Authors

  • Hüseyin Mertöl
    Tokat Gaziosmanpasha University
  • Surayyo Arzikulova
    Shahrisabz State Pedagogical Institute

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.80592

Abstract

This article covers the content of the discipline of art pedagogy, its main tasks, and the scientific and methodological foundations of individual work with students in art education. Also, modern methods used in art pedagogy, the advantages of an individual approach, and issues of psychological support are analyzed.

 

 

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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 808

INDIVIDUAL WORK WITH STUDENTS ON THE BASIS OF ART PEDAGOGY

Hüseyin Mertöl

Associate Professor of Tokat

Gaziosmanpasha University of the Republic of Turkey

Arzikulova Surayyo Fayzullayevna

Researcher of the Shahrisabz State Pedagogical Institute

surayyoarzikulova1972@gmail.com

Tel:+998 94 527 70 72

Annotation:

This article covers the content of the discipline of art pedagogy, its main tasks,

and the scientific and methodological foundations of individual work with students in art

education. Also, modern methods used in art pedagogy, the advantages of an individual

approach, and issues of psychological support are analyzed.

Keywords:

art pedagogy, individual approach, creative activity, student, art education,

pedagogical methods.

Introduction

In the process of modern education, one of the urgent issues is the development of

students' creative potential and the formation of their aesthetic thinking. Art pedagogy plays

an important role in this regard. Through this discipline, students not only receive

information through art, but also understand themselves, express their feelings and become

active participants in society.

Main part

1. The essence of art pedagogy. Art pedagogy is a method of conducting the educational

process using art. It is aimed not only at giving students knowledge, but also at their aesthetic,

moral and social development.

2. The need for an individual approach

Each student has his own worldview, creative thinking style, and abilities. Therefore, art

pedagogy requires an individual approach. Through this approach:

-the student's inner potential is revealed;

-independent thinking and decision-making skills are formed;

-his attitude towards art deepens.

3. Methodological foundations of individual work. It is advisable to use the following

methods when working with students individually:

-Creative tasks - tasks that are suitable for each student, providing the opportunity for free

creativity.

-Reflective methods - encouraging analysis, evaluation and mastery of one's own thoughts.

-Creating portfolios - allows for systematic monitoring of the student's creative growth.

-Mentoring system - establishes a trusting relationship between the teacher and the student.

4. The importance of a psychological approach

A psychological approach plays an important role in individual work. The art pedagogical

process becomes effective by strengthening the emotional state, motivation and self-

confidence of each student. Art therapy methods (colors, music, theater, fine arts) are widely

used in this process.


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 809

Representatives from Tokat Gaziosmanpasha University of the Republic of Turkey, Professor

Ömer Faruk and Associate Professor Hüseyin Mertöl, visited the Department of Preschool

Education, Faculty of Pedagogy, Shahrisabz State Pedagogical Institute, and organized

interesting activities with students.

Initially, ideas and opinions were exchanged about Turkish culture, the social life of the

educational process, and several other processes. In addition, he introduced the interactive

methods used in the educational process.

In the first lessons, students were introduced to the “Strogami” method. Its essence, purpose

and objectives of its use in a school educational organization, as well as the history of the

origin of this method, were introduced.

Now, through colors, we can see the processes of individual work of students through the art

of Ebru.

Ebru is a technique of drawing various patterns with colored paints on a specially prepared

water surface and transferring them to paper or other surfaces. It is widely developed mainly

in Turkey and has been valued as a work of art since ancient times.

Necessary tools for preparing Ebru:

1. Water (in a large container) - but not ordinary water, but specially thickened water (for

example, with citre or other natural thickeners).


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 810

2. Paints - special ebru paints made from natural pigments, dispersed in water.

3. Brushes - specially prepared brushes (made of horse or sorrel hair).

4. Bowls and needles – for dripping paint and creating patterns.

5. Paper – thin, white paper that absorbs water well.

Steps for making marbling:

1. Preparing the water. Alum or other natural thickener is added to the water and left to stand

for several hours or overnight.

2. Spraying the paint onto the surface of the water. Using brushes, paints of different colors

are sprayed onto the surface of the water. Each color is sprayed one after the other and they

spread throughout the water.

3. Creating a pattern. Using a needle or stick, various shapes are drawn on the paint droplets -

flowers, spirals, hearts, waves, etc.

4. Placing the paper. The paper is carefully placed on the surface of the water with the

prepared pattern and held for a few seconds.

5. Lifting and drying the paper. The paper is removed, and the paint pattern in the water is

applied to it. Then the paper is dried.


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 811

The students enjoyed seeing the works of art they had created through individual marbling.

The advantages of the art of marbling are that it develops creative thinking and patience.

Each work is unique and unrepeatable. It can be used as art therapy. Aesthetic education and

eyewitness are formed.

Conclusion

Art pedagogy is one of the modern approaches to art education, enriching the minds of

students aesthetically and creatively through individual work. The teacher's approach to each

student, organized taking into account his interests and needs, is the key to the successful

course of the educational process.

List of used literature:

1. Kholmatova D.A. Innovative pedagogy in art education. - Tashkent: TDPU Publishing

House, 2020.

2. Abduganieva G. Fundamentals of pedagogical technologies. - Tashkent: "Teacher", 2021.

3. Vygotsky L.S. Imaginative Activity in Education. - Moscow: Pedagogika, 1990.

4. Dewey J. Art as Experience. – New York: Minton, Balch & Company, 1934.

5. Çoktan, Ahmet, Türk Ebru Sanatı (History, Construction, Meaning and Varieties of

Ebru), Emekçin Press, Istanbul 1992.

6. Derman, M. Ugur, "Düzgünman, Mustafa", Türkiye Diyanet Foundation Islamic

Encyclopedia. 10/62-

7. UNESCO – "Ebru Art: Turkish Paper Marbling" (Intangible Cultural Heritage Series)

ISLAMIC ARTS 325

8. www.ebrusanati.com

References

Kholmatova D.A. Innovative pedagogy in art education. - Tashkent: TDPU Publishing House, 2020.

Abduganieva G. Fundamentals of pedagogical technologies. - Tashkent: "Teacher", 2021.

Vygotsky L.S. Imaginative Activity in Education. - Moscow: Pedagogika, 1990.

Dewey J. Art as Experience. – New York: Minton, Balch & Company, 1934.

Çoktan, Ahmet, Türk Ebru Sanatı (History, Construction, Meaning and Varieties of Ebru), Emekçin Press, Istanbul 1992.

Derman, M. Ugur, "Düzgünman, Mustafa", Türkiye Diyanet Foundation Islamic Encyclopedia. 10/62-

UNESCO – "Ebru Art: Turkish Paper Marbling" (Intangible Cultural Heritage Series) ISLAMIC ARTS 325

www.ebrusanati.com