PRAGMATIC FACTORS IN THE REALIZATION OF ARTISTIC AND AESTHETIC CONTENT

Abstract

In this article, the pragmatic features of the pleonasm phenomenon in dramas, what pragmatic factors influence the emergence of excess, objects of pragmatics such as tag meaning, presupposition, speech acts were analyzed using examples from historical drama.

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Dilnoza Yo‘Ldosheva Xasan Qizi. (2023). PRAGMATIC FACTORS IN THE REALIZATION OF ARTISTIC AND AESTHETIC CONTENT. International Journal Of Literature And Languages, 3(09), 11–13. https://doi.org/10.37547/ijll/Volume03Issue09-03
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Abstract

In this article, the pragmatic features of the pleonasm phenomenon in dramas, what pragmatic factors influence the emergence of excess, objects of pragmatics such as tag meaning, presupposition, speech acts were analyzed using examples from historical drama.


background image

Volume 03 Issue 09-2023

11


International Journal Of Literature And Languages
(ISSN

2771-2834)

VOLUME

03

ISSUE

09

Pages:

11-13

SJIF

I

MPACT

FACTOR

(2021:

5.

705

)

(2022:

5.

705

)

(2023:

6.

997

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

In this article, the pragmatic features of the pleonasm phenomenon in dramas, what pragmatic factors influence the
emergence of excess, objects of pragmatics such as tag meaning, presupposition, speech acts were analyzed using
examples from historical drama.

KEYWORDS

Pragmatics, pleonasm, presupposition, speech act, tag meaning.

INTRODUCTION

Language is the last defense of a nation. The spirit of
the nation is preserved only in the language. As the
well-known scientist Zuhriddin Isomiddin rightly
stated: "The Uzbek language is not our national wealth
or pride. It is not a symbol like a flag, a coat of arms or
an anthem. Because all of them can be changed if
circumstances require. But how do you change your
language? Language is the soul of the nation. Without
this language, there is no Uzbek, no Uzbekistan."

The language as a comprehensive level is the object of
study of linguistics, so now this direction is being
studied in various fields. In particular, pragmatics, as a
new theoretical and practical branch of the science of
linguistics, studies issues related to the speech
process, which embodies the social activity of a person,
and the communicative intention of the speech
participants, which is manifested under the influence
of the speech situation. Each language differs from
each other in the way it delivers information. When
conveying information, it is important how the speaker

Research Article

PRAGMATIC FACTORS IN THE REALIZATION OF ARTISTIC AND
AESTHETIC CONTENT

Submission Date:

September 15, 2023,

Accepted Date:

September 20, 2023,

Published Date:

September 25, 2023

Crossref doi:

https://doi.org/10.37547/ijll/Volume03Issue09-03


Dilnoza Yo

‘Ldosheva

Xasan Qizi

Navoi Region, Republic Of Uzbekistan Navdpi Basic Doctoral Student, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ijll

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


background image

Volume 03 Issue 09-2023

12


International Journal Of Literature And Languages
(ISSN

2771-2834)

VOLUME

03

ISSUE

09

Pages:

11-13

SJIF

I

MPACT

FACTOR

(2021:

5.

705

)

(2022:

5.

705

)

(2023:

6.

997

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

approaches this situation. Since ancient times, our
Uzbek language has attracted the attention of many
scientists with its various facets. Language, first of all,
was understood at various times among philosophers,
linguists, and especially psychologists as "a means of
carrying out some purposeful activity." This has been
the basis for the emergence of the science of
pragmatics and its study since ancient times. We can
give several definitions of pragmatics:

a)

a branch of semiotics that studies the

relationship between sign systems and those who use
them;

b)

a set of conditions related to the use of a

linguistic sign;

c)

branch of linguistics that studies the

conditions of use of language signs by speakers.

The topic under consideration has been repeatedly
discussed by researchers Artyunova I.D., Paducheva
E.V., Kiefer F., Sgall P., Stolnaker R.S., Lakoff J., Uzbek
scientists A. Pardayev, M. Hakimov, Sh. Safarov, Z.
Pardayev, N. Mahmudov, G. Toirova conducted
scientific research. The relevance of this topic is
determined by the need to more fully define linguistic
pragmatics and its problems, comprehensive study.
Pragmatic analysis is not limited to the meaning of
words and sentences. A large field of its application is
speech.

In this article, we analyzed the pragmatic factors in the
realization of artistic and aesthetic content in our
historical dramas. The object of phonopragmatic
analysis is the expression of the author's attitude as a
result of the use of sounds and tones with a certain
hidden (illocutive) purpose in the speech. Phonetic
processes are of particular importance in the

formation of a pragmatic seme in the lexeme seme.
This is manifested by the phenomena of sound change,
sound increase, sound decrease, sound doubling.
Phonopragmatics studies the meanings formed as a
result of changes in sounds in linguistic units. It is
permissible to mention the phenomenon of
redundancy in the language, that is, the addition of a
sound to a pleonasm, as well as the phenomena of
sound doubling. The emergence of pragmatic meaning
with the addition of sound in speech is related to the
phonostylistic level. "... linguostylistics, which is a
separate language stage, does not have its own
specific units, but is limited to giving one or another
expressive meaning to language units. Usually, if a
stylistic feature in the language is not fully expressed
lexically or grammatically, it is filled as a result of
phonetically forming it. Pragmatic meanings such as
"emphasis", " sarcasm", "respect" are hidden in the
character's speech, in the excessive use of sounds,
words, grammatical forms, and lexical units and
morphological indicators. The pragmatic meaning is
especially strong in historical works, and we turned to
the 21st century Uzbek dramaturgy to reveal this
feature. In particular, we will prove our theory with
examples taken from Ibrahim Rahim's drama "Ahmed
Farghani" . The pragmatic meaning of "emphasis" can
be seen from the repeated use of the lexical unit in the
following sentences. The reason why the personal
pronoun is placed in front of each noun indicates the
speaker's special respect for each person, as well as
the great importance of these persons for the speaker:
Siz Ahmad Fargoniy, siz Abdumalik va Muso ibn

Shokirlarni sog‘inganim uchun keldim (47

-b).

The speaker overuses lexical units in order to clearly
convey his thoughts and opinions to the listener,
which, of course, has a pragmatic meaning and clarity


background image

Volume 03 Issue 09-2023

13


International Journal Of Literature And Languages
(ISSN

2771-2834)

VOLUME

03

ISSUE

09

Pages:

11-13

SJIF

I

MPACT

FACTOR

(2021:

5.

705

)

(2022:

5.

705

)

(2023:

6.

997

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

of thought. As lexemes are overused in the literary text
according to specific requirements, synonyms, which
are the primary sources of emotional-expressive
lexicon, are the leaders in determining the richness and
level of development of the existing language.
Pleonasm is also allowed by consecutive use of
synonymous words: Oh, oh, jannatu bahisht anvolari
bolqirmu? (61-b). Padari buzrukvorim, qiblagohim ila
Parchinoylardinmu! (59-

b). Bir ko‘rmoqqa tashnayu

-

xumordurmen (59-b).

In works of art, especially in dramas, pleonasm occurs
when synonyms are used side by side as a reference in
order to reflect and strengthen respect for parents. In
this, we can see pragmatic factors such as respect,
love, and sincerity. Pleonasm is allowed through the
use of both lexical and grammatical forms in one
sentence. This serves to strengthen the meaning.

Pragmatics has no clear boundaries, it includes a set of
issues related to the speaking subject, the addressee,
their interaction in communication, and the situation of
communication. Ivan Pavlovich Susov, Doctor of
Philological Sciences, Professor, Honored Scientist of
the Russian Federation, said that pragmatics, as one of
the disciplines of linguistics, "has a set of
interrelationships between units of the language
system and communicative-pragmatic components. "

CONCLUSION

Pleonasms used in a work of art, whether phonetic,
lexical or morphological, all of them arise as a result of
pragmatic factors. Behind each excess lies a
connotative goal, the sentences taken under each
analysis in the speech of the speaker are formed on the
basis of a certain goal, which, having studied the
meaning of the tag, its pressupposition, plays a great

role in drawing the artistry, perfection of the writer's
language, a personal portrait of the heroes of the
work. In addition, in the application of pleonasms in
dramas, we can see a clear description of such
situations as the speaker's attitude towards the
listener, his opinion on the event, his response to the
situation.

REFERENCES

1.

N.D.Arutyunova, E.V.Paducheva istoki, problemy i
kategorii

pragmatiki

https://studfile.net/preview/3962920/page:6/

2.

Kotorova E.G. Vestnik RUDN. Series: LINGUISTICS.
2019. T. 23. No. 1. S. 98-115

3.

Makhamov N. Literary norm and pleonasm. -
Tashkent: Science, 1988.

4.

Susov I.P. Semiotics and linguistic pragmatics. V
kn.: Yazok, discurs i lichnost. - Tver: Izd-vo
Tverskogo u-ta, 1990. - S. 125.

References

N.D.Arutyunova, E.V.Paducheva istoki, problemy i kategorii pragmatiki https://studfile.net/preview/3962920/page:6/

Kotorova E.G. Vestnik RUDN. Series: LINGUISTICS. 2019. T. 23. No. 1. S. 98-115

Makhamov N. Literary norm and pleonasm. - Tashkent: Science, 1988.

Susov I.P. Semiotics and linguistic pragmatics. V kn.: Yazok, discurs i lichnost. - Tver: Izd-vo Tverskogo u-ta, 1990. - S. 125.