THE ATTITUDE TO THE FAMILY IN LYRICAL TEXTS (ON THE EXAMPLE OF THE WORKS OF A. NAVOI AND YUSUF KHOS-HAJIB)

Abstract

In this article, referring to the lyrical legacy of Alisher Navoi and Yusuf Khos Hajib, the allomas that left an indelible mark on the history of literature, it was determined what the attitude towards the family, the interaction between father and child should really be, and the essence of the ogets in this regard was revealed and analyzed.

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Anorqulova Ozoda Nizamjon qizi. (2024). THE ATTITUDE TO THE FAMILY IN LYRICAL TEXTS (ON THE EXAMPLE OF THE WORKS OF A. NAVOI AND YUSUF KHOS-HAJIB). American Journal of Philological Sciences, 4(10), 182–186. https://doi.org/10.37547/ajps/Volume04Issue10-30
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Abstract

In this article, referring to the lyrical legacy of Alisher Navoi and Yusuf Khos Hajib, the allomas that left an indelible mark on the history of literature, it was determined what the attitude towards the family, the interaction between father and child should really be, and the essence of the ogets in this regard was revealed and analyzed.


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Volume 04 Issue 10-2024

182


American Journal Of Philological Sciences
(ISSN

2771-2273)

VOLUME

04

ISSUE

10

P

AGES

:

182-186

OCLC

1121105677
















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

In this article, referring to the lyrical legacy of Alisher Navoi and Yusuf Khos Hajib, the allomas that left an indelible

mark on the history of literature, it was determined what the attitude towards the family, the interaction between

father and child should really be, and the essence of the ogets in this regard was revealed and analyzed.

KEYWORDS

Fiction, “Qutadg‘u bilig”, “Hayrat ul

-

abror”, “Mahbub ul

-

qulub”, “Badoe ul

-

vasat”, family, marriage, family

relationships, farzand burchlari..

INTRODUCTION

The artistic form of literature can give a person both joy

and peace at the same time, as well as sad feelings. The

reason is that a person takes aesthetic pleasure from

any aspect of an artistic work, lives with it, feels it with

his heart. The processes and events described in the

work come from the writer's heart, the solutions given

to each problem help people draw conclusions and

learn lessons.

Analysis of literature on the topic

. "Poetry, as a special

type of fiction, follows a unique path in describing

reality, but in the use of language, first of all, in its

consumption, it obeys the general rules - the norm of

the modern literary language. In poetry, the stylistic

and emotional possibilities of the language are realized

within this norm" [2:23].

Research Article

THE ATTITUDE TO THE FAMILY IN LYRICAL TEXTS (ON THE EXAMPLE
OF THE WORKS OF A. NAVOI AND YUSUF KHOS-HAJIB)

Submission Date:

October 20, 2024,

Accepted Date:

October 25, 2024,

Published Date:

October 30, 2024

Crossref doi

:

https://doi.org/10.37547/ajps/Volume04Issue10-30


Anorqulova Ozoda Nizamjon qizi

Associate Professor of Uzbekistan-Finland Pedagogical Institute, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajps

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Volume 04 Issue 10-2024

183


American Journal Of Philological Sciences
(ISSN

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VOLUME

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182-186

OCLC

1121105677
















































Publisher:

Oscar Publishing Services

Servi

The formation of the concept of the family as a concept

is primarily related to the mentality of the people, the

leadership position in social life. This issue is mentioned

in all written sources that have reached today, as well

as in the works of many of our ancestors, such as

Mahmud Koshgari, Nasiruddin Rabguzi, Yusuf Khos

Hajib, Alisher Navoi, Lutfi, Babur.

METHODOLOGY

We think that it is correct to approach the study of the

concept of "Family" by paying attention to the issue of

culturalization of the language first of all. After all, the

relationship between man and existence is reflected in

the linguistic and cultural aspect. And the family is

considered a place where national and cultural views

appear, are formed and are transmitted from

ancestors to generations. From this point of view, we

decided to consider the cultural foundations of the

family based on the text of the works of Yusuf Khos

Hajib and Alisher Navoi in this small work.

RESULTS

Yusuf Khos Hajib's work "Kutadgu Bilig" is another

important source of moral and educational character.

There is a special section of this work called "The words

of the fathers - the weight of the mind" [6:200], in

which the words and advices of Oytg'ldi addressed to

Ggdulmish. , expressed will. This section contains the

following sentences:

Let the father and the daughter fall to the ground,

Don't make a fuss, shoot your father.

Oytgldi said, listen, you rascal.

Don't forget my mouth, take care of me. (Kudaggu

Bilig, p. 46)

Each sentence presented in this work is conveyed to

the reader in the form of a sermon and is distinguished

by the fact that it is intended for an educational task. In

all the advices from the mother tongue to the heart, a

certain communicative goal is assumed in the selection

of language units. "Positive use of language units

allows, on the one hand, to make speech colorful, and

on the other hand, to create the uniqueness of styles,

starting from the speech of an individual. Thus, the

possibility of language is realized in speech units"

[3:25].

Based on the content and purpose of the text, didactic

thoughts are given in the work, and the meaning

expressed in them is embedded in the text: "If the

father's actions are absorbed into his heart, his

behavior will be changed." Investigating the child

provides light to the parent's face. An out-of-control

child drifts into wantonness and mischief. The behavior

of boys and girls who pretend to be men brings grief

and pain to their parents ("Kutadgu bilig", pp. 49, 50).

The specific features of linguistic and cultural concepts

are their verbalization in the language using different


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linguistic means, which is related to different levels of

language,

namely

word

formation,

lexical,

phraseological, and syntactic levels [5:64].

This situation is more vividly reflected in the work of

art. "As in the texts of other styles, strict logic,

simplicity, comprehensibility, normativity are not

strictly followed in the literary text. It effectively uses

artistic image tools. Effectiveness comes to the fore.

Melodic, catchy words are often used. A harmonious

music, an inner harmony can be felt in the depicted

reality. There are many ways to excite a person

spiritually, to make him cry, to laugh, to lead him to the

world of fantasy, to immerse him in his thoughts, to

form his aesthetic thinking, to teach him to look at

events from a deep, different perspective.

embodied the possibilities. It is known that the artistic

text is formed based on the requirements and patterns

of the artistic style, therefore poetic, romantic, and

solemn forms of expression are widely used in it. The

choice of words, the structure of sentences, the use of

lexical-semantic, rhythmic-intonational units also come

from the requirements of this style. The most

important of the linguistic features of the literary text

is that it contains emotional words, dialect words,

historical and archaic words, slang and slang, words

with different meanings, synonyms, forms, words.

"similar, pronounced and opposite words, as well as

units such as phrases, proverbs and aphorisms are

given wide meaning" [1:15].

In the text of this work, written in the lyric-epic genre,

the phrase "To be a father" explained in the

introduction of the dissertation is also found. This

sentence was said by Elig to Ggdulmish:

If your father is sad, I am your father,

Be a father, I am a father to you. ("Qutadgu Bilig", p.

56).

Here, these words were said in order to console the girl

who lost her father, to adopt the child who was

brought up by Oytguldi, who was considered a

passionate, selfless, true friend. In this case, a romantic

connection appeared. (The concept of Ggay was

explained in previous chapters.)

In the process of observing the text of the

work, we witnessed that the following excerpt from

the speech of an intelligent person was quoted by the

author:

Your father taught you to hold tight, tight,

Have a good day and bring it to you.

Always make your father and mother happy,

The reward for your work is thousands of dollars.

("Qutadgu Bilig", p. 56).

It was precisely because Ggdulmish strictly followed his

father's advice, followed it constantly, and received


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the consent of his parents that his work was blessed,

his day was blessed, and he was loved and honored.

In the process of examining the lyrical examples of

classical literature, it is impossible not to turn to Alisher

Navoi, a great thinker, the sultan of ghazals. Because in

almost all of Navoi's works, respect for parents, honor,

separate verses are written about how noble they are.

A person who has not heard the following verses of the

writer may not understand:

I surrender my head to the spoon,

Donate your div to the head.

The light that turns your night into day,

One is the moon, the other is the sun.

(From Hayrat ul-Abrar)

One of the main themes of Alisher Navoi's art is respect

for parents. In the above wisdom, it is said that a child

should sacrifice his head for his father, give his div to

his mother, and consider one as the moon and the

other as the sun, just as light illuminates the world.

In Navoi's work "Mahbub ul-Qulub" the term father

appears in different concepts. In one sense, he is

equated to the sun, moon, day, flower, in another

sense, he is elevated to the level of a teacher, a king of

time. The masnavi given below describes the value of a

father in a high degree. That is, it is emphasized that

whoever disobeys the command of his father, this

situation is equivalent to counting the deeds of the pir

and mahdum:

Who doesn't care,

Pir and mahdum work.

(From

Mahbub

ul-

Qulub)

It is known that pir is a word that means the head of a

religious order, sect, religious leader. Pirs are deified

and mythologized persons in connection with religious

sciences. Mahdum is a religious scholar and a religious

leader. Both of them are considered to convey

religious knowledge and orders to the believers.

In the following poem by Alisher Navoi, the image of

the father seems to be a little lower than the mother.

After all, it is stated that the mother has more rights

than the father in a young child:

It's an unbearable noise

It is possible to make a noise.

Compare Christ with Maryam

It is impossible to give an opportunity. (From "Badoe

ul-wasat")

This issue is also reflected in the hadiths of our beloved

prophet Muhammad Mustafa, may God bless him and

grant him peace. The story of the Virgin Mary and Jesus

Christ mentioned in the verses of the Holy Qur'an is

characteristic in this respect. We know that the Virgin


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Mary gave birth to Jesus without the presence of the

father. Even when people accuse him of adultery, he

does not associate with God and is patient. After all, all

these events happened with the power of God.

Expressing thoughts in this way is characteristic of

classical poetic texts. In these texts, on the one hand,

it is explained to the children to serve their parents

with respect in marriage, and on the other hand, it is

necessary to instill in them concepts related to faith. In

the "Dictionary of religious terms of the Gzbek

language" compiled by M.E. Umarkhgjayev, he divides

the religious lexicon into a number of thematic groups

[4:220].

CONCLUSIONS

So, in Alisher Navoi's works that we have reviewed,

lexical units such as sun, moon, day, gulshan, pir, ustoz,

shahi zaman, kadah, sarv, beminnat zot, sadaf are used

in relation to the father, who is considered a branch of

the "family" concept.

REFERENCES

1.

Yoldoshev M. Fundamentals of literary text and its

linguopoetic analysis. - Tashkent: Science, 2007. - p.

15.

2.

Karimov S. Artistic style of the Uzbek language. -

Samarkand: Zarafshan, 1992. - p. 23.

3.

Nematov H., Bozorov O. Language and speech. -

Tashkent: Teacher, 1993. - p. 25.

4.

Umarkhojaev M.E. Annotated Dictionary of

Religious Terms and Phrases. - Tashkent: publishing

house named after G. Ghulom, 2016. - p. 220.

5.

Khojieva Z. Representation concept "Uzbeks" /

"Uzbeki" in godly text. // "Foreign languages in

Uzbekistan"

scientific-methodical

electronic

journal. #1/2019. - S.64.

6.

Yusuf Khos Hajib. Qutadgu bilig: ("Knowledge that

brings happiness") / Narrator in modern Uzbek and

author of the foreword, Baqijon Tokhliev.

T.:

Publishing house named after Cholpon, 2007. - p.

200.

References

Yoldoshev M. Fundamentals of literary text and its linguopoetic analysis. - Tashkent: Science, 2007. - p. 15.

Karimov S. Artistic style of the Uzbek language. - Samarkand: Zarafshan, 1992. - p. 23.

Nematov H., Bozorov O. Language and speech. - Tashkent: Teacher, 1993. - p. 25.

Umarkhojaev M.E. Annotated Dictionary of Religious Terms and Phrases. - Tashkent: publishing house named after G. Ghulom, 2016. - p. 220.

Khojieva Z. Representation concept "Uzbeks" / "Uzbeki" in godly text. // "Foreign languages in Uzbekistan" scientific-methodical electronic journal. #1/2019. - S.64.

Yusuf Khos Hajib. Qutadgu bilig: ("Knowledge that brings happiness") / Narrator in modern Uzbek and author of the foreword, Baqijon Tokhliev. — T.: Publishing house named after Cholpon, 2007. - p. 200.