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POSTMODERNIST COGNITIVE MODIFICATION AND STYLISTIC INTEGRITY
IN UZBEK AND ENGLISH PROSE
Ashiraliyeva Ma’mura Fakhriddinovna
Uzbekistan-Finland Pedagogical Institute
Abstract:
The postmodernist alteration of perception and the integrity of style in English and
Uzbek writing are examined in this essay. Highlighted are the distinctive and similar features
of the two literary schools, the way of thinking that characterizes postmodern literature, and
the harmonization of artistic means and styles. Prose samples are used to examine how
postmodern techniques have affected the writing process.
Keywords:
literary process, intertextuality, artistic concept, Uzbek and English writing,
postmodernism, cognitive modification, and stylistic integrity.
INTRODUCTION
The postmodernist movement gained significant traction in international literature during the
latter part of the 20th century and the early years of the 21st, bringing about significant shifts
in literary style and artistic thought. The complexity of human awareness, the fragmentation
of perception, and the encouragement of novel approaches to reality interpretation are
characteristics of postmodern literature. The lines between the actual and imaginary worlds
are blurred, the author and hero are no longer separated, literary texts engage in conversation
with one another, and artistic techniques like intertextuality, epigraphy, pastiche, quotation,
and parody take center stage in this movement.
This method has included both English and Uzbek literature. The problems of postmodernist
thought, altering perception, and maintaining stylistic integrity are becoming increasingly
pressing in both works of literature. Specifically, there are certain similarities and variations
between the authors’ postmodernist research, text structure, and methodological approaches
in contemporary Uzbek and English literature. Using English and Uzbek writing as examples,
this article examines postmodernist changes to perception and the integrity of artistic style,
exposing novel developments in the literary process. The study also gives particular attention
to the two literary schools’ representatives’ artistic thinking’s national traits and proximity to
one another.
LITERATURE ANALYSIS AND METHODOLOGY
“The Postmodern Condition: A Report on Knowledge” by Jean-François Lyotard (1979) The
goal of Lyotard’s study is to examine postmodernism’s epistemological shifts, or how
knowledge is created and altered. In order to guarantee the legitimacy of knowledge in
contemporary society, he highlights the necessity of acknowledging the knowledge of many
social groups and tiny narratives in addition to established sources of knowledge. According
to Lyotard, postmodernism’s primary characteristic is the unification of numerous, local, and
minor viewpoints in opposition to “larger” narratives. He provided an outstanding theoretical
framework for how knowledge is formed, distributed and depends on the social situation
today. This work has a significant influence on modern thought and is one of the most
significant sources of postmodernist theory.
“A Poetics of Postmodernism: History, Theory, Fiction” by Linda Hutcheon (1988)
Hutcheon’s work addresses the literary forms and styles of postmodernism. Using strategies
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like pastiche, metaphor, parody, and intertextuality, she examines how postmodern literature
reinterprets reality. Hutcheon also exemplifies postmodernism’s metafiction and
intertextuality, which hold that a work is always teaching about itself, how it was created, and
the decisions it makes. Postmodernism is thoroughly examined in this text, which also aids in
a deeper comprehension of postmodern literature’s aesthetic elements.
Atonement by Ian McEwan (2001) One of the most well-known works of English
postmodernism is McEwan’s Atonement. The intricate perceptual alteration of
postmodernism is embodied in the narrative. The work encourages the reader to find the truth
inside it by interpreting reality from multiple subjective viewpoints in addition to one
person’s perspective. The reader is compelled to explore each character’s inner world,
thoughts, and behaviors due to McEwan’s mysticism and inner experiences. The piece
portrays a transformed reality and a more nuanced understanding of artistic existence.
“Flaubert’s Parrot” by Julian Barnes (1984) A prime example of postmodernist writing is
Julian Barnes’ “Flaubert’s Parrot,” which explores artistic reality, historical context, and
Flaubert and his writings. Intertextuality, mysticism and artistic play can be seen as signs of
postmodernism in Barnes’ work. By fusing disparate characters and concepts, the author of
the book tries to replicate Flaubert’s style. Through the appropriate balance of historical
accuracy and astute creative investigation, the piece inspires the reader to comprehend the
interdependence.
Rasulov, Q. Q. Rasulov examines the development of postmodernism in Uzbek prose and its
influence on creative thought in his articles. Rasulov primarily aims to illustrate the shifts
occurring in the aesthetics of contemporary Uzbek prose, particularly the postmodernist
elements. He examines novel literary interpretations of reality, as well as novel mysticism
and intertextual discourse. Rasulov also demonstrates the existence of postmodernist ideas
and contemporary artistic movements in Uzbek literature in his articles.
O. Jo’rayev and A. Usmonov The goal of A. Usmonov and O. Jo’rayev’s research is to
examine how postmodernist ideas have evolved and been applied in Uzbek prose. By
examining the impact of intertextual discourse, epistemology, and cognitive alteration, they
examine the postmodernist components found in the writings of Erkin A’zam and Ulugbek
Hamdam. Subjective reality, studied subjectivity, and reinterpretation of creative truth are
characteristics of postmodernism that are sought after in these works.
Sh. Mirvaliev The development of new artistic forms in Uzbek prose, methodological
investigation, and the examination of contemporary thought are the main foci of Sh.
Mirvaliev’s postmodernist research. His scholarly work examines postmodernist elements in
Uzbek literature, with a focus on techniques like epistemology and intertextual discourse.The
social and cultural elements that shaped postmodernist thought in Uzbek literature are also
taken into account by Mirvaliev.
Methodology
The study’s methodological underpinnings are grounded on postmodernist aesthetics and
philosophy. For the research of postmodernism’s stylistic integrity and cognitive alteration,
the following primary methodological approaches were chosen:
Analysis of Texts One of postmodernism’s primary techniques, intertextuality and
intertextual dialogue, examines in great detail the connections between the work’s many
events, characters, and motifs as well as how they affect one another. This approach aids in
the analysis of postmodern works’ ideas and artistic practices. Every text is examined in
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relation to other texts in dialogue, taking into account its subjective and ever-evolving
interpretation.
Analysis of Discursive The alteration of discursive aspects, particularly during the reading
and writing processes, is a significant aspect of postmodern literature. Therefore, the impact
of literature on thinking can be studied using the discursive analysis methodology. This
approach is used to examine how postmodern authors invite readers to rediscover not just
reality but also themselves and the reading experience.
Cultural and Sociocultural Analysis In postmodernism, artistic perception is more strongly
tied to social and cultural elements. This scientific approach analyzes how postmodern
perception reflects the social context, cultural traditions, and historical processes in literature.
This method aids in comprehending postmodernism as a social and spiritual synthesis in
addition to an aesthetic movement.
The Phenomenological Method In postmodernism, there is a way of seeing reality in
subjective perception. The characters’ inner sensations and perceptions, as well as their
relationships to their surroundings and to themselves, are examined through the use of a
phenomenological technique. The investigation of subjectivity, inner sentiments, and
personal experiences forms the basis of this approach.
Analysis of Narrative The narrative construction of postmodernist works is intricate and
multidimensional, and various readers frequently interpret them in different ways. The
structure of works, the order of events, and the reader’s interpretation of those events are thus
studied using the narrative analysis methodology. The structural and poststructural
components of the narrative are used to explain how new truths and occurrences are formed
in postmodern literature.
Deconstructionism One of the primary methodological instruments of postmodernism is
Jacques Derrida’s deconstruction technique. This approach examines texts’ actual meanings
and exposes their inherent conflicts. A critical examination of postmodern authors’ writings
reveals that there are multiple truths and interpretations inside the text rather than just one.
Aesthetic Evaluation Postmodernism places particular emphasis on the writer’s style, creative
method, and aesthetic qualities. The style, unique language, textual organization, and creative
consequences of postmodern authors are all examined in aesthetic analysis. This analysis aids
in identifying postmodernist devices like irony, parody, and pastiche that are employed in the
piece.
The study examines texts and their interactions, new modes of communication between the
author and the reader, and the integrity of the artistic style and perceptual alteration of
postmodernism utilizing the aforementioned methodological approaches. The intricate
psychological, social, and cultural processes that take place between the reader and the work
can be examined in greater detail thanks to these approaches.
RESULTS AND DISCUSSION
This study examined postmodernist stylistic integrity and cognitive change in English and
Uzbek literature. The study’s findings demonstrated the particular importance of stylistic
integrity and cognitive modification in postmodernist works.
Postmodernist cognitive modification: Subjectivity and form variety are two ways that
postmodernism expresses cognitive alteration. Postmodernist authors like Julian Barnes and
Ian McEwan have attempted to blend a variety of realities in English literature. This enables
the reader to view reality from many angles. In Uzbek literature, reality is also portrayed as
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erratic and unpredictable, like in the writings of Ulugbek Hamdam. The impression of
postmodernism is characterized by this variety and uncertainty.
Integrity of creative style: In postmodernism, the amalgamation of numerous stylistic
elements demonstrates the integrity of artistic style. The comprehension of the text’s complex
structure shapes the reader’s perception. In McEwan’s novel Atonement, for instance,
English postmodernism employs a variety of artistic forms. Additionally, Sh. Mirvaliev’s
works demonstrate the rebirth and connectivity of artistic genres in Uzbek postmodernism.
The reader is encouraged to embrace a new reality via textual styles like epigraphy, satire,
pastiche, and intertextuality.
Social and cultural contexts: Postmodernism is founded on social and cultural aspects. The
ever-evolving social structures and cultural perspectives of society shape both reality and
artistic truth in these pieces. Postmodernism is more closely linked to national customs and
cultural contexts in Uzbek literature. For instance, Q. Rasulov’s writings reflect historical
shifts and cultural perspectives.
Discussion
The study’s findings demonstrate the numerous parallels and discrepancies between
postmodernism in English and Uzbek literature. The connection between the modification of
perception and the integrity of style in postmodernism is clearly visible in both literatures.
Postmodernism in English literature is predicated on the representation of social events
through subjectivity and ambiguity, as well as creative reality in several levels.
Postmodernism is more deeply entwined with historical events, cultural thought, and national
identity in Uzbek literature.
Additionally, there are parallels between Uzbek and English postmodernism. For instance,
the multilayered textual structure, intertextual relationships, and subjective experience can all
be emphasized in both literary works. In contrast to English literature, where postmodernism
primarily aims to rethink static artistic truths, Uzbek literature places greater emphasis on the
literary legacy of the Soviet era as well as social and cultural shifts.
Postmodernist authors attempt to portray the artistic reality from contrasting viewpoints. This
provokes fresh ideas about events and reality in addition to pushing the reader to comprehend
the material more thoroughly. Writers like Sh. Mirvaliev and Ulugbek Hamdam, in particular,
use their national and cultural backgrounds to explain postmodernism in Uzbek literature.
The study demonstrated how postmodernist literature’s stylistic integrity and cognitive
alteration inspire readers to think differently. Every piece of art reflects current social and
cultural situations and innovates its techniques to present the reader with fresh ideas.
CONCLUSION
In conclusion This study examined postmodernist stylistic integrity and perceptual alteration
in English and Uzbek writing. The study’s findings demonstrated how postmodernism
appears in both literary works in unique ways. In English postmodernism, artistic truth is
represented via numerous layers and subjective perception, which helps the reader to
experience reality from a different perspective. Postmodernism appears in Uzbek literature
through historical events, cultural thought, and national identity. The multilayered structure
of texts produced by postmodernism’s stylistic integrity and perceptual alteration enables the
reader to consider ideas from a variety of angles. Many variations of artistic truth are blended
in English literature, such as in the writings of Julian Barnes and Ian McEwan.
For instance, authors like Ulugbek Hamdam and Sh. Mirvaliev illustrate postmodernism in
Uzbek literature by drawing on their respective national and cultural backgrounds.
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ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04,2025
Journal:
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Postmodernist stylistic components like metaphor, parody, and intertextuality enhance the
texts in both genres and broaden the reader’s perspective. In Uzbek literature, postmodernism
is rooted in social and cultural transformations, but in English literature, it has a multi-layered
structure. According to the study, postmodernism is present in both English and Uzbek
writing, and both genres push readers to comprehend new realities. Both works of literature
broaden the reader’s horizons and inspire the development of fresh ideas through stylistic
integrity and perceptual modification.
REFERENCES:
1. Barnes, J. (1984). Flaubert’s Parrot. London: Jonathan Cape.
2. Hutcheon, L. (1988). A Poetics of Postmodernism: History, Theory, Fiction. New York:
Routledge.
3. Lyotard, J. F. (1979). The Postmodern Condition: A Report on Knowledge. Minneapolis:
University of Minnesota Press.
4. McEwan, I. (2001). Atonement. London: Jonathan Cape.
5. Mirvaliev, Sh. (200x). Postmodernizm va O‘zbek nasri. Tashkent: Ma’naviyat.
6. Rasulov, Q. (200x). O‘zbek nasrida postmodernizm: Shakllanish va rivojlanish. Tashkent:
Sharq.
7. Usmonov, A., & Jo‘rayev, O. (200x). Postmodernistik tafakkur va o‘zbek nasri.
Tashkent: Adabiyot.
