Authors

  • K.M. Zairova

DOI:

https://doi.org/10.71337/inlibrary.uz.science-research.44200

Keywords:

lexeme ethnos ethnography symbol colors semantics clothing terms: black hat white dress blue dress white kerchief red scarf etc.

Abstract

In the article, the national clothes of the Karakalpak people were considered as one of the most valuable parts of the culture, which has preserved its distinctive features in the past life of the ethnic group till today. In this regard, it was mentioned about the symbolic meaning of colors in the clothing lexeme in the Karakalpak language. We can see that colors in our language do not only express the meaning of color, but also have other semantic differences, and as a result of abstract thinking, they begin to express other meanings. Our article focused on revealing the function of colors in clothing, their ethnographic, symbolic meaning, meaning related to the traditions.

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SYMBOLISM OF COLORS IN THE LEXEME OF CLOTHES IN THE KARAKALPAK

LANGUAGE

Zairova K.M.

Karakalpak State University.

https://doi.org/10.5281/zenodo.13921301

Abstract. In the article, the national clothes of the Karakalpak people were considered as

one of the most valuable parts of the culture, which has preserved its distinctive features in the

past life of the ethnic group till today. In this regard, it was mentioned about the symbolic meaning

of colors in the clothing lexeme in the Karakalpak language. We can see that colors in our

language do not only express the meaning of color, but also have other semantic differences, and

as a result of abstract thinking, they begin to express other meanings. Our article focused on

revealing the function of colors in clothing, their ethnographic, symbolic meaning, meaning

related to the traditions.

Key words: lexeme, ethnos, ethnography, symbol, colors, semantics, clothing terms: black

hat, white dress, blue dress, white kerchief, red scarf, etc.

СИМВОЛИКА ЦВЕТОВ В ЛЕКСЕМЕ ОДЕЖДЫ В КАРАКАЛПАКСКОМ ЯЗЫКЕ

Аннотация. В статье национальная одежда каракалпаков рассматривалась как

одна из самых ценных частей культуры, сохранившая свои отличительные черты в

прошлой жизни этноса до наших дней. В этой связи упоминалось о символическом значении

цветов в лексеме одежды в каракалпакском языке. Мы видим, что цвета в нашем языке не

только выражают значение цвета, но и имеют другие семантические различия, а в

результате абстрактного мышления начинают выражать и другие значения. Наша

статья была посвящена выявлению функции цветов в одежде, их этнографического,

символического значения, значения, связанного с традициями.

Ключевые слова: лексема, этнос, этнография, символ, цвета, семантика, термины

одежды: черная шапка, белое платье, синее платье, белый платок, красный шарф и т. д.

Clothing is directly related to the way of life of each nation which they have been living

since ancient, traditions and customs, and nature, and marks their national culture. Clothes clearly

show a person's education, intelligence, self-control and aesthetic skills. The reason is that a person

was valued not only for wearing new clothes, but for wearing them according to the culture of

dressing. The fact that our people wear clothes according to their age from early times and pay

attention to their colors is a sign of intelligence.


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Symbolic meanings of colors were formed according to the differences in the mentality of

each people, i.e. life traditions, customs, and beliefs. The fact that the secret of colors has become

an object of research in many disciplines (physics, psychology, physiology, chemistry, art,

linguistics) shows the complexity of its nature. A number of research works have been carried out

in Turkic languages in the field of linguistics. To mention specially, S.I. Matchanova determined

the structural and lexical-semantic differences of the words expressing color in the Russian and

Uzbek languages in her work[1,24]. M. Ganikhodjaeva studied the color adjectives in the Uzbek

language in a comparative-historical aspect [2,23]. Z.N. Pardaev studied the semantic and stylistic

differences of color adjectives in the Uzbek language, and in his work he learned the semantic

differences and stylistic use of color adjectives white, black, red, yellow and others [3,22]. Also,

R.V. Alimpiyeva mentioned about the meaning of the adjective "white" [4,13]. Ibrahim Haqqul

talks about the meaning of the word "black" [5, 14], R.N Shoibekov mentions the meaning

differences of the color adjectives in their articles [6]. A. Bekbergenov's article [7,54] about the

adjectives expressing color and their meanings in Karakalpak linguistics was published.

Understanding the meaning of colors is of particular importance in everyday life and social

production. Along with the fact that color determines the appearance of all things in nature, the

beauty of the surroundings, the distinction between things, plants, animals, it also reflects the

various thoughts, worldviews and beliefs of mankind. In linguistics, colors show that they have

semantic differences beyond their color sign, and they have ethnographic, symbolic, traditional

and cultural meanings. The adjectives that express color firstly explain a certain color, and finally,

as a result of abstract thinking, they begin to express other meanings. We took into account these

semantic differences, and in this article we decided to focus mainly on the use of colors in the

symbolic meaning in the clothes lexeme.

The world of color in the culture of each nation has its own symbolic meaning, i.e. color is

considered as one of the factors that represent the culture of the nation. In our language, by

combining the term

qalpaq

"hat" with the word

qara

“black” which means color, and

qaraqalpaq

is widely used as a symbol of our nation. For example:

… Al men máńgi watanlasıń qaraqalpaq bolaman! (I.YUsupov).

... And I will always be your compatriot Karakalpak! (I. Yusupov).

Also, in our language the

aq qalpaq

(white cap), which is the national headdress of the

Kazakh and Kyrgyz peoples, neighboring Turkic peoples, is used as a symbol of that nation. For

example:

Diydarıńa qarayman da toymayman,

Ala tawdan aq qalpaǵıń kórinse … (I.YUsupov).


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I can't get enough of looking at you,

If your white hat is seen from Ala taw... (I. Yusupov).

In our language, the colors "white" and "black" are effectively used in symbolic meanings

in some words related to the customs, traditions, and beliefs of our people. White and black

lexemes are used in opposite meanings. For example:

Aq- degeni alǵıs, qara-degeni qarǵıs.

(White

means thanks, black means curse.) In addition to the nominative meaning of white, it is of great

importance in understanding the meanings of words that have good qualities: purity, honesty,

innocence, etc. In recent years, due to the arrival of European culture in our country, it has become

a tradition for a newly married bride to wear a white dress at the wedding. This whiteness is used

as a symbol of happiness, honesty and purity. "White dress" is a symbol of a dress of happiness.

The Kazak linguist A.Almautova quotes the academician A.Kaidar's opinion in her work:

"the terms of color have distant roots, they come with the long life of the people, they are one of

the major issues such as social, philological, ethnolinguistic significance that are connected with

the aesthetic sense of analysis, national psychology, customs, and traditions" he says. Therefore,

when making the types of clothes, our ancestors gave a special meaning to their color according

to their social, spiritual, and other peculiarities [8,74].

The color of a person's clothes explains his world view, purpose, spiritual aspirations,

chosen path. For example, people who are in good mood, cheerful and enjoy life like to wear white

clothes. Such clothes are suitable for people who do not hold grudges in their hearts and do not do

bad things. The reason is that white clothes are compared to the sun and people who wear them

shine light on others, and black color is the color of the night and the pupil of the eye, and those

who wear this color are considered to be full of secrets [9,10]. In mythology, white color is

considered the color of Gods’, the color of invisible powerful forces. Therefore, there is

information that pilgrims to the "House of God" (Kaaba) set off in special white clothes [10,22].

The color black means darkness, poverty, and when used in relation to organs such as eyebrows,

eyes, and hair, it means a hint of beauty. On the other hand, the meaning of grief, sorrow, and

mourning is understood due to the word combination "wearing black" in the clothes. For example:

Gúlziyba uzın qara kóyleginiń jeńlerin túsirip tiklenińkiredi: – Sizlerge qa’dirsiz bolǵanı menen,

el biri edi –da’! Jerlewge kelińler! (Gulziyba took down the sleeves of her long black dress and

said: - Even though he was incompetent for you, he was one of the countrymen! Come to the

funeral!) [14,3,190]. The word "black" in the word combinations such as "black veil", "black

intention" is used in the meanings of "sorrow", "death", "badness", and the symbolic meaning is

considered a linguistic-cultural connotation [8,75].

Our people wear clothes according to their age, pay attention to their colors, in this case,


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the white color is a sign of intelligence and wisdom, while the red color is a sign of the blooming

period of youth, and it is a manifestation of the ethical, aesthetic and social life of the people.

Elderly mothers wore white kiymeshek (dress), white jegde (jacket), and white jawliq (large scarf).

For example: Jupını ǵana kiyingen,basına jamılǵan aq jawlıǵınıń sáwlesi qara torı júzine túsip

turǵan, kózleri adamǵa analıq miyrim menen baǵatuǵın bul hayaldı Patma dep tanıstırdı[15.4.19].

(This woman who light dressed, the rays of her white jawliq that covered her head, fell on her

black face, and her eyes were full of motherly love for people is introduced as Patma.) And the

young women wore red kiymeshek on their heads and scarlet jackets. The red clothes are usually

considered as wedding clothes. For example: Toylar qutlı bolsın, bayram múbárek, Jasasın qızıl

gúl! «Qızıl shúberek!» (Happy weddings, happy holidays, May the red flower bloom! "Red

kerchief!") (A. Ajiniyazov). Here, in a variable meaning, red flower represents the symbolic

meaning of girls, while red kerchief means young women. The red color symbolizes the blooming

period of youth, and the white color symbolizes the graying of hair and beard, the time of old age.

The word combinations "Aq jawlıqlı, qızıl oramallı (white jawliqli" and "red scarfed)" are used in

the meaning of "woman, wife, bride". For example: Aq jawlıqlı kórsem kópshiy beremen …

(G.Dawletova), Jaynap-jasna, shadlan, áyne máháliń, Shadlıq kızıl sharshıń bolsın kelinshek

(Á.Ájiniyazov). (When I see one with white jawliq, I talk too much). (Enjoy, be pleased, it’s your

time, may your kerchief will be joy, bride).

In clothes, colors contain good and bad, happiness and unhappiness, joy and sadness, and

other several meanings. In S. Shamuradova's work, it is quoted that "white color means descriptive

symbol to the kerchief, the symbol of happiness, and if black and yellow colors are epithets to the

scarf, they mean the separation and grief "[10,40]. In fact, the white color also means sadness, just

like the black color. According to the tradition of our people, on the day when a person dies, before

going to his last place, he is wrapped in a white cloth, which is called a shroud (clothing of the

deceased) in our language. In Sh.Rakhmatullaev’s work it is cited: "This Arabic word has the

appearance of kafan(un) and is derived from the verb kafana, which means " is wrapped with white

cloth", explain the meaning "white material (cloth) for wrapping the deceased before placing them

in the grave" [11, II, 198]. When this cloth is sewn, sleeves and collar are not attached, therefore,

among our people, there is a ritual to wear the garment with the sleeves tucked in, and do not hang

it on your shoulders, it’s related to this shroud. Also, mourner people are separated with their

clothes. In our country, mourners do not wear colorful clothes, girls wear headscarves. Such

clothes will be in black and blue colors.

In fact, the symbolism of colors used in clothes in our language has its own broad meaning.

In the Karakalpak language, the lexeme blue has a number of abstract meanings compared to other


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color-denoting features (in explaining the meaning of color). The reason is that it is difficult to

visualize exact color when saying blue. Blue lexeme is depicted in the circle of green, sky-blue

colors. If the blue color of the national dress of our people is interpreted as a sign of youth, then

knitting upwards of the pattern on it is interpreted as "growth". In this case, blue-green means

youth, a symbol of growth and development. In the understanding of our people, green is the

awakening of nature, a sign of vitality, and it is considered a sign of human life's continuity and

growth. In M. Sadikova's work, the use of the lexeme "blue" in the meaning "young, blue,

immature, unripe" is given with the help of the examples, and from the historical point of view,

she shows that the color meaning word appeared from the word "jas" of the word “jasil”, i.e., with

the help of adding affixes to the word "jas" (jas+i+l) [12,21]. If we quote A. Pirnazarova's opinion

about the "ko’k ko’ylek (Blue Dress)" she gave information like this: "The patterns of this dress

are complex and have a great meaning. The blue color itself is the color of the sky and gives the

meaning that it is the basis of life, and the large tree trunk with branches stretched in all directions

that is woven into the front represents the mother, the founder of life [13]. From an ethnographic

point of view, there is a great meaning in the instructive phrase "ko’kke nalam jetipti (my moan

reached the sky)", in which ko’k (blue) is a symbol of the sky and the phrase is used in worship

and prayer to the sky. The national blue dress of our people contains a number of such meanings,

and the symbol of mother, who is the basis of life, and the period of growth and development of

youth are deeply depicted.

Green color is a symbol of growth and development in human life, while yellow, yellowish

color means sadness, separation, depression in human life. For example: Bul sózden buwılǵan

bir gúl dástesi, Sarǵısh boyaw basım árman kestesi (X.Da’wletnazarov). (A bouquet of

flowers made from this word, dream table with more yellowish color).

In conclusion, linguistic facts show that the culture of our ancestors, who were able to be

choose and use the colors of the national clothes correspond to various colors of social life, natural

center, according to symbolic, ritual, and other differences of the national past of our people, was

at a high level.

REFERENCES

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билан ҳосилалар). Тошкент 2003.

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Садыкова М. Слова обозначающие цвет и окраску в узбекском языке. Автореф.

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13.Пирназарова А. И.В.Савицкий атындағы Мәмлекетлик көркем өнер музейиниң

хызметкери. «Қарақалпақ халқының кийимлери».

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References

Матчанова С.И. Русско-узбекские параллели в цвето обозначении. Автореф. дисс… канд. филол. наук. – Ташкент, 1987.

Ганиходжаева М. Прилагательные цвета узбекского языка в сравнительно-историческом аспекте. Автореф. дисс… канд. филол. наук. – Ташкент, 1986.

Пардаев З.Н. Ўзбек тилида сифатларнинг семантик-услубий хусусиятлари. Филол.фан.номзоди... дисс.автореф. – Самарқанд, 2004.

Алимпиева Р.В. Семантические структура слова «белый» // Вопросы семантики. –Л. 1976.

Ибраҳим Ҳаққул. Яна қора ранг талқини ҳақида // «Ўзбек тили ва адабиёти». 2001, №3.

Шойбеков Р.Н. Кейбир түр-түс атаўышларының мағыналары. //Қазақ ССРҒА. Хабарлары. Филолгия сериясы, 1990, №3.

Бекбергенов А. «Қара» сөзиниң мәнилери ҳаққында. // «ӨзССР ИА Қарақалпақстан филиалы хабаршысы». №4. 1969.

Алмауытова Ə. Ⱪазақ тiлiндегi киiм атауларының түсiне байланысты уǝждiлiк// Ⱪазақстанның ғылымы мен өмири. №3/2, 2017. 74-76 б.

Йулдошева С., Давлатова С., Сатторова Г. Фольклор кийимлари ва безаклари. Тошкент, 2006.

Shomurodova S. O’zbek xalq qo’shıqlarda lıboslar magıyası bılan bog’lıq qarashlarnıng badııy ıfodası. Mag. diss. Buxoro, 2015.

Рахматуллаев Ш. Раҳматуллаев Ш. Ўзбек тилининг этимологик луғати I, (Туркий сўзлар). Тошкент 2000., Ўзбек тилининг этимологик луғати II, (Араб сўзлар ва ўлар билан ҳосилалар). Тошкент 2003.

Садыкова М. Слова обозначающие цвет и окраску в узбекском языке. Автореф. дисс… канд. филол. наук. – Ташкент, 1963.

13.Пирназарова А. И.В.Савицкий атындағы Мәмлекетлик көркем өнер музейиниң хызметкери. «Қарақалпақ халқының кийимлери».

Қайыпбергенов Т. «Қарақалпақ дәстаны», II том «Бахытсызлар»,III том «Түсиниксизлер». Нөкис, 1979.

Каримов К. «Ағабий» I,II,III,IV тарийхый роман. Үргениш «Хорезм»,2016, Нөкис, 2017.