ABOUT THE ADMIRATION THAT “ HAMSA” GAVE

Abstract

The article discusses the role and importance of the work of the Sultan of the word estate, hazrat Alisher Navoi, in the poetry of Sirojiddin Sayyid, the famous representative of Uzbek literature poetry, as well as the poet's educational epic called “Hamsa amazement”.

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Sabira Tirkasheva. (2022). ABOUT THE ADMIRATION THAT “ HAMSA” GAVE. American Journal of Philological Sciences, 2(11), 134–137. https://doi.org/10.37547/ajps/Volume02Issue11-19
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Abstract

The article discusses the role and importance of the work of the Sultan of the word estate, hazrat Alisher Navoi, in the poetry of Sirojiddin Sayyid, the famous representative of Uzbek literature poetry, as well as the poet's educational epic called “Hamsa amazement”.


background image

Volume 02 Issue 11-2022

134


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

134-137

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

The article discusses the role and importance of the work of the Sultan of the word estate, hazrat Alisher Navoi, in the

poetry of Sirojiddin Sayyid, the famous representative of Uzbek literature poetry, as well as the poet's educational

epic called “Hamsa amazement”.

KEYWORDS

Alisher Navoi, Sirojiddin Sayyid, “Hamsa”, “Hamsa amazes”, Gazal, na't, Ayat.

INTRODUCTION

In Uzbek classical literature, famous Alisher Navoi

created a huge garden and a large ocean with” word

property, ““word treasu

re". All lovers of literature,

many creative and poets have enjoyed the fruits of this

garden and the waters of the ocean. This pleasure

continues to this day.

THE MAIN OF RESULT

Research Article

ABOUT THE ADMIRATION THAT “ HAMSA” GAVE

Submission Date:

November 05, 2022,

Accepted Date:

November 15, 2022,

Published Date:

November 30, 2022

Crossref doi:

https://doi.org/10.37547/ajps/Volume02Issue11-19


Sabira Tirkasheva

Jizzakh State Pedagogical University Uzbekistan, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


background image

Volume 02 Issue 11-2022

135


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

134-137

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

Among these poets, Sirojiddin Sayyid proudly notes

himself that famous Alisher is a worthy disciple of

Navoi, inspired by Navoi in a number of samples of

creativity. We can see proof of this opinion in the

following stanza of the poet:

Myself earthmanu-heavenly,

My high education is Navoi.

Alisher Navoi's mention as a teacher is found in

many other creators, but in this regard, among

them,no specific expression in Sirojiddin Sayyid is

found in any of them, man is it an exaggeration to say

that Navoi, in order to more accurately, vividly describe

the younger generation, also seeks and discovers

specific analogies, definitions:

An ocean, no genesis,

There is no his last-Navoi.

Go ahead as you go,

New Navoi

In the poem “Mir Alisher” Sirojhiddin Sayyid

approaches the genius of Alisher Navoi with a broader

view, that is, he sees the essence of vitality,the

meaning of life in Navoi, the meaning of greatness, the

signs in Navoi and connects them with the name

A.Navoi clear example of this are the following stanzas:

Call Navoi of living,

The color of greatness is Navoi.

Alisher Navoi is a flag for all Turkic peoples, a huge

source that illuminates their dark night:

A bright darkness universe,

Morning of the Turks Navoi.

Sirojhiddin Sayyid Alisher Navoi writes about his

creativity as a worthy successor of Navoi traditions,

saying that it is the rarest, inexhaustible treasure of our

Uzbek classical literature:

"Be a giant-

life”in Navaiy,

The analogy given by Beruni.

From Karakalpak to Herat

Esar Jeyhun winds.

How many writers did you diaper,

How much you have been the wish of poets

Dissolve enlightenment, dissolve Zia,

You have also become a part of the land

Eternal memory of genius Navoi,

"Literature of Uzbekistan”…

Inspired by Alisher Navoi's great work “Hamsa”,

Sirojiddin Sayyid crea

ted his epic ”Hamsa wonders”.

Poet; "Alisher Navoi the work of our grandfather from


background image

Volume 02 Issue 11-2022

136


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

134-137

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

head to toe amazement and contain. Word admiration

and Word Art. From the continent, which is considered

the smallest genre of classical poetry of the East,

whether it be ruboi or chicken,ghazal or tuyuk, or epic,

it is possible to know how much he was inspired by

Navoi from the recognition of the clever reader, who

entered the reading of the letter written in prose.

In Hamsa's amazement, the poet expressed his

admiration for Hayrat-ul abror and his disappointment

in the way of Nazmi. The following verses are

presented in the praise part of famous Alisher Navoi's

epic “Hayrat

-

ul abror” introduction:

O Thou Art in the temple forever.,

Breed ancient eternal Lam'yazal.

What came finally to you.

First you finally during you,

The similar you

A.Navoi

The end-you are your own,

The narration of her music she is yours.

You are also a private,

In Navoi and Sirojiddin Sayyid, the beginning of the

epic begins with praise to Allah,and every particle in

the world praises him, and the only thing that a person

has is known as The Sun, that is, the truth is revealed

that Allah is the creator of all things.

Say man if you make man,

There is no her people's grief. (Alisher Navoi Article 13)

Do not have a rest common laboridin,

There is no rest in one breath people.

(Alisher Navoi Article 20)

There is only a child, this human,

Know how to be happy and happy.

So that he may know

May you know, may you know,

Not yourself, people grieve.

If he cries human with you will cry,

(Sirajiddin Seyid)

The thoughts of Alisher Navoi in these philosophical

verses are in harmony with the images in the epic of

the poet Sirojiddin Sayyid. Indeed, a person cannot be

a true human being without saying only himself, living

with the people in his grief, touching the people in his

interest, if he does not benefit the country.

There are breeds that are ready to give their lives even

the kindest, most caring for each person, to whom the

pen is powerless to give any description,at this point


background image

Volume 02 Issue 11-2022

137


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

02

I

SSUE

11

P

AGES

:

134-137

SJIF

I

MPACT

FACTOR

(2022:

5.

445

)

OCLC

1121105677

METADATA

IF

5.963















































Publisher:

Oscar Publishing Services

Servi

the thoughts in the following stanza of Hazrat Navoi

are very important:

Head fido ayla ato spoon,

You wish your two worlds space,

Form this become Reza.

The moon and the sun.

And in the epic of the poet Sirojiddin Sayyid, the

parents are described in a specific way:

From time immemorial, the Rock is a dark cornerstone,

When does man bleed for affection?

Be parents, he is parents.

It is he who has given you this state,

Paradise will not be after-Paradise is ready.

Your father agrees if-agree God,

If your mother agrees-God agrees.

CONCLUSION

In conclusion, Sirojiddin Sayyid Alisher was surprised by

Navoi's work “Hamsa” and created the epic “Hamsa

amazement”.

At the same time, he drew admiration and inspiration

from the ghazals of Navoi, and attributed to them

mukhammas.

REFERENCES

1.

Alisher Navoi "Hayrat ul-abror" - T;2020

2.

Sirojiddin Sayyid " word path

- T; 2008

3.

Sirajid Sayyid "Hamsa Amazes" - T;2019

4.

Sirojiddin Sayyid "Gazal notebook" T -: 2019

5.

Ashurova

G.

Navoi

obrazinig

artistic

interpretation in the literature of the

independence period. Monograph, T. 2021 year

6.

Yunusova, G. D. (2022). Specific Aspects Of The

Speech Act In Korean. Journal of Positive

School Psychology, 6(10), 4056-4059.

7.

Nosirkhonov, N. N., & Yunusova, G. D. (2022).

Explicit methods of expressing please speech

acts in Korean. Asian Journal of Research in

Social Sciences and Humanities, 12(5), 44-50.

8.

Yunusova, G. D. (2021). Aspect and modal

meanings of auxiliary verbs in Korean

language. International Journal of Linguistics,

Literature

and

Culture,

7(5),

339-343.

Ziyamukhamedov, J. (2022). BUDDHIST AND

TAOIST MOTIFS IN PU SUNGLING'S" LIAO JAI'S

STORIES OF MIRACLES". Builders Of The

Future, 2(02), 181-188.

9.

Karimov, N. (2022). Importance of studying and

promoting oriental culture and heritage.

Oriental Journal of History, Politics and Law,

2(03), 28-33.

References

Alisher Navoi "Hayrat ul-abror" - T;2020

Sirojiddin Sayyid " word path – - T; 2008

Sirajid Sayyid "Hamsa Amazes" - T;2019

Sirojiddin Sayyid "Gazal notebook" T -: 2019

Ashurova G. Navoi obrazinig artistic interpretation in the literature of the independence period. Monograph, T. 2021 year

Yunusova, G. D. (2022). Specific Aspects Of The Speech Act In Korean. Journal of Positive School Psychology, 6(10), 4056-4059.

Nosirkhonov, N. N., & Yunusova, G. D. (2022). Explicit methods of expressing please speech acts in Korean. Asian Journal of Research in Social Sciences and Humanities, 12(5), 44-50.

Yunusova, G. D. (2021). Aspect and modal meanings of auxiliary verbs in Korean language. International Journal of Linguistics, Literature and Culture, 7(5), 339-343. Ziyamukhamedov, J. (2022). BUDDHIST AND TAOIST MOTIFS IN PU SUNGLING'S" LIAO JAI'S STORIES OF MIRACLES". Builders Of The Future, 2(02), 181-188.

Karimov, N. (2022). Importance of studying and promoting oriental culture and heritage. Oriental Journal of History, Politics and Law, 2(03), 28-33.