POETRY AS A SOCIO-CULTURAL COMPONENT IN TEACHING FOREIGN LANGUAGES

Abstract

This article examines the sociolinguistic and socio-cultural competence of the understudies in learning the German dialect, strategies of utilizing verse as a socio-cultural component in remote dialect lessons, and the utilize of outside verse.

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Babaeva G.S., & Kurambaeva F. (2023). POETRY AS A SOCIO-CULTURAL COMPONENT IN TEACHING FOREIGN LANGUAGES. American Journal of Philological Sciences, 3(04), 94–101. https://doi.org/10.37547/ajps/Volume03Issue04-16
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Abstract

This article examines the sociolinguistic and socio-cultural competence of the understudies in learning the German dialect, strategies of utilizing verse as a socio-cultural component in remote dialect lessons, and the utilize of outside verse.


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Volume 03 Issue 04-2023

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American Journal Of Philological Sciences
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VOLUME

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Publisher:

Oscar Publishing Services

Servi

ABSTRACT

This article examines the sociolinguistic and socio-cultural competence of the understudies in learning the German

dialect, strategies of utilizing verse as a socio-cultural component in remote dialect lessons, and the utilize of outside

verse.

KEYWORDS

Motivational sphere, ability, skills, assimilation, activity, illustration, effective, authentic, interaction, orientation,

improvement.

INTRODUCTION

The instruction of foreign languages is a process that is

primarily institutional in nature, whereby designated

experiences are replicated and absorbed in accordance

with specific objectives through the reciprocal

engagement of instructors and learners. The subject

matter of our discourse pertains to a speech

concerning a foreign language encounter, one which

the instructor possesses to some extent whilst the

learner does not possess it entirely or partially.

As I.V. Rakhmanov said, that teaching a foreign

language is “... the process of systematic and

Research Article

POETRY AS A SOCIO-CULTURAL COMPONENT IN TEACHING FOREIGN
LANGUAGES

Submission Date:

April 20, 2023,

Accepted Date:

April 25, 2023,

Published Date:

April 30, 2023

Crossref doi:

https://doi.org/10.37547/ajps/Volume03Issue04-16


Babaeva G.S.

Karakalpak State University, Uzbekistan

Kurambaeva F.

2nd Year Student Of Karakalpak State University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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consistent communication by the school teacher and

the instillation of skills and abilities in the field of

foreign languages, the process of active and conscious

assimilation of them by students, the process of

consciousness and consolidation in children of those

qualities that we strive to educate them” [4]. The

aforementioned definition yields evidence that the

process of learning is bilaterally constructed to

encompass both the instructional endeavors of a

foreign language teacher and the educational

aspirations of a language learner, which are tailored

toward the acquisition and mastery of a language.

Significant dissimilarities exist between the notions of

"acquiring a language" and "achieving mastery over a

language". As an exemplification of the latter point,

one can make reference to the viewpoint of

Edmondson W. House J. contended that language

acquisition primarily relied upon the principle of a

child's competence to master their mother tongue.

The aforementioned procedure is distinguished by the

subconscious assimilation of language through

intuitive means, executed during the child's

personality socialization [7]. As juxtaposed to the

aforementioned process, the acquisition of a language

is a deliberate and cognizant endeavor that

necessitates,

predominantly,

the

overt

implementation and incorporation of language rules

and constituents. Consequently, it can be inferred that

the scope of the notion of "language learning" extends

beyond that of "language acquisition." The process of

language acquisition may be perceived as an

inadvertent acquisition of content from a foreign

language that lacks direct control.

The utilization of poetry as a tool for language

acquisition is a potent method. Upon analyzing a

poem,

the

student

discerns

a

deliberate

implementation of lexicon that serves the purpose of

conveying the author's musings. Furthermore, the

student becomes familiarized with the multifaceted

capacities of language in facilitating effective

communication. In accordance with scholarly

discourse, a language of foreign origin, akin to a

vernacular tongue, fulfills the four fundamental roles

of language, namely its function as a tool for cognition,

its responsibility to safeguard national culture, its

pragmatic utility as a medium for communication and

for the expression of personal outlooks and attitudes

towards the world, and lastly, its capacity to serve as

an instrument for personal growth and cognitive

advancement [8].

Poetry can serve as a demonstration of modern,

genuine, and literary parlance, which may lead to the

fulfillment of educational objectives and the

enrichment of students' imaginative aptitudes. The

efficacy of utilizing poetry extracts is contingent upon

the systematic arrangement of the pedagogical

process and the selection of exercises that foster

students' cognitive engagement and fuel their

motivation to learn. The pedagogical objective of


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instructing a foreign language is multifactorial,

encompassing beyond mere knowledge acquisition

and skill-set development of students to also

encompass their assimilation of country-specific

information and appreciation of cultural and aesthetic

nuances. The perception of other national cultures and

their values are also an essential component that

warrants significant consideration in defining the

scope of education. As such, it is imperative to address

the cultural aspect in determining the subject's

curriculum. The aforesaid element comprises a

distinctive set of knowledge, particularly linguistic and

cultural in nature, coupled with proficiencies and

aptitudes encompassing verbal and non-verbal

comportment.

When choosing the components of the national-

cultural aspect, there is a selection process that

separates the linguistic and cultural material that holds

pedagogical significance. This selected material is

deemed beneficial not only to language acquisition but

also to comprehension and appreciation of the culture

of the relevant country.

The examination of culture within the context of the

learning process yields a noteworthy impact on the

cultivation of the youth. The topic of "foreign

language" holds a distinctive position within this

instance. The language being studied serves as a

medium to not only introduce the cultural nuances of

the countries in question but also provide a

comparative analysis that highlights the distinctive

aspects of their respective national cultures.

Additionally, the learning process is often enriched by

the promotion of universal values.

In essence, this initiative serves to enhance the

instruction provided to primary and secondary school

pupils through the facilitation of a "dialogue of

cultures".

The incorporation of cultural materials significantly

augments the impetus for knowledge acquisition, a

critical endeavor since learning devoid of motivation is

rendered ineffectual. The research conducted by

psychologist A.K. Markova and A.B. Orlov are scholars

whose research and contributions to the field have

been influential. Their work is highly regarded and has

been cited extensively by other academics. Orlov's

theory posits that the motivational sphere is

comprised of various aspects, including but not limited

to, a range of motives such as ideals, value

orientations, needs, and cognitive interests. The

inception of cultural materials serves as a catalyst for

the stimulation of cognitive motivation amongst

students, wherein they not only gain mastery of the

prescribed curricular content, but also embark upon an

exploration of obscure cultural elements that

invariably kindles their curiosity. Hence, the proficiency

of the learning process is notably enhanced by

considering the inclinations and proclivities of pupils

[3].


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The aforementioned discussion indicates that in order

to fully appreciate language, it is imperative to

cultivate an appreciation for its role in conveying

unique cultural nuances, in addition to its function as a

means of communication. One promising avenue for

facilitating language acquisition is leveraging the rich

cultural and spiritual legacy intrinsic to the host

country.

The aforementioned instances may, undeniably,

represent paragons of poetic ingenuity within the

studied language's realm of content. The genre of

poetry enables an accurate and figurative reflection of

the social aspects of a given country, owing to the

presence of a verbal text within it. This assertion holds

particularly true for the case of the language under

study.

In light of the aforementioned points, the present

article aims to examine poetry as a socio-cultural

element, underlining the notion that instructing poetry

effectively involves instructing learners on the cultural

foundations of the language being studied. The genre

of fiction holds a unique and noteworthy position

among the various means of disseminating cultural

knowledge. The approach towards grasping the

veracity enshrined in works of fiction serves as a means

of operationalizing convictions and ethical principles.

Furthermore, such a strategy stimulates cognitive and

behavioral processes, providing a more thorough,

comprehensive and affective interpretation of reality

[8]. The incorporation of fictional literature serves as a

particularly crucial tool for the depiction of the cultural

norms, customary rituals, and overall way of life of

individuals of the respective language being studied.

The utilization of fiction as a regional data source

contributes to the augmentation and intensification of

contextual understanding, therefore facilitating

enhanced comprehension of literary works and

fostering increased engagement with the materials at

hand.

Familiarity with the finest instances of foreign poetry is

instrumental in facilitating the all-encompassing and

holistic advancement of an individual's persona,

enhancing their cultural literacy alongside augmenting

their linguistic aptitude and proficiencies.

The study of poetry is defined by a set of critical

features that are considered essential for analysis and

interpretation. The individual's orientation, specifically,

entails the construction of all material in a manner that

fosters the recognition of a teenager's unique

inclinations and imaginative distinctiveness. The

concept of "openness" entails that the pedagogical

approach to educating students on foreign poetry is

not an insular, self-contained system. It is crucial for

students to maintain a constant awareness of the

potential for acquiring an increased understanding of

the literature within the language they are studying,

across various dimensions such as content or style,

regardless of their level of proficiency. The lack of


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regulation denotes the potential for altering the

curriculum in accordance with the level of proficiency

exhibited by students, alongside their individual

inclinations, aesthetic preferences, and pedagogical

perspectives entertained by the instructor. Familiarity

with foreign poetry incites more than mere

accumulative

knowledge,

as

it

espouses

comprehension of the intricate spirit, culture,

psychology, and cognitive framework of persons

therein depicted. Such an endeavor carries significant

cultural implications.

In the broader context, the examination of foreign

poetry enhances students’ aptitude to engage in cross

-

cultural

communication.

This

indicates

the

requirement of a certain degree of proficiency in

various

types

of

competencies,

including

communicative, linguistic, cultural, and general

education.

The establishment of communicative competence is

derived from the capacity to accurately comprehend

and produce foreign language expressions within

various communication contexts, including but not

limited to, conversations, debates, and opinion

sharing. Such abilities are founded upon an integration

of both the form and content of a literary work.

The concept of linguistic and regional orientation

encompasses the imperative contextual information,

referring to the potential cognitive knowledge that

individuals possess, which is integral in acquainting

oneself with the artistic culture of the language being

studied. Additionally, it involves possessing a proficient

understanding of the language units along with their

corresponding national-cultural significance, which is a

prominent characteristic of that specific national

culture.

The concept of general educational competence

suggests that the student possesses a set of skills that

enable them to engage in intellectual collaboration

with various entities, including but not limited to

books, individuals, groups, and teams. Furthermore,

the individual possesses the capacity to employ

cognitive operations, such as analysis, synthesis, and

creative ideation, to effectively process and reinterpret

artistic information.

By studying foreign poetry in the original, one can learn

what one cannot adequately and timely understand in

one's native language; as a guardian of another

culture, a foreign language provides an invaluable

service to the native language and culture, since it

reveals another world and makes a person twice a

person; as an instrument of education, a foreign

language is, in a certain respect, indispensable: without

it, it is impossible to cultivate respect for other peoples

as effectively [7]. Therefore, the study of poetry is the

formation of a person by entering a culture; through its

appropriation, he becomes its subject. And the product

of the study of poetry is what a person acquired,


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appropriated as a result of knowledge, development,

education and teaching. The study of foreign, in

particular German poetry, in the process of teaching

foreign languages, enables students to take a different

look at the problems of their peers in the country of the

language being studied, to get acquainted with the

peculiarities of culture, to understand the national-

specific features of culture, to understand the national-

specific features in the mentality of the people,

compare the lifestyle, customs and customs of their

own country and the country of the language being

studied [7]. Reading German poetry provides an

opportunity to compare and identify one's actions with

the actions of the characters, expands the students'

understanding of the world around them and their

own place in this world, has an impact on their

emotional sphere, awakens a sense of belonging and

empathy. Possessing a sufficient level of foreign

language proficiency, high school students are able to

appreciate the merits of literary works in a foreign

language, find an answer to the questions of life that

concern them, indirectly realizing their need for

communication. In the course of studying authentic

foreign-language poems, students not only get

acquainted with a certain problem in the context of a

given topic, but also become involved in independent

creative activity by extracting implicit information,

comparing the author's style and the literary era by

analogy and opposition, on the basis of which they

draw a conclusion about the features national

character and universal direction of the work and

create original creative works. The teacher is given the

opportunity to lead high school students through

various layers of German literature from the

monuments of the Middle Ages to modern German-

language poetry, to try to show, or the view on a

certain problem of human existence has remained

unchanged for several centuries. The ability to

implement a country-specific approach when teaching

poems in a foreign language is extremely important at

the present time, as the contacts of our students with

their foreign peers are expanding and, therefore, in

order to ensure the adequacy of communication,

students must have certain information about the

features of life and life, that is, familiarize themselves

in the process learning with the realities of the reality

of the country of the language being studied. Thus,

learning to communicate in a foreign language in the

true sense of the word implies the acquisition of

sociocultural knowledge and skills. Without them,

there is no practical mastery of the language. We

should dwell on the ingenious definition of the general

educational value of teaching foreign languages, given

by Academician L.V. Shcherba. He claims that learning

a foreign language allows the learner to become aware

of their thinking. For many years, this position was

understood as the realization that certain thoughts can

be framed in different ways. Without denying this

provision, it can be supplemented. The student is

aware of the peculiarities of the perception of the


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world by representatives of the native and studied

languages, that is, both the linguistic and cognitive

aspects of linguistic consciousness. The linguistic and

regional approach allows the formation of regional

competence, that is, the skills and abilities of an

analytical approach to the study of foreign culture in

comparison with the culture of one's own country.

After all, the perception of culture always passes

through the prism of one's own culture. Only having

knowledge of the traditions, history, culture and social

system of the country of the language being studied,

the listener can correctly interpret the speech and non-

speech behavior of a native speaker. The student must

have the ability to perceive and understand the oral

text from the position of intercultural communication,

for which he needs background knowledge [6]. To

acquire

background

knowledge

and

form

sociolinguistic and sociocultural competence on this

basis, students should receive the necessary

information about the country of the language being

studied and its people. Therefore, the teacher should

communicate them primarily in texts for reading and

listening. Such texts can be foreign poems.

What background knowledge can we acquire by

reading and listening to certain German poems? This is,

for example, information about the country whose

language is being studied, geographical location,

climatic conditions, sights, and so on. To train the

memory of students, you can invite them, for example,

to correctly pronounce the names of islands, cities,

countries taken from individual episodes of the poem.

Such episodes can form the basis of teaching

background knowledge in school. Before reading a

pre-selected poem, it is necessary to prepare the

required exercises; remove language difficulties,

explain unfamiliar vocabulary, work out the

pronunciation of new words.

Thus, using foreign poetry, we can improve the

sociolinguistic and sociocultural competence of

students, expand their background knowledge, instill

respect and love for the culture of the language being

studied.

REFERENCES

1.

Бим И.Л. Теория и практика обучения

немецкому языку в средней школе. М:

Просвещение, 1988.

2.

Гальскова и др. Das lustige bei uns zu Gast. М:

Просвещение,1983.

3.

Маркова А.К. Формирование мотивации

учения

в

школьном

возрасте.

М:

Просвещение, 1983.

4.

Рахманов И.В. Некоторые теоретические

вопросы методики обучения ИЯ в средней

школе. М: Русский язык,1991.

5.

Рогова Г.В. и др. Методика обучения ИЯ. М:

Просвещение,1991.


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6.

Щерба Л.В. Фонетика французского языка.

М:

Издательство

литературы

на

иностранных языках,1953.

7.

Bischof,

Kessling.

Landeskunde

und

Literaturdidaktik. München, 1997.

8.

Rudiger

Krechel.

Konkrete

Poesie

im

Unterricht des Deutschen als Fremdsprache.

Heidelberg: Groos,1987.

References

Бим И.Л. Теория и практика обучения немецкому языку в средней школе. М: Просвещение, 1988.

Гальскова и др. Das lustige bei uns zu Gast. М: Просвещение,1983.

Маркова А.К. Формирование мотивации учения в школьном возрасте. М: Просвещение, 1983.

Рахманов И.В. Некоторые теоретические вопросы методики обучения ИЯ в средней школе. М: Русский язык,1991.

Рогова Г.В. и др. Методика обучения ИЯ. М: Просвещение,1991.

Щерба Л.В. Фонетика французского языка. М: Издательство литературы на иностранных языках,1953.

Bischof, Kessling. Landeskunde und Literaturdidaktik. München, 1997.

Rudiger Krechel. Konkrete Poesie im Unterricht des Deutschen als Fremdsprache. Heidelberg: Groos,1987.