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THE BASICS OF CHOREOGRAPHY ABOUT SINGING AND DANCING
Djumbaeva Maqpal
Djumbaeva Qızjibek
Republic of Karakalpakstan.
https://doi.org/10.5281/zenodo.15037735
Abstract.
This article discusses the basics of choreography, European classical
choreography and world folk dances.
Keywords:
choreography, dance, stage, art, classical, world folk.
ОСНОВЫ ХОРЕОГРАФИИ О ПЕНИИ И ТАНЦАХ
Аннотация.
В статье рассматриваются основы хореографии, европейская
классическая хореография и мировые народные танцы.
Ключевые слова:
хореография, танец, сцена, искусство, классический, мировые
народные танцы.
1. European classical choreography
Classical dance initially entered the art of dance as a means of educating dancers. Later it
became a separate, independent genre. The basis of choreography, formed over almost three
centuries and as a result, a set of movements that have a strict system - the classical dance school
and its teaching methodology are recognized today by the whole world. The main goal of the
discipline is to develop the div of the dancer and teach him to perform movements freely. It
forms the correct posture, acquires coordination, flexibility, and also forms creative thinking, a
culture of dance performance. Classical dance terminology first appeared in the 17th century at
the French Royal Academy of Dance. Pierre Beauchamp was the ballet master of the French
Royal Academy of Dance. Jean-Jacques Noverre (1727-1810) is considered a leading French
choreographer. Classical dance terminology has changed over the years, been supplemented and
improved, and has now reached the level of a strict system that is still used in dance education
around the world. Professor Vaganova - Agrippina Yakovlevna, the founder of the Russian
classical dance school, made a great contribution to the clarification and improvement of
classical dance terminology. Just as medical terms are required to be written in Latin, classical
dance terms are also preserved in French. In classical dance, there is 1 free and 5 open positions
of the foot.
There are 1 free and 3 forced positions of the waist.
There are positions of the fingers "Allonge" - (extended), of the div "Croise-Croise" -
(closed or crossed), "Effase-Effase" - (open or soften), "Ecarte-Ecarte" - (to the sides, in the
"croise" and "effase" positions of the div), "Arabesque-Arabesque" - (patterns or ornaments),
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"Attitude-Attitude" - (the working leg is raised back 90 degrees, the knees are slightly bent, in
the "croise" and "effase" positions of the div). A set of exercises that are constantly repeated,
from simple to complex. Classical dance training consists of three parts: 1. Exercises near the
bench. 2. Exercises in the middle of the hall. 3. Jumps. Each part of the movements has its own
main function. They work each joint, muscle and ligament one by one. Exercises near the bench
serve to improve coordination, strengthen the legs, increase the elasticity of the head and div,
and strengthen stability during performance.
World Folk Dances
We can understand the connection of dance art with human life depending on its
appearance, appearance, and expression. Through dance art, we understand people's occupation
with production, struggle with nature, and spiritual development. The source of folk art is the
lifestyle of humanity, regardless of its type, all life movements are also dance movements.
However, folk dances show the essence of life. Dances in the I and II worlds are the basis
for creating the characters of individuals. Just as the Indian folk dances of "Wishing for Rain",
"Appeasing the Moon", and other actions of those who have achieved their intentions are similar
to the Buddhist dances of the Uyghur people, we can see that the events and stories of life in the
dances of the Uyghurs, "Mu/," "Peacock," "Munojat," "Samo," "Pir" and other folk dances are
related to religious beliefs. Uzbek and other world folk dances are also not devoid of feelings
such as supplication, seeking refuge, and lamenting to God. Such beliefs have diminished and
later turned into dance art in the process of the development of life. Scientific research by art
historians has proven the antiquity of dance art and its long history. Folk dances have a deep
meaning. We should be interested in these contents, research them, develop them, and imbue
them with the spirit of the times and give them a certain new meaning. If we carefully examine
and discuss folk dances, we can see that they express the lifestyles and worldviews of absolutely
countless peoples of the world. It is a scientific task to find, study, and correct the unique
uniqueness and characteristics of traditional folk dances.
Historical dances have been passed down from generation to generation for thousands of
years. Although it is a folk art, it was not without the influence of feudalism due to the form of
the era and history. Therefore, naturally, religious content was mixed into a number of dances,
causing them to lose their purity or disappear. If we turn to the art of dance of the peoples of the
world, we can see that there are thousands of types of dance art of nations and peoples in the
world. Until the "Great October Revolution", folk dance art was not paid attention to. In
particular, in Russia, dances were staged and performed in choreographic schools and theaters
for a large, upper-class audience of aristocrats and bourgeoisie, who were far from folk dances.
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After the former October Revolution, attention to the study of folk dances took on a
special character.
Ballet masters created a number of new ballets and choreography, enriched with authentic
folk materials and world classical dance. These performances were successfully received by the
audience and have stood the test of time for years. People's Artists of the Soviet Union period in
Tajikistan are Ga'far Vallomatzoda, Aziza Azimova, Arsuyak Islamova, in Russia Igor
Moiseyev, G. Ustinova, P. Virsky, N. Raraishvili, I. Sukhishvili, V. Vronsky, N. Nadezhdina,
People's Artist of Lithuania V. Gritskas, Honored Artist of the Republic of Belarus A.
Opanasenko, Georgian D. L. Dzhavrishvili, Ye. L. Gvaramadze, People's Artist of Armenia
1.1. Arbatov, Honored Artist of the Lithuanian State Y. Lingis, Honored Artist of the
Lithuanian State Yevgeniy Changa, Bruno Priyende, Milda Insman and others were the founders
and masters of the science of folk dances. In addition, the houses and centers of folk creativity
that were also operating in those times also carried out scientific and research work in the most
remote villages and villages of their republics, in mountainous regions. They organized special
expeditions, collected samples of folk art and enriched professional art. They also helped the
growth and development of the art of folk dance with the help of professional choreographers by
the iliii tnshilots. Ballets such as "Barishnya-krestyanka", "Boshsiz t'hnviindoz", "Konyok-
gorbunok", "Kamenny svetok" were staged on the basis of Russian folk material. "Yablochka" in
the ballet "Krasny mab" was created by the composer and ballet master and was the first folk
dance to be performed at the Bolshoi Theater in 1927. The ballet "Bogchasaroy Fountain"
features Tatar and Polish folk dances, the ballets "Dilbar", "I nyli and Majnun" feature Tajik folk
dances, "The Captive of the Caucasus" features Circassian folk dances, the ballet "Mountain
Heart" features Georgian folk dances, the ballet "Cholpon" features Kyrgyz folk dances, the
ballet "Song of the Tumalar" features Bashkir folk dances, and the ballet "Uzbek folk dances."
The number of ballet performances staged using folk dances is innumerable. Particularly
effective work on folk dances is carried out by the head of the department of "Folk Dance" of the
State Academic Theater named after A.V. Lunacharsky, Tamara Tkachenko. The movements
and music of folk dances express and describe the unique character of the people. In men's
dances, the strength, diligence, dedication of the people, their respect for women are depicted,
while in women's dances, their delicate feelings, modesty and humility, kindness and generosity,
loyalty and hard work are depicted. Uiim hak| The basis of the art of dance is Russian folk
dances, songs, tales, customs and traditions.
But the people's need to sing and dance did not allow them to disappear. Russian folk
dance was formed and developed in three main directions. These are: chorovods, improvisational
games, and specially staged dances.
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These dances were performed by girls with handkerchiefs and flowers in their hands.
Dances were staged depicting festive celebrations, labor processes, wedding ceremonies, family
rituals and traditions, songs on various topics, such as lovers and friends' meetings. Each region
of the Russian people has its own folk dances that have clearly defined and preserved their own
color. "Gusachok" in Smolensk, "Chizhik" in Arkhangelsk, "Timonya" in Kursk, "Tolkusha" in
Leningrad, "Podgorka" in Siberia, and many other regional dances have been performed with
love by the people. They differ from each other in the character of the music, dance movements,
clothes and even jewelry. In these dances, girls dance with young men and demonstrate their art,
that is, compete. In others, people who are addicted to alcohol and who are dishonorable among
the people due to their bad qualities are ridiculed. The shame of the white women in front of
their peers because they cannot do anything, the prestige and fruits of the labor of skilled folk
craftsmen who spin yarn are depicted. The dances depict the arrival of Santa Claus and the Snow
Maiden as guests among the people, the scene of merchants trading in the market, and the
graceful movements of swans. The people enjoyed the dances.
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