Mualliflar

  • Boyxurozov Diyorbek Sherzod ugli

DOI:

https://doi.org/10.71337/inlibrary.uz.tinnint.95185

Kalit so‘zlar:

Key words: poet Maqsud Shaykhzadeh creativity drama science Land book Happiness address

Annotasiya

 
Annotation. The entire work of Maqsud Shaykhzoda is full of a deep political 
publicistic spirit. His poetic, dramatic works are in harmony with the times, no matter 
what theme they are devoted to. Therefore, the direct service of a creator of this type 
in  the  genre  of  journalism.  Well,  you  know,  increased  means  light,  light,  clarity. 
Indeed, our intelligentsia was called upon to do the best of knowledge, enlightenment, 
culture,  education..."With  this  word,  it  was  as  if  those  who  were  sitting  in  the 
Enchanted Assembly Hall had a thunderous applause.  


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THESE QUALITIES OF THE POET WERE MANIFESTED

Tashkent State Transport University

Boyxurozov Diyorbek Sherzod ugli

Annotation.

The entire work of Maqsud Shaykhzoda is full of a deep political

publicistic spirit. His poetic, dramatic works are in harmony with the times, no matter
what theme they are devoted to. Therefore, the direct service of a creator of this type
in the genre of journalism. Well, you know, increased means light, light, clarity.
Indeed, our intelligentsia was called upon to do the best of knowledge, enlightenment,
culture, education..."With this word, it was as if those who were sitting in the
Enchanted Assembly Hall had a thunderous applause.

Key words

: poet, Maqsud Shaykhzadeh, creativity, drama, science, Land, book,

Happiness address


Maqsud Shaykhzoda is imprisoned completely unreasonably at the beginning of

the 50s and exiled for 25 years. After Stalin's death, the case of those who were unjustly
imprisoned with slander was re-seen. Thus, in 1955, Shaikhzo, among many of our
dedicated intellectuals, was acquitted. But as a result of 5 years of prison suffering, the
poet's health had deteriorated greatly. Nevertheless, he was forced to live on the top
floor of a tall house for 10 years until the end of his life. Even in such harsh conditions
and illness, sira nolimay from her life did not stop creating for the rest of her life.

Well, you know, increased means light, light, clarity. Indeed, our intelligentsia

was called upon to do the best of knowledge, enlightenment, culture, education..."With
this word, it was as if those who were sitting in the Enchanted Assembly Hall had a
thunderous applause.

No matter how many sorrowful days have passed from the beginning, it has not

been oppressed at all. His faith, his view of the world, Theran is described in the above
verses. He never lived in alamzada. On the contrary, he did not say anything, nowhere
about those who betrayed him, subjected him to suffering, serious illnesses. True to his
human qualities, shaykhzoda always lived on a rise with benevolence and high
qualities. Because he had no few genuine, loyal friends either. These included Oybek,
Ghafur Ghulam, Hamid Olimjan, Kamil Yashin, Mirtemir, Shukur Burkhans...

Maqsud Shaikhzoda stated that” the heroism of our people's work, struggle and

battle, freedom and friendship, happiness and trouble, the beautiful landscapes of the
land and the spiritual totality of man came to my pen as oshno, meaning in my heart".

These qualities of the poet were manifested, above all, in New, unique images

capable of expressing changes, States in life, reality and the spiritual world of our
people. These are images of history – Road – Journey –ship-caravan, map (Earth and


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Homeland), address, number, pace and time. These are inextricably linked with each
other, the history of mankind is intact and always moves forward, it is impossible to
stop the caravan of mankind – the ship, it moves towards the destination of the human
dream – happiness.

This can also be known from the fact that the Shaykhzoda places a title in his

books as “the book of fifteen years” or “the Lord of the quarter century”. The poet
himself says that” a respite notebook with a limited human life“, which means that this
notebook should be filled with useful, noble deeds – ” notes". And in the poem
"numbers “there are such lines:”I am neither an astrologer nor an accountant, and but
I see Heavenly meanings in the heart of numbers, a land abode"...

In the poem "hands", the hands see the existence of a person, the seal of his inner

world. In his case, "sympathetic, life-giving hands” are also “impudent, evil, cold like
a cave, lazy” hands, in short, each hand is "the navars of the heart", when the heart
commands the NE, the hand plays that.

One of the works that testifies to the creative maturity of Maqsud Shaykhzadeh

is the epic” Tashkent". The literary community in its time rated this epic as a major
creative success of the poet's literature. Indeed, the” Tashkent " is the most harmonious
of the Shaykhzadeh epics, in which the specific facets of the poet's personality are
manifested much more vividly. The peculiarity in the saga is that the work is not built
on the basis of a holistic event.

Shaikhzoda was a versatile talent. In addition to poems and epics, he also created

dramas with a very high artistic capacity. Not counting the drama “Beruniy”, which
shaykhzoda entered into writing at the end of his life, but did not finish, his dramas
“Jaloliddin Mangubardi” and “Mirzo Ulugbek” have already become the artistic
property of our people.

The confiscated items included a manuscript of the drama. After the author was

acquitted and returned, certain organizations did not return the manuscript on the
pretext that it was “lost”.

The sheikhzoda was forced to search for him for several years, and finally

managed to find a copy of him from the former soufflés of the theater. But even then
the text of the work could not be published.

Look at the play of fate, the author turned a blind eye from the universe, not

seeing that this work was published. The full text of "Jaloliddin Manguberdi" was first
printed and released in Baku in the two-volume election of Shaykhzoda in Azerbaijani.

It was not until 1988 that Jaloliddin Manguberdi was” first published in full

print by an Uzbek-language writer in his book “The Immortal World”.

The decision of the Cabinet of Ministers of the Republic of Uzbekistan on

September 24, 1998 “on the celebration of the 800th anniversary of the birth of
Jalaliddin Manguberdi”, announced by the signature of our President Islam Karimov,


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was once again confirmed by Maqsud Shaykhzoda's righteous approach to the history
of our people, including the fate and struggle of Jalaliddin Manguberdi.

The sharpness of shaikhzoda's writing mind and creativity were once again

proven. Another great contribution of Maqsud Shaikhzoda to Uzbek literature is the
tragedy “Mirzo Ulugbek”. The tragedy was written in 1964, the same year the work
was put on the stage of the Hamza theater, later a motion picture was created on its
basis.

Maqsud Shaykhzadeh was the owner of high knowledge. In particular, he knew

Uzbek classical literature deeply. The collection “the Genial poet”, published in
Tashkent in 1941, was created from the scientific articles of the literary scholar
Shaykhzoda on the work of Navoi. This in-depth scientific study of Navoi poetry
always occupies a special place in navoiology.

Shaikhzoda was an acute researcher who pioneered the study of Navoi's skills,

his artistry, by teran. Candidate of philological Sciences, Associate Professor Maqsud
Shaykhzoda at Tashkent State University (now National University of Uzbekistan),
Tashkent State Pedagogical Institute (now Tashkent State Pedagogical University)for
many years, his lectures on the history of Uzbek literature, special courses were the
most valuable lessons on the history of Uzbek literature.

The entire work of Maqsud Shaykhzoda is full of a deep political publicistic

spirit. His poetic, dramatic works are in harmony with the times, no matter what theme
they are devoted to. That is why it is not accidental that a creator of this type serves
directly in the genre of journalism. His publicistic articles and speeches, which have
an excellent artistic genre, are a bright badge from the content and colorfulness of this
talented adib creativity.

The talented poet was also a skilled translator. He served greatly in translating

the works of classical poets of world literature into Uzbek. In particular, Shakespeare's”
Hamlet “and” Romeo and Juliet " were staged on the stage of Uzbek drama theaters in
the translation of Shaykhzoda.

There is also a Shaykhzoda within the generation of poets who first presented

the poems of Pushkin, Lermontov, Byron to the Uzbek reader.

The growth of the poet's skill was also due to the fact that he studied in great

love the works of the classics of world literature, masterfully mastering their rich
artistic experience. He had also thoroughly studied his fatherland literature – the
heritage of Oriental poetry-with an excellent knowledge of Western European and
Russian literature.

Literature.

1.

Obutjonova, D. (2024). OʻZBEK VA OZARBAJON XALQINING SEVIMLI
SHOIRI. Akademicheskie issledovaniya v sovremennoy nauke, 3(10), 103-105.
Mamurova F.I. i Durdona O. (aprel 2024 g.). MAKSUD ShAYXZODANING


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«MIRZO ULUGBEK''ASARI TALILI. V Mejdunarodnoy globalnoy konferensii
(Tom 1, № 6, str. 79-81).

2.

Durdona, O., & Mamurova, F. I. (2024, April). MAQSUD SHAYXZODA
“TOSHKENTNOMA”. In International Global Conference (Vol. 1, No. 5, pp. 148-
152).

3.

Mamurova, F., & Obutjonova, D. (2024). MAQSUD SHAYXZODANING
“JALOLIDDIN MANGUBERDI” DRAMASINING YOZILISH TARIXI VA
VATANGA BO ‘LGAN MUHABBATI, JASORATINING IFODALANISHI.
Akademicheskie issledovaniya v sovremennoy nauke, 3(12), 13-16.

4.

Mamurova, F., & Obutjonova, D. (2024). DESCRIBING MAKSUD
SHAIKZODA. Current approaches and new research in modern sciences, 3(4), 5-
8.

5.

Durdona, O., & Islamovna, M. F. (2024, March). SHAYXZODA SIYMOSIGA
TA’RIF. In International Global Conference (Vol. 1, No. 1, pp. 188-191).

6.

Mamurova, F., & Qodirov, I. (2024). MAQSUD SHAYXZODANING
‘‘TOSHKENTNOMA’’-SHUKRONALIK DOSTONI. Molodыe uchenыe, 2(6),
87-89.

7.

Islamovna, M. F. (2024). THE PLACE OF MAKSUD SHEIKZODA'S LIFE AND
CREATION

IN

UZBEK

NATIONAL

LITERATURE.

MEDITSINA,

PEDAGOGIKA I TEXNOLOGIYa: TEORIYa I PRAKTIKA, 2(2), 471-474.

8.

Mamurova, F. I., & ugli Abdubahabov, A. A. (2023). TWO FOLK POETS.
“TRENDS OF MODERN SCIENCE AND PRACTICE”, 1(3), 23-30.

9.

Islomovna, M. F., & Abduvoxob o’g’li, A. A. (2023, January). Maqsud
Shayxzodaning Hayoti Va Ijodi. In Interdisciplinary Conference of Young Scholars
in Social Sciences (USA) (pp. 19-20).

10.

Mamurova, F. I. (2021, May). ARTIST OF UZBEKISTAN MAKSUD
SHEIKHZADE. In E-Conference Globe (pp. 176-178).

Bibliografik manbalar

Literature.

Obutjonova, D. (2024). OʻZBEK VA OZARBAJON XALQINING SEVIMLI

SHOIRI. Akademicheskie issledovaniya v sovremennoy nauke, 3(10), 103-105.

Mamurova F.I. i Durdona O. (aprel 2024 g.). MAKSUD ShAYXZODANING «MIRZO ULUGBEK''ASARI TALILI. V Mejdunarodnoy globalnoy konferensii

(Tom 1, № 6, str. 79-81).

Durdona, O., & Mamurova, F. I. (2024, April). MAQSUD SHAYXZODA

“TOSHKENTNOMA”. In International Global Conference (Vol. 1, No. 5, pp. 148-

.

Mamurova, F., & Obutjonova, D. (2024). MAQSUD SHAYXZODANING

“JALOLIDDIN MANGUBERDI” DRAMASINING YOZILISH TARIXI VA

VATANGA BO ‘LGAN MUHABBATI, JASORATINING IFODALANISHI.

Akademicheskie issledovaniya v sovremennoy nauke, 3(12), 13-16.

Mamurova, F., & Obutjonova, D. (2024). DESCRIBING MAKSUD

SHAIKZODA. Current approaches and new research in modern sciences, 3(4), 5-

Durdona, O., & Islamovna, M. F. (2024, March). SHAYXZODA SIYMOSIGA

TA’RIF. In International Global Conference (Vol. 1, No. 1, pp. 188-191).

Mamurova, F., & Qodirov, I. (2024). MAQSUD SHAYXZODANING

‘‘TOSHKENTNOMA’’-SHUKRONALIK DOSTONI. Molodыe uchenыe, 2(6),

-89.

Islamovna, M. F. (2024). THE PLACE OF MAKSUD SHEIKZODA'S LIFE AND

CREATION IN UZBEK NATIONAL LITERATURE. MEDITSINA,

PEDAGOGIKA I TEXNOLOGIYa: TEORIYa I PRAKTIKA, 2(2), 471-474.

Mamurova, F. I., & ugli Abdubahabov, A. A. (2023). TWO FOLK POETS.

“TRENDS OF MODERN SCIENCE AND PRACTICE”, 1(3), 23-30.

Islomovna, M. F., & Abduvoxob o’g’li, A. A. (2023, January). Maqsud

Shayxzodaning Hayoti Va Ijodi. In Interdisciplinary Conference of Young Scholars

in Social Sciences (USA) (pp. 19-20).

Mamurova, F. I. (2021, May). ARTIST OF UZBEKISTAN MAKSUD

SHEIKHZADE. In E-Conference Globe (pp. 176-178).