Authors

  • ABSATOVA MUNISA ABDUSALAM QIZI
  • M. Khojageldiyeva

Author Biographies

  • ABSATOVA MUNISA ABDUSALAM QIZI

    Termez State Pedagogical Institute, Faculty of Physical Culture and Arts, Music Education, student group 23-01

  • M. Khojageldiyeva

    Senior teacher of the Department of Musical Skills and Culture

DOI:

https://doi.org/10.71337/inlibrary.uz.mead.117095

Keywords:

Music Melody Composer World Great Note Classical

Abstract

The article analyzes European classical music, its composers and their works, the significance of their works in performance, their activity, and their role in the art of music.


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EUROPEAN CLASSICAL MUSIC

ABSATOVA MUNISA ABDUSALAM QIZI

Termez State Pedagogical Institute, Faculty of Physical Culture and Arts,

Music Education, student group 23-01

Scientific supervisor: M. Khojageldiyeva

Senior teacher of the Department of Musical Skills and Culture

Abstract: The article analyzes European classical music, its composers and

their works, the significance of their works in performance, their activity, and their

role in the art of music.

Key words: Music, Melody, Composer, Composer, World, Great, Note,

Classical

Annotatsiya: Maqolada yevropa mumtoz musiqasi haqida kompozitor va

bastakorlari, asarlarining ijrochilikdagi ahamiyati , faoliyati musiqa san’atidagi roli

tahlil qilinadi.

Kalit so’zlar:musiqa, kuy, bastakor, kompozitor, jahon, buyuk, nota,klassika.

INTRODUCTION

The first examples of the multi-part genres of European classical music, such

as opera, cantata, oratorio, ballet, symphony, overture, and sonata, appeared in the

Middle Ages. The rules for creating works in these genres were also formed during

those times and have reached the peak of their high development today.

Opera appeared in Italy at the end of the 16th century. There are types of it

written on historical-heroic, historical-romantic, epic, legendary, lyrical, dramatic, and

comic themes, and the classic examples were created by European composers such as

J. Verdi, H. Gluck, and W. Mozart.

The cantata and oratorio genres appeared at the same time as opera.

They are large multi-part works written for soloists, choir, and orchestra.


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Ballet is a word borrowed from French, meaning “I dance, I play”. The French

composer J. B. Lully created the first examples of this genre, using various dance

melodies and folk tunes. The ballet genre is known to all genres that rose to the heights

in the development of Russian music.

Symphony - appeared in the 18th century, and soon spread throughout the

world as a large and complex musical genre. World-renowned composers such as

Beethoven, Mozart, Schubert, Tchaikovsky, Borodin created classic examples of the

symphony.

Many other genres appeared in European classical music, such as “sonata”,

“ballade”, “prelude”, “quartet”. Composers such as I.S. Bach, F. Handel, L. Beethoven

developed these genres. “Organ” music occupies a special place in European classical

music. Composers such as I. S. Bach and Handel wrote works for this large keyboard

instrument played with air. Works in this genre give special power and pleasure to

humanity. These genres began to enter Uzbek music in the 20th century.

DISCUSSION AND RESULTS

In music, the concept of "classical", that is, "classical", was initially used to

evaluate the work of the great composers of European nations. Later, the term

"classical" was also applied to works created in the culture and literature of many

peoples of the world, which have stood the test of time and era, and have been

recognized and acknowledged by the majority, the broad public. Similarly, in Uzbek

music, folk songs (so-called classic songs), grand songs, epics and maqoms

(Shashmaqom, Khorezm maqom, Tashkent-Fergana maqom paths) that have become

national values of our people, as well as melodies - qoshiqoms created under their

influence, that is, works in professional genres of oral tradition, began to be used.

A number of European composers, whose works have earned a worthy place in

the culture of the peoples of the world, whose creativity is recognized worldwide, and

whose works have become a universal spiritual treasure - I.S. Bach, I. Gaydin, V.A.

Mozart, L. V. Beethoven, D. Verdi, F. Chopin, Schubert, F. Liszt, P. I. Tchaikovsky,

M. I. Glinka, R. M. Rimsky-Korsakov, S. Prokofiev, D. Shostakovich, A. I.

Khachaturian, who lived and created in a relatively later century, and many others,


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have firmly established themselves in the golden treasury of world music culture with

their artistic uniqueness and universal ideas, as examples of extremely high creativity.

Because, in their works, the highest ideals of humanity, the value of man, his struggle

for freedom and happiness, friendship and brotherhood of peoples, the call to make

humanity happy, pure love are sung at the highest levels. Consequently, life shows that

the ideas that the creators recognized as classical composers and the works created by

them will become obsolete and lose their value over the years and centuries are

groundless. This is evidenced by the fact that competitions, festivals, music weeks held

worldwide on the work of European classical composers, and the fact that their works

are constantly gaining more and more fans without leaving the repertoire of the world's

largest theaters. The works of the composers whose names are mentioned will always

serve the cause of human happiness with their high ideological content and unique

charm and beauty.

Classical works are present in the culture of every nation. However, European

classical music has a special place with its wide scope and positive influence on the

music of the peoples of the world. Musical works created by I.S. Bach, L.V. Beethoven,

V.A. Mozart, D. Verdi and many other composers, although they have a deep meaning

and complex structure, are easily perceived due to their artistic perfection. They are

such a rich treasure that every time you listen to the musical text in them, you want to

listen to it again, and with each re-listening, new artistic aspects are discovered. Often,

classical musical works are created in harmony with classical literature. Nevertheless,

the music itself is perceived even without translation. Genres that were born and raised

in European countries, formed on the basis of the musical culture and traditions of

composers and the peoples of these countries, or were brought to perfection by these

composers - genres with a polyphonic nature such as cantata, symphony, oratorio, suite,

poem, ballad, ballet, opera, overture, sonata, and their first examples appeared in the

Middle Ages.

The rules for creating works in these genres were also formed in those times

and have reached a high point of development in the present era. For example, opera,

which is considered the largest and most complex genre, which is difficult to depict a


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country and people that it has almost never penetrated, its first examples appeared in

Italy at the end of the 14th century. In the course of the development of the opera genre,

its types were formed, written on historical-heroic, historical-romantic, epic,

legendary, lyrical, dramatic, comic, fairy-tale themes, their classic examples were

created by composers such as Giuseppe Verdi, H. Gluck, V.A. Mozart.

In European classical music, dozens of musical genres such as “sonata”,

“ballade”, “prelude”, “rondo”, “concert”, “variation”, “etude”, “ode”, “oratorio”,

“opera”, “ballet”, “suite” appeared in the 17th and 18th centuries and quickly spread

throughout the world. Many composers such as V.A. Mozart, Joseph Haydn, G.

Handel, Berlioz, L. Beethoven, G. Gluck created high examples of these genres. Most

of them are included in textbooks, programs, and the repertoire of professional

ensembles in leading, developed countries of the world.

In the information about European classical music, organ music occupies a

special place. The emergence of this large, air-operated, keyboard instrument is closely

related to the creativity of Church music, and great composers such as I.S. Bach and I.

Handel created wonderful works for organ music performance. The genres mentioned

in European classical music began to enter the musical culture of the Uzbek and Central

Asian peoples in the 20th century. Under the influence of European musical culture,

compositional music in Uzbekistan is developing rapidly. In 1936, the 1st Uzbek State

Conservatory began to operate in Tashkent. At first, outstanding composers,

musicologists, and theorists came here from the central cities of Russia and made a

significant contribution to the creation of Uzbek opera, symphony, and ballet. Soon,

works in the Uzbek national opera, ballet, and symphonic genres appeared, a large

generation of brilliant Uzbek national composers was formed, and today, Uzbek

composers are also forming in Europe and creating mature works in genres that are

widespread throughout the world.

CONCLUSION

The peoples of the East should have a certain understanding of the existence of

essentially similar types of creativity in the classical music culture, the place of the art

of music in the spiritual life of these peoples, the similarity of the words of the


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instruments, the similar position in the art of performance, the commonality in the

essence and naming of most musical genres, performance styles, musical terms (for

example, maqom, mug'om, muqam, rubab, rebob, ud - ad, g'ijjak, kamoncha, doira -

daf, surnay-zarna, tanbur - tambur, dutor, setor, chator, dumbira, etc.). They should

know that European classical music has matured due to the tradition of musical

notation, and the scope of application of the classical (classical) musical expression in

Western European professional music.

The symphony is a complex and intricate genre of the product of composer's

creativity and the artistic peak of creativity. It is necessary to have sufficient knowledge

and information about the fact that the symphony series is mainly 4 (four) parts and the

construction of these parts in a separate form from the various movements

(performance tempo, pitch - tonality and etc.), and most importantly, about the life and

work of the great European classical music composers, Mozart, G. Haydn, Glinka,

Tchaikovsky, etc., the life and work of the composer, and classical works. Among the

legends of Russian folk songs there are labor and holiday, choral and dance songs, feast

and heavy songs, recruit (soldier) songs, city songs and chastushkas. reworked and

learned. The collections produced by Ularula were distributed among amateur and

professional musicians. Composers have managed to record and rework folk songs,

preserving all the beauty and originality of folk art. The most famous are the collections

of folk songs reworked by composers such as M. Balakirev, N. Rimsky-Korsakov, P.

Tchaikovsky and A. Lyadov. Music plays an important role in our lives. It sounds

everywhere: in radio and television broadcasts and programs, in theaters and concert

halls, on the grounds where festive events are held, in schools. None of the holidays in

our country is complete without music. Songs, dances, marches are constant

companions of the holidays. Every year, on the holidays of Navruz and Independence,

large concert performances are held in the main squares of all cities of our republic,

where, along with Uzbek national songs, modern pop music works and songs of other

peoples are performed by famous masters of art and amateurs. In people's lives Many

events are connected with music. A young baby falls asleep to the gentle melodies of


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a lullaby. Children play to the sounds of cheerful music. Schoolchildren learn songs

and go on trips to the sounds of marches.

LITERATURE

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2. A.X. Trigulova. Xorijiy musiqa adabiyoti. T.: “ILM ZIYO” – 2016;

3. И.А.Никеева. Л.Р.Фаттахова. История музыки: Учебное пособие Омск.

гос.ун.т, 2004.

4. Печёнкина Т.А. «Этапы развития классической музыки» Методическая

разработка.

5. Р.И.Грубер История музыкальной культуры М.-Л.,1941

6. Ю.К.Евдокимова, Н.А.Симакова Музыка эпохи Возрождения М,1982

7. Музыкальная энциклопедия. Выпуск 1-6, -М.: Музыка, 1974,2003.

8. Лобанова M. Западно-европейское музыкальное барокко.-M., 1994.