Authors

  • Rasuljon Tojimatov
    University of Business and Science

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.114585

Abstract

The humor and satire presented in this article are not only about creating laughter, but also serve to rejuvenate a person. It is about the need to pay special attention to such laughter, which is innocent, makes people kind to each other, consequential and friendly.

 

 

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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 418

NOUNS CONNECTED WITH THE NAMES OF HISTORICAL PERSONS IN THE

WORKS OF SAID AHMAD HAJVI

Tojimatov Rasuljon Ganijonovich,

University of Business and Science,

Associate Professor of the Department of

Language and Literature Education, etc.

Doctor of Philosophy in Philology (PhD)

Annotation:

The humor and satire presented in this article are not only about creating laughter,

but also serve to rejuvenate a person. It is about the need to pay special attention to such

laughter, which is innocent, makes people kind to each other, consequential and friendly.

Keywords:

Lingvopoetics, Askia, anecdote, humor, satire, Synchronic, diachronic, typological,

lexeme, syntactic, symbols, realisation.

The author creates humor in the work by mentioning the names of historical figures. For

example, the door opened and the sound of "Azizvoy" came. He raised his head and looked at

the door. Napoleon Bonaparte stood there with a cap on his head as if he had turned a ship

upside down. (Handon pista. p. 12)

In other humorous works of the writer, we also find historical figures such as Charlie

Chaplin, Peter the Great, and Nasriddin Efendi.

In addition, the writer achieves satire by shortening the names of the characters: "Hanifa is new,

Khanka," said Tantiboy, as if he was joking, "Our wife is like that," curling the end of his

sentence.

On top of that, the whole village was waiting for his son, who had gone to the city,

named Tantiboy Tanka, and brought a wife who was not like him. (Selections, Volume 1, Page

205)

So, (in fiction) proper names and nicknames of people occupy a central place in Said

Ahmad's satirical works, and are of particular importance. Along with the literal meaning of

personal names and nicknames, the figurative meaning of these words is also reflected in the

text, inviting the reader to get acquainted with the character and characteristics of the character.

In fiction, in addition to personal names, place names, newspaper, magazine, and book

names are also given. Such proper names usually differ from common nouns in that they are not

used in the plural.

Place names are geographical names, which we divide into toponymy and hydronymy.

The writer also expresses place names according to their specific characteristics, origin,

and nature: Baku is on the coast of the sea, the Caspian Sea was previously called the Khazar.

Present-day Azerbaijan was previously Khazarbayjan. (S.A., "Khandon Pista", p. 6).

So, the name of this country was given to the name of the sea and became Azerbaijan as

a result of the sound.

As we said above, nature also serves as the basis for the name of the place: When

Khrushchev came to Tashkent, my father took him to Mirzachul, to hunt foxes. (S.A. "Khandon

Pista", p. 71.)

The name Mirzachul in this sentence, that is, (desert - a waterless place, Mirza - is used

in relation to educated people) means the desert, the place of the mirzas.


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 419

S.Ahmad says the following about the cemetery in his story "Ok Uy": When the

Russians took Tashkent, the washerman, who had arrived in Vakhlik, told with a sweet sigh that

he himself shrouded almost all of the dead who were buried in the "Shahidon" cemetery, two

hundred of whom were martyred. (S.A. “Khandon Pista” p. 44)

The writer calls the cemetery Shahidon, meaning “they are martyrs,” in connection with

the above sentence about the martyrs.

The writer’s story “The Last Copy” also mentions place names, which are expressed as

follows: Upon entering the village of Qoshtegirmon, Mirzakamoliddin inquires about his

father’s disciple Murodali. Hearing him put a samovar in the "Ildam Kadam" collective farm,

he put it in that teahouse. (S.Ahmad, vol. 1, p. 260).

In these sentences, Kushtegirmon means a village with two mills, and the "Ildam

Kadam" collective farm is a collective farm that is ahead.

The use of such names in literary works and the fact that some of them behave unworthy

of such a name (reversely) elevates the work artistically.

Therefore, place names can be given based on the history of that place, historical events,

natural conditions, climate, reflecting a desire, or the character of the people living there. In

literary works, including the works of Said Ahmad, collective and state farm names that are

more based on historical events or do not do the work typical of their names are given, and this

directly enhances the satire.

Toponymy - places: collective farm, If there are names of a state farm, an organization, an

educational institution, a village, a city, hydronomics is related to water, the names of rivers,

seas, lakes:

When Shahimardon was visiting the grave of his pir, his hand would probably also go to

Qubbon?

In this sentence, it is known that the hand (name) is the hand of Qubbon.

If animal names are also mentioned, they are included in the nominative case. From the writer's

works, we see that most of the names given to animals are words borrowed from foreign

languages. Hearing the sound of footsteps, Goebbels began to bark towards the door. (S.A.

Khandon pista. 20–b).

As soon as the name of Mullaqand Lady was mentioned, Javlonbek's heart skipped a beat. Lady

was his dearest, most precious dog. (S.A. Khandon pista. 60–b.)

My father had goats called "Chamberlin". I named her I gave it to him, he was very evil,

he could easily jump over a three-meter wall. (S.A.1–vol. 24–p.)

The names given to animals are also determined by some characteristic - feature. The

writer also bases the name of the dog on this and describes it: Believe me when I say that it

comes like a car. (S.A. Khandon pista. 60–p.)

In Said Ahmad's works, we should pay special attention to the names of famous names

(magazines, movies, newspapers) and works of art The writer has something in mind by

mentioning the name of this film. The first is the doubt that Zainobiddin's own son gave - the

question of whether h has a tail, and the second shows his literacy.

So, this is also one of the facets of the writer's skill. As mentioned in the story "The

Womanizer Sparrow", such a story is published in a magazine. Although its author is Alimat

Ota, his grandson is published on behalf of his fourteen-year-old granddaughter.

As can be seen from the title of this story, a characteristic characteristic of humans was

transferred to birds and humor was introduced into the work: The writer, the younger Azimatov,


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 06,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 420

tried to burn the womanizers among us with the fire of satire through his work "The Womanizer

Sparrow". (S.A. 1–vol. 198–p.)

In the story "Hasrat", the writer uses the name of a magazine from famous names: - Hey, when

will "Mushtum" come out? Write well. (S.A. 1–vol. 257 – p.)

The word "Mushtum" in this sentence (as the name of the magazine) is a satirical

magazine. Since this story of the writer is a satirical work, this word is used a lot in the work.

In the works of Said Ahmad, we often find names of equipment such as television and

car. The names of such equipment are directly named after the person who invented it or the

country it was discovered in, and are determined by their function: Uncle Mulla, wanting to

remain invisible to people, went to the cemetery on the "Volga" before everyone else, and sat

drinking green tea with the gorkov until the coffin-bearer arrived, talking about the signs of the

mortal world. (S.A. 1–vol. 242 – p.)

The "Moskvich" van that came every morning disappeared. (S.A. Handon pista. 44–p.)

It is clear that the two cars in these sentences were discovered in the cities of Volga and

Moskvich.

The writer widely uses proper nouns, such as the TV set "Rubin", the cars "Chaika",

"Tez dodok". From the names of such equipment it is clear that their quality, characteristic are

special, and the reader distinguishes this.

REFERENCES:

1. Kononov A.N. Grammar of the language of Turkic runic monuments VII– IX centuries. -L.:

Nauka, 1980.-P.99-101.

2. Khojiev A. Compound, paired and repeated words in the Uzbek language. - Tashkent:

UzFA, 1963.-P.41-42.

3. Dmitriev N.K. Featured work. - B.138.

4. Maytinskaya K. E. Ob odnoy modeli parnyx mestoimennyx slov v finno-ugorskikh

language // Suschnost, razvitie i funktsii zyzyka. - M.: Nauka, 1987. - P.146.

5. Dmitriev N.K. Stroy Turkskih Yazykov. - M.: Vostochnaya literatura, 1962. - P.133.

6. Shiyanova A.A. Istoriya izucheniya parnyx slov v finno-ugorskom yazykoznanii // Vestnik

ugrovedeniya. #1 (8). 2012. – S.65.

7. Pinsky L. The main plot. - M.: "Sovetskim pisatel", 1989.

8. Introduction to literature. M., "Visshaya shkola", 1970. S. 112-113.

References

Kononov A.N. Grammar of the language of Turkic runic monuments VII– IX centuries. -L.: Nauka, 1980.-P.99-101.

Khojiev A. Compound, paired and repeated words in the Uzbek language. - Tashkent: UzFA, 1963.-P.41-42.

Dmitriev N.K. Featured work. - B.138.

Maytinskaya K. E. Ob odnoy modeli parnyx mestoimennyx slov v finno-ugorskikh language // Suschnost, razvitie i funktsii zyzyka. - M.: Nauka, 1987. - P.146.

Dmitriev N.K. Stroy Turkskih Yazykov. - M.: Vostochnaya literatura, 1962. - P.133.

Shiyanova A.A. Istoriya izucheniya parnyx slov v finno-ugorskom yazykoznanii // Vestnik ugrovedeniya. #1 (8). 2012. – S.65.

Pinsky L. The main plot. - M.: "Sovetskim pisatel", 1989.

Introduction to literature. M., "Visshaya shkola", 1970. S. 112-113.