SHUKHRAT’S IN THE NOVEL "GOLDEN STAINLESS" SKILL IN USING PROVERBS AND MAIN PHRASES

Abstract

This article is devoted to the Masters of the skill of using proverbs and sayings in the novel “golden stainless” of the 20th century writer Shukhrat. The article is based on the fact that the writer studied in depth the samples of the work of the people's mouth when creating the novel. In particular, the fact that the writer was able to use proverbs and main phrases appropriately in the novel is given by analysis and interpretation through excerpts from the work. Shukhrat is proved that the good knowledge of folklore fully ensured the life output of the novel “golden stainless”.

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Nodira I. Soatova. (2022). SHUKHRAT’S IN THE NOVEL "GOLDEN STAINLESS" SKILL IN USING PROVERBS AND MAIN PHRASES. American Journal of Philological Sciences, 2(10), 18–25. https://doi.org/10.37547/ajps/Volume02Issue10-04
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Abstract

This article is devoted to the Masters of the skill of using proverbs and sayings in the novel “golden stainless” of the 20th century writer Shukhrat. The article is based on the fact that the writer studied in depth the samples of the work of the people's mouth when creating the novel. In particular, the fact that the writer was able to use proverbs and main phrases appropriately in the novel is given by analysis and interpretation through excerpts from the work. Shukhrat is proved that the good knowledge of folklore fully ensured the life output of the novel “golden stainless”.


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Publisher:

Oscar Publishing Services

Servi

ABSTRACT

This article is devoted to the Masters of the skill of using proverbs

and sayings in the novel “golden stainless” of the

20th century writer Shukhrat. The article is based on the fact that the writer studied in depth the samples of the work

of the people's mouth when creating the novel. In particular, the fact that the writer was able to use proverbs and

main phrases appropriately in the novel is given by analysis and interpretation through excerpts from the work.

Shukhrat is proved that the good knowledge of folklore fully ensured the life output of the novel “golden stainless”.

KEYWORDS

Folklore, proverb, main phrase, experience, heritage, value, skill.

INTRODUCTION

The people are a great power that creates history and

culture, material and spiritual wealth. Each nation

accumulates a huge amount of life experience over the

centuries, leaving this experience inherited by

different means to future generations. Proverbs and

sayings are such an invaluable heritage.Such priceless

Research Article

SHUKHRAT’S IN THE NOVEL "GOLDEN STAINLESS" SKILL IN USING

PROVERBS AND MAIN PHRASES

Submission Date:

October 01, 2022,

Accepted Date:

October 05, 2022,

Published Date:

October 22, 2022

Crossref doi:

https://doi.org/10.37547/ajps/Volume02Issue10-04


Nodira I. Soatova

Associate Professor Jizzakh State Pedagogical University, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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and unique masterpieces of thought have been

preserved and polished by our people for centuries,

surviving the events of different times. There is no

nation in the world that has not created masterpieces

of wisdom, nor has it kept them in the language and

language for centuries. "People's poetry will mature

only in enthusiastic, timid, vibrant living, pure, boeticid

and Noble peoples" [1; 295], " says N.G.Chernyshevsky.

The role and importance of proverbs in his life was

attributed to the Great Russian writer L.N.Tolstoy also

gave a very high assessment:”in each proverb the

figure of the people who created this proverb is visible

" [2;3].

METHODS

Indeed, in Proverbs, we see and feel the path traveled

by our ancestors, their forgiven marriage, their joy and

the suffering they suffered, thoughtful meaningful

pand

admonitions, traditions, traditions of our

ancestors who lived in ancient times, the Middle Ages

and beyond. In Boisi folk Proverbs, The encyclopedic

knowledge and observations of the people are

expressed. Every proverb that the people have spoken

for centuries is a mature work of art. In each line of

masterpieces of this rich creation, a thousand and one

wisdom is embodied.

It is known that the use of Proverbs, instructive

sentences in a work of art increases the power of

expression and realistic power of the work, ensuring an

figurative statement of thought. Also, folk Proverbs

decorate the speech of people with their compactness,

full rhyme, vitality and enrich human thinking, clever

with their treasure of wisdom. Therefore, it must be

said that our creators at all times made good use of folk

proverbs and sayings in their works. We will dwell

below on the skill of using proverbs in the novel

“golden stainless” of writer Fame and the portable

meanings expressed in the articles in this work. At the

same time, first of all, we should dwell on the opinions

of literary scholars about the genre of Proverbs.

"A proverb is a genre of folk oral creativity; a short and

concise, figurative, grammatical and logical ending, a

wise phrase, a deeply meaningful phrase. Having a

certain rhythmic form” [3;543], the prover

b expresses

folk wisdom, born on the ground of life experiences. In

literary criticism, the following signs of the genre of

Proverbs are used: “one of the folklore genres with a

short, deep meaning, a stable form widely used in

speech, which arose on the basis of centuries-old

experiences of the people. By its nature, the proverb is

used in speech as portable or in its own sense, that is,

some proverbs are used only in a portable sense (“The

Crow does not sink The Crow's eye”, “the dry spoon

tears the mouth

”), sometimes in its own sense (“if the

mother survives, the color

your face will not be

straw”)” [4; 253–

254].

At this point, the folklorist scientist M.It is permissible

to cite the definition of preferably given to the proverb:


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“proverbs in terms of th

eir structure will be short,

concise, thorough, logical and thoughtfully completed

and concisely worked. Proverbs express the conclusion

of valuable thoughts resulting from life experiences.

Proverbs often have a poetic form. They differ from

other types of folk oral creativity in their compactness,

toughness and thorough work” [5;6]. From the

definition given to the proverb by the above scholars,

proverbs have a deep and perfect meaning, in which

the wisdom of the People, national traditions, long

centuries of life experience are embodied. Indeed,

A.S.It is not for nothing that Pushkin wrote “how

meaningful each of our proverbs! You say gold, gold!

Creating them is not an easy sentence, no!"[6;455]

he

says. So, without hesitation, we can say that fame, as

Pushkin admits in the novel “golden stainless”, was

able to reasonably use proverbs, the meaning of which

is equal to gold, which, by the way, is also “not an easy

statement.” Again, it should be noted separately that

the “golden stainless”of Shukhrat is

the first novel in

Uzbek literature about the years of repression, a work

built on the basis of sharp conflicts, sharp conflicts.

In fact, the novel received its real assessment in literary

criticism due to the injustices of the era of personality

worship, the imprisonment of innocent people as black

and unreasonable punishments, that is, the depiction

of the hardships and torments of the life of an honest

Uzbek intellectual of the despotic system. In the

Sixties, when” golden stainless “was written,” says

Pirimkul Kadyrov, "the so

called "censorship"

prohibitions and prints were still very strong.

Shukhrat’s brother was the first in Uzbek literature to

create a great novel that exposes riotous tyrants who

led through these prohibitions and pressures, unjustly

imprisoned an honest intellectual and imposed false

accusations on him that do not stand on a shovel” [7;

43-71].

Well, at this point, let's dwell on the recognition that

the writer himself wrote about the creation of the

novel in 1968 under t

he heading “two oral words about

myself”to the 3 roof of The Shukhrat “selected works”:

“I examined the works of writers who entered my ear

as much as possible. Of all, household attractiveness in

Mopassan, romantic heroism in Jack London,

compactness and accuracy in Chekhov, scale and

psychological integrity in Lev Tolstoy captivated me.

With” war and peace “read”Anna Karenina "two or

three times chiqdim...To' the cave, until I read them

regularly, read Oybek's novels “Blood Of Honor”,

“Navoi”, Abdulla Kahhor's novel and stories “Sarab”,

and the funny stories of Ghafur Ghulam, finding a

charm and a miracle every time he read, “oh how

wonderful”. It seems to me that these sparks of envy

and fascination were whispered by my next reading.

And when I read the two immortal works of Abdulla

Qadiri, he was a little forgotten.)”[8;7–

8].

In the 20th century, in the world of literature, on the

scientific front, sceintest, when counting writers, first


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recorded the name of the “Great brothers”and then

entered the urf to mention national writers and

scientists. According to tradition, Shukhrat also counts

world and Russian writers first, and then the names of

Uzbek writers, when counting one by one the writers

who gave him an ideological mentor in writing a prose

work. It is noteworthy that fame on this date is A.The

Almighty gives his name in parentheses in the form of

an attachment to the main sentence with the comment

that “at this time he was “a little more forgotten”. And

we are interested in something else. What, fame did

not come to 1968, when with the” passing days “really

forgot about the”Scorpion from the altar"? Could it not

be that if he were” a little more forgotten", he would

leave him without writing down? After all, he's writing

about himself!

True, a person's memory is not a magnetic tape, he can

remember, forget. This is a normal process. But

Shukhrat has not forgotten either The Almighty or his

“two immortal works”. It's just that the writer, who

just got out of prison and was just beginning to meet,

is looking for a way out of the way for himself, doing

his best to name the Almighty, although he wrote in

parentheses “I could not remember” [9;46]. In

addition to the views of the literary scientist, it can be

said that although the writer did not note garchand in

his confession, which he wrote in the preface under the

title “two oral words about myself”, most of all the

writer was also closely acquainted with the samples of

folk oral creativity, we can see that there is inner

closeness to the people Also, the fact that the writer

was able to skillfully use folk proverbs and sayings in

his novels indicates that the role of folklorisms in his

work is great

It is known that in Uzbek folk Proverbs there is a

proverb about family and neighborliness “the

neighbor's heel looks Goose, The Bride is a girl [10], and

the writer used this proverb to give an image of

Mirsalim in the chapter of the novel “both Hearts Beat

gurs

gurs”, to show what the faithful did in the new

school: “there are no days To me. Yesterda

y, late in the

spring of the weekend, he took the eighth grade to the

Museum of history himself...in another class he

watched madrasah, who was nurtured by a spit. As the

neighbor's Peacock says it looks like a goose, these

simple deeds of the faithful put him in the eyes of

Mirsalim with a splash? At the same time, he made his

anger and slept his jealousy” [8;357]. Apparently, the

writer was content with bringing the first stanza of the

folk proverb and was in accordance with his goal, the

strengthening of ya'nikim reality.

In several places of the novel, The Writer skillfully

applied proverbs and purist phrases. In particular, we

can see that in the” thief Cat "season he again used the

image of Mirsalim in his Paradise speech when he

opened:" when Mirsalim went out saying goodbye

dark? Heaven closed the door with dice. Said to her

husband:


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- Fear the one who has opened up, and the one who

has laughed. This is not a good person.

- Why, being my fellow?- took to the joke faithful. He

would not see a reason to be offended " (P.8; p. 364).

The proverb used by this writer in Proverbs about

“prudence and carelessness” is “afraid of one new

marriage, one new enrichment”, “fear of the goat seen

by the market”, “fear of the mother who praised her

child” [11;426] was

created under the influence of

Proverbs and brought into the work by the writer with

the aim of enhancing artistic

Reading the work, we witness that in several places

purhikmat phrases and proverbs were used to express

various tasks. In particular, remembe

ring the proverb”

they read--Gulistan, uneducated

ghuristan", they

promised to turn Tashkent into a gross literate city this

year... Previously,” ten wives would say that one pot

cannot boil " (8; 408). As can be seen from this

passage, the purhikmat phrase and proverbs used by

the writer in the novel are significant in the fact that

they develop peculiarities in the hero's psyche, are able

to reflect comprehensive thoughts in compact lines.

"The faithful is surprised and climbs the engagee. It is

not interesting for a poor wife, whose knife is worn on

the bone, to say sweetly and fill her sheep with a puck

nut....To shame, the city is wide-it can make it

ungrateful. But the faithful was not afraid of his

humiliation, nevertheless lowered the advice

:

What do you say, sister?

I was surprised by you....Do you call to justice?..

Then-does he not say that you are going to

allow?

Last time silent.

This answer from the wife again encouraged

the faithful. Even so, asked the wife the whole

story, advised the wife to tell her own

shortcomings as well.

Kars comes out of two hands, my sister, you

too hadeb to recover. Human language is sharp

from any wedge! A language that loves and a

language that annoys.

Wow -, when I answer one of the ten words of

the circle, it goes into the world-and from the

beginning of the word it hits my mouth saying

“smoke smells of your speech.” Would you

hear from him again, and cover the embers

with paper?

The wife cried again, saying that she was hurt by her

children, that as soon as her dad entered the door, they

would tremble at the dacha.

- Teach from my God, he does not give a child to the

beggar, he joins the bully...” (8;415).

As the above passage shows, several folk main phrases

and proverbs were used in this small dialogue. "The

knife is worn on the bone”, “the sheep is stuffed with

nu

ts”, “the applause comes out of two hands”, “both


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the language that makes you love and the language

that decorates”," smoke smells of your speech " would

wrap the embers in paper!", "the beggar does not give

a child, adding to the hooligan...”. In opening

the

essence of the work, the writer was able to bring this

pure expression and proverb in his place, ensuring the

folk, fluency, popularity of the work, increasing its

impressionability, and allowing the reader to easily

convey the inner world of artistic images.

"The camel's sock, as if the horse's name was huge, did

not know that the faithful horse had reached the

“alien” school by walking... I must talk so that six Ham

and kebab do not burn either. Surely not everything his

wife says is true, and he adds and adds all the time he

goes to arz, and even if he does not want to, trouble

and anger force him to do so. First you need to know

her husband's friend, good approaches the good,

misguides the bad path” (8;416). We think that another

aspect that shows the skill of the writer is that he was

able to use purgatory phrases and proverbs even in the

thoughts of the heroes. This circumstance gave the

work a folk spirit and tone, and the syncretic state of

the possibilities of folklore and written literature

served to enhance the artistry of the novel.

“When the school's scientific director did not answer,

he relaxed a little, saying,” Although this man will also

put his guard on everything." Then they were again

embodied. The eye I filled with blood like the crown of

a fighting cock. ldi.....Er humiliation-worse than the

humiliation of the Earth! If you are right, the shadow

curve will not fall, do not justify yourself!” (8;416). The

writer was not only well versed in folk purhikmat

phrases and proverbs, but also skillfully applied them

in his novel, enriching them with a new form and

content, while keeping them in essence. It is clear from

the excerpts from the novel that we think that the

writer created the novel “golden stainless” in full

under the influence of folk oral creativity, that fame

was able to reveal the inner world of modern images

with a style characteristic of oral creativity determines

its uniqueness as a creator.

"He says that he stumbles on a flat Earth, pampered.

Okay, it was a lesson for him, now he also drinks yogurt

with a blow.

The brown goose walking on the lake does not know

the value of the desert,

The tuvalah walking in the Desert does not know the

value of the hand” (8;495).

From the excerpt from this novel, we can see that the

writer managed to describe in a simple way the

incredibly large-scale, comprehensive thoughts,

beautiful artistic finds.

"- Trouble needs patience, thanks to the accident, John

child. It is no pity that you beat yourself into fire and

water” (8;499), “reproach the

servant does, May God

bless you, my soul child. Winter will not be without


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summer, these days will also pass, the arrest of

alagarga will remain

said Aunt Justice to her daughter

in-law, prolonging tea, - Take, eat two buns of bread

with a cup of tea, there will be Medicine. Hadeb to the

word on the street does not burn, if a friend speaks

with a burn, the enemy speaks with an increase. Left to

the idol of any blind beggar, my child is poor! Do not be

offended by everyone, there is always a lot from bad to

good, from Haram to honest” (8;501). A characteristic

feature of the writer is that only one aunt of Justice

used several main phrases and proverbs in a small

conversation, in which the bride said in an exhortative

manner in order to cheer up Heaven and wipe out the

grief, gave a philosophical

didactic spirit to the

episode that the writer wanted to describe, increased

the emotionality of the image.

“I am not in doubt, dear, I am taking a precautionary

measure

- smiles are able.

I say that the wedding will

spread until the bald is tense, as if waiting for the girl in

love to make an offer, and not white falls on my beard.

- Does not fall! Does not fall? Was -

, I'll wait” (8;398). As

can be seen from the proverbs presented in the novel,

The writer was well versed in folk oral creativity,

therefore, in the work main used phrases and proverbs

in his place. This circumstance fully ensured the life

output of the work.

CONCLUSION

So, the poems created under the influence of folk oral

creativity by a versatile talent, a creative person loyal

to his people and his homeland [12;13;14], epics, stories,

short stories and works of art journalism significantly

enriched the spiritual heritage of our people. The

language of his works is simple, fluent, close to the folk

language, more precisely, the artistic image of the

people's dreams and dreams. For this reason, the

literary heritage of Shukhrat stands among the famous

examples of Uzbek literature of the 20th century and

directly serves to educate the younger generation in

the spirit of goodness.

REFERENCES

1.

N.G.Chernyshevsky. Paln.SABR. hair.,T, P str.295.

2.

National Encyclopedia of Uzbekistan. Volume 5,

Oz.ME publishing house, T., 2003

3.

Khatamov N., Garlic B. Russian

Uzbek Explanatory

Dictionary of literary science terms. - T.: Teacher,

1983

4.

Shukhrat. Gold stainless.- T.: The clever reader,

2021.

5.

Preferred M. About Uzbek folk Proverbs. // Uzbek

folk Proverbs. Publishing house of literature and

art, T., 1978

6.

"Pushkin v V vospominaniyakh sovremennikov".-

L., 1980, 455-str

7.

Shukhrat is in the memory of contemporaries. - T.:

Uzbekistan, 2008


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8.

Fame. Two oral words about myself. Selected

works. 3 completeness. 1 full. - T.: Ghafur Ghulam,

1969.

9.

Yadgarova M. Creative biography of the novel

“Golden stainless” of Shukhrat historicism and

artistry. The elephant.f.f.dissertation written for

the degree of doctor (PhD)

10.

https://n.ziyouz.com/portal-haqida/xarita/uzbek-

xalq-ogzaki-ijodi/uzbek-xalq-maqollari

11.

Uzbek folk Proverbs.- T.: East, 2005

12.

Saatova,

nodira.

(2021).

SHUKHRAT

AND

FOLKLORE. Journal Horizon Philologii, 3(3).

izvlecheno horse https: / / journal. CSPI. face /

index. php/ hp/ text/view / 1904

13.

Saatova N. Folk melodies in the poetry of Fame.

Mirror of literature. Scientific collection. -

Tashkent: Uzfa State Literary Museum, 2009. №11

14.

Saatova N. Folklore traditions in the work of

Shukhrat. Uzbek language and literature. -

Tashkent: "Science", 2011. №5