Authors

  • Makhbuba Sharipova

DOI:

https://doi.org/10.71337/inlibrary.uz.science-research.43771

Abstract

This research paper presents a comparative analysis of rituals and traditions in different versions of the “Alpomish” epic. The article examines rituals such as courtship, marriage ceremony and various national folk games depicted in it, hospitality and hospitality, road and travel customs.

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ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ

119

125

ARTISTIC INTERPRETATION OF EPIC AND RITUAL RELATIONS

Sharipova Makhbuba Bakhshilloevna

Bukhara State Pedagogical Institute,

Teacher of the Department of Uzbek Language and Literature, Ph.D

https://doi.org/10.5281/zenodo.13905854

Abstract.

This research paper presents a comparative analysis of rituals and traditions in

different versions of the “Alpomish” epic. The article examines rituals such as courtship, marriage
ceremony and various national folk games depicted in it, hospitality and hospitality, road and
travel customs.

Keywords:

“Alpomish”, epic, bakhshi, marriage ceremony, folk games, wrestling, child,

hospitality, tradition, song, kopcari.

ХУДОЖЕСТВЕННАЯ ИНТЕРПРЕТАЦИЯ ЭПИЧЕСКИХ И РИТУАЛЬНЫХ

ОТНОШЕНИЙ

Аннотация.

В данной исследовательской работе представлен сравнительный

анализ обрядов и традиций в разных вариантах эпоса «Алпомиш». В статье
рассматриваются такие обряды, как ухаживание, брачный обряд и различные
национальные народные игры, изображенные в нем, гостеприимство и гостеприимство,
дорожные и путевые обычаи.

Ключевые слова:

«Алпомиш», эпос, бахши, брачный обряд, народные игры, борьба,

ребенок, гостеприимство, традиция, песня, копчари.

Taking into account that the epic “Alpomish” was written down in different variants and

versions from several bakhshis, when they are compared with each other, the similarities and
differences become more obvious in the example of the rituals and customs described in them. It
becomes clear that this is related to the time and place of the epic, and the poetic skills of the poet
[1].

In the version of the son of Polkan poet and Ergash Jumanbul, it is understood that Boybori

and Boisari worship saints and prophets, wishing for a child, and the religious motifs have been
greatly expanded in accordance with the worldview of the people of the time when the epic was
created [2]. For example, on the occasion of the birth of Baibori children, Baba Qambar built
mosques and madrassas in his people.

In the variants of Muhammad Jonmurad Polkan, Ergash Jumanbulbul, Berdiyar Pirimkul,

and Saidmurad Panah, two stages of the hero's friendship with wrestlers from other countries - a
test of strength in one-on-one wrestling are presented [3].

In the version of Berdy's bakhshi, the condition of engagement between the Alpine girl

and the suitors is stipulated. In Polkan's version, this condition is described in the form of telling
a riddle [4].

The versions sung by the poet Polkan and Ergash Jumanbul ugli also describe the

celebration of Boybori's reign. A crowd gathers to congratulate the king. He gives tea to everyone
in the morning and cooks pilaf in the evening. In front of each of them, he puts layers of sarpo
and durumsari bald [5].

In another version, Toychikhan himself wants to take Barchin and sends his wrestlers to


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ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ

120

Boysar as suitors. It was also said that Toychikhan will be a buyer for Barchin in the version of
Berdi Bakhshi [6].

The name of the “Three-day bridegroom show” ceremony is mentioned in the version of

“Alpomish” by the poet Polkan and Ergash Jumanbul ugli. In this version, it is said that Boysari
was killed by the Kalmyks, and when his daughter Barchin found out about it, she fed her father,
read the Qur'an to the mullah, and received blessings from the people [7].

The fact that women go to a wedding without a table is regarded as a shame, as in the

version of the son of Saidmurad Panoh, as well as the son of Fazil Yoldosh.

In the Egamberdi Bakhsh version, Boybori and Boisari, who are returning from the hunt,

get caught up in a big wedding. After that, they enter the wedding. But even though both of them
are good people, no one in the wedding hall gets up and grabs their horse. Then they find the
wedding ceremony and say “May the wedding be blessed”. And they will receive the answer “Yes
to the owner” is described in this version.

As in the version of “Alpomish” sung by Fazil Yoldosh son, Khoshbak Bakhshi

Mardonakul son's copy of the epic also contains the motif of a dream about having a child and the
motif of brothers organizing a festive party based on this. Boybori told the interpretation of his
dream and gave a feast for six months. “He gives six months of marriage to his evangelist, and
another six months when his children are born. All the orphans will be fed. They all went out to
the steppe, saying “God, grant me good”. A cauldron has been put on, a sheep has been
slaughtered, people are coming in droves, and plates are being poured from place to place. That's
when Boybori and Boysari, one of them allows to start the wrestling ceremony, the other one
allows to start more”.

In the “Alpomish” epic, special attention is also paid to courtship matters. Those who came

asking for a girl were asked for a certain time. During this time, permission was sought from the
girl's mother and other relatives. In the epic, this period is specified as one month [8].

In the version of “Alpomish” recorded by Okhunjon Sobirov and Kasimkhan

Muhammedov, written by Umir Bakhshi Safarov and Mardonakul Avliyoqul ugli, there is a
motive that Ultontoz has two old women of the kaivan and sends these two old women of the
kaivan to Aybarchin as suitors for him. These two suitors will be sisters. One of them is called
Angara and the other is Sevara. Even though they are such masters of words, Oybarchin sends
them back with a curse.

It is known that these suitors come to Barchin with a second marriage proposal. Among

the people, the term “captive wife” is used for women in this condition.

In the version of Khoshbak Mardonakul ugli of the epic, when Hakimbek went on a

journey in search of Barchin, his father Boybori said to him: “If you are going to leave, my child,
now I will pray for you”, he says, citing the names of sixty companions, and prays for God's help
for his only child.

In the version of “Alpomish” performed by Umir Bakshi Safarov, the main character says

that the following words are very attentive: “We Uzbeks have a custom of seeing each other
before wrestling” [9].

Also, in this version, there is a reference to the habit of receiving a reward when a long-

awaited person arrives: “Everyone knew about Alpomish's arrival, Barchin took a waterman from


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ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ

121

Boisari”. The motif of “getting a reward” is mentioned in several places in the epic. For example,
Barchin, who met Alpomish after a seven-year separation, goes to get rewar from Kaldirgoch.
After seeing Alpomish's gold ring, Kaldirgoch believes Barchin's words. And Kaldirgoch
receives a reward from his mother.

In this version of the epic, it is emphasized that each wedding lasted several days. For

example, when a Boybori woman gives birth to a son, she happily informs all her people about
it, carves a hearth, slaughters a sheep, puts a cauldron, and holds a wedding. “Everyone come”,
he called, and celebrated for a week. Three months later, Boisari's wife gave birth to a daughter.
Even if the daughter is a girl, she sees it as a boy and celebrates it for eight days. At this wedding,
they announce their intention to marry the people around them. Ya’ni When Aibarchin comes
into the world, it is considered to be blessed and married among the people.

When Alpomish grows up, he marries Barchin with all her formalities. Their father

Boybori, who welcomed them, will hold a wedding for twenty days. After seven years of
separation, Alpomish reunites with Barchin. Kungirat sent a message to the countries and all the
lands, slaughtered fat sheep, gathered all the people, big and small, pitched tents, watered tambik,
fetched, raced and made the people happy for forty days [10].

So, if the versions of the epic “Alpomish” are compared, it becomes clear that there are

some similarities and differences in the interpretation of the traditions described in them. It turns
out that there is more influence of the traditions of the region where the variant is spoken.

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2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ

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background image

ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 10 / UIF:8.2 / MODERNSCIENCE.UZ

123

ЛИЧНОСТИ ЭРИКА ЭРИКСОНА СРЕДИ ДРУГИХ ПОДХОДОВ И НАУЧНОЙ
МЕТОДОЛОГИИ. In

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IMPLEMENTING THEM IN THE EDUCATIONAL PROCESS"–Brno, Czech

(Vol. 1, pp. 6-

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(Vol. 1, pp. 18-25).

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References

SHARIPOVA, M. (2023). “ALPOMISH” DOSTONINI O’ZBEK VARIANTLARI ORASIDAGI MAROSIMLARNING BADIIY TALQINI. Journal of Research and Innovation, 1(10), 45-52.

Baxshilloyevna, S. M. (2023). “ALPOMISH” DOSTONIDA SUNNAT TO ‘YI MAROSIMINING BADIIY TALQINI. Научный Фокус, 1(2), 1091-1095.

Baxshilloyevna, S. M. (2023). “ALPOMISH” DOSTONINI O ‘RGANISH BOSQICHLARI, METODLARI HAMDA KUYLASH ETOSI. Научный Фокус, 1(2), 1096-1100.

Sharipova, M. (2023). MAKTABGACHA TA’LIM TIZIMIDA ETNIK MADANIY TA’LIM VA UNING TARIXIY ILDIZLARI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 35(35).

Sharipova, M. (2023). MAKTABGACHA YOSHDAGI BOLALARDA IFODALI NUTQNING IJTIMOIY-PEDAGOGIK FUNKSIYALARI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 32(32).

Sharipova, M., Ro’ziboyeva, Z., & Yovqocheva, H. (2024). FEATURES OF ACHIEVEMENT OF A CAREER IN PRESCHOOL EDUCATION SYSTEM. Modern Science and Research, 3(5), 1370-1376.

Baxshilloyevna, S. M. (2024). ARXAIK EPOSNING SUJET STRUKTURASIDA MOTIVLAR TAHLILI. SAMARALI TA’LIM VA BARQAROR INNOVATSIYALAR JURNALI, 2(4), 343-349.

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qizi Hamidova, U. F., & Sharipova, M. B. (2024, February). METHODOLOGY OF DEVELOPMENT OF CREATIVE ABILITIES OF CHILDREN OF PRESCHOOL AGE. In INTERNATIONAL CONFERENCE: PROBLEMS AND SCIENTIFIC SOLUTIONS. (Vol. 3, No. 1, pp. 73-82).

Шарипова, М. Б., & Неъматуллоева, М. (2024, February). ТЕОРИЯ РАЗВИТИЯ ЛИЧНОСТИ ЭРИКА ЭРИКСОНА СРЕДИ ДРУГИХ ПОДХОДОВ И НАУЧНОЙ МЕТОДОЛОГИИ. In INTERNATIONAL SCIENTIFIC AND PRACTICAL E-CONFERENCE" MODERN TENDENCIES OF DIGITAL EDUCATION AND WAYS OF IMPLEMENTING THEM IN THE EDUCATIONAL PROCESS"–Brno, Czech (Vol. 1, pp. 6-13).

Шарипова, М. Б., & Неъматуллоева, М. (2024, February). КОМПЛЕКСНАЯ КОНЦЕПЦИЯ РАЗВИТИЯ ЛИЧНОСТИ И ЕЕ НАУЧНО-ТЕОРЕТИЧЕСКИЕ ОСНОВЫ. In INTERNATIONAL SCIENTIFIC AND PRACTICAL E-CONFERENCE" MODERN TENDENCIES OF DIGITAL EDUCATION AND WAYS OF IMPLEMENTING THEM IN THE EDUCATIONAL PROCESS"–Brno, Czech (Vol. 1, pp. 18-25).

Sharipova, M. (2023). “ALPOMISH” EPOSINING QADIMIYLIGI VA AN’ANAVIYLIGI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 44(44).

Sharipova, M. (2024). EPOS HAMDA MAROSIM MUNOSABATINING QADIMIYLIGI VA AN’ANAVIYLIGI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 46(46).

Sharipova, M. (2024). EPOS HAMDA MAROSIM MUNOSABATINING QADIMIYLIGI VA AN’ANAVIYLIGI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 46(46).

Sharipova, M. (2023). “ALPOMISH” DOSTONIDA NIKOH MAROSIMINING ARXAIK-BAIIY XUSUSIYATLARI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 44(44).

Sharipova, M. (2023). MAKTABGACHA TA’LIM TIZIMIDA ETNIK-MADANIY TA'LIM TIZIMI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 32(32).

Sharipova, M. (2023). “ALPOMISH” DOSTONI BADIIY STRUKTURASIDA MAROSIMLARNING O ‘RNI. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu. uz), 30(30).

Sharipova, M. B., & Farmonova, G. S. Q. (2021). NIKOHDAN SO’NG ADO ETILADIGAN URF-ODATLAR TASVIRI (“ALPOMISH” DOSTONI MISOLIDA). Scientific progress, 2(7), 1125-1129.

qizi Hamidova, U. F., & Sharipova, M. B. (2024, February). METHODOLOGY OF DEVELOPMENT OF CREATIVE ABILITIES OF CHILDREN OF PRESCHOOL AGE. In INTERNATIONAL CONFERENCE: PROBLEMS AND SCIENTIFIC SOLUTIONS. (Vol. 3, No. 1, pp. 73-82).

Шарипова, М. Б., & Неъматуллоева, М. (2024, February). ТЕОРИЯ РАЗВИТИЯ ЛИЧНОСТИ ЭРИКА ЭРИКСОНА СРЕДИ ДРУГИХ ПОДХОДОВ И НАУЧНОЙ МЕТОДОЛОГИИ. In INTERNATIONAL SCIENTIFIC AND PRACTICAL E-CONFERENCE" MODERN TENDENCIES OF DIGITAL EDUCATION AND WAYS OF IMPLEMENTING THEM IN THE EDUCATIONAL PROCESS"–Brno, Czech (Vol. 1, pp. 6-13).

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