MASTERING THE FUNCTIONAL BASIS OF COMMUNICATION IN GERMAN LANGUAGE AND THE SIGNIFICANCE OF POETRY IN TEACHING GERMAN PRONUNCIATION

Abstract

The present article examines the significance of poetry in instructing a nonnative language through a focused exploration of the phonetic facets of the German language, encompassing its pronunciation and modes of utilization within the context of German language pedagogy.

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Kurbanov Ya. (2023). MASTERING THE FUNCTIONAL BASIS OF COMMUNICATION IN GERMAN LANGUAGE AND THE SIGNIFICANCE OF POETRY IN TEACHING GERMAN PRONUNCIATION. American Journal of Philological Sciences, 3(04), 88–93. https://doi.org/10.37547/ajps/Volume03Issue04-15
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Abstract

The present article examines the significance of poetry in instructing a nonnative language through a focused exploration of the phonetic facets of the German language, encompassing its pronunciation and modes of utilization within the context of German language pedagogy.


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Volume 03 Issue 04-2023

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American Journal Of Philological Sciences
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Oscar Publishing Services

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ABSTRACT

The present article examines the significance of poetry in instructing a nonnative language through a focused

exploration of the phonetic facets of the German language, encompassing its pronunciation and modes of utilization

within the context of German language pedagogy.

KEYWORDS

comprehension, pronunciation, inner speech, speech means, intercultural communication, general strategy,

perception, operational basis, phrase, principle.

INTRODUCTION

The acquisition and refinement of communication skills

are contingent upon proficiency in the material,

linguistic, and speech components of the German

language. These components include the sound

composition and intonation patterns, the grammatical

framework, as well as the mastery of grammatical

lexicon and application. The myriad components

comprising the German language, namely phonetics,

grammar, and lexicon, operates in synchronization

within the context of communication as a cohesive

entity. During the process of learning, each component

necessitates unique consideration due to the fact that

their development transpires in conjunction with one

another

Research Article

MASTERING THE FUNCTIONAL BASIS OF COMMUNICATION IN GERMAN
LANGUAGE AND THE SIGNIFICANCE OF POETRY IN TEACHING GERMAN
PRONUNCIATION

Submission Date:

April 20, 2023,

Accepted Date:

April 25, 2023,

Published Date:

April 30, 2023

Crossref doi:

https://doi.org/10.37547/ajps/Volume03Issue04-15


Kurbanov Ya.

Karakalpak State University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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The initial step in instructing on pronunciation is to

acquire mastery over the auditory-pronunciation

aspect of both oral and written communication,

namely: The faculty of auditory perception, which

encompasses the cultivation of phonetic acuity,

represents a crucial skill in the realm of language

acquisition.

Proficiency in pronunciation, encompassing the

acquisition and mastery of German articulator

foundations and intonation techniques rendered

automatic through dedicated practice.

The emergence of inner speech, also known as internal

pronunciation, serves as a psycho-physiological

foundation for the manifestation of external speech.

The capacity to articulate sounds is contingent upon

the aptitude to perceive and comprehend auditory

stimuli. Both Ito's hypothesis and theory of inner

speech possess a significant impact on the progression

of speech development, with the latter exerting a

substantial

influence

on

the

cultivation

of

pronunciation abilities and all-encompassing external

speech. L.V. Shcherba

wrote: “... errors in

pronunciation are no better than errors, for example,

in the grammatical gender of nouns, in case, and the

like, and often even worse than them, since they

interfere with the implementation of the main goal of

the language - communication, that is, mutual

understanding". In the realm of interpersonal

communication, lexical units are discerned and

differentiated by virtue of their phonetic attributes.

The unsuccessful enunciation of a solitary phoneme

contained within a word engenders complexity and

potentially interrupts the flow of intercultural

exchange.

The utilization of poetic works can prove to be an

indispensable factor in ensuring the clarity, readability,

and comprehensibility of speech. The utilization of

these tools is deemed to be the most efficacious

approach for attaining a lucid and articulate mode of

verbal communication.

Take for example the following poem for practicing

sound [m]

Mi-Ma-Mausemaus

Komm aus dem Loch heraus.

Mi-Ma-Mausemaus

Komm in mein Katzenhaus!

Miau, miau, miau.

The overall approach to instructing pronunciation,

beginning with the order of tasks involving poetry, can

be depicted as follows:

The present study involves the analysis of the

orchestration of a listening activity centered on a

poem, enacted by students. This activity entails the


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selective highlighting of a particular phonetically

processable word (i.e., "Mi-Ma-Mausemaus") by the

teacher, subsequently followed by its enunciation to

the students. The ensuing pedagogical strategy

involves the reproduction of the aforementioned word

in a repeated manner by the students, which is then

succeeded by the articulation of the word and phrase

as a whole. This sequence of actions was executed in

accordance with a seven-step plan.

What fundamental principles should be considered

when

approaching

the

task

of

improving

pronunciation?

1) There exists a need to furnish individuals with a

communicative approach. It can be inferred that the

instruction of pronunciation ought not to be regarded

as a sole objective but rather as an auxiliary element to

the demands of language articulation.

For example:

Unsere Katze heisst Kritzekratze.

Kritzerkratze heisst die Mieze,

Und ihr Kind heisst Kratzekritze

Kratzekritzes Vater heisst Kater.

This poem serves not only as a phonetic exercise on the

sound [k] but also presents an opportunity to engage

in the communicative undertaking of introducing

oneself ("acquaintance"), as illustrated by the phrase

"Unsere Katze heisst..., Kritzerkratze heisst..." Further

examples may be found in the following sources (and

so forth).

2) In order to effectively integrate phonetic material

into a lesson, it is imperative to consider both

situational and thematic elements, with efforts made

to seamlessly integrate the former into the latter. This

correlation in terms of content is essential to ensure

optimal efficacy in the instructional process.

For example:

Wie geht es Ihnen,

Frau Bunt?

Und Ihnen, Fraulein Krause?

Oh, danke schon

Es geht uns gut!

Wir gehen jetzt nach Hause.

This sonnet can be utilized not as it were for practicing

distinctive sorts of sound (in a revelatory sentence, in

an exclamatory sentence, and in an interrogative one),

but too could be a good fabric for a lesson on the

subject “Wie geht es?”.

3) It is imperative to combine awareness with instinct.

This implies that as it were sounds that don't display

any specific challenges for understudies ought to be

imitated on the premise of instinctive alteration of the


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organs of discourse. In the event that the phonetic

marvel is moderately troublesome, at that point the

educator needs clarifications that offer assistance to

understudies deliberately overcome this trouble.

4) It is essential to guarantee the permeability of the

introduction of a sound, a phonetic wonder. So, for

illustration, visual clarity takes put in case the educator

particularly appears the verbalization of sound,

employments a signal to indicate stress, rising song,

and so on.

5) The action of students could be a prerequisite for the

quality of acing German elocution.

In this manner, it is exceptionally imperative,

particularly amid frontal work, to screen the

movement and deliberateness of the activities of each

understudy.

6) An personal approach is required to the

arrangement of the elocution side of students'

discourse within the setting of collective learning. It is

well known that understudies are not similarly simple

to ace pronunciation. It is important to require under

consideration their personal characteristics (the

mobility of the discourse device, the advancement of

phonetic hearing, and so on). And thus it is prudent to

inquire understudies to memorize sonnets by heart.

This will offer assistance to distinguish the level of

arrangement of the elocution side of the discourse of

each understudy and appear what phonetic marvel

ought to be worked on with this understudy.

So, instructing the elocution side of talking and

perusing possesses an especially critical put at the

starting organize of instruction. Further, it is carried

out, as a run show, inside the system of the so-called

phonetic exercises. At the center organize of

instruction, there's only the task of keeping up

phonetic abilities, but this assignment is critical and

thus it ought to not elude the teacher's field of vision.

The most things within the work of each educator is

the want to guarantee that the learning handle turns

from a repetitive mechanical generation of fabric into

an inventive look. This is often encouraged by work on

sonnets.

The lovely shape of discourse is a successful implies of

educational impact on the inner world of the child, his

considerations and sentiments, a imply of discourse

advancement and stylish instruction.

The utilization of verse within the classroom is one of

the vital saves for expanding the inspiration of

understudies, counting them in dynamic work. Sonnets

permit understudies to induce familiar with German

verse, culture, and traditions of the nation of the

dialect being examined, which continuously stirs

extraordinary intrigue among understudies.


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Brightness, symbolism, and daydreaming in sonnets

for children stir their intrigue in an outside dialect.

Learning sonnets is a dynamic strategy for renewing

the lexicon of children. The cadenced and melodic

design of verse, clear rhyme, and reiteration of dialect

units incredibly encourage and speed up the

absorption and solidification of the lexicon,

characteristic turns of discourse, and syntactic

structures. Lyrics, as one of the sorts of verbal

communication, are a implies of more tough

absorption and extension of the lexicon, as they

incorporate modern words and expressions. In verse,

as of now commonplace lexicon is found in an unused

relevant environment, which makes a difference to

enact it. By learning verse, children more effectively

ace the elocution side of discourse and acclimatize to

an outside and musical design of discourse. Brief lyrics

and rhymes are compelling for this. They are

prescribed to be utilized for phonetic works out, and

dialect tumbling.

Sonnets primarily reflect the marvels of the

encompassing world near and consonant with

children, activities, deeds, and appraisals and meet the

cognitive and discourse needs of children. In this

manner, their substance has individual centrality for

children, and the dialect fabric of idyllic works has a

communicative esteem because it is stamped by

discourse.

A curious point within the work on lovely works is the

combination of verse with the visual action of children.

It is essential to welcome understudies to draw what

they feel and see when perusing, make outlines for

them, select pictures for verses, and remember and

read a lyric that fits the proposed picture or drawing.

Children for the most part tend to comment on what

they draw, and how they do it. At the same time,

associative joins between the word and the picture are

created and reinforced.

When working on a wonderful fabric, a number of

necessities must be watched. For instructive purposes,

open works are chosen. The dialect fabric of these

works must meet the program prerequisites.

Memorizing verse ought to not be a conclusion in itself.

It is vital to realize a total understanding and

comprehension of both the substance and the

phonetic encapsulation of this content in verse. It is

essential to guarantee that the discourse fabric from

the verses at that point goes straightforwardly into the

discourse of children, and is utilized in their

interpersonal communication. Therefore, sonnets

ought to be a concordant portion of the overall plot of

the lesson, related to the themes and circumstances of

communication within the lesson and after school

hours. In this way, lyrics invigorate understudies to

monolog and dialogic articulations, serve as the

premise for the advancement of the speech-thinking

movement of schoolchildren, and contribute to the


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advancement of both preliminary and non-preparatory

discourse. Appear that verse is one of the motivational

components in educating an outside dialect and its

part in educating the phonetic side of the discourse.

REFERENCES

1.

Бим И.Л. Теория и практика обучения

немецкому языку в средней школе

-

М:

Просвещение, 1988

2.

Гальскова Н.Д. Современная методика

обучения ИЯ

-

М: Аркти

-

Гласа,2000

3.

Елухина

Н.В.

Преодоление

основных

трудностей понимания иноязычной речи на

слух

как

условие

формирования

способности устно общаться //ИЯШ

-1996,

№4

4.

Пирхавка Н.Е., Кондратьева Т.В. Из опыта

работы с аутентичными стихотворениями на

уроках французского языка //ИЯШ

-

1991. №1

5.

Рогова Г.В. и др. Методика обучения ИЯ

-

М:

Просвещение,1991

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Щерба Л.В. Фонетика французского языка

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М:

Издательство литературы на иностранных

языках,1953

7.

Rudiger Krechel Konkrete Poesie im Unterricht

des

Deutschen

als

Fremdsprache-

Heidelberg:Groos,1987

References

Бим И.Л. Теория и практика обучения немецкому языку в средней школе-М: Просвещение, 1988

Гальскова Н.Д. Современная методика обучения ИЯ-М: Аркти-Гласа,2000

Елухина Н.В. Преодоление основных трудностей понимания иноязычной речи на слух как условие формирования способности устно общаться //ИЯШ-1996, №4

Пирхавка Н.Е., Кондратьева Т.В. Из опыта работы с аутентичными стихотворениями на уроках французского языка //ИЯШ-1991. №1

Рогова Г.В. и др. Методика обучения ИЯ-М: Просвещение,1991

Щерба Л.В. Фонетика французского языка-М: Издательство литературы на иностранных языках,1953

Rudiger Krechel Konkrete Poesie im Unterricht des Deutschen als Fremdsprache-Heidelberg:Groos,1987