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PUBLISHED DATE: - 23-11-2024
DOI: -
https://doi.org/10.37547/tajiir/Volume06Issue11-20
PAGE NO.: - 242-245
THE PECULIARITY OF THE CHOREOGRAPHIC
WORKS OF BALATMEISTER AKBAR
MUMINOV
Shavkat Atakhonov
Teacher of the academy, State choreography of Uzbekistan, Uzbekistan
INTRODUCTION
Among the arts, dance has a special magical effect
on the human psyche. As soon as you look at a
dancer on stage, moving easily to the music, you
will feel a special feeling in your heart. If the
mysterious movements called dance can immerse
you in their world, then this is the power of the art
of dance. Dance, like other arts, is an artistic
method of studying human life and the entire
Universe. The origin of the art of dance goes back
to ancient history. Dance masters dedicated to this
stage played an incomparable role in the
development of the art of dance.
Therefore, the Uzbek national dance art is the
cultural and spiritual wealth of our nation and is
being preserved like the apple of an eye. The
colorful and beautiful genres, forms and types of
Uzbek dance art leave no one indifferent and
amaze with their unique charm of performance,
bright expressiveness, content and emotional
power. The traditions of dance, which enrich our
national values, have not lost their artistic and
aesthetic value even today.
Therefore, when describing the group of modern
traditional dances, it is noted that purely
professional choreography is characteristic of a
single dance culture, and it is divided into three
groups that have their own dance styles - Fergana,
Khorezm, and Bukhara dances. divided.
Fergana dances are characterized by light, circular
hand movements. The naturalness of the div
movements, the free standing of the div, the light
movement of the upper part of the div, the light
running on the tips of the feet correspond to the
rich nature of the Fergana Valley. Fergana "big"
dances are full of heroic actions and express
dramatic passions. There is no tension in the
Khorezm dances, which is characteristic of the
proud dances of the northerners.
Historical characteristics of Khorezms helped to
RESEARCH ARTICLE
Open Access
Abstract
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enrich the dance with open emotionality and
bravery. It is known that at the beginning of our
century, there were dancers in the army of the
Khan, who raised the spirits of the warriors before
the start of the battle. Its name is Lazgi, the most
popular dance in Khorezm. This dance clearly
expressed the enthusiasm, fiery passion, and
actions of the proud people.
In the Bukhara dance, the delicate bends of the
div and the complex structure of dance
movements indicate that this dance was nourished
by folk dances and developed in the circle of great
artists. Live nature and human feelings are clearly
expressed in them. The dances are rhythmically
fast, intense and proud.
Uzbek folk dances have become one of the art
forms that reflect and express various realities in
life through movements. In addition, dance is a
means of reflecting the inner world of a person.
Folk dances are divided into:
1. Local creative schools of Fergana, Khorezm,
Bukhara.
2. The main method of execution that creates "big
and small" games.
Thus, Uzbek folk lyrical dance has three genres:
heroic-heroic genre, lyrical-dramatic genre and
humorous-comic genre.
The formation of Uzbek folk stage dance is
primarily closely related to the ensemble of Askar
Haji Khaidaraliev, which operated at the beginning
of the 20th century, and the name of the famous
dancer Hamdamkhan. Hamdamkhan started a new
direction by performing Uzbek folk dance on
stages in the cities of Fergana Valley, Tashkent and
Samarkand, and in 1905 in the countries of the
Caucasus. Especially, in the development of folk
stage dance, Usta Olim Komilov, Yusufjan Kuyen
Shakarjonov,
Tamarakhanim,
Mukarrama
Turgunboyeva, Isakhor Aqilov, Gavhar Rakhimova,
Kunduz Mirkarimova, Roziya Karimova and
dozens of other dance masters, "Bahor", "Shodlik",
"Lazgi" Ensembles like ”
are of great service.
Dozens of individual dances, duets, and public
dances performed by ballet masters and
composers captivated several generations of our
country and world audiences, and became part of
the reserve of Uzbek dance art. “Tanavor”,
“Munojot”, “Katta о‘yin”, “Bahor”, “Pilla”, “Paxta”,
“Lazgi”, “Dilxiroj”, “Chо‘pon о‘yin”, “Namanganning
olmasi”, “Andijon polkasi” and others are among
them. They became classical dances. On this basis,
several generations of dancers and dancers have
matured. Dance styles, skill bases, series of
movements have been passed down from
generation to generation.
In fact, since ancient times, our wise and intelligent
ancestors tried to preserve our rich historical,
cultural, artistic and spiritual heritage for future
generations. Dance is one of them. After all, the
culture and dance art of each nation is preserved in
its own.
The merits of Muminov Akbar Nishonovich, an
honored artist of Uzbekistan, are great for
enriching the Uzbek national dance art. The dances
created by him are works of art that deserve to be
included in the list of heritage dances. Here, let's
talk about the most famous dances performed by
uztoz.
First of all, among A. Mominov's dances, which
have been recognized by lovers of world dance art,
the danc
e suite "Jon O‘zbekiston" has a special
place. The music of this dance-suite was written by
N. Khalilov, and the lyrics were written by the
national poet of Uzbekistan, Polat Momin. This
dance is considered a work of praise for
Uzbekistan. In it, the nature of our country, the
intense and loving nature of Uzbek men, and the
beauty, grace, and grace of our girls are shown in
their dance movements. This dance-suite
combines classical dance movements with national
movements, and it appears as the first new style in
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Uzbek national dance art.
Another such new style of national dance is the
dance-
composition “Dugonajonim”, the music of
this dance is also composed by the great composer
N. Khalilov. A special novelty in "Dugonajonim" is
that the dancers perform dances with lykobcha
and Angishona. Its plot is taken from our national
traditions, and it artistically expresses events
specific to Uzbek girls, such as “Qizlar majlisi” and
“Qizlar davrasi” through dance movements. Due to
A. Mominov's desire for creative innovation, eight
dancers performed with lykobcha and Angishona.
"Dugonajonim" also "talks" about the beauty,
modesty, and elegance of Uzbek girls.
The choreographic composition "Sayribog" staged
to the music of Sayfiddin Yoldoshev, an
accomplished artist and accomplished composer
of Uzbekistan, is one of the dance works that, like
the above dances, was created with creative
innovation and a combination of nationalism,
tradition and modernity. In this choreographic
composition, meetings of young men and women
in the garden, cheerful games, in a word, youthful
pleasure are "sung". "Sayribog" is important as an
artistic work that gives pleasure to the viewer and
reminds the happy moments of youth. In this work,
the enthusiasm and enthusiasm of Uzbek boys, the
delicacy and sophistication of girls are shown. The
classical dance moves are also harmonious in this
dance and create a basis for making this dance
more enjoyable and expressive. Clothes also
acquire nationalism and modernity. As in national
dances, in "Sayribog" the dancers wore short skirts
under the dress instead of dresses, and the sleeves
of the dress were not wide, but were made in the
style of lanterns. The costumes of the monand
dances were made in their own way. A. Mominov
constantly expressed his opinion to designers and
tailors.
A. Mominov to the music of M. Mirzayev will stage
the same choreographic-composition celebrating
Navruz, our oldest national tradition and national
holiday. This dance piece expresses the fact that
spring is the season of renewal and rejuvenation,
Navruz is a favorite holiday of the Uzbek people,
and its traditions are expressed. The dance is
staged for eight dancers and one solo dancer. A
solo dancer appears on the stage in the image of
Spring and "awakens" the dancers standing on the
stage as if awakening nature. Girls beautifully
perform the awakening of nature through dance
movements.
One of the most famous dances is the "Keldimu"
dance based on the tune taken from the musical
drama "Farkhod and Shirin" by the People's Artist
of Uzbekistan Tokhtasin Jalilov. This dance was
created as a public dance, and the costumes in it
were made according to historical figures. Even in
this dance, A. Muminov chooses each movement
with taste. Each dance movement mixes with the
music and "talks" about the love of two hearts.
During the re-staging of these dances together with
teacher Q. Muminov, I was convinced that A.
Muminov is a great ballet master who was a true
innovator of his time.
In addition to these dances, the Uyghur dance
music of A. Muminov Ikram Akbarov's ballet
"Orzu" will be staged by the dance composition
"Kuyovtoralar (Jenikhi)". In this dance, a solo
dancer girl has to choose the one suitable for her
from among five male dancers. Young men tell each
other that I am worthy of a beautiful girl. All this is
expressed in the combination of traditional and
classical dance movements. “Yigitlar” also "bring to
life" in their dance movements the fact that our
young men glorify love, love and appreciate
beauty, and that our Uzbek girls are honorable,
proud, pure of heart and beautiful.
One of the dances included among the heritage
dances of the Uzbek national dance art, “Yigitlar”
(Jigitlar) is the earliest dance among the immortal
ages of A. Mominov. We talked a lot about the great
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artist M.Turgunboyeva, who had heard about this
dance. In this dance, which has won the praise of
the teachers and the love of the people, the
performance skills and talent of the Uzbek male
dancers, as well as the courage and bravery of our
young men, are clearly demonstrated. Violent
young men riding horses, playing with whips, and
moving towards each other are artistically
expressed through violent dance movements. This
dance is the crown dance among national men's
dances.
A. Mominov is an advanced performer of solo
dances, and for the first time he staged the dance
"Terimchi Kiz" for his favorite student Kyzlarkhan
Dosmukhamedova. In this dance, the image of a
grumpy picker girl happily picking cotton in the
cotton fields is created. The reason for the creation
of this dance was Q. Dosmukhammedova's creative
trip to Egypt. With “Terimchi qiz” she returns to
Egypt to the acclaim, recognition and many
achievements of all dance lovers.
Also, A. Muminov, who staged "Hilola" dance for
talented dancer Rana Beshimova, “Terimchi qiz”
dance for young dancers, staged mass (mass)
dances such as "Munojot" at state events.
Since the first years of independence, A. Muminov
has been creatively active as a ballet master at
national holidays and various state events. Stages
public and solo dances with many plots. Moreover,
they work together with amateur teams who come
from the regions to participate in the national
holiday in Tashkent and help them perform their
dances perfectly.
In this regard, the teacher's support to the amateur
teams of Kashkadarya region is of particular note.
A. Muminov has organized creative trips to this
region many times and has gladly helped in the
formation and development of many folklore
groups.
CONCLUSION
In conclusion, it should be said that A. Muminov is
restless, keen on creative innovations, has a keen
artistic taste, is a skilled teacher, ballet master, and
pedagogue, in one word, Uzbek. is one of the great
manifestations of dance art. He is truly a worthy
disciple of his teachers, a devotee of art who can be
a real example to his students.
REFERENCES
1.
О‘zbekistonda xizmat kо‘rsatgan san’at arbobi
Akbar Mо‘minov bilan suhbat. 04.12.2020.
2.
О‘zbekiston xalq artisti Qodir Mо‘minov bilan
suhbat. 30.11.2020 y
3.
Ўзбекистон санъати. Тўплам. –Тошкент,
2001.
4.
Sagatov K.S.,
Muxamedova M.A., О‘zbekiston
madaniyati va san’ati fidoyilari. T.: 2019.
5.
Shokirov U., Ashrafiy F., Shokirova I.
О‘zbekiston
madaniyati
namoyandalari.
(mо‘jaz ijodiy chizgilar).–
T.: Abdulla Qodiriy
nomidagi xalq merosi nashriyoti, 2001. 174b.
