Authors

  • Nazira Abdunazarova
    Termez University of Economics and Service

DOI:

https://doi.org/10.71337/inlibrary.uz.ijpse.113587

Abstract

 This article analyzes the role of myths and legends in human culture. It discusses the origins of myths, their influence on art, literature, and social life, as well as their preservation as cultural heritage. Mythological symbols and their reflection in modern culture are explored through examples, highlighting the significance of myths and legends for contemporary societ


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THE ROLE OF MYTHS AND LEGENDS IN HUMAN CULTURE

Abdunazarova Nazira Dilshod qizi

Termez University of Economics and Service

Faculty of Pedagogy and Social-Humanitarian Sciences

Department of Philology and Language Teaching (Uzbek language)

2nd year student

ANNOTATION:

This article analyzes the role of myths and legends in human culture. It

discusses the origins of myths, their influence on art, literature, and social life, as well as their

preservation as cultural heritage. Mythological symbols and their reflection in modern culture are

explored through examples, highlighting the significance of myths and legends for contemporary

society.

Keywords:

mythology, legend, culture, art, literature, history, symbols, belief, values, folklore.

АННОТАЦИЯ:

В данной статье анализируется роль мифов и легенд в культуре

человечества. Обсуждаются происхождение мифов, их влияние на искусство, литературу

и общественную жизнь, а также их сохранение в качестве культурного наследия. На

основе примеров освещаются мифологические образы и их отражение в современной

культуре, раскрывается значение мифов и легенд для современного общества.

Ключевые слова:

мифология, легенда, культура, искусство, литература, история, образы,

вера, ценности, устное народное творчество.

Myths and legends, which are an integral part of human culture, have formed as products of

people's thinking since ancient times. They emerged as attempts to explain natural phenomena,

understand the origin of the world, and comprehend the mysteries of human life. While myths

are primarily based on religious and philosophical concepts, legends are closer to historical

events and have been passed down from generation to generation as products of folk oral

tradition.

Myths and legends are not merely interesting stories; they play an important role in shaping

society's moral values, developing customs and rituals, and strengthening national culture and

belief systems. Even today, they are reflected in literature, art, cinema, and theater, remaining an

integral part of human culture.

The origin and development of myths. Myths are one of the earliest forms of human thought,

through which people tried to explain natural phenomena and interpret the origin of the universe

and humanity. The study of myths in Uzbek literature is mainly based on folk oral traditions and

epics. According to A. Qayumov, myths were initially associated with religious views and later

reflected in folk epics, fairy tales, and legends [1].

In the ancient mythology of Turkic peoples, the creation of the world, sacred symbols, and heroic

motifs are widespread. In particular, the epic "Alpomish" stands out with its mythological

foundations. In this epic, the hero's birth, his valor, and adventures are illuminated through

mythological images [2].

The influence of myths and legends on culture and art. Mythological images are also common in

visual arts. In Uzbek visual arts, mythological creatures such as dragons, fairies, and giants are

depicted. For example, M. Rahimov's works portray characters based on folk legends [3].


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Mythological motifs are also widely used in cinema and theater. For instance, works like "O'tkan

kunlar" (Days Gone By) and "Shaytanat" (Devilry) illuminate the concepts of good and evil in

human thinking through mythological images [4].

Mythological symbols common across world cultures are also found in Uzbek mythology. In

Uzbek mythology, the sun, moon, mountains, and trees were considered to possess divine power.

Particularly, in the epic "Ko'ro'g'li" (Son of the Blind Man), the hero's birth and his acquisition of

strength are connected with mythological traditions [5].

Furthermore, symbols of knowledge and wisdom hold an important place in folk tales. The

character of Nasriddin Afandi embodies the sharp wit, humor, and life experience of the people.

He appears not as a mythological hero, but as a legendary sage [6].

The Role of Myths and Legends in Social Life. Myths and legends play an important role in

forming moral values in society. For instance, the "Avesto" (Avesta) depicts the eternal struggle

between good and evil, serving as an important lesson for humanity's spiritual development [7].

In conclusion, myths and legends remain an integral part of human culture. They are not only

products of ancient thinking but also sources of inspiration for today's art and culture. Therefore,

studying and understanding them helps us to comprehend more deeply the development of

human history, culture, and thought.

REFERENCES:

1. Qayumov A. Uzbek Folk Epic and Mythology. – Tashkent: Science, 2001. – 224 p.

2. Axmedov E. Alpomish – Folk Hero. – Tashkent: Spirituality, 1993. – 180 p.

3. Rahimov M. Mythological Images in Visual Arts. – Tashkent: Art, 2010. – 256 p.

4. Qodiriy A. Days Gone By. – Tashkent: Literature and Art Publishing House, 1926. – 350 p.

5. Yo'ldoshev A. The Epic of Ko'ro'g'li and Its Mythological Roots. – Tashkent: Science, 1987. –

198 p.

6. Mirzo U. Nasriddin Afandi – Folk Sage. – Tashkent: Spirituality, 2005. – 174 p.

7. Ziyo A. Avesta and Its Spiritual Heritage. – Tashkent: East, 2014. – 290 p.

References

Qayumov A. Uzbek Folk Epic and Mythology. – Tashkent: Science, 2001. – 224 p.

Axmedov E. Alpomish – Folk Hero. – Tashkent: Spirituality, 1993. – 180 p.

Rahimov M. Mythological Images in Visual Arts. – Tashkent: Art, 2010. – 256 p.

Qodiriy A. Days Gone By. – Tashkent: Literature and Art Publishing House, 1926. – 350 p.

Yo'ldoshev A. The Epic of Ko'ro'g'li and Its Mythological Roots. – Tashkent: Science, 1987. – 198 p.

Mirzo U. Nasriddin Afandi – Folk Sage. – Tashkent: Spirituality, 2005. – 174 p.

Ziyo A. Avesta and Its Spiritual Heritage. – Tashkent: East, 2014. – 290 p.