Mualliflar

  • Rayimkulova Laylo Otabek qizi

DOI:

https://doi.org/10.71337/inlibrary.uz.ustozlar.112620

Kalit so‘zlar:

Keywords. Society Uzbek writing English writing social examination courage mythology comparative writing account structures social values.

Annotasiya

Annotation.  This  article  investigates  the  people  courageous  legends  of  Uzbekistan  and 
Britain,  highlighting  both  the  parallels  and  divergences  in  their  story  structures,  topical 
components,  and  social  importance.  Through  a comparative  investigation,  we  look  at  how  these 
legends  reflect  the  interesting  verifiable  settings,  societal  values,  and  ethical  lessons  of  the 
individual societies. By analyzing unmistakable works such as “Alpomish” from Uzbek old stories 
and  “Beowulf”  from  English  convention,  we  reveal  how  each  epic  serves  as  a  vessel  of  social 
personality and communal values. This consider points not as it were to improve the understanding 
of these courageous accounts but too to demonstrate the all inclusive topics of mettle, honor, and 
the human encounter that rise above social boundaries. 


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CULTURAL RESONANCE: PARALLELS AND DIVERGENCES

IN UZBEK AND ENGLISH HEROIC EPICS

Rayimkulova Laylo Otabek qizi,

Master’s student at Samarkand state institute of foreign languages,

Annotation.

This article investigates the people courageous legends of Uzbekistan and

Britain, highlighting both the parallels and divergences in their story structures, topical
components, and social importance. Through a comparative investigation, we look at how these
legends reflect the interesting verifiable settings, societal values, and ethical lessons of the
individual societies. By analyzing unmistakable works such as “Alpomish” from Uzbek old stories
and “Beowulf” from English convention, we reveal how each epic serves as a vessel of social
personality and communal values. This consider points not as it were to improve the understanding
of these courageous accounts but too to demonstrate the all inclusive topics of mettle, honor, and
the human encounter that rise above social boundaries.

Keywords.

Society, Uzbek writing, English writing, social examination, courage, mythology,

comparative writing, account structures, social values.

MADANIY REZONANS: O‘ZBEK VA INGLIZ QAHRAMONLIK

DOSTONLARIDAGI PARALLELLAR VA DIVERGENTSLAR

Rayimqulova Laylo Otabek qizi,

Samarqand davlat chet tillar instituti magistranti

Annotatsiya.

Ushbu maqolada Oʻzbekiston va Britaniya xalqlarining jasur afsonalari

oʻrganilib, ularning hikoya tuzilishi, dolzarb tarkibiy qismlari va ijtimoiy ahamiyatidagi
oʻxshashlik va tafovutlar koʻrsatilgan. Qiyosiy tadqiqot orqali biz ushbu afsonalar qanday qilib
qiziqarli tekshirilishi mumkin bo‘lgan sozlamalarni, ijtimoiy qadriyatlarni va alohida
jamiyatlarning axloqiy saboqlarini aks ettirganini ko‘rib chiqamiz. O‘zbek qadimiy hikoyalaridagi
“Alpomish” va ingliz tilidagi “Beovulf” kabi beqiyos asarlarni tahlil qilib, biz har bir dostonning
ijtimoiy shaxs va jamoa qadriyatlari idishi bo‘lib xizmat qilishini ochib beramiz. Bu jasoratli
hikoyalarni tushunishni yaxshilash uchun emas, balki ijtimoiy chegaralardan yuqori bo‘lgan
jasorat, sharaf va insoniy uchrashuvning hamma narsani o‘z ichiga olgan mavzularini namoyish
qilish uchun fikrlarni ko‘rib chiqadi.

Kalit so‘zlar.

Jamiyat, o‘zbek yozuvi, ingliz yozuvi, ijtimoiy ekspertiza, jasorat, mifologiya,

qiyosiy yozuv, hisob tuzilmalari, ijtimoiy qadriyatlar.

KÜLTÜREL REZONANS: ÖZBEKİSTAN VE İNGİLİZ KAHRAMANLIK

MEKTUPLARINDAKİ PARLELLİKLER VE FARKLILIKLAR

Rayimkulova Laylo Otabek kizi,

Semerkand devlet yabancı diller enstitüsü yüksek lisans öğrencisi

Özet.

Bu makale, Özbekistan ve İngiltere'nin cesur efsanelerini inceleyerek, hikaye

yapılarındaki, güncel bileşenlerindeki ve sosyal önemlerindeki paralellikleri ve farklılıkları
vurgulamaktadır. Karşılaştırmalı bir araştırma yoluyla, bu efsanelerin bireysel toplumların ilginç
doğrulanabilir ortamlarını, toplumsal değerlerini ve etik derslerini nasıl yansıttığına bakıyoruz.
Özbek eski hikayelerinden “Alpomish” ve ingiliz konvansiyonundan “Beowulf” gibi hatasız eserleri
analiz ederek, her destanın nasıl bir toplumsal kişilik ve toplumsal değerler aracı olarak hizmet
ettiğini ortaya koyuyoruz. Bu, bu cesur anlatıların anlaşılmasını geliştirmek için olduğu gibi değil,


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aynı zamanda sosyal sınırların üzerinde yükselen her şeyi kapsayan cesaret, onur ve insan
karşılaşması konularını göstermek için de noktaları göz önünde bulundurur.

Anahtar kelimeler.

Toplum, Özbekçe yazı, ingilizce yazı, sosyal inceleme, cesaret, mitoloji,

karşılaştırmalı yazı, hesap yapıları, sosyal değerler.

КУЛЬТУРНЫЙ РЕЗОНАНС: ПАРАЛЛЕЛИ И РАСХОЖДЕНИЯ В

УЗБЕКИСТАНСКИХ И АНГЛИЙСКИХ ГЕРОИЧЕСКИХ ПОСЛАНИЯХ

Раимкулова Лайло Отабек кызы,

Магистрант Самаркандского государственного института иностранных языков

Аннотация.

В этой статье исследуются легенды о мужестве людей Узбекистана и

Великобритании, подчеркиваются как параллели, так и различия в их сюжетной структуре,
тематических компонентах и социальной значимости. Проводя сравнительное
исследование, мы смотрим на то, как эти легенды отражают интересные, поддающиеся
проверке обстоятельства, социальные ценности и этические уроки отдельных обществ.
Анализируя безошибочно узнаваемые произведения, такие как “Алпомиш” из узбекских
старинных сказок и “Беовульф” из английского convention, мы показываем, как каждый эпос
служит вместилищем социальной индивидуальности и общественных ценностей. Это
исследование направлено не столько на то, чтобы улучшить понимание этих
мужественных рассказов, сколько на то, чтобы продемонстрировать всеобъемлющие
темы мужества, чести и человеческих взаимоотношений, которые выходят за рамки
социальных границ.

Ключевые слова.

Общество, узбекская письменность, английская письменность,

социальный экзамен, мужество, мифология, сравнительное письмо, структуры
повествования, социальные ценности.

Courageous sagas have long been a crucial portion of social legacy, serving as reflections of

societal values and human encounters. Both Uzbekistan and Britain brag wealthy conventions of
society gallant accounts that typify their histories and social characters. This article explores the
gallant sagas of these two districts, centering on the likenesses and contrasts that characterize their
special narrating conventions. By looking at the accounts, characters, and topics show in Uzbek
legends like “Alpomish” and English works such as “Beowulf”, we point to uncover how these
stories reverberate inside their particular societies and how they address widespread subjects of
bravery, give up, and ethical quality. eventually, this comparative examination will shed light on the
broader social suggestions of these epic stories, underscoring the persevering nature of bravery over
diverse social orders.

Uzbekistan’s epic convention, especially exemplified by the Alpomish epic, risen amid a

time when the locale was a intersection of different societies, counting Persian, Turkic, and Middle
easterner impacts. This wealthy embroidered artwork was molded by authentic occasions such as
the rise of the Samanid Domain within the 9 th to 10 th centuries and afterward the Turkic Khans,
which cultivated a period of social and creative thriving. The Alpomish epic, frequently ascribed to
the verbal conventions of the Uzbek individuals, reflects topics of national personality and
communal values, paralleling the resistance against remote intruders and the unification of the
Uzbek tribes.

In differentiate, the English epic convention, outlined through works like Beowulf, risen

amid the early medieval period, particularly around the 8 th to 11th centuries. This period was
characterized by the slow combination of Anglo-Saxon kingdoms and the impact of Viking attacks.
The epic captures the soul of valor, dependability, and the battle against noxious strengths,
resounding the societal values of a warrior culture in a time of struggle and alter. Beowulf serves
not as it were as a story of person valor but moreover reflects the collective personality of the
Anglo-Saxon individuals confronting both inner and outside challenges.


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Character examination.

The heroes of these sagas, Alpomish and Beowulf, epitomize

unmistakable however complementary courageous standards. Alpomish could be a quintessential
society saint known for his quality, bravery, and commitment to his family and tribe. His travel
emphasizes dependability and the significance of social legacy, as he fights against harsh powers to
secure his cherished ones and community. In any case, his travel too uncovers a individual
imperfection [1, 223].

On the other hand, Beowulf is depicted as a larger-than-life saint who epitomizes mettle,

honor, and the journey for radiance. His fights against Grendel and afterward the winged serpent
highlight not as it were his physical ability but moreover his sense of obligation and authority.
Whereas Beowulf shows striking qualities, such as his faithful resolve and selflessness, he
moreover hooks with the inescapable decay of ancient age and bequest, uncovering a more
powerless angle of bravery. Both characters reflect their cultures' beliefs, exhibiting boldness and a
sense of obligation to their communities, whereas too illustrating person blemishes that improve
their accounts and reverberate with groups of onlookers over time.

Common subjects in Uzbek and English courageous legends.

Both Uzbek and English

society gallant sagas highlight noticeable topics such as bravery, honor, devotion, and the journey
for character. These topics serve as the spine of the accounts, reflecting the values and societal
concerns of each culture. Bravery could be a central subject in both Alpomish and Beowulf. In
Alpomish, bravery is regularly delineated through Alpomish's brave battles against impressive
enemies, outlining the perfect of standing up for one's community and family. His boldness isn't as
it were physical but moreover enthusiastic, as he faces challenges that test his resolve. In Beowulf,
bravery takes on a marginally distinctive tint; Beowulf's courageous acts against Grendel and the
mythical beast represent the battle against fiendish and the assurance of his kingdom. His bravery is
celebrated inside the broader setting of Anglo-Saxon warrior culture, where individual valor is basic
to accomplishing honor and securing a bequest [4, 204].

Honor plays a vital part in characterizing the activities of both heroes. For Alpomish, honor

is tied to his notoriety as a defender and pioneer inside his tribe, propelling him to act conclusively
against oppressors. So also, in Beowulf, honor is vital; the protagonist's want to pick up eminence
and regard drives him to act fearlessly. In any case, whereas Uzbek culture may emphasize
collective honor and community well-being, Anglo-Saxon culture regularly highlights person
notoriety and the hero‘s bequest.

Devotion is another shared topic, with Alpomish displaying unflinching dependability to his

family and individuals, frequently placing their needs over his possess. Beowulf moreover
epitomizes devotion, especially to his lord and his men, fortifying the bonds that hold communities
together.

At long last, the journey for personality reverberates in both stories but is expressed in an

unexpected way. In Alpomish, the hero‘s travel is interlaced with the journey for social character
and having a place, as he looks for to maintain the values of his individuals. In differentiate,
Beowulf's journey includes the explore for individual personality inside the setting of notoriety and
eminence, reflecting the individualistic nature of Anglo-Saxon courage. Hence, whereas both sagas
share common topics of bravery, honor, devotion, and character, the social expressions of these
subjects emphasize the one of a kind societal values that shape each story.

Social affect of auxiliary contrasts in Uzbek and English courageous legends.

The basic

contrasts between Uzbek and English courageous sagas, such as Alpomish and Beowulf, essentially
affect their social noteworthiness and reflect the particular societal convictions and values of their
individual societies. Alpomish is basically an verbal epic, wealthy in tedious expressions, melodic
narrating, and gathering of people engagement. This structure highlights the communal viewpoint
of Uzbek culture, where narrating could be a shared involvement implied to strengthen social bonds
and social legacy. The story regularly highlights long, expressive sections that permit the audience
to take part candidly, inundating them within the hero‘s travel. This reflects the Uzbek values of
community and collective personality, emphasizing the significance of dependability to family and


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tribe. Such a structure too empowers the conservation of social history and ethical lessons, as the
epic serves to teach progressive eras about their roots and gallant beliefs.

In differentiate, Beowulf may be a composed epic that takes after a more formal account

structure, displaying a straight movement with an accentuation on person valor and individual
wonderfulness. The poem's structure incorporates alliterative verse, which helps in memorization
but moreover caters to a more proficient group of onlookers. This composed frame underscores the
accentuation on individual bequest and person accomplishment in Anglo-Saxon society, where a
hero‘s deeds contribute to their eternality through notoriety. The center on climactic fights and their
consequence reflects societal convictions almost honor, notoriety, and the passing nature of life,
adjusting with the significance put on valor and individual keenness in person settings [6, 20].

The auxiliary components of each epic manifest the basic social values. In Alpomish,

subjects of collectivism, social pride, and familial dependability reverberate all through the story,
reflecting a society that prioritizes community over the person. The hero‘s challenges regularly
serve as representations for bigger societal battles, emphasizing solidarity within the confront of
difficulty.

Then again, Beowulf speaks to the values of a warrior tip top, with its center on person

ability and wonderfulness. The epic typifies the warrior ethos, depicting a society that values
quality, notoriety, and the responsibilities of authority. The basic movement of conflicts—ranging
from fights against beasts to topics of approaching mortality—mirrors the Anglo-Saxon existential
concerns around bequest and the meaning of life.

In conclusion, the comparative investigation of Uzbek and English gallant sagas uncovers

critical bits of knowledge into the social values and verifiable encounters of both social orders.
Whereas subjects of bravery, dependability, and the battle against difficulty reverberate in both
conventions, the particular story styles and social settings highlight the one of a kind personalities
formed by each civilization's encounters. Heroes like Alpomish and Beowulf not as it were
epitomize the standards of their particular societies but too serve as connectors between past and
show, reflecting the desires and ethical scenes of their social orders. This investigation underscores
the control of narrating as a implies of social expression, emphasizing that in spite of geographic
and etymological contrasts, the human encounter of valor joins together us all. As we proceed to
investigate and celebrate these accounts, we pick up a more profound appreciation for the wealthy
embroidered artwork of worldwide old stories and the all inclusive standards that tie differing
societies together.

References:

1.

Cross C. Love at a Crux: The New Persian Romance in a Global Middle Ages. University of
Toronto Press; 2023 Nov 30.

2.

Erdman M. Divergent Paths: A Comparative Analysis of Soviet and Turkish Historical
Narratives of Central Asia, 1922-1937 (Doctoral dissertation, SOAS University of London).

3.

Jansen J, Maier HM, editors. Epic adventures: heroic narrative in the oral performance
traditions of four continents. LIT Verlag Münster; 2004.

4.

Johandi A, Läänemets M, Sazonov V, Tšernjuk M. Baltic Alliance for Asian Studies.

5.

Liu MY. Under Solomon’s throne: Uzbek visions of renewal in Osh. University of Pittsburgh
Pre; 2012 May 20.

6.

Malikov YA. Formation of a borderland culture: Myths and realities of Cossack-Kazakh
relations in northern Kazakhstan in the eighteenth and nineteenth centuries. University of
California, Santa Barbara; 2006.

7.

Sardorbek A. Similarities and differences between Uzbek folklore and Russian folklore. fan
jurnali ta’lim va madaniyat. 2023 Nov 25;1(1).


Bibliografik manbalar

Cross C. Love at a Crux: The New Persian Romance in a Global Middle Ages. University of

Toronto Press; 2023 Nov 30.

Erdman M. Divergent Paths: A Comparative Analysis of Soviet and Turkish Historical

Narratives of Central Asia, 1922-1937 (Doctoral dissertation, SOAS University of London).

Jansen J, Maier HM, editors. Epic adventures: heroic narrative in the oral performance

traditions of four continents. LIT Verlag Münster; 2004.

Johandi A, Läänemets M, Sazonov V, Tšernjuk M. Baltic Alliance for Asian Studies.

Liu MY. Under Solomon’s throne: Uzbek visions of renewal in Osh. University of Pittsburgh

Pre; 2012 May 20.

Malikov YA. Formation of a borderland culture: Myths and realities of Cossack-Kazakh

relations in northern Kazakhstan in the eighteenth and nineteenth centuries. University of

California, Santa Barbara; 2006.

Sardorbek A. Similarities and differences between Uzbek folklore and Russian folklore. fan

jurnali ta’lim va madaniyat. 2023 Nov 25;1(1).