Authors

  • Nodira Kurbonova
  • Raykhon Latipova

DOI:

https://doi.org/10.71337/inlibrary.uz.science-research.65509

Keywords:

Victorian period Jane Eyre Charlotte Brontë Feminism Moral Integrity realism romanticism fiction novel idea human fate destiny author`s skills character symbol analysis antagonist protagonist.

Abstract

The following article briefly analyzes the description of human fate in one of the most prominent romantic and real plays - the novel “Jane Eyre”” by Sharlotta Bronte. It also provides a full insight into English literature in Victorian period, distinct styles, from introspective realism to wild romanticism and social criticism. Their personal experiences, including isolated upbringings and work as governesses, deeply influenced their writing, leaving an indelible mark on literature.

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ISSN:

2181-3906

2025

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 4 / ISSUE 2 / UIF:8.2 / MODERNSCIENCE.UZ

487

THE PORTRAYAL OF THE PROTAGONIST IN “JANE EYRE” BY SHARLOTTE

BRONTE

Kurbonova Nodira Rozikovna

1

Latipova Raykhon Fakhridinovna

2

https://doi.org/10.5281/zenodo.14869265

Abstract.

The following article briefly analyzes the description of human fate in one of the

most prominent romantic and real plays - the novel “Jane Eyre”” by Sharlotta Bronte. It also

provides a full insight into English literature in Victorian period, distinct styles, from introspective

realism to wild romanticism and social criticism. Their personal experiences, including isolated

upbringings and work as governesses, deeply influenced their writing, leaving an indelible mark

on literature.

Keywords:

Victorian period, Jane Eyre, Charlotte Brontë, Feminism, Moral Integrity,

realism, romanticism, fiction, novel, idea, human fate, destiny, author`s skills, character, symbol,

analysis antagonist, protagonist.

ИЗОБРАЖЕНИЕ ГЛАВНОГО ГЕРОЯ В «ДЖЕЙН ЭЙР» ШАРЛОТТЫ БРОНТЕ

Аннотация.

В следующей статье кратко анализируется описание человеческой

судьбы в одной из самых выдающихся романтических и реальных пьес — романе «Джейн

Эйр» Шарлотты Бронте. Она также дает полное представление об английской

литературе викторианского периода, отдельных стилях, от интроспективного реализма

до дикого романтизма и социальной критики. Их личный опыт, включая изолированное

воспитание и работу гувернантками, глубоко повлиял на их творчество, оставив

неизгладимый след в литературе.

Ключевые слова:

викторианский период, Джейн Эйр, Шарлотта Бронте,

феминизм, моральная целостность, реализм, романтизм, художественная литература,

роман, идея, человеческая судьба, предназначение, навыки автора, персонаж, символ,

анализ антагонист, главный герой.

INTRODUCTION

Jane Eyre is a novel by the English writer Sharlotte Bronte. It was published under her pen

name "Currer Bell" on 19 October 1847.

1

PhD, associate professor, Bukhara State University

2

Master`s student, Asia International University


background image

ISSN:

2181-3906

2025

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 4 / ISSUE 2 / UIF:8.2 / MODERNSCIENCE.UZ

488

The first American edition was published the following year by Harper and Brothers of

New York.

Jane Eyre is a bildungsroman that follows the experiences of its eponymous heroine,

including her growth to adulthood and her love for Mr Rochester, the brooding master

of Thornfield Hall.

The novel revolutionized prose fiction, being the first to focus on the moral and spiritual

development of its protagonist through an intimate first-person narrative, where actions and events

are colored by a psychological intensity. Charlotte Brontë has been called the "first historian of

the private consciousness" and the literary ancestor of writers such as Marcel Proust and James

Joyce.

The book contains elements of social criticism with a strong sense of Christian morality at

its core, and it is considered by many to be ahead of its time because of Jane's individualistic

character and how the novel approaches the topics of class, sexuality, religion and feminism. Jane

Eyre, along with Jane Austen`s Pride and Prejudice, is one of the most famous romance novels. It

is considered one of the greatest novels in the English language, and in 2003 was ranked as the

tenth best-loved book in Britain by the BBC in The Big Read poll.

Portrayal of Jane Eyre

Characterization as a Strong Female Figure

Jane Eyre is presented as a strong female character through her independence and defiance

against the gender roles prevalent during the Victorian era. She asserts herself as equal to men in

her life, particularly in her relationship with Mr. Rochester. For instance, when she says to

Rochester during their engagement scene: "I am not talking to you now through the medium of

custom or conventionalities; it is my heart that speaks" (Chapter 23). This declaration underscores

her refusal to accept social hierarchies that would place him above her due to his wealth and status

[1].

3

Narrative Voice and Style

The novel's style is characterized by long sentences with elaborate word choice and biblical

allusions. This formal verbiage reflects Jane's educated background but also makes her appear

thoughtful as she meticulously details every aspect of her experiences. When describing her

marriage to Rochester after Bertha Mason's death, she uses biblical imagery: "ever more absolutely

bone of his bone and flesh of his flesh," echoing Genesis' description of Eve's relation to Adam.

3

Study.com - *The Characterization & Analysis*


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ISSN:

2181-3906

2025

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 4 / ISSUE 2 / UIF:8.2 / MODERNSCIENCE.UZ

489

This adds depth by emphasizing moral duty.

4

Personal Journey: Overcoming Adversity

Jane's journey from an orphaned childhood at Gateshead Hall to becoming a governess at

Thornfield Hall highlights resilience in the face of adversity. Her early life under Aunt Reed’s

cruelty shapes much of who she becomes—someone fiercely determined not just for survival but

for self-respect.

5

At Lowood School for Girls under Miss Temple’s care, Jane finds solace but also

witnesses hardship firsthand when Helen Burns dies in her arms—a poignant moment inspired by

Charlotte Brontë’s own loss.

6

The whole of the work is a critique of Victorian England`s social hierarchy and inequality

for woman. Jane struggles against social class and gender inequality, both of which she considers

great injustices. Jane Eyre is very much the story of a quest to be loved. Jane searches, not just for

romantic love, but also for a sense of being valued, of belonging. A theme is a key idea that runs

through the text. In Jane Eyre the main themes are love and hate, social class and personal

discovery.

From the beginning of the novel, Brontë describes Jane as a strong-willed, passionate and

outspoken young girl. Jane regularly speaks out against the cruel treatment of her cousin, John and

her aunt, Mrs Reed. Her protagonist Jane is placed in between economic classes and drifts among

the lower, middle and upper classes of Victorian England. The condition of women in Victorian

England was one of inequality and oppression.

Major Themes

1. Independence and Self-Respect – Jane is a strong-willed character who values her self-

respect above all, refusing to be dependent on others, whether in love or financial matters.

2. Love and Equality – The novel explores the idea of love based on mutual respect and

equality, rather than social status or wealth. Jane and Rochester’s relationship embodies this

struggle.

3. Gothic Elements – The novel includes classic Gothic tropes, such as Thornfield’s eerie

atmosphere, Bertha Mason as the "madwoman in the attic," and themes of mystery and fate.

4. Social Criticism – Jane Eyre critiques the rigid social hierarchy of Victorian England,

particularly in regard to women’s roles and the treatment of orphans and the lower class.

4

Spark Notes - *Style*

5

Inflibnet.ac.in - *Charlotte Bronte: Jane Eyre*

6

Laurellit.com - The Blurry Line Between Charlotte Bronte & Jane Eyre


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ISSN:

2181-3906

2025

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 4 / ISSUE 2 / UIF:8.2 / MODERNSCIENCE.UZ

490

5. Religion and Morality – The novel presents different religious perspectives through

characters like Helen Burns, Mr. Brocklehurst, and St. John Rivers, contrasting strict piety with

personal morality.

Jane Eyre as an Independent and Strong-Willed Heroine

From the outset, Jane Eyre is depicted as a determined and resilient young woman. As an

orphan raised by her cruel aunt, Mrs. Reed, and later at the harsh Lowood School, Jane faces

hardship and injustice but refuses to submit passively. Unlike many 19th-century heroines who

conform to societal expectations, Jane asserts her independence and self-respect. Her famous

declaration “I am no bird; and no net ensnares me: I am a free human being with an independent

will” captures her belief in personal freedom and dignity.

Jane’s Morality and Inner Strength

Throughout the novel, Jane demonstrates an unwavering commitment to her moral

principles. Her relationship with Mr. Rochester, the brooding master of Thornfield Hall, tests her

values. Even when deeply in love, Jane refuses to become his mistress upon discovering his

marriage to Bertha Mason. Rather than compromising her integrity, she chooses to leave

Thornfield, enduring loneliness and hardship. This act reinforces her belief that self-respect is more

valuable than passion.

Jane’s Search for Love and Equality

One of the most compelling aspects of Jane’s portrayal is her desire for love based on

mutual respect rather than social status or wealth. Unlike traditional romantic heroines who are

passive in their relationships, Jane insists on equality in her bond with Rochester. She does not

want to be dominated or treated as inferior, making her a revolutionary figure in Victorian

literature. Her eventual reunion with Rochester, after he has been humbled by fate, solidifies their

relationship as one of true companionship rather than dependence.

Jane Eyre as a Feminist Icon

While Jane Eyre was written long before modern feminist movements, the novel has often

been regarded as an early feminist work. Jane’s insistence on her own worth, her rejection of

societal constraints, and her pursuit of fulfillment on her own terms all challenge the restrictive

roles assigned to women in the 19th century. Brontë’s portrayal of Jane as a woman who demands

respect and autonomy continues to inspire readers today.


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ISSN:

2181-3906

2025

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 4 / ISSUE 2 / UIF:8.2 / MODERNSCIENCE.UZ

491

Conclusion

Jane Eyre remains a timeless novel because of its powerful portrayal of a woman’s journey

to independence and love. Its blend of romance, social commentary, and Gothic elements makes

it a compelling and enduring classic. Brontë’s heroine, Jane, continues to inspire readers with her

strength, intelligence, and unwavering moral integrity. Charlotte Brontë skillfully portrays Jane

Eyre as an emblematic figure emdiving strength amidst adversity while navigating societal

constraints during Victorian England. Through narrative techniques like direct address (wherein

readers are drawn into intimate conversations), Brontë empowers women by highlighting their

capacity for self-determination despite oppressive circumstances.

REFERENCES

1.

Brontë, Charlotte. Jane Eyre. Smith, Elder & Co., 1847.

2.

Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and

the Nineteenth-Century Literary Imagination. Yale University Press, 1979.

3.

A feminist analysis of Jane Eyre, exploring the themes of female independence and the role

of Bertha Mason, Eagleton, Terry. Myths of Power: A Marxist Study of the Brontës.

Macmillan, 1975.

4.

Examines Jane Eyre through a Marxist lens, analyzing issues of class and power. Shuttleworth,

Sally. Charlotte Brontë and Victorian Psychology. Cambridge University Press, 1996.

5.

Investigates Brontë’s understanding of psychology and how it influences Jane’s character

development. Hoeveler, Diane Long. Gothic Feminism: The Professionalization of Gender

from Charlotte Smith to the Brontës. Pennsylvania State University Press, 1998.

6.

Discusses Jane Eyre in the context of gothic literature and gender roles. Kaplan, Cora. Sea

Changes: Essays on Culture and Feminism. Verso, 1986.

7.

Contains essays on Jane Eyre, focusing on feminism and class struggle. Peterson, Linda H.

Victorian Autobiography: The Tradition of Self-Interpretation. Yale University Press, 1986.

8.

Analyzes Jane Eyre as a semi-autobiographical novel and its use of first-person narrative.

Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of Imperialism." Critical

Inquiry, vol. 12, no. 1, 1985, pp. 243-261.

References

Brontë, Charlotte. Jane Eyre. Smith, Elder & Co., 1847.

Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press, 1979.

A feminist analysis of Jane Eyre, exploring the themes of female independence and the role of Bertha Mason, Eagleton, Terry. Myths of Power: A Marxist Study of the Brontës. Macmillan, 1975.

Examines Jane Eyre through a Marxist lens, analyzing issues of class and power. Shuttleworth, Sally. Charlotte Brontë and Victorian Psychology. Cambridge University Press, 1996.

Investigates Brontë’s understanding of psychology and how it influences Jane’s character development. Hoeveler, Diane Long. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Pennsylvania State University Press, 1998.

Discusses Jane Eyre in the context of gothic literature and gender roles. Kaplan, Cora. Sea Changes: Essays on Culture and Feminism. Verso, 1986.

Contains essays on Jane Eyre, focusing on feminism and class struggle. Peterson, Linda H. Victorian Autobiography: The Tradition of Self-Interpretation. Yale University Press, 1986.

Analyzes Jane Eyre as a semi-autobiographical novel and its use of first-person narrative. Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of Imperialism." Critical Inquiry, vol. 12, no. 1, 1985, pp. 243-261.