INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 882
ARTISTIC INTERPRETATIONS OF THE IMAGE OF THE INTELLECTUAL IN
CURRENT UZBEKISTAN STORIES
Abduraxmatova Marjona Zakirovna
Termiz davlat universiteti, Oʻzbek filologiyasi fakulteti, Amaliy filologiya ta`lim yoʻnalishi
talabasi
marjonaabdurahmatova17@gmail.com
Аннотация
Образ интеллигента в современных узбекских рассказах — одна из важных тем
современной литературы. В рамках этой темы авторы освещают социальную роль
интеллигенции в узбекском обществе, ее конфликты с моральными ценностями и ее личный
выбор. В рассказах интеллектуал часто изображается как символ духовных поисков,
перемен в обществе и стремления найти свое место. В исследовании анализируются
художественные интерпретации образа интеллигента в современных узбекских рассказах,
исследуются его психологическая глубина, социокультурный контекст и литературные
стили. Основное внимание будет уделено произведениям таких авторов, как Алишер
Баходир, Зульфия Куролбой кызы и Улугбек Хамдам. Исследование призвано выявить
уникальное место образа интеллигента в узбекской литературе и раскрыть его отражение в
современном обществе.
Ключевые слова:
узбекские рассказы, образ интеллигента, художественная
интерпретация, эстетическая позиция, духовность, литература.
Abstract
The image of an intellectual in modern Uzbek stories is one of the important topics of modern
literature. Within the framework of this topic, the authors highlight the social role of the
intelligentsia in Uzbek society, its conflicts with moral values and its personal choice. In the
stories, an intellectual is often depicted as a symbol of spiritual quests, changes in society and the
desire to find one’s place. The study analyzes artistic interpretations of the image of an intellectual
in modern Uzbek stories, examines its psychological depth, socio-cultural context and literary
styles. The main attention will be paid to the works of such authors as Alisher Bakhodir, Zulfiya
Kurolboy kyzy and Ulugbek Khamdam. The study is designed to identify the unique place of the
image of an intellectual in Uzbek literature and reveal its reflection in modern society.
Keywords:
Uzbek stories, image of an intellectual, artistic interpretation, aesthetic position,
spirituality, literature.
INTRODUCTION
"Style" is one of the important categories of poetics; the general principle determining the formal
construction of a work of art in one way or another. It is considered an anthropological category,
that is, a category related to the personality of the creator, determining his creative individuality."
1
.
It is "a writer's unique way or method of using the language tools of a work or literary genre."
2
Also, "...In modern literary criticism, the term style has two meanings - the way of expression of
a particular author and a group of authors."
3
1
Қуронов Д., Мамажонов З., Шералиева М. Адабиётшунослик луғати. –Тошкент: Akademnashr, 2010. –Б.339.
2
Ўзбек тилининг изоҳли луғати. Икки томлик. Иккинчи том. –Москва: Рус тили, 1981. –Б.281.
3
Хотамов Н., Саримсоқов Б. Адабиётшунослик терминларининг русча-ўзбекча изоҳли луғати. –Тошкент: Ўқитувчи, 1983. –
Б.310.
INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 883
The concept of "style" is used in various meanings - the broadest and the narrowest: in relation to
important aspects characteristic of a particular period of literary development (the style of a
particular period), various artistic methods and trends, the uniqueness of a particular writer's work,
and finally, the specific aspects of a particular work...
4
.
Abdurauf Fitrat said, "When the poet's forms of imagination, thought, and understanding are
complete and perfect, a style that suits him will come into being. The role of style in literature is
very large and very important. The power of expressing the ideas and information in a work
without making us feel or notice the oldness of it, and teaching it to us, lies in style."
5
.
LITERATURE ANALYSIS AND METHODOLOGY
The "Dictionary of Literary Studies" provides the following information about the genre
characteristics of the story: "...usually, it records one (sometimes several, interconnected, short-
term) event from the hero's life. It requires that the events being depicted be short, small in
duration, simple in plot, and have a small number of participating characters... The story
underlying the story must be holistic, complete. For this, it must have its own beginning and end...
In describing a holistic story, the storyteller reveals the essence of either this event or the character
through it."
6
.
Also, "Usually, the plot of most stories is tight, and the events are maximally centered around the
author's aesthetic intention. The need for rapid plot development requires a small number of
characters in it... There are almost no episodic characters in the story, and even if they are included,
they go beyond the scope of the image as soon as they give impetus to the development of the plot.
The story does not have a side plot line, author's digressions, and the hero's present is depicted
more, his past is written only in cases where it is absolutely necessary for the development of the
plot..."
7
.
At the same time, “Although the event described in the story does not differ in its essence and
significance from genres of the epic type such as the novel and the narrative, it differs in the scale
of the image, the plot and the relative simplicity of the composition, and the fact that the narration
is mainly carried out by one person.”
“In the history of literature, there are also such artistic plots: they are built on such a strong and
sharp drama that as a result, it is difficult to separate the plot elements (exposition, node,
development of the story, culmination, resolution) from each other... This type of plot is called a
“concentric plot” in science.”
8
.
In Uzbek stories, the image of an intellectual has an important social and contemporary meaning,
and is a central image in the rise of literary thought, the strengthening of nationalism and
spirituality. The interpretation of the image of an intellectual is considered in storytelling as a
symbol of a physical person, but also as a spiritual and moral criterion that reflects changes in
society. In the stories, the artistic image of an intellectual is illuminated against the background of
modern reality, and is revealed through in-depth medical images based on his personal life, place
in society, choices and decisions.
Through the image of an intellectual, writers draw attention to the problems of today's social life,
issues such as human values, conscience, justice, and moral criteria. In this contemporary
4
Ҳотамов Н., Саримсоқов Б. Адабиётшунослик терминларининг русча-ўзбекча изоҳли луғати. –Тошкент:
Ўқитувчи, 1983. –Б.310.
5
Абдурауф Фитрат. Танланган асарлар. IV жилд. –Тошкент: Маънавият, 2006. –Б.17.
6
Қуронов Д., Мамажонов З., Шералиева М. Адабиётшунослик луғати. – Тошкент: Akademnashr, 2010. – Б.339.
7
Қозоқбой Йўлдаш, Муҳайё Йўлдош. Бадиий таҳлил асослари. –Тошкент: Камалак, 2016. –Б.244-245.
8
Бобоев Т. Адабиётшунослик асослари. – Тошкент: Ўзбекистон, 2002. – Б.124.
INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 884
storytelling, an intellectual is embodied not only as a knowledgeable or professional specialist, but
also as a conscious, socially active, independent-thinking person who is not indifferent to various
vices in society.
In modern, contemporary stories, the intellectual's responsibility to society, the problems he faces,
his inner experiences, and the conflicts between ideal and reality are deeply analyzed. This ensures
the creation of a multifaceted, complex, and realistic artistic image.
RESULTS
Many examples of contemporary Uzbek stories are noteworthy in this regard. For example, in the
stories of writers such as Otkir Hoshimov, Erkin A'zam, Khurshid Do'stmuhammad, and
Nodirabegim, the image of intellectuals is closely connected with their inner world, internal
conflicts, attitude to life, and moral attitudes such as honesty, conscience, and faith. For example,
in Erkin A'zam's stories, the intellectual is embodied as a person faced with a difficult life situation,
faced with a choice between truth, justice, and hypocrisy. Through such images, the writer
encourages the reader to think, search for the truth, and understand the meanings and lessons
hidden behind ordinary events in life. As Academician N. Karimov noted, "A true work of art is
written not only to bring events structured according to the plot to the reader's attention, but for an
artistic purpose embedded in the logic of these events." It is known that "Literature, closely
connected with the life of a people, vividly reflects its unique traditions, psychology, lifestyle and
way of life. Reflecting such characteristics that are unique to each people creates the nationality
of literature."
9
.
It is known that "this type of short literary work describes a specific event in a person's life and
does not describe in detail the events that occurred before or after this event. The skill of the short
story writer is that he takes a small episode from a person's life and describes in it the important
typical aspects of life in this compact form."
10
.
The artistic interpretation of the intellectual and the harmony of modernity are of national
importance. In modern Uzbek stories, the intellectual reader is embodied not as a person thirsting
for knowledge, but as a person who is loyal to the history, culture, and values of his people, who
has turned national pride and nobility into his philosophy of life. Through such a light, the writer
depicts such features as patriotism, selflessness, humility, and truthfulness in the image of the
intellectual.
Through such images, the writer puts forward ideas such as spiritual awakening in society, social
activism, and a conscious attitude to life.
The material image of the intellectual is often revealed through contact with the society, people,
and environment around him. Writers depict the intellectual's inner experiences, dreams, virtues,
and the worries they face in life scenes, with the aim of simple but touching expressions. This
allows the image to come closer to the reader and to understand his inner world. In many stories,
the intellectual, using the example of his own life, encourages the reader to think about life actions
such as moral choices, social justice, truth and lies, responsibility and indifference.
In the art of storytelling, the writer reveals the movement in social life through the image of the
intellectual. Themes such as the silence of the intellectual, the indifference to him, the neglect of
his ideas are also raised in modern stories. This encourages us to think about the place of the
intellectual in society, the attitude towards his ideas, and the social consciousness that is being
formed through him. Life, in some stories, the intellectual is depicted as alienated, caught in a
whirlpool of internal conflict and despair. Not through these images, but by looking at the roots of
life, the writer exposes the intellectual in a state that causes his devalue in society.
9
Шукуров Н., Ҳатамов Н., Холматов Н., Маҳмудов М. Адабиётшуносликка кириш. –Тошкент: Ўқитувчи.
10
Ҳамидий Ҳ., Абдуллаева Ш., Ибраҳимова С. Адабиётшунослик терминлари луғати. – Тошкент: Ўқитувчи, 1970. –Б.274.
INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 885
Modern Uzbek storytelling seeks to present the image of the intellectual not in an ideal or perfect
form, but as a realistic, real person. The intellectual's internal struggles, hesitations, mistakes and
the difficulties in recognizing them, making responsible decisions make his image more vital and
multifaceted. In this way, the writer both ensures spiritual closeness to the reader and creates a
face for him with artistic truth.
In current Uzbek stories, the image of the intellectual occupies a special place as one of the most
important and multifaceted themes of modern literature. Through this image, the authors illuminate
social changes in Uzbek society, the testing of spiritual values, and the processes of the individual's
search for his place.
The intellectual is usually depicted as a knowledgeable, self-aware person, but often caught
between internal conflicts and external pressures. Although the artistic interpretation of this image
continues the traditions of Uzbek literature, modern authors consider it in a new context, at the
intersection of global and local problems. The stories of writers such as Alisher Bahodir, Zulfiya
Kurolboy qizi, and Ulugbek Hamdam illuminate the image of the intellectual with various artistic
techniques and psychological depth, which emphasizes the uniqueness of the image in Uzbek
literature.
The image of the intellectual is rich in traditions in Uzbek literature and is also reflected in the
works of Alisher Navoi, Cholpon, and Abdulla Qodiri. However, in modern stories, this image is
interpreted in accordance with the problems of modern society. For example, in the stories of
Alisher Bahodir, the intellectual is often embodied as a person fighting against social injustice and
spiritual decline. His heroes strive to improve society through knowledge and morality, but often
encounter misunderstanding and resistance. These images are psychologically deeply developed,
and their internal struggles are described in a way that is close to the reader and understandable.
The author uses realism and sometimes symbolic images to reflect changes in Uzbek society,
which makes the image of the intellectual even more multifaceted.
The stories of Zulfiya Kurolboy qizi consider the image of the intellectual more through the prism
of personal choices and spiritual searches. Her characters are usually individuals who are lost in
their inner world, but who strive to find their way through knowledge and art. In these stories, the
intellectual tries to find his place in society, but often remains between traditional values and
modern demands. The author further expands the image of the intellectual through female
characters, because in her stories women are depicted not only as knowledgeable, but also as
socially active individuals. This approach brings a new perspective to the traditional image of the
male intellectual in Uzbek literature. Zulfiya Kurolboy kizi uses subtle psychological images and
realistic dialogues in her works, which closely reveal the inner world of the characters to the reader.
Ulugbek Hamdam's stories interpret the image of the intellectual through the prism of social
criticism and satire. His characters are sometimes depicted as individuals who do not use their
knowledge for the benefit of society, but, on the contrary, act in the interests of their own interests.
This approach reveals some of the negative aspects of the intelligentsia in Uzbek society, such as
hypocrisy or irresponsibility. Through sharp social criticism, the author encourages readers to
think about the responsibility of the intelligentsia to society. In his stories, the image of the
intelligentsia often has a symbolic meaning, reflecting the general state of society. Ulugbek
Hamdam's style is distinguished by its simplicity and sharpness, which increases the impact of the
image.
The artistic interpretation of the image of the intellectual in modern Uzbek stories reflects socio-
cultural changes in Uzbek society. Modern authors use realism, psychologism, and sometimes
symbolic methods to depict this image. For example, in the stories of Alisher Bahodir, the
intellectual is often depicted as a fighter for social justice, while in Zulfiya Kurolboy kizi he is
INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 886
embodied more as a symbol of personal spiritual searches. Ulugbek Hamdam, on the other hand,
illuminates the image of the intellectual from a critical perspective, revealing his shortcomings.
These different approaches demonstrate the versatility of the image of the intellectual, since he is
interpreted as a hero, a victim, and an object of criticism at the same time.
Psychological depth plays an important role in the artistic interpretation of the image of the
intellectual. The authors subtly describe the internal conflicts of the heroes, their relationships with
the outside world, and the processes of finding their place. For example, in the stories of Zulfiya
Kurolboy kizi, intellectual heroes often experience confusion in their inner world, but strive to find
their way through knowledge and art. These images are close and understandable to the reader,
because they reflect the universal problems of modern man. Alisher Bahodir's heroes are more
embodied in the image of social activity and responsibility. They fight against injustice in society,
but in this fight they face loneliness and misunderstanding.
Ulugbek Hamdam's heroes are often depicted as individuals who have misdirected their
knowledge, which encourages readers to think about the moral responsibility of intellectuals.
In modern stories, the interpretation of the image of an intellectual, although continuing the
traditions of Uzbek literature, is enriched with new content in accordance with modern problems.
For example, factors such as globalization, economic changes, and information technology
influence the image of the intellectual. Through this image, authors raise issues of social inequality,
the loss of spiritual values, and personal self-realization in Uzbek society. At the same time, the
image of the intellectual expresses hopes and concerns about the future of society. For example,
in the stories of Alisher Bahodir, the intellectual is depicted as a person capable of improving
society, while in the works of Ulugbek Hamdam, he is often seen as a person who has forgotten
his responsibility.
In the artistic interpretation of the image of the intellectual, authors use different styles. Realistic
images are often used in combination with psychological depth, which makes the image even more
impressive. In the stories of Zulfiya Kurolboy kizi, subtle images and internal monologues reveal
the spiritual quest of the characters. Alisher Bahodir, on the other hand, combines realism with
social criticism, connecting the image of the intellectual with the general state of society. Ulugbek
Hamdam's satirical style highlights the negative aspects of the image in a sharp and unique way.
These different styles ensure the versatility of the image of the intellectual, do not narrow it down
to one direction.
The interpretation of the image of the intellectual in Uzbek stories is inextricably linked with
changes in society. Through this image, authors raise not only personal, but also social problems.
Intellectual heroes often face injustice in society, spiritual decline, and moral contradictions. Their
choices and actions, while continuing the traditions of Uzbek literature, take on new meaning in a
modern context. For example, the activism of female intellectuals in the stories of Zulfiya
Kurolboy qizy reflects a new trend in Uzbek literature. Alisher Bahodir's characters, on the other
hand, enrich the image of the traditional intellectual with modern problems. Ulugbek Hamdam's
critical approach reminds us of the responsibility of intellectuals to society.
CONCLUSION
In conclusion, the image of the intellectual in modern Uzbek stories is illuminated through various
artistic interpretations. This image reflects socio-cultural changes in Uzbek society, personal and
collective problems. Using realism, psychologism and satirical techniques, the authors make the
image of the intellectual multifaceted and touching. The stories of Alisher Bahodir, Zulfiya
Kurolboy kizi and Ulugbek Hamdam reveal various aspects of this image, inextricably linking it
with changes in society.
INTERNATIONAL JOURNAL OF ARTIFICIAL INTELLIGENCE
ISSN: 2692-5206, Impact Factor: 12,23
American Academic publishers, volume 05, issue 04, 2025
https://www.academicpublishers.org/journals/index.php/ijai
page 887
The image of the intellectual, while maintaining its unique place in Uzbek literature, provides the
modern reader with ample opportunities to find his reflection and think. The above examples show
that the image of the intellectual in modern Uzbek stories is interpreted differently. Sometimes he
is depicted as an enlightened and idealistic hero, and sometimes as a weak and defeated hero.
Through this image, the authors try to reveal the intellectual and spiritual values in society, as well
as the complexities of modern life. Artistic interpretations of the intellectual hero in Uzbek
literature allow us to deeply reflect on the human psyche, its quest and its place in society.
REFERENCES
1. Boboev T. Fundamentals of Literary Studies. – Tashkent: Uzbekistan, 2002. – P.124.
2. Juraeva M. A new concept of man in modern Uzbek prose (based on the stories of Abdukayum
Yuldashov and Zulfiya Kurolboy kyzi): Doctor of Philosophy in Philology (PhD) dissertation.
author's ref. – Fergana, 2018. –53 p.
3. Kamalova S. The development of the poetics of the story genre in Russian and Uzbek literature
of the late 20th and early 21st centuries: Doctor of Philosophy... dissertation. author's ref. –
Tashkent, 2016. –92 p.
4. Kayumov A. National character and artistic skill in modern Uzbek prose (on the example of the
stories of Utkir Khoshimov and Nabi Jaloliddin): Doctor of Philosophy in Philology (PhD)
dissertation. author's ref. – Fergana, 2018. –53 p.
5. Qazaqboy Yuldash, Muhayyo Yuldash. Fundamentals of literary analysis. –Tashkent: Kamalak,
2016. –P.244-245.
6. Kuronov D., Mamajonov Z., Sheralieva M. Dictionary of literary studies. –Tashkent:
Akademnashr, 2010. –P.339.
7. Sattorova G. The problem of national character in Uzbek short stories of the 90s: Phil.
fan.nomz... diss. –Tashkent, 2002. –136 p.
8. Khotamov N., Sarimsakov B. Russian-Uzbek explanatory dictionary of literary terms. –
Tashkent: Ukituvchi, 1983. –P.310.
9. Hamidiy H., Abdullayeva Sh., Ibrahimova S. Dictionary of literary terms. – Tashkent: Teacher,
1970. –P.274.
10. Hasanova B. Askar Mukhtar's short story writing skills: Phil. Dissertation of Doctor of
Philosophy (PhD) in Philosophy. author's abstract. –Fergana, 2018. –57 p.
