Ta'lim innovatsiyasi va integratsiyasi
42-son_2-to’plam_Aprel -2025
ISSN: 3030-3621
113
FUZIL POET OF UZBEK FOLK ORAL CREATIVITY
Tashkent State transport University
Boykhurozov Diyorbek Sherzod ögli
Annotation:
Shaykhzoda not only wrote works in all types and genres of artistic
creation, but also effectively created as a literary critic and critic. Shaikhzoda was a
versatile talent. In addition to poems and epics, he also created dramas with a very high
artistic capacity. Shaykhzoda began writing later in his life.
Keywords:
works, playwright, critic, literary critic, talent, poems, “Tashkent”,
buried in the Faroese cemetery.
Maqsud Shaikhzoda, who was originally of noble Azerbaijani descent and later
spread dong as a truly beloved poet, writer, playwright, zabardast scholar of the Uzbek
people, was born in 1908 in the city of Oqtosh, which belongs to the Ganja region of
Azerbaijan. His father Ma'sumbek was a doctor with a great reputation in elu yurt.
In his poetic work, shaykhzoda shook a pen, mainly on modern topics, and in his
dramaturgy, he gave a fresh artistic life to the siymos and events that help to shed light
on the modern problems in it, giving a thoughtful look at the historical past. In the last
years of his life, he wrote his last stage play about Berunius.
Shaykhzoda not only wrote works in all types and genres of artistic creation, but
also effectively created as a literary critic and critic. Until the last days of his life,
Shaykhzadeh, who published the monograph "the Genial poet" as early as 1941, was
constantly engaged in the life and work of Navoi.
After the article "on the lyrical hero of Navoi" (1948), which he wrote on the
occasion of the 500th anniversary of Navoi, he created major scientific studies "on
some poetic methods of Navoi lyricism" (1959), "in the Art Room of the Master" (3-
part article, 1965-66), "the Sultan of the ghazal estate" (1966), "from the history of
Representatives of Uzbek folk oral creativity like a poet, works like "Alpomish",
"sugar with sweet", Babur of Uzbek classical and modern literature, Muqimi, Furqat,
Oybek, Ghafur Ghulam, Hamid Olimjon, Nizami Ganjavi of world literature, Sh.
Rustaveli, A.S. Pushkin, N.A. Nekrasov, A.N. Ostrovsky, T.G. Shevchenko, A.P. Like
Chekhov, he wrote works dedicated to his manifestations. And as an pedagogical
scientist and poet, talaygina made a worthy contribution to the maturation of the
generation of poets, literary scholars and critics.
In 1929, the first poem of the young poet in Uzbek appeared on the pages of the
newspaper “Eastern truth”. Soon after, the first collection of poems, “ten poems”, was
published, followed by such collections as “my consonants” (1933), “the third book”
(1934), “the Republic” (1935).
Ta'lim innovatsiyasi va integratsiyasi
42-son_2-to’plam_Aprel -2025
ISSN: 3030-3621
114
Maqsud Shaikhzoda stated that” the heroism of our people's work, struggle and
battle, freedom and friendship, happiness and trouble, the beautiful landscapes of the
land and the spiritual totality of man came to my pen as oshno, meaning in my heart".
These qualities of the poet were manifested, above all, in New, unique images
capable of expressing changes, States in life, reality and the spiritual world of our
people. These are images of history – Road – Journey –ship-caravan, map (Earth and
Homeland), address, number, pace and time. These are inextricably linked with each
other, the history of mankind is intact and always moves forward, it is impossible to
stop the caravan of mankind – the ship, it moves towards the destination of the human
dream – happiness.
This can also be known from the fact that the Shaykhzoda places a title in his
books as “the book of fifteen years” or “the Lord of the quarter century”. The poet
himself says that” a respite notebook with a limited human life“, which means that this
notebook should be filled with useful, noble deeds – ” notes". And in the poem
"numbers “there are such lines:”I am neither an astrologer nor an accountant, and but
I see Heavenly meanings in the heart of numbers, a land abode"...
In the poem "hands", the hands see the existence of a person, the seal of his inner
world. In his case, "sympathetic, life-giving hands” are also “impudent, evil, cold like
a cave, lazy” hands, in short, each hand is "the navars of the heart", when the heart
commands the NE, the hand plays that.
One of the works that testifies to the creative maturity of Maqsud Shaykhzadeh
is the epic” Tashkent". The literary community in its time rated this epic as a major
creative success of the poet's literature. Indeed, the” Tashkent " is the most harmonious
of the Shaykhzadeh epics, in which the specific facets of the poet's personality are
manifested much more vividly. The peculiarity in the saga is that the work is not built
on the basis of a holistic event.
Shaikhzoda was a versatile talent. In addition to poems and epics, he also created
dramas with a very high artistic capacity. Not counting the drama “Beruniy”, which
shaykhzoda entered into writing at the end of his life, but did not finish, his dramas
“Jaloliddin Mangubardi” and “Mirzo Ulugbek” have already become the artistic
property of our people.
Shaykhzoda's works have been translated into fraternal peoples and foreign
languages. The poet, in the process of translation, wrote poems that embodied the
progressive traditions, receiving education from the school of skill of the
manifestations of fraternal peoples and world literature.
Literature used:
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