No. 10 (2022) Volume02 Issue10

The name of Ferdousi and his heritage, both creative and the legends about him, are a cultural code that plays an important role in the unity of the Persian cultural space, extending far beyond Iran. This article analyzes the theoretical and ideological origins of the poem "Shahnameh" by Abulkasim Firdausi. The basis of this work originates from pre-Islamic ideas, mythological theories, Eastern pre-philosophy.

In Shah-name, the final triumph is always on the side of good. In this regard, the end of the epic is interesting: the Iranian state collapsed under the crushing blow of the Arab troops, the greatness of Iran was cast into dust. But the ideological meaning of “Shahnameh”, all the calls of the author, the thoughts of the heroes depicted by him are aimed at glorifying their country. And since the fall of Iran is depicted in retrospect, as a fact that happened several centuries ago, Ferdowsi's work itself serves as a warning against repeating the same mistakes that led to defeat.

Knowing a foreign language is an important factor in mastering the secrets of any profession, gaining skills and abilities. Knowing a foreign language represents a high-level qualification of a specialist working in any field of the national economy.

This article is devoted to the Masters of the skill of using proverbs and sayings in the novel “golden stainless” of the 20th century writer Shukhrat. The article is based on the fact that the writer studied in depth the samples of the work of the people's mouth when creating the novel. In particular, the fact that the writer was able to use proverbs and main phrases appropriately in the novel is given by analysis and interpretation through excerpts from the work. Shukhrat is proved that the good knowledge of folklore fully ensured the life output of the novel “golden stainless”.