Volume 04 Issue 06-2024
94
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
94-99
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article examines the specific affiliation aspects of language and folk crafts in the Turkic world. From the point of
view of lexical, grammatical and stylistic structure, social identification and processing of socio-cultural information
by a linguistic person depending on his gender and social affiliation, and folk crafts are passed down from generations
to ancestors in a proper way, regardless of the period, and it is necessary to step into a new era without losing
nationality and culture. special emphasis is given. From the first anniversary of the 21st century, the effort to turn to
folk art, its priceless spiritual heritage, and to develop it, to bring it to the level where the countries of the world,
especially in the Turkish commonwealth, can compete with other industries, is increasing day by day. We can see this
in various shows and exhibitions dedicated to folk crafts and textiles, light industry, especially in the world of fashion
and design, where the incomparable examples of our adras have a special place in the exhibition hall.
KEYWORDS
Turkish culture, language, social identification, linguistic identity, folk crafts, nationality, identity, future heirs.
INTRODUCTION
President Shavkat Mirziyoyev, in his speech at the 1st
summit of the Organization of Turkic States in
Samarkand, put forward the initiative to hold the
"International Congress of Science and Innovation of
the Youth of the Turkic World" in Uzbekistan next year.
Within the framework of this international congress,
Research Article
THE SPECIFIC RELATIONSHIP OF LANGUAGE AND FOLK ARTS IN THE
TURKISH WORLD
Submission Date:
June 14, 2024,
Accepted Date:
June 19, 2024,
Published Date:
June 24, 2024
Crossref doi
https://doi.org/10.37547/ajps/Volume04Issue06-20
Numonova Saidaxon Sotvoldievna
Senior teacher at the Department of Interfaculty Foreign Languages at Andijan State University, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajps
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 06-2024
95
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
94-99
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
the head of Uzbekistan offered to organize meetings
with the participation of the ministers of innovation
and education of the member countries of the
Organization of Turkic States, rectors of higher
educational institutions and youth leaders, talented
young men and women, and elders, as well as to
organize the position of the deputy secretary general
of the Organization of Turkic States for youth. . These
efforts of our President opened a wide way to establish
mutual cooperation relations.
The results of interlanguage communication and
interaction are reflected in all levels of the linguistic
system. In the conditions of such communication, it is
inevitable that languages will influence each other.
There are various reasons for the transfer of features
characteristic of the native language system to the
newly acquired language. However, the cognitive and
national-cultural nature of this phenomenon, which is
called transference or interference in scientific
literature, is not sufficiently covered. Already, it is not
easy to have the ability to communicate in two
languages, its formation is a complex linguistic thinking
activity and is related to socio-cultural and conscious-
cognitive factors. [1]
Researchers
generally
evaluate
the
bilingual
environment in a positive way: "In addition to
facilitating intercultural communication, having the
world's population communicate in two or more
languages has a positive effect on cognitive ability.
When a person communicates in a second language, he
relies on the rules of his native language. Improving the
quality of information, information, and knowledge
transmitted and received by the second language in
the cognitive-communicative activity of a person;
ensuring the principle of intelligibility in the
communication process; finding solutions to various
problems in the process of information exchange;
control of emotions; learning to identify the thoughts
and feelings of another person; influencing the results
of communication; influences by attracting the
surrounding with his ideas and persuading his
opinion".[2]
Since ancient times, the development of folk crafts,
textiles, tailoring and light industrial products has been
considered the best way to show the spiritual heritage
of each nation to representatives of other nations. In
particular, the concept of "identity" ("belonging") was
formed from the point of view of the socialization of
the linguistic person, the influence of the speech
situation on the discourse. That is, the unique nature of
folk crafts. From time immemorial, such items have
been an integral part of the major representatives of
culture and customs of nations and peoples. Rich
traditional art, heritage and culture, traditional skills
and talents related to the people's lifestyle and history
have been preserved in such rare works. Craftsmanship
expresses the material heritage of each region using
national, raw materials and techniques, and at the
Volume 04 Issue 06-2024
96
American Journal Of Philological Sciences
(ISSN
–
2771-2273)
VOLUME
04
ISSUE
06
P
AGES
:
94-99
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
same time it is commendable that it preserves
traditional knowledge and skilled talents from
generation to generation. This tradition exists in all
nations. Therefore, understanding the production
technique gives us insights into the past, as many of
the handicrafts, fabric production, including carving,
weaving, and fabric preparation methods in our
country have preserved ancient traditions. Of course,
this is the main factor in our sense of pride.
MAIN PART
The ancient form of national folk crafts today does not
fully meet the requirements that have existed for
centuries and thousands of years. This means that
handicrafts are not suitable for the modern human
environment. Based on this, one of the important
issues faced by modern tailors is to develop and create
new clothing styles that are equally acceptable to
everyone, preserving the traditions of national
tailoring in modern design, while not separating from
nationalism that fully meets the requirements of the
time.
It is justified by the fact that the principles of modern
design can be introduced into the national carpentry
system, which is considered an integral part of folk
crafts, and can significantly enrich it. On the other
hand, the use of traditional experience in the field of
culture of this field helps the development of creative
processes in the design activity itself.
All forms of traditional folk crafts are an integral part
of the culture of various countries, including the Uzbek
people, and "folk culture is of particular importance
due to the constant presence of reproduction of
society itself"[3].
If we look at the history of handicrafts, it was first
created by human production activities, and during the
gradual development of society, it was separated from
other types of folk handicrafts, including farming and
animal husbandry. divided into several types. They
were divided into categories such as pottery,
carpentry, blacksmithing, coppersmithing, building,
stonework, carving, embroidery, tanning, tailoring,
weaving, jewelry, tailoring, smithing, goldsmithing,
painting, shipbuilding, shoemaking, and tinsmithing.
The production of ceramics and textiles, which are
considered the first important branches of handicrafts,
appeared in the territory of our country in the ancient
Neolithic period (Kaltaminor culture in the Khorezm
oasis, Sopollitepa in Surkhondarya, etc.). As an
example, we can cite the importance of the Great Silk
Road in the trade of handicraft products from the 2nd
century BC.
RESULTS AND DISCUSSIONS
If we look at the history of needlework, historical
sources indicate that in our country, as in Muslim
workshops in the east, women were engaged in
embroidery sitting at home, and the owners of this
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profession had different names (master, apprentice
and apprentice). In this profession, along with its legal
provisions, it has defined "Pamphlets" as an internal
regulation. Each profession has its own guide, i.e. piri
and "Treatus", and the traditions and customs passed
from generation to generation are observed. For
example, before starting work, the master remembers
his elder and asks him for help, and gives blessings to
his student [4].
Craftsmanship is small-scale manual production based
on the use of hand tools and the personal skill of the
worker, which allows for the production of high-
quality, often high-quality artistic products. The task of
national folk crafts is to provide a person with useful
things for other people's vital needs.
While writing this article, we found that research on
this topic is scarce and interesting. We believe that the
researches of art historians in the study of folk crafts
are incomparable, that they have fully delivered the
rich cultural heritage left to our generations.
Prohibitor G.K. According to Wagner, in the
development of folk art, their poetic traditions cannot
be imagined without development, but he compares
them with the indispensable condition of preserving
the basic folklore principles of folk poetic images[5]. A
"second" or "third" edition of folk art is not possible.
M.A. Nekrasova studied the place of folk art of her
nation in the culture of the 20th-21st centuries.
Boguslavskaya defined folk art as "a complex artistic
system with its own laws of structure and
development." [6]. Academician B.A. Rybakov studies
the original basis of the unity of art and craft on the
example of the products of past masters, their
combination determines the further work of craftsmen
[7] admits that.
In traditional folk crafts mentioned above, we can
understand "preservation" and "restoration". Due to
the fact that our rapidly developing society is gradually
affecting production, some products appear to be of
poor quality, and they are distinguished by the fact that
they are significantly different from the copy made by
hand.
For the inhabitants of our country, who lived almost in
a colony of Tsarist Russia in the last century, despite
the fact that many branches of handicrafts have lost
their power, many branches of it have been preserved,
because they produce goods that satisfy national
needs, such as clothes, dishes, various household
items, small takes a leading position in creating labor
tools and supplying them to the local market [8].
We can say with Fahr that today there are legal
mechanisms aimed at preserving the centuries-old
national art traditions in our country, and the fact that
a number of state and public organizations are directly
engaged in this work is a proof of our opinion. Even
now, the fact that the head of state pays enough
Volume 04 Issue 06-2024
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American Journal Of Philological Sciences
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2771-2273)
VOLUME
04
ISSUE
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OCLC
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1121105677
Publisher:
Oscar Publishing Services
Servi
attention to the restoration of traditional handicrafts,
and international funds and organizations that support
the development of the economy of developing
countries are actively participating in this matter, and
the fact that our country is leading in these activities is
becoming evident to all of us. Most of the activities of
artisans are focused more on a particular type of
industry or on centers that were popular in the past but
are now somewhat in decline. For example, in
Uzbekistan (in the 1990s), the UN project on the
development of cultural familiarization tourism and
handicrafts and assistance to craftsmen worked under
the American Counterpart Consortium organization.
They held various seminars, practical art fairs, invited
experts from abroad to train local masters in the use of
traditional technologies, natural dyes, supported
projects related to the activities of famous local craft
centers. In recent years, the Swiss Bureau of
Cooperation and Development, the representative
office of UNESCO in Uzbekistan and the National
Commission of UNESCO have been actively working in
this regard [9].
CONCLUSION
In conclusion, we can say that every nation has its
mother tongue, Motherland. The wise Sultan Husayn
Boygaro praised our great grandfather Hazrat Alisher
Navoi as "the one who breathed soul into the dead
div of the Turkish language" and acknowledged that
he had started a new life and era of the Turkish-Uzbek
language. Therefore, the indicated process of
development shows how ancient the history of
handicrafts of each nation is. It shows that the craft has
passed through different periods in its development
and has undergone a specific renewal at each stage. At
the same time, it can be seen that all the processes
reflect the renewal and charm of their own. We hope
that if detailed information and exhibitions are shown
to the students about the fact that the social division
of labor gave a great impetus to passing through such
stages of handicrafts, then the sense of pride in their
nationality will increase in the minds of each young
generation, along with their confidence in the nation,
people and the future. In addition to our opinion, we
can say that it would be appropriate if the minds and
consciousness of our children, who are our future
heirs, are enriched with concepts about our nationality,
if they are trained in work, if folk crafts continue for
centuries, and if work tools are improved.
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Publisher:
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