Авторы

  • Haytmurat Erejepov
    Teacher of Muhammad ibn Ahmad al-Beruniy Specialized Islamic Educational Institution

DOI:

https://doi.org/10.71337/inlibrary.uz.arims.134968

Ключевые слова:

Karakalpak folklore oral tradition epic genres cultural identity heroic ideals Turkic literature

Аннотация

This article explores the unique features of epic genres in Karakalpak oral literature, emphasizing their historical development, cultural functions, and artistic expressions. Karakalpak epics, deeply rooted in Turkic traditions, embody collective memory, heroic ideals, and spiritual values of the people. By analyzing structural characteristics, performance styles, and thematic richness, the study highlights how these narratives preserve cultural identity, transmit moral codes, and strengthen social cohesion. Furthermore, the comparison with broader Turkic and Central Asian epic traditions demonstrates the universal yet distinctive nature of Karakalpak epics. The findings affirm that oral epics not only serve as aesthetic creations but also function as cultural archives that bridge the past and present, ensuring continuity of national values.


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ACADEMIC RESEARCH IN MODERN SCIENCE

International scientific-online conference

161

THE SPECIFIC FEATURES OF EPIC GENRES IN KARAKALPAK ORAL

LITERATURE

Erejepov Haytmurat

Teacher of Muhammad ibn Ahmad al-Beruniy

Specialized Islamic Educational Institution

https://doi.org/10.5281/zenodo.16930831

Abstract

. This article explores the unique features of epic genres in

Karakalpak oral literature, emphasizing their historical development, cultural
functions, and artistic expressions. Karakalpak epics, deeply rooted in Turkic
traditions, emdiv collective memory, heroic ideals, and spiritual values of the
people. By analyzing structural characteristics, performance styles, and thematic
richness, the study highlights how these narratives preserve cultural identity,
transmit moral codes, and strengthen social cohesion. Furthermore, the
comparison with broader Turkic and Central Asian epic traditions demonstrates
the universal yet distinctive nature of Karakalpak epics. The findings affirm that
oral epics not only serve as aesthetic creations but also function as cultural
archives that bridge the past and present, ensuring continuity of national values.

Keywords:

Karakalpak folklore, oral tradition, epic genres, cultural

identity, heroic ideals, Turkic literature

Introduction

. Oral literature has always served as one of the most

powerful ways for nations to preserve their history, values, and worldview. In
the case of the Karakalpak people, this cultural memory is especially visible in
epic genres, which form the core of their folklore. These epics, known as dastans,
are not only works of poetic artistry but also living records of historical
experiences, ethical principles, and social ideals. As Karl Reichl points out,
Turkic oral epics function as “encyclopedias of the people,” encapsulating the
struggles and wisdom of generations [5]. Therefore, exploring the epic tradition
of the Karakalpaks is essential to understanding both their cultural identity and
their contribution to world folklore.

First of all, the Karakalpak epic tradition is remarkably diverse. Researchers

note that there are nearly fifty types of epic poems, which is classified into
heroic, lyrical, social-domestic, historical-legendary, magical, and romantic
forms. Heroic epics occupy the most prominent place in this tradition. Works
such as Alpamis, Edige, and Sharyar are celebrated for their portrayal of
courage, loyalty, and patriotism. They recount battles against enemies, the
defense of the homeland, and the moral values required to maintain unity.
Particularly noteworthy is the epic Qirq qiz, which is unique in world folklore
because it depicts women as collective warriors defending their land alongside


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men. This portrayal of female heroism gives the Karakalpak tradition a distinct
character, emphasizing gender equality and patriotic responsibility [1].

In addition to their typological richness, Karakalpak epics are defined by

their performance style. They are not read silently but performed by skilled
storytellers and singers—baksi and zhyrau. The baksi usually perform lyrical or
romantic epics with the accompaniment of the two-stringed dutar, while the
zhyrau recite heroic epics to the sound of the kobyz. What makes these
performances remarkable is their improvisational nature. Rather than
memorizing a fixed text, performers adapt the epic to their audience and
historical moment, adding new details while preserving core motifs. This
adaptability has allowed the epics to survive for centuries, continually reshaped
while remaining authentic to their origins [4, 148-150].

Equally important are the themes and motifs embedded in these epics.

Heroism, patriotism, loyalty to kin, and justice are repeated across many works.
At the same time, certain symbolic devices enrich the narratives. For example,
the dream motif plays a significant role, often serving as a divine message that
shapes a hero’s fate. Scholars emphasize that dreams in Karakalpak epics have
mythological origins, linking the human world to spiritual powers. Similarly,
toponyms—place names such as Samarkand, Bukhara, or Turkistan in the epic
Yer Ziyuar—do more than indicate geography. They act as cultural signifiers,
connecting the epic world to historical memory. These motifs illustrate how
Karakalpak epics not only tell stories but also encode cultural, historical, and
philosophical knowledge.

The language and style of Karakalpak epics further reinforce their oral

character. Like other Turkic oral epics, they rely heavily on formulaic
expressions, parallelism, and repetition, which aid memorization and give the
narratives rhythm. In addition, imagery from nature—the steppe, rivers, and
animals—functions as a symbolic reflection of the Karakalpak environment. The
combination of poetry with music, whether performed on the kobyz or the
dutar, produces an oral-musical synthesis that heightens emotional resonance
and ensures that the performance is memorable for the audience.

Yet beyond their artistic qualities, epics serve significant social and

educational functions. They preserve historical memory by recounting the
migration, struggles, and victories of ancestors. They transmit moral values such
as courage, loyalty, hospitality, and unity to younger generations. They also
foster a collective identity, reminding the Karakalpak people of their shared
history and cultural resilience. As the Karakalpak poet Berdakh emphasized,


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literature and folklore must serve not only as art but also as a moral compass for
society.

When compared with the epic traditions of neighboring Turkic peoples,

Karakalpak dastans show both commonalities and distinctive features. Like
Kazakh and Uzbek epics, they center on themes of heroism and resistance.
However, the unique portrayal of collective female heroism in Qirq qiz and the
historically grounded narrative of Edige set the Karakalpak tradition apart. The
synthesis of poetry, music, and improvisation performed by baksi and zhyrau
gives these epics their own cultural flavor, deeply intertwined with the steppe
environment and Karakalpak spirituality.

Conclusion

. In conclusion, the epic genres of Karakalpak oral literature

represent far more than artistic creations. They are cultural monuments that
emdiv the historical experiences, values, and identity of the Karakalpak
people. Through their typology, performance, motifs, and social functions, they
illustrate the power of oral tradition to preserve and shape collective memory.
Even today, these epics remain a living heritage, continuing to inspire cultural
pride and offering future generations guidance through the timeless values they
contain. Safeguarding and studying them is therefore not only an academic task
but also a vital cultural responsibility.

References:

1. Allambergenov, K. A. (2021). SOME IMPORTANT ISSUES OF STUDYING
HISTORY OF KARAKALPAK FOLKLORE AND LITERATURE IN THE CONTEXT OF
PHILOLOGY OF THE TURKISH PEOPLE. ILIM hám JÁMIYET, 82.
2. Anarbekova, V., & Zulpueva, R. (2024). SIMILARITIES AND DIFFERENCES OF
KYRGYZ AND KARA-KALPAK EPICS. Бюллетень науки и практики, 10(10),
413-418.
3. Bekberganova, M. D. (2025). Sources of Epic Genre. International Journal Of
Literature And Languages, 5(06), 7-9.
4. Kaipbergenova, S., & Abdramanova, D. (2024). KARAKALPAK FOLKLORE.
PEDAGOGICAL SCIENCES AND TEACHING METHODS, 4(40), 148-150.
5. Reichl, K. (2018). Routledge revivals: Turkic oral epic poetry (1992):
Traditions, forms, poetic structure. Routledge.

Библиографические ссылки

Allambergenov, K. A. (2021). SOME IMPORTANT ISSUES OF STUDYING HISTORY OF KARAKALPAK FOLKLORE AND LITERATURE IN THE CONTEXT OF PHILOLOGY OF THE TURKISH PEOPLE. ILIM hám JÁMIYET, 82.

Anarbekova, V., & Zulpueva, R. (2024). SIMILARITIES AND DIFFERENCES OF KYRGYZ AND KARA-KALPAK EPICS. Бюллетень науки и практики, 10(10), 413-418.

Bekberganova, M. D. (2025). Sources of Epic Genre. International Journal Of Literature And Languages, 5(06), 7-9.

Kaipbergenova, S., & Abdramanova, D. (2024). KARAKALPAK FOLKLORE. PEDAGOGICAL SCIENCES AND TEACHING METHODS, 4(40), 148-150.

Reichl, K. (2018). Routledge revivals: Turkic oral epic poetry (1992): Traditions, forms, poetic structure. Routledge.