Authors

  • Muhammadqodir Jo'rayev

DOI:

https://doi.org/10.71337/inlibrary.uz.science-research.33164

Abstract

In this article, the author talks about the great work of small creators, the beautiful and unique nature of our country, animal world, ancient monuments, structures built in the years of independence, national values and traditions. The relevance of the topic of the article is expressed in the insufficient study of the scientific approach in visual arts, which is closer to scientific knowledge than other types of artistic perception of the world, and inconsistency of research evaluation.

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ISSN:

2181-3906

2024

International scientifijournal

«MODERN

SCIENCE

АND RESEARCH»

VOLUME 3 / ISSUE 5 / UIF:8.2 / MODERNSCIENCE.UZ

862

THE MAGIC OF THE BRUSH

Jo'rayev Muhammadqodir Qahramon o'g'li

In the name of Kamoliddin Behzod

National Institute of Art and Design 2nd stage student.

https://doi.org/10.5281/zenodo.11259873

Abstract. In this article, the author talks about the great work of small creators, the

beautiful and unique nature of our country, animal world, ancient monuments, structures built in
the years of independence, national values and traditions. The relevance of the topic of the article
is expressed in the insufficient study of the scientific approach in visual arts, which is closer to
scientific knowledge than other types of artistic perception of the world, and inconsistency of
research evaluation.

Key words: Brush, Painting, watercolor, gouache, tempera, watercolor, colored glass,

colored stone, decoration, monumental art, monumental painting, easel art, animalistics,
historical genre, domestic genre, batal genre, specially treated fabric, wood, paper, cardboard,
glass, metal.

ВОЛШЕБСТВО КИСТИ

Аннотация. В данной статье автор рассказывает о великом труде маленьких

творцов, красивой и уникальной природе нашей страны, животном мире, древних
памятниках, сооружениях, построенных в годы независимости, национальных ценностях
и традициях. Актуальность темы статьи выражается в недостаточной изученности
научного подхода в изобразительном искусстве, который ближе к научному знанию, чем
другие виды художественного восприятия мира, и противоречивости исследовательской
оценки.

Ключевые слова: Кисть, Живопись, акварель, гуашь, темпера, акварель, цветное

стекло, цветной камень, декор, монументальное искусство, монументальная живопись,
станковое искусство, анималистика, исторический жанр, бытовой жанр, батальный
жанр, специально обработанная ткань, дерево, бумага, картон, стекло, металл.

Fine art is my hobby, I don't choose a subject. I enjoy creating by the water. "Sunset on the

Beach" is my first painting depicting the sunset by the lake I still remember. Natural landscapes,
wonders of the animal world are a source of inspiration for me. Being a skilled artist, I want to
show the beauty of my country to the whole world through fine arts.

I am currently studying easel painting at the institute. Let me tell you about the painting. A

painting is a work of art created on a solid surface using colored materials, such as paints. Artistic
representation and interpretation of painted reality; an important means of influencing the thoughts
and feelings of the audience; has important social content and diverse ideological functions. The
artistic content of a painting is embodied in its theme and plot, the plot is realized by the artist
through means of expression of the painting (composition, composition, color, rhythm, etc.).

Paintings are made of a base (specially treated fabric, wood, paper, cardboard, glass, metal,

etc.), a layer of color (watercolor, gouache, tempera, watercolor, colored glass, colored stone, etc.),
some In some cases, it consists of a thin layer of varnish on top of it to preserve it. Color (color) is
an important visual and impact tool of painting. Through color, the artist depicts the existence or


background image

ISSN:

2181-3906

2024

International scientifijournal

«MODERN

SCIENCE

АND RESEARCH»

VOLUME 3 / ISSUE 5 / UIF:8.2 / MODERNSCIENCE.UZ

863

imaginary world in visible forms, can show the infinity of space, the variety of colors, materiality,
volume and texture of things in it, can reflect movement, changes in the human psyche, complex
emotional experiences, and thoughts. The means of pictorial expression and working method of
the color image depend on the color used, the characteristics of the tools, color solvents, and the
base (for example, depending on whether the surface is smooth or rough, the appearance of the
work can have different effects). The work is created in the form of a draft of an idea that first
appeared in the imagination and mind of the creator, in pencil or charcoal, on a surface (often
paper and cardboard). Then a suitable base is selected and treated according to the nature of the
work to be done.

After that, the picture is processed by specifying the position of the image. When coloring,

it is possible to start with a gradually diluted color and make it multi-layer or one-layer when
applying the desired color. The processing of painting works can be conventionally divided into
two - flat and volumetric - spatial styles: in the first style, the image is processed in solid flat forms
without light, and in the volume-spatial method, the image is depicted in a manner related to the
environment with the help of a volumetric light.

of the world scientific and artistic the development of science and of art some common

laws own into in receiving manifestation will be Only that's it because of science and of art a
person of activity opposite two to the field division relative character occupation is enough As the
French writer and artist Jean Cocteau said: "Art is the exact science"[ 1 ]. As an example of this,
the ancient Greek culture, the history of European thought has been going on for a long time
Ptolemy Pythagoras, Pascal, Leibniz, Locke, Voltaire, Montesque such as of representatives in
person scientific-aesthetic, research and to the truth artistic approaches in the middle sure
difference from absence proof will give. Science and of art two different independent in actions
formed the time guess to do possible it's not. Humanity of activity all fields of science and art sure
separation in the 20th century, this division wide public attention drew and scientific research to
the subject has become from the time started " The artist historian, poet, philosopher or observer
to be can And this truth: all great artists together knowledgeable people was,"he said Russian writer
AA Bestuzhev Marlinsky.

Such works are rich in color, in which it is possible to feel all shades of colors, to see the

reflected color of the incident light, and the reflection of the reflected rays and enrichment with
other colors (reflex). There is no strict boundary between these two styles in paintings, one
complements the other. Painting works are monumental (monumental art, monumental painting),
decorative (decorative art, decorative art), machine art, decoration, depending on the location,
content, function, style and appearance of the painting. (theatrical and cinema decoration),
miniature and others. The image is divided into a number of genres depending on the subject and
direction of the content: animalistics, historical genre, domestic genre, field genre, portrait,
landscape, still life and others can be taken as an example.

Conclusion

. Modern art seeks new ways of development, strives to establish stable life

values. Art is only valuable if it is an expression of morality. This connection remains significant
today. Art develops not under the influence of one or another leading ideas, trends, abstract
worldview, but under the influence of the culture of its time. In general, when creating beauty with
colors, the soul of the artist must also be beautiful.


background image

ISSN:

2181-3906

2024

International scientifijournal

«MODERN

SCIENCE

АND RESEARCH»

VOLUME 3 / ISSUE 5 / UIF:8.2 / MODERNSCIENCE.UZ

864

REFERENCES

1.

Biografiya Zhana Kokto [Biography of Jean Cocteau]. URL: http : //www.biografguru.ru/
about/kokto/?q=3359.

2.

Bestuzhev-Marlinsky A.A.: Dictionary of Russian

3.

Efimov Yu.I., Gromov I.A. Human Factors and culture // [Efimov YU.I., Gromov A.
CHelovecheskij faktor i kul'tura.]. Leningrad, 1989.

4.

Kalabuhova E.V. Role of the Stavropol regional museum of fine arts in the preservation of
the cultural inheritance regions // Kul'turnaya zhizn' Yuga Rossii. № 1 (60). 2016.

5.

The Soviet art and architecture of the 60s-70s. // [Sovetskoe izobrazitel'noe iskusstvo i
arhitektura 60-h - 70-h godov]. Moskow, 1979.

6.

Writers of aphorisms [Aleksandr Aleksandrovich Bestuzhev-Marlinskij: slovar' aforizmov
russkih pisatelej]. URL: http:// www.liveinternet.ru/users/ada peters/post381505826/^