Авторы

  • Шохида Ахмедова
    Магистрант, Узбекский государственный университет мировых языков
  • Хулкар Мухаммедова
    PhD, доцент кафедры, Узбекский государственный университет мировых языков

DOI:

https://doi.org/10.71337/inlibrary.uz.foreign-linguistics.67004

Ключевые слова:

роман художественная литература гражданская война в США идентичность сообщество стиль разнообразие язык наследие

Аннотация

Американская литература известна своим богатым и разнообразным вкладом в мировую литературу. Величие американской литературы заключается в ее способности отражать многообразную и развивающуюся природу американского общества. С самого начала и до наших дней она является динамичной силой, отражающей, критикующей и формирующей культурный, социальный и политический ландшафт Соединенных Штатов и за их пределами. В данной статье рассматривается, как концепция мультикультурализма внедряется в литературные произведения на примере «Возлюбленной» Тони Моррисон и «Женщины-воительницы» Максин Хонг Кингстон.


background image

Xorijiy lingvistika va lingvodidaktika

Зарубежная

лингвистика

и

лингводидактика

Foreign

Linguistics and Linguodidactics

Journal home page:

https://inscience.uz/index.php/foreign-linguistics

The concept of multiculturalism in the literary works

“Beloved” by Toni Morrison and “The women Warrior”

by Maxine Hong Kingston

Shokhida AKHMEDOVA

1

, Khulkar MUKHAMMEDOVA

2

Uzbekistan State World Languages University

ARTICLE INFO

ABSTRACT

Article history:

Received December 2023

Received in revised form

10 December 2023

Accepted 25 January 2024

Available online

25 February 2024

American literature is renowned for its rich and varied

contributions to world literature. The greatness of American

literature lies in its ability to reflect the diverse and evolving

nature of American society. From its beginnings to the present

day, it has been a dynamic force reflecting, critiquing, and

shaping the cultural, social, and political landscape of the United

States and beyond. This article examines how the concept of

multiculturalism is introduced into literary works using the

examples of “Beloved” by Toni Morrison and “The women

Warrior” by Maxine Hong Kingston.

2181-3663

2024 in Science LLC.

DOI:

https://doi.org/10.47689/2181-3701-vol2-iss1-pp28-35

This is an open-access article under the Attribution 4.0 International

(CC BY 4.0) license (

https://creativecommons.org/licenses/by/4.0/deed.ru

)

Keywords:

novel,

fiction,

American civil war,

identity,

community,

style,

diversity,

language,

heritage.

Toni Morrisonning “Sevimlilar” va Maksin Xong Kingstonning

“Jangchi ayollar” badiiy asarlarida multikulturalizm

tushunchasi

ANNOTATSIYA

Kalit so‘zlar

:

roman,

fantastika,

Amerika fuqarolar urushi,

o‘ziga xoslik,

jamoa,

uslub,

xilma-xillik,

til,

meros.

Amerika adabiyoti jahon adabiyotiga qo‘shgan boy va xilma

-

xil hissasi uchun qadrlanadi. Amerika adabiyotining buyukligi

uning ushbu jamiyatining turfa va rivojlanayotgan tabiatini

qamrab olish qobiliyatidadir. Amerika adabiyoti o

zining

dastlabki ildizlaridan to hozirgi kungacha Qo‘shma Shtatlar va

undan tashqaridagi madaniy, ijtimoiy va siyosiy manzarani aks

ettiruvchi, tanqid qiluvchi va shakllantiradigan dinamik kuch

bo‘lib kelgan. Mazkur maqolada multikulturalizm tushunchasi

1

Master student, Uzbekistan State World Languages University.

2

PhD, Associate Professor, Uzbekistan State World Languages University.


background image

Xorijiy lingvistika va lingvodidaktika

Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

2

1 (2024) / ISSN 2181-3701

29

Toni Morrisonning “Sevimli” va Maksin Xong Kingstonning

“Jangchi ayollar” asarlari misolida qanday singdirilganligi

muhokama qilinadi.

Концепция мультикультурализма в литературных

произведениях «Возлюбленные» Тони Моррисон и

«Женщины

-

воины» Максин Хонг Кингстон

АННОТАЦИЯ

Ключевые слова:

роман,

художественная

литература,

гражданская война в США,

идентичность,

сообщество,

стиль, разнообразие,

язык,

наследие.

Американская литература известна своим богатым и

разнообразным вкладом в мировую литературу. Величие

американской литературы заключается в ее способности

отражать многообразную и развивающуюся природу

американского общества. С самого начала и до наших дней

она является динамичной силой, отражающей, критикующей

и формирующей культурный, социальный и политический

ландшафт Соединенных Штатов и за их пределами.

В данной статье рассматривается, как концепция

мультикультурализма

внедряется

в

литературные

произведения на примере «Возлюбленной» Тони Моррисон и

«Женщины

-

воительницы» Максин Хонг Кингстон.

INTRODUCTION

The greatness of American literature can be attributed to several key factors.

American literature encompasses a vast array of voices and perspectives, reflecting the

country's multicultural and multilingual society (Gray, 2011). It includes the narratives of

various ethnicities, races, genders, and social classes, making it a tapestry of diverse

experiences.

American writers have often been at the forefront of literary innovation and

experimentation (Leinenger, Hart, 1995). From the transcendentalist movement of the

19th century to the modernist and postmodernist movements of the 20th century,

American literature has embraced new forms, styles, and themes.

Many works of American literature explore themes of identity, individualism, and

the pursuit of the American Dream (Lawrence, 2019). From the rugged individualism of

early American frontier narratives to the complexities of identity in contemporary

multicultural America, these themes are deeply ingrained in the literary tradition.

American literature has often engaged with pressing social and political issues

(Jay, 2018). Works such as Harriet Beecher Stowe's "Uncle Tom's Cabin," which

contributed to the abolitionist movement, and literature from the Civil Rights era, like

James Baldwin's writings, have played significant roles in shaping public discourse.

The American literary canon includes numerous classic works and authors that

have had a profound impact on literature worldwide. Works like Mark Twain's

"Adventures of Huckleberry Finn," F. Scott Fitzgerald's "The Great Gatsby," and Toni

Morrison's "Beloved" are just a few examples of enduring contributions to literature.

Transcendentalism, a philosophical and literary movement, emphasized the

inherent goodness of people and nature. Writers like Ralph Waldo Emerson and Henry

David Thoreau contributed to the exploration of nature, individualism, and the

interconnectedness of humanity and the environment.


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Xorijiy lingvistika va lingvodidaktika

Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

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Literary movements such as the Harlem Renaissance, the Beat Generation, and the

Southern Gothic movement have left indelible marks on American literature. These
movements not only produced influential works but also reflected the cultural and social
dynamics of their respective periods.

American literature has been shaped by the realist tradition, which sought to

portray life as it is. Realist writers like Mark Twain and Henry James depicted the
complexities of human experience, contributing to a more nuanced understanding of
characters and society.

American literature continues to evolve, with contemporary authors addressing

current issues and bringing new perspectives to the forefront. Writers like Toni
Morrison, Jhumpa Lahiri, and Chimamanda Ngozi Adichie contribute to ongoing
conversations about race, identity, and globalization.

Findings.

"Beloved" is a powerful and highly acclaimed novel written by Toni

Morrison. It was first published in 1987 and is considered a classic of contemporary
American literature. The novel is a work of historical fiction that explores themes of
slavery, trauma, motherhood, and the struggle for identity (House, 1990). Here's an
overview of key aspects of the novel:

Plot Summary:
"Beloved" is set in the years following the American Civil War and centers around

Sethe, an escaped enslaved woman who is living in a house with her daughter Denver and
her mother-in-law Baby Suggs. The house is haunted by a ghost believed to be the spirit
of Sethe's deceased daughter. The story takes a dramatic turn when a mysterious young
woman who calls herself Beloved appears, seemingly out of nowhere. Sethe believes
Beloved is the ghost of her dead child come back to life.

As the narrative unfolds, the novel delves into the characters' painful memories of

slavery, the trauma they endured, and the impact of their past on their present lives.
Themes of identity, guilt, and the search for selfhood are intricately woven into the fabric
of the story.

Themes:
Trauma and Memory:
"Beloved" explores the enduring impact of slavery on individuals and communities

(Rushdy, 1992). The characters grapple with the trauma of their past, and the novel
emphasizes the haunting nature of memories that refuse to be forgotten.

Motherhood:
Motherhood is a central theme, particularly Sethe's experience as a mother. Her

desperate act to save her children from slavery has profound consequences, and the
novel examines the complexities of mother-daughter relationships (Wyatt, 1993).

Identity and Selfhood:
The characters in "Beloved" struggle to forge their identities in the aftermath of

slavery (Krumholz, 1992). The legacy of dehumanization and loss affects their ability to
define themselves outside the confines of their traumatic past.

Community and Isolation:
The novel depicts the African American community's efforts to come together and

support one another in the face of historical and personal hardships (Romero, 2005).
However, it also explores the isolating effects of trauma and the difficulty of sharing one's
deepest wounds.


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Supernatural Elements:
The presence of the ghost and the mysterious Beloved introduces supernatural

elements to the narrative. These elements serve as metaphors for the lingering impact of
slavery and the ghosts that continue to haunt the characters.

Style and Narrative Structure:
Toni Morrison's writing style in "Beloved" is rich, poetic, and evocative. The novel

employs a non-linear narrative structure, with shifts in time and perspective. This
technique contributes to the dreamlike quality of the storytelling and allows Morrison to
explore the characters' past and present in a nuanced and layered manner.

"Beloved" received widespread critical acclaim and won the Pulitzer Prize for

Fiction in 1988. It is celebrated for its exploration of historical and social issues, its
innovative narrative techniques, and its powerful portrayal of the human cost of slavery.
The novel remains a significant work in the canon of American literature, addressing
profound and enduring themes with a narrative that is both haunting and beautifully
rendered.

"Beloved" by Toni Morrison explores the concept of multiculturalism through its

vivid portrayal of African American experiences, the legacy of slavery, and the
intersectionality of identities. The novel delves into the complex tapestry of cultures,
histories, and individual narratives that make up the African American community
during and after the period of slavery.

Here are some key aspects related to multiculturalism in "Beloved":
African American Experience:
"Beloved" provides an intimate and multifaceted look into the African American

experience during and after slavery (William, McKay, 1999). It reflects on the diverse
backgrounds of the characters, their varied relationships with African cultural heritage,
and the ways in which their identities have been shaped by the brutality of slavery.

Diversity Within the African American Community:
The novel emphasizes the diversity within the African American community, both

in terms of individual experiences and cultural backgrounds. Characters like Sethe, Baby
Suggs, Paul D, and Denver each bring their unique perspectives, reflecting the multiplicity
of voices within the broader African American narrative.

African Cultural Influences:
While the characters in "Beloved" are deeply entrenched in the American

experience, the novel also acknowledges and explores African cultural influences.
Memories of African customs, songs, and spirituality are woven into the fabric of the
story, highlighting the richness of the cultural heritage that slavery sought to erase.

Language and Vernacular:
Toni Morrison masterfully incorporates African American Vernacular English

(AAVE) into the dialogue of the characters. This linguistic choice not only adds
authenticity to the narrative but also serves as a celebration of the unique linguistic
contributions of the African American community.

Intersectionality:
"Beloved" addresses the intersectionality of identities, considering how factors

such as gender, race, and class intersect to shape individual experiences. The characters'
identities are complex and multifaceted, and their struggles and triumphs are deeply
influenced by these intersections.


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Cultural Memory and Heritage:
The novel explores the importance of cultural memory and heritage in shaping the

characters' identities. The haunting presence of the past, particularly the trauma of
slavery, underscores the characters' efforts to reclaim and preserve their cultural identity
despite the erasure attempts of the dominant culture.

Community Bonds:
Multiculturalism is also evident in the strong bonds of community depicted in the

novel. The African American characters forge connections with one another, forming a
community that provides support, understanding, and a shared cultural context in the
face of historical oppression.

"Beloved" stands as a testament to the multicultural richness of the African

American experience. By portraying a diverse array of characters with unique
backgrounds, memories, and cultural ties, Toni Morrison challenges monolithic
narratives and contributes to a more nuanced understanding of the complex and
interconnected layers of identity within the African American community. The novel
ultimately emphasizes the importance of acknowledging, preserving, and celebrating
cultural diversity in the face of historical trauma.

"The Woman Warrior: Memoirs of a Girlhood Among Ghosts" is a highly acclaimed

memoir by Chinese American author Maxine Hong Kingston (Shuang, 2009). Published in
1976, the book is a blend of autobiography, fiction, and myth, exploring the complexities
of identity, culture, and the immigrant experience.

Here are some key aspects of "The Woman Warrior":
Genre Blending:
One notable feature of "The Woman Warrior" is its blending of genres (TuSmith,

1991). Kingston combines autobiography, myth, and fiction to create a unique narrative
that weaves together her personal experiences with Chinese folklore and cultural myths.
This blending reflects the complexity of her identity and the multifaceted nature of the
immigrant experience.

Chinese-American Identity:
The memoir grapples with the challenges of straddling two cultural worlds

Chinese and American. Kingston explores the conflicts and tensions arising from the
clash of traditional Chinese values and the expectations of American society. The process
of defining one's identity amid cultural duality is a central theme.

Silence and Finding One's Voice:
Kingston addresses the theme of silence, particularly within the Chinese cultural

context. She reflects on the silencing of women in Chinese culture and explores her
struggle to find her voice and speak out against societal expectations and restrictions.
The act of storytelling becomes a powerful means of breaking the silence and asserting
her identity.

Mother-Daughter Relationships:
The memoir delves into the complexities of mother-daughter relationships,

especially Kingston's relationship with her mother. The mother is a prominent figure in
the book, and Kingston explores the impact of her mother's stories, advice, and cultural
expectations on her own sense of self.


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Female Empowerment:
"The Woman Warrior" is often celebrated for its exploration of female

empowerment. Kingston presents stories of strong and resilient women who navigate a
world filled with challenges and limitations. The narrative challenges traditional gender
roles and stereotypes, offering a feminist perspective on the Chinese-American
experience.

Cultural Myths and Realities:
Kingston intersperses her personal narrative with Chinese cultural myths and

legends. These myths serve as a backdrop to her own experiences and contribute to the
exploration of cultural identity. The blending of myth and reality adds a layer of
symbolism to the memoir.

The Ghosts of the Past:
The subtitle, "Memoirs of a Girlhood Among Ghosts," alludes to the presence of

ghosts as symbolic representations of the burdens and traumas carried from one
generation to the next. The ghosts represent the weight of cultural expectations, family
history, and the struggles faced by previous generations.

"The Woman Warrior" is considered a groundbreaking work in Asian American

literature. Maxine Hong Kingston's innovative narrative style, the exploration of identity
and cultural duality, and the emphasis on female empowerment have made the memoir a
significant contribution to discussions on immigration, feminism, and the Asian American
experience.

"The Woman Warrior: Memoirs of a Girlhood Among Ghosts" by Maxine Hong

Kingston explores the concept of multiculturalism through the lens of the Chinese
American immigrant experience. The memoir vividly captures the complexities of
cultural identity, the clash between Chinese and American values, and the challenges
faced by individuals navigating multiple cultural worlds. Here are key aspects of
multiculturalism in "The Woman Warrior":

Cultural Dualism:
The memoir highlights the cultural dualism experienced by the author as a Chinese

American (Bucci, 2007). Maxine Hong Kingston grapples with the tension between her
Chinese heritage, as conveyed by her immigrant parents, and the American culture in
which she is growing up. This duality shapes her identity and influences her
understanding of self.

Conflict and Negotiation:
"The Woman Warrior" portrays the conflicts and negotiations that arise when

cultures collide. Kingston explores the difficulties of reconciling the expectations of her
Chinese heritage with the values and norms of American society. The negotiation of
identity becomes a central theme as she strives to find a balance between the two
cultural worlds.

Storytelling and Cultural Transmission:
The use of storytelling in the memoir reflects the importance of oral tradition and

narrative in Chinese culture (Kurup, 2019). Kingston's incorporation of her mother's
stories, Chinese myths, and folklore serves as a way to transmit cultural values and
lessons across generations. It also highlights the role of narrative in shaping individual
and collective identities.


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Myth and Reality:
Kingston intertwines Chinese cultural myths with her own experiences, blurring

the lines between myth and reality. This blending of elements contributes to the
multicultural tapestry of the narrative, emphasizing the interconnectedness of personal
and cultural histories.

Gender and Cultural Expectations:
The memoir explores how cultural expectations, particularly those related to

gender roles, influence the lives of Chinese American women. Kingston examines the
constraints placed on women in Chinese culture and the ways in which these
expectations clash with the more liberated roles available in American society.

Mother-Daughter Relationships:
Multiculturalism is reflected in the intergenerational dynamics, particularly in the

relationships between mothers and daughters. Kingston's portrayal of her relationship
with her mother and the influence of her mother's stories underscores the transmission
of cultural values and the challenges of bridging generational and cultural gaps.

Ghosts and Cultural Burdens:
The presence of ghosts in the memoir symbolizes the lingering cultural burdens,

ancestral expectations, and unresolved traumas carried by the Chinese American
community. These spectral figures represent the weight of history and cultural legacy
(Ludwig and Zagni, 2014).

Empowerment and Multicultural Identity:
Kingston's journey towards self-discovery and empowerment is intricately tied to

her multicultural identity (Bucci, 2007). By navigating and embracing the complexities of
her cultural background, she finds strength in acknowledging both her Chinese heritage
and her identity as an American woman.

"The Woman Warrior" stands as a poignant exploration of multiculturalism,

shedding light on the challenges and richness inherent in the intersection of diverse
cultural influences. Kingston's narrative not only provides insight into the Chinese
American experience but also contributes to a broader understanding of the complexities
of multicultural identities in the context of immigration and assimilation.

Conclusion

In summary, the greatness of American literature lies in its ability to capture the

diverse and evolving nature of American society. From its early roots to the present day,
American literature has been a dynamic force that reflects, critiques, and shapes the
cultural, social, and political landscape of the United States and beyond.

Through its realistic depiction of African American lives, the legacy of slavery, and

the intertwining of identities, Toni Morrison's "Beloved" delves into the idea of
multiculturalism. The book explores the intricate web of histories, customs, and personal
accounts that comprised the African American community both during and after
enslavement.

"Beloved" is proof of the African American experience's global richness. To create a

more nuanced knowledge of the intricate and linked layers of identity within the African
American community, Toni Morrison challenges monolithic narratives by depicting a
broad assortment of characters with distinct backgrounds, memories, and cultural links.
In the end, the book stresses how crucial it is to recognize, value, and celebrate cultural
variety even in the face of suffering from the past.


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2

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35

Kingston's multicultural identity is closely linked to her quest for self-awareness

and empowerment. She finds strength in accepting her identity as an American woman
and her Chinese ethnicity, and in navigating and embracing the nuances of her cultural
background.

"The Woman Warrior" is a moving examination of multiculturalism that highlights

the complexities and depth that arise when various cultural influences converge. In
addition to offering insight into the experience of Chinese Americans, Kingston's story
advances knowledge of the intricacies of multicultural identities in the context of
immigration and assimilation.


REFERENCES:

1.

Bloom, H., & Hobby, B. (2009). The Hero's Journey. Infobase Publishing.

2.

Bucci, T. (2007). Chinese Americans and the Borderland Experience on Golden

Mountain: The Development of a Chinese American Identity in the Woman Warrior:
Memoirs

of

a

Girlhood

Among

Ghosts.

Ethnic

Studies

Review.

https://doi.org/10.1525/esr.2007.30.1.125

3.

Gray, R. (2011). A History of American Literature. John Wiley & Sons.

4.

Hart, J., & Leinenger, P. (1995). The Oxford Companion to American Literature.

Oxford University Press, USA.

5.

House, E. (1990). Toni Morrison's Ghost: The Beloved is Not Beloved. Studies in

American Fiction. Johns Hopkins University Press.

6.

Jay, G. (2018). American Literature and the Culture Wars. Cornell University

Press.

7.

Kurup, A. (2019). Tales and tradition against silence: narration as power in

Maxine Hong Kingston's the Woman Warrior: memoirs of a girlhood among ghosts.
Literary Endeavour (ISSN 0976-299X).

8.

Lawrence, D. (2019). Studies in Classic American Literature. Rosetta Books.

9.

Ludwig, S., & Zagni, N. (2014). On the Legacy of Maxine Hong Kingston. LIT Verlag Münster.

https://books.google.co.uz/books?id=4rDtAgAAQBAJ&dq=The+Woman+Warrior:+Memoirs+of+a+
Girlhood+Among+Ghosts&lr=&hl=ru&source=gbs_navlinks_s

10.

Romero, C. (2005). Creating the Beloved Community: Religion, Race, and

Nation in Toni Morrison's "Paradise". The Johns Hopkins University Press.

11.

Rushdy, A. (1992). Daughters Signifyin(g) History: The Example of Toni

Morrison's Beloved. American Literature. Duke University Press.

12.

Shuang, S. 2009. Interpreting Silence and Voice in Maxine Hong Kingston´s The

Woman Warrior: Memoirs of A Girlhood Among Ghosts. University of Tampere.

13.

TuSmith, B. (1991). Literary Tricksterism: Maxine Hong Kingston's the woman

warrior: Memoirs of a girlhood among ghosts, Lit: Literature Interpretation Theory0

14.

William, A., & McKay, N. (1999). Toni Morrison's Beloved: A Casebook. OUP

USA.

15.

Wyatt, J. (1993). Giving div to the word: The maternal symbolic in Toni

Morrison's Beloved.

Библиографические ссылки

Bloom, H., & Hobby, B. (2009). The Hero's Journey. Infobase Publishing

Bucci, T. (2007). Chinese Americans and the Borderland Experience on Golden Mountain: The Development of a Chinese American Identity in the Woman Warrior: Memoirs of a Girlhood Among Ghosts. Ethnic Studies Review. https://doi.org/10.1525/esr.2007.30.1.125

Gray, R. (2011). A History of American Literature. John Wiley & Sons

Hart, J., & Leinenger, P. (1995). The Oxford Companion to American Literature. Oxford University Press, USA

House, E. (1990). Toni Morrison's Ghost: The Beloved is Not Beloved. Studies in American Fiction. Johns Hopkins University Press

Jay, G. (2018). American Literature and the Culture Wars. Cornell University Press

Kurup, A. (2019). Tales and tradition against silence: narration as power in Maxine Hong Kingston's the Woman Warrior: memoirs of a girlhood among ghosts. Literary Endeavour (ISSN 0976-299X)

Lawrence, D. (2019). Studies in Classic American Literature. Rosetta Books

Ludwig, S., & Zagni, N. (2014). On the Legacy of Maxine Hong Kingston. LIT Verlag Münster. https://books.google.co.uz/books?id=4rDtAgAAQBAJ&dq=The+Woman+Warrior:+Memoirs+of+a+Girlhood+Among+Ghosts&lr=&hl=ru&source=gbs_navlinks_s

Romero, C. (2005). Creating the Beloved Community: Religion, Race, and Nation in Toni Morrison's "Paradise". The Johns Hopkins University Press

Rushdy, A. (1992). Daughters Signifyin(g) History: The Example of Toni Morrison's Beloved. American Literature. Duke University Press

Shuang, S. 2009. Interpreting Silence and Voice in Maxine Hong Kingston´s The Woman Warrior: Memoirs of A Girlhood Among Ghosts. University of Tampere

TuSmith, B. (1991). Literary Tricksterism: Maxine Hong Kingston's the woman warrior: Memoirs of a girlhood among ghosts, Lit: Literature Interpretation Theory

William, A., & McKay, N. (1999). Toni Morrison's Beloved: A Casebook. OUP USA

Wyatt, J. (1993). Giving body to the word: The maternal symbolic in Toni Morrison's Beloved

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