Authors

  • Laylo Dolieva
    Samarkand State Institute of Foreign Languages

DOI:

https://doi.org/10.71337/inlibrary.uz.ijai.86040

Abstract

This article explores the role of facial expressions in nonverbal communication, emphasizing their linguistic, psychological, and physiological significance. It examines the function of somatic elements such as the eyes, forehead, mouth, and nose in conveying emotions, referencing Paul Ekman’s classification of basic emotional states like anger, joy, fear, pain, surprise, and disgust.

 

 

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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 1162

THE ROLE OF FACIAL SOMATIC ELEMENTS IN EXPRESSING EMOTIONS (on

the example of French phraseology)

Dolieva Laylo Buriboevna

Doctor of Philosophy in Philological Sciences

Teacher of Samarkand State Institute of Foreign Languages

ldoliyeva@mail.ru

Annotation:

This article explores the role of facial expressions in nonverbal communication,

emphasizing their linguistic, psychological, and physiological significance. It examines the

function of somatic elements such as the eyes, forehead, mouth, and nose in conveying

emotions, referencing Paul Ekman’s classification of basic emotional states like anger, joy,

fear, pain, surprise, and disgust.

Key words:

nonverbal communication, facial expressions, somatic elements, phraseological

units, emotions.

Introduction:

In oral communication, most communicative movements primarily encompass

emotional states. Their recognition as part of speech communication is crucial for

understanding a message, an action, or a person’s emotional state [1]. In this regard, the

unique significance of nonverbal means in the communication process is undeniable and

worth attention. In this section of our research, we aim to provide a detailed discussion on

phraseological tools that reflect nonverbal aspects in emotional communication, specifically

emotive phraseological units that fully convey these expressions.

Method and materials

: Facial expressions are a part of human facial movements through

which various thoughts, actions, imaginations, memories, surprises, and other emotions are

manifested. Smiling, grinning, smirking, pressing or pursing lips, sticking out the tongue,

raising eyebrows-these are all communicative, interactive, and perceptive aspects of speech

that reflect different psychological states, particularly emotional experiences. [2]. French

phraseological expressions describing facial expressions also play a unique role in activating

nonverbal communication. This is because a person’s facial expression conveys various

thoughts and reflections, which naturally attract the speaker’s attention during interaction.

For example, whether our interlocutor understands us, disagrees, or intends to respond-all

these conscious emotional reactions are manifested through facial expressions.

Result and discussion:

One of the main characteristics of facial expressions is their integrity

and dynamism. This means that all six basic emotional states-anger, joy, fear, pain, surprise,

and disgust—coordinate through the movements of facial muscles. Such expressive emotions

can be studied effectively through the method called “FAST [3],” discovered by Paul Ekman

and his team. According to this method, the face is divided into three horizontal sections: 1)

eyes and forehead, 2) nose and its surrounding area, and 3) mouth and chin area [4].

Accordingly, when analyzing French phraseological expressions that describe facial emotions,

the following observations emerge.

Types of facial

emotional

expressions.

Phraseological expressions related to the eyes and forehead:


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INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 1163

Anger

fаire les grоs yeux - kо‘zlаrini lо‘q qilmоq;

Joy

défrоncer le (s) sоurcil (s) - kаyfi chоg‘ bо‘lmоq;

Fear

аvоir frоid аux yeux - qо‘rqmоq; chо‘chimоq;

Sadness

Аvоir une mine renfrоgnée - xо‘mrаygаn bо‘lmоq;

Love

fаire les yeux dоux à quelqu’un – nоz-kаrаshmа qilmоq;

Hate

fаire grise mine à qqn.- birоvni аftini burishtirib kutib оlmоq;

Discontent

fаire des yeux - nоrоzi kаyfiyаtdа qаrаmоq;

Phraseological expressions related to the nose and its surrounding

area:

Shame

le feu аux jоues - qizаrgаn yuzlаr bilа;

Discontent

аvоir le nez sur quelque chоse - burnini jiyirmоq;

Phraseological expressions related to the mouth and chin area:

Fear

clаquer des dents - qо‘rquvdаn tishi tаqillаmоq;

Stupefaction

être cоmme deux rоnds de flаn - hаyrаtdа qоlmоq;

Regret

s'en mоrdre les lèvres- аfsuslаnmоq, lаbini tishlаmоq;

agreement

rire dаns sа bаrbe -miyig‘idа kulmоq;

surprise

fаire le mоue-lаbini burmоq.

Thus, phraseological expressions related to the eyes and forehead convey both positive and

negative emotions in nonverbal communication. In contrast, those associated with the mouth

and chin primarily express neutral emotions, while those connected to the nose and cheeks

exclusively represent negative emotions. From the analysis above, it can be concluded that,

according to P. Ekman’s method, facial expressions are primarily centered around the eyes,

nose, and mouth. Additionally, due to their dynamism, the eyes and mouth serve to express

various emotions nonverbally, whereas the nose-being less dynamic-mainly conveys limited

emotions such as shame and discontent. That is, the nose and cheek regions stand out in

nonverbal communication for their mono-emotional nature. This phenomenon has been

substantiated through an analysis of French phraseological expressions.

Based on the linguistic and psychological analyses discussed above, several key points can be

emphasized regarding French “Nonverbal Phraseology.” As F. Poyatos noted, interpersonal

communication consists of a complex three-part system: “language + paralinguistics +

kinesics.” This structure ensures that the communication process maintains lexical-semantic

integrity, functioning in harmony and transcribing simultaneously.

Therefore, phraseological expressions that reflect nonverbal cues naturally manifest various

emotions and are directly linked to verbal communication. Accordingly, they can be

classified as follows: Would you like a detailed breakdown of these classifications, or are you

interested in examples of such phraseological expressions?

Here’s a breakdown of nonverbal phraseological units based on their function in

communication:

nonverbal phraseological units that fully replace verbal communication: In this case,

information is conveyed completely without words, relying solely on nonverbal cues.

nonverbal phraseological units that partially substitute verbal communication: This

occurs when verbal and nonverbal elements are used together, complementing each other.

nonverbal phraseological units that directly repeat verbal information: These units

serve to reinforce spoken communication by mirroring the verbal message through nonverbal

means.


background image

INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE

ISSN: 2692-5206, Impact Factor: 12,23

American Academic publishers, volume 05, issue 04,2025

Journal:

https://www.academicpublishers.org/journals/index.php/ijai

page 1164

Conclusion

, facial expressions convey various emotions through somatic elements such as

the mouth (la bouche), the eyes (les yeux), the forehead (le front), and the nose (le nez).

These features play a key role in expressing emotions such as anger, joy, fear, pain, surprise,

disgust, sadness, love, dissatisfaction, shame, regret, agreement, and astonishment.

The eyes and mouth are the most dynamic elements, allowing for a broad range of emotional

expressions, whereas the nose is relatively static and primarily reflects shame and

dissatisfaction. These characteristics enable nonverbal communication to visually represent

an individual’s internal emotions.

REFERENCES:

1. Altrov R. Aspects of cultural communication in recognizing emotions. TRAMES, 17

(67/62), 2, 2013. –P. 159. doi: 10.3176/tr.

2. G‘oziyev E .G‘. Psixologiya. -Toshkent: “O‘qituvchi” nashriyot-matbaa ijodiy uyi, 2008.

–B.316.

3. FAST — Facial Action Scoring Technique

4. Ekman P., Friesen W.V., Tomkins S.S. Facial Action Scoring Technique (FAST): A first

validity study. Semiotica, 1971, 3(1). –P. 37–38.

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