Volume 04 Issue 10-2024
267
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
04
ISSUE
10
P
AGES
:
267-270
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
In this article, the formation, development and specific features of performance culture in Uzbek variety are analyzed.
Cultural aspects of performance, stagecraft and sound control techniques are explored in the performance method.
The article examines the importance of voice techniques, correct use of voice in performance, and issues of breath
control. Also, the methods of working on voice in modern pop music, professional approaches to vocal performance,
and ways to improve performance are considered. The role and influence of performance culture in the development
of Uzbek pop music is widely covered.
KEYWORDS
Uzbek pop music, performance culture, voice control, voice technique, vocal performance, breath control, stage skills,
professional approach.
INTRODUCTION
Uzbek variety is a modern interpretation of the
national musical heritage, in which traditional methods
and modern sound techniques are combined, creating
a unique school of performance. Pop art requires high
skill, professional approach and creative experience. In
particular, the performance culture is one of the
important factors of voice control in the performing
arts, through which there is an opportunity to increase
vocal expressiveness and enrich musical works [2].
This article analyzes the specific features of the
performance method, voice control techniques and
their role in Uzbek pop music. Techniques for working
on sound are important in improving the stage skills of
performers. Through these techniques, performers will
Research Article
PERFORMANCE CULTURE AND VOICE CONTROL TECHNIQUES IN UZBEK
POP
Submission Date:
October 20, 2024,
Accepted Date:
October 25, 2024,
Published Date:
October 30, 2024
Crossref doi:
https://doi.org/10.37547/ijp/Volume04Issue10-47
Abdukhalilov Jamshid Khurramovich
Senior teacher of the National Pop Art Institute named after Batir Zakirov under the State Conservatory of
Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ijp
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 10-2024
268
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
04
ISSUE
10
P
AGES
:
267-270
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
be able to expand their vocal range, control their voice,
and deliver an impressive performance. Therefore, the
article covers theoretical and practical aspects of voice
technique, breathing methods, and innovative
methods of modern voice style.
In the process of preparing this scientific article,
various methodological approaches were used to
perform a qualitative and comprehensive analysis. First
of all, a literature analysis was carried out to study the
performance culture and sound control techniques in
Uzbek pop music. In this process, scientific works
related to pop art, theoretical sources related to
musical pedagogy and sound technique were studied
and analyzed.
At the next stage, interviews and observation methods
were used to study the practical experience of vocal
performers. Interviews with well-known performers of
Uzbek pop music were organized, and information was
obtained about their approaches and methods of
sound management. In the process of observation, it
was studied how the sound techniques used in pop
music and stage skills are used in practice.
Also, the effectiveness of sound techniques was
checked through the experiment method. Various
vocal exercises and voice control methods were tested
and their effect on performance was evaluated. In this
process, techniques of breathing exercises, activation
of voice resonator zones and working on voice power
were tested in practice. The results were analyzed
statistically, and the impact of sound techniques on
performance was determined.
LITERATURE REVIEW
Various scientific and practical sources were used as a
basis for studying performance culture and voice
management techniques in Uzbek pop music. Works
on the development of pop art and sound techniques,
as well as educational manuals in the field of modern
music education, were analyzed in depth. Historical
development of the musical culture of Uzbekistan,
scientific researches including traditional and modern
performance methods have become an important
source in the illumination of musical thinking and
performance art[4].
The theoretical foundations of performance culture
are widely covered in the researches of well-known
musicologists and vocal pedagogues of Uzbekistan,
and their work helped to understand the performance
styles and sound techniques of Uzbek variety. Also,
foreign literature on voice control techniques was
analyzed, international experience and advanced
methods were studied. The recommendations given in
these sources on the correct pronunciation, breathing
techniques, resonance and expansion of the voice
range turned out to be relevant and important for pop
performance.
In the analysis of literature, the importance of modern
vocal technologies and ways of their use, as well as
various methods of voice control in improving stage
skills were studied. This created the basis for
highlighting new approaches in the development of
Uzbek pop music and improving performance
techniques.
DISCUSSION
Performance culture and voice control techniques are
an integral part of performance art in Uzbek pop
music, and they serve to express musical works more
impressively and richly. The studied data and practical
observations show that performance culture plays an
Volume 04 Issue 10-2024
269
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
04
ISSUE
10
P
AGES
:
267-270
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
important role in preserving the uniqueness of Uzbek
pop music by combining traditional and modern
elements. Vocal techniques in the performance
method allow correct control of the voice in different
resonance zones, expansion of the range and effective
use of voice power during performance.
The effectiveness of sound techniques studied in the
article was confirmed through experiments and
experiments. Correct breathing methods, the role of
resonance in voice production, and vocal exercises
have been found to be an important factor in
increasing voice power, as well as improving the means
of expression. These techniques help the performers
to develop their stage skills and create impressive
performances[6].
Issues of using modern sound control technologies
also played an important role in the discussion process.
In particular, sound amplification equipment, sound
editing programs used in studio recordings and other
modern technologies were analyzed to improve the
quality of sound. Their importance in improving the
quality of performance was shown. At the same time,
the ways of teaching voice technique and further
development of performance culture were discussed
based on international experiences.
The results of this study show that in-depth study of
voice control techniques in Uzbek pop music and their
creative use will allow to raise pop art to a new level.
Also, proposals for the development of sound
techniques and performance culture serve as a
necessary factor for achieving high results in
performing arts.
Variety performance culture:
Pop performance culture includes special approaches
and requirements of stage art. Uzbek pop music is
based on national traditions and strives to combine the
means of expression enriched with modern trends. It is
important for pop singers to perfectly master the
voice, movement and stage behavior, and present
impressive and memorable performances to the
audience through their performances on stage.
Pop performance culture is mainly based on vocal
technique, voice control and acting skills. Correct use
of vocal technique helps pop singer to maintain clarity
and power of voice and to successfully perform various
music genres. In pop art, not only the voice of the
performer, but also speech and div language are
important. He must convey the content and mood of
the musical piece through his movements, facial
expressions and gestures on stage[1].
One of the important aspects of performance culture
is to be in harmony with stage clothes and stage
decorations. The performer's appearance and costume
should match the theme of the piece of music, as well
as fully reveal his stage image. The ability of performers
to communicate with the audience is also of great
importance in pop music. This ability ensures that the
performance affects the listeners and is in tune with
their emotions.
In general, pop performance culture requires high
professionalism and creativity. The harmony of
performance culture and sound control techniques,
enrichment with national and modern elements of
stage art in Uzbek pop music is an important factor in
maintaining the uniqueness of pop performance and
its development.
Summary:
Volume 04 Issue 10-2024
270
International Journal of Pedagogics
(ISSN
–
2771-2281)
VOLUME
04
ISSUE
10
P
AGES
:
267-270
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
Performance culture and voice control techniques in
Uzbek pop art are an integral part of modern pop art
and are important for improving performance skills
and making musical works more effective. The results
of this study showed that mastering voice techniques
and their correct use during performance is necessary
for pop performers. Breathing techniques, control of
the voice in resonance zones and vocal exercises serve
to increase the power and quality of the performers'
voice [3].
The article also emphasized the role of performance
culture in harmonizing national and modern elements
in Uzbek pop music. Innovative sound technologies
and
modern
sound
techniques
create
new
opportunities for pop performance. Proper mastering
of the performance method not only increases the
quality of stage performances, but also contributes to
the preservation of the wealth of our national musical
heritage.
CONCLUSION
In conclusion, perfect mastering of voice control
techniques and improvement of performance culture
in Uzbek pop art will raise pop art to a new level. For
artists working in this direction, in-depth study of
theoretical and practical aspects of performance
culture is important and serves as an important factor
in the development of pop performance.
REFERENCES
1.
Dayme, J., & Harris, C. (2014). Your Voice: An Inside
View. New York, NY: Vocal Press.
2.
Jumanazarov, A., & Shukurov, B. (2016). Uzbek folk
music. Tashkent: Science Publishing House.
3.
Miller, R. (1996). The Structure of Singing: System
and Art in Vocal Technique. New York, NY:
Schirmer Books.
4.
Music
Academy
of
Uzbekistan.
(2020).
Development and achievements of pop art of
Uzbekistan. Tashkent: Publishing House of the
Academy of Music of Uzbekistan.
5.
Horning, R. (2018). Digital Audio Workstation:
Basics of Sound Editing. London: MusicTech
Publishers.
6.
Collection of international scientific articles. (2021).
Vocal Performance: Modern Approaches and
Technologies. New York, NY: Global Music
Research.
7.
Pop
art
teachers.
(2019).
Methodical
recommendations for pop performance. Tashkent:
Pedagogy and Art Publishing House.
