bride, so it means the purification of the bride.

The concept fire is witnessed in Greek Mythology, too where it symbolizes

knowledge, rebellion and civilization. According to the myth, Prometheus, ancient
Greek Titan, steals fire from the gods in order to give it to humanity.

The initial stage of linguistic analysis of any concept involves examining its

notional component through a thorough study of its dictionary meanings.

According to Cambridge Advanced

Learner’s

Dictionary, fire folds the

following definitions:

1.

Flames (noun)

the state of burning that produces flames which send

out heat and light, and might produce smoke

2.

Emotion (noun)

strong emotion

3.

Excite (verb)

to cause a strong emotion in someone

4.

Heat (verb)

to heat objects made of clay in a kiln (= a special oven) so

that they become hard

From the linguistic perspective, the concept fire embodies a wide variety of

lexical and phraseological forms such as collocations, idioms, proverbs, sayings,
quotations as well as aphorisms. Below the image bearing and evaluative components
of the concept fire on the basis of phraseological units are illustrated:

Collocations. There are a multitude of collocations containing the term fire

which are grouped according with some particular grammatical patterns.

Verb + fire combinations: start a fire, light a fire, fight a fire, build a fire, set fire

to something, catch fire, fan the fire.

Adjective + fire combinations: deadly fire, blazing fire, raging fire, devastating

fire, electrical fire, friendly fire, open fire.

Fire + noun combinations: fire alarm, fire fighter, fire station, fire drill, fire

extinguisher, fire engine, fire hazard, fire brigade, fire escape, fire plug, fire truck.

Noun + fire combinations: house fire, kitchen fire, forest fire, bush fire, gas fire.
These collocations manifest both positive and negative evaluations and they are

demonstrated in the table vividly:

Positive

Light a fire, fight a fire, build a fire, blazing fire,


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evaluations

fire fighter, fire station, fire drill, fire extinguisher, fire
truck, fire engine, fire brigade, fire escape

Negative

evaluations

Start a fire, set fire to something, catch fire, fan the

fire, deadly fire, raging fire, devastating fire, electrical
fire, friendly fire, open fire, fire hazard, house fire,
kitchen fire, forest fire, bush fire

Neutral

evaluations

Fire alarm, fire plug, gas fire


Idioms and figurative expressions. The English lexica are rich for idiomatic

expressions featuring the word fire. These are as follows: play with fire, fight fire
with fire, come under fire, add fuel to the fire, trial by fire, in the line of fire, baptism
by fire, fire and brimstone, go through fire and water.

Positive

evaluations

Trial by fire, baptism by fire, go through fire and

water

Negative

evaluations

Play with fire, come under fire, add fuel to the fire,

fire and brimstone, in the line of fire

Neutral

evaluations

Fight fire with fire


Proverbs. There are also numerous proverbs which lie traditional wisdom and

moral lessons. The most common ones are the following:

Don’t

play with fire. Where

there’s

smoke, there is fire. No smoke without fire. Fire is a good servant but a bad

master.

Negative

evaluations

Don’t

play with fire. Where

there’s

smoke, there is

fire. No smoke without fire.

Neutral

evaluations

Fire is a good servant but a bad master.


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Sayings. Sayings also exist which feature the concept fire such as set the world

on fire, like a moth to a fire, old flames die hard, if you play with fire, you will get
burnt, to pull someone out of the fire or to have a fire in your belly.

Positive

evaluations

set the world on fire, you will get burnt, to pull

someone out of the fire, to have a fire in your belly

Negative

evaluations

like a moth to a fire, if you play with fire, you will

get burnt

Neutral

evaluations

old flames die hard

Quotations. It is no noteworthy that there are a great number of remarkable

quotations about fire by prominent literary figures featuring a mix of literary,
philosophical and poetic sources such as:

“Education

is not the filling of a pail, but

the lighting of a

fire”

(William Butler Yeats),

“To

learn to read is to light a fire; every

syllable that is spelled out is a

spark”

(Victor Hugo),

“A

spark neglected makes a

mighty

fire”

(Robert Herrick), Do not let your fire go out, spark by irreplaceable

spark…”

(Ayn Rand),

“What

matters most is how well you walk through the

fire”

(Charles Bukowski).

Positi

ve
evaluations

“Education

is not the filling of a pail, but the lighting of a

fire”

(William Butler Yeats),

“To

learn to read is to light a fire;

every syllable that is spelled out is a

spark”

(Victor Hugo), Do not

let your fire go out, spark by irreplaceable

spark…”

(Ayn Rand),

“What

matters most is how well you walk through the

fire”

(Charles Bukowski).

Negat

ive
evaluations

“A

spark neglected makes a mighty

fire”

(Robert Herrick)

The concept fire possesses a multitude of conceptual metaphors to reveal its

unique complex structure. They are as follows:

1.

FIRE IS EMOTION

Example: He exploded in a fiery rage.
2.

FIRE IS LOVE

Example: the fire of love
3.

FIRE IS CREATIVITY


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Example: She sparked a resolution in thought.
4.

FIRE IS MOTIVATION

Example: Fuel your dreams.
5.

FIRE IS DESTRUCTION

Example: He is playing with fire.
6.

FIRE IS TRANSFORMATION/PURIFICATION

Example: Trial by fire
7.

FIRE IS SPIRIT

Example:

Don’t

let your fire go out.

8.

FIRE IS ENLIGHTENMENT

Example: Prometheus stole fire.
9.

FIRE IS HELL

Example: torments of fire
10.

FIRE IS HEAVEN

Example: A warm fire of love in the soul

Conclusion.

In conclusion, the concept of fire emerges as a richly layered and

multifaceted phenomenon within the English linguocultural context. Through an
analysis of its literary and figurative meanings, phraseological expressions,
mythological references, proverbs, quotations, and conceptual metaphors, this study
demonstrates that fire embodies both constructive and destructive dimensions. It
symbolizes not only physical phenomena but also abstract human experiences such as
passion, purification, danger, and transformation.


References:

1.

Ashurova, D. U., & Galieva, M. R. (2019). Cultural Linguistics.

Tashkent: VneshInvestProm

2.

Babushkin, A. P. (1996). Tipy kontseptov v leksiko-frazeologicheskom

semanticheskom pole yazyka. Tambov: Tambov State University Press.

3.

Cambridge University Press. (2023). Cambridge Advanced

Learner’s

Dictionary (5

th

ed.). Cambridge: Cambridge University Press.

4.

Karasik, V. I. (1996). Yazykovoy krug: lichnost', kontsepty, diskurs.

Volgograd: Peremena.

5.

Karasik, V. I. (2004). Yazykovoy krug: lichnost', kontsepty, diskurs (2nd

ed.). Moscow: Gnozis.

6.

Maslova, V. A. (2004). Kognitivnaya lingvistika. Minsk: TetraSystems.

7.

Maslova, V. A. (2007). Lingvokulturologiya. Moscow: Akademiya.


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8.

Popova, Z. D., & Sternin, I. A. (2002). Kognitivnaya lingvistika.

Voronezh: Istoki.

9.

Ponomariov, G. B. (2008). Avtorskiye kontsepty v khudozhestvennom

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10.

Sergeeva, N. V. (2006). Idiostil i idiokontsept. Ekaterinburg: Ural State

University Press.

11.

Vezhbitskaya, A. (2001). Ponyatie

“kul’tura”

v svetle yazykovoy

semantiki. Moscow: Yazyki slavyanskoy

kul’tury.

Библиографические ссылки

Ashurova, D. U., & Galieva, M. R. (2019). Cultural Linguistics. Tashkent: VneshInvestProm

Babushkin, A. P. (1996). Tipy kontseptov v leksiko-frazeologicheskom semanticheskom pole yazyka. Tambov: Tambov State University Press.

Cambridge University Press. (2023). Cambridge Advanced Learner’s Dictionary (5th ed.). Cambridge: Cambridge University Press.

Karasik, V. I. (1996). Yazykovoy krug: lichnost', kontsepty, diskurs. Volgograd: Peremena.

Karasik, V. I. (2004). Yazykovoy krug: lichnost', kontsepty, diskurs (2nd ed.). Moscow: Gnozis.

Maslova, V. A. (2004). Kognitivnaya lingvistika. Minsk: TetraSystems.

Maslova, V. A. (2007). Lingvokulturologiya. Moscow: Akademiya.

Popova, Z. D., & Sternin, I. A. (2002). Kognitivnaya lingvistika. Voronezh: Istoki.

Ponomariov, G. B. (2008). Avtorskiye kontsepty v khudozhestvennom tekste. Saratov: Nauka.

Sergeeva, N. V. (2006). Idiostil i idiokontsept. Ekaterinburg: Ural State University Press.

Vezhbitskaya, A. (2001). Ponyatie “kul’tura” v svetle yazykovoy semantiki. Moscow: Yazyki slavyanskoy kul’tury.

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