This article highlights the intersection of realism and postmodernism of the 20th century and the hypertextuality of Tatiana Tolstoy's prose. The purpose of the article is to study the poetics of mythological prose, methods and forms of mythologization in modern Russian prose. The scientific novelty lies in the fact that this article seeks to consistently explore not only the myth, but also the mechanisms of mythologization and demythologization in Tolstoy's prose, as well as to identify the axiological and ontological features of mythology in the writer's texts. The theoretical significance of the article consists in the further development of theoretical knowledge about the categories of mythopoetics, the deepening of ideas about the mythologism of literature and the genre features of the mythological novel. The practical significance of the article lies in the fact that its materials can be used in lecture courses and seminars on the history of modern literature, the theory of myth, as well as in the works on T. N. Tolstoy.
В данной статье анализируется, произведение Т. Толстой, «На золотом крыльце сидели» определяются особенности использования автором в рассказе различных фольклорных и мифологических образов, как основу для создания персонажей.
The most important part of the culture of all nations is its literature, which has deep
traditions and absorbed all the artistic experience of past eras. Modern authors expand the reader’s horizons, using archetypal plots, images, ideas and projecting them into the modern world. The modification of the cultural values of the past serves as the creative tasks of contemporary writers who seek to reimagine the modern world through mythopoetics.