В данной статье исследован трактат Сайфи Бухари “Арузи Сайфи” на современном аспекте. В ней так же рассматриваются такие вопросы, как структура трактата, описание глав, характеристика поэтических метров, стихосложных размеров и концентрических кругов. В статье расскрывается место “Арузи Сайфи” в культурной жизни эпохи темуридов.
В статье затронут вопрос относительно источников дивана Мухаммада Хасан Мутриба, одного из плодотворных поэтов живших в конце XIX-XX вв. в Хорезмской творческой среде.
Также приведены научно обоснованные сведения о диване поэта и его рукописных вариантах. Исследование рукописей дивана «Дивани Мутриб Хонахароб» по направлениям источниковедения текстологии играет большую роль в определении творческого наследия Мутриба Хонахароба.
Bayaz(a collection of poems written in 2 languages) was copied by Mullo Muhammad Sharif ibn Muhammad devon mulaqqab ba Kharrot according to Feruz's decree. The manuscript is stored in the main fund under the inventory number-6932 of the institute of Oriental Studies named after Abu Raykhon Beruni of the Academy of Sciences of Uzbekistan. The article deals with gazelles of bilingual poet Mutlib Khonakharob the son of Mukhammadkhan Hasan Devon Khoji Tabib. It includes 20 Turkish, 21 Persian-Tadjik gazelles in his bayaz. The author provides information about 15 Turkish gazelles that aren’t mentioned in his divan manuscript.
In the late 19th and early 20th centuries, Khorezm's Muhammad Rahimkhan Feruz created a unique literary atmosphere around his palace. Poets and writers who are Tabibi, Mutrib, Bayani, Avaz Otar, and Chokar worked during this period. The works of the poets are in Persian-Tajik and Turkish languages and have their own traditions. The interest in science significantly grew in Khiva. According to the khan's decree, qualified secretaries set up devons, mukhammases, bayozs, tazkirs, and complexes. At present, such works are kept in the manuscript fund of the Institute of Oriental Studies of the Academy of Sciences of the Republic of Uzbekistan and in the Ichankala Museum in Khiva. The collection "Majmuai mukhammasoti ash-shuaroi Feruzshahiy" is a large source of lyrical works of Khorezm literary environment. The complex was built in the second half of the XIX century and was built by Tabibi by royal decree. It contains samples of poems by contemporary artists. This source, which provides valuable information about the literary environment of its time, is now stored in the main fund of the Institute of Oriental Studies named after Abu Rayhon Beruni of the Academy of Sciences of Uzbekistan under inventory number 1134. The complex differs from other collections in that it consists of poems of the mukhammas genre. Muhammad Hasan Devon Haji Tabib o‗g‗li Mutrib Khonaharab is one of the poets whose works are included in the creative heritage of the poets. The article analyzes the mukhammases of Mutrib Khonaharab, which are connected with the ghazals of the master poets Ogahi and Feruz. The artistic features of Mutrib‘s mukhammases, which are not found in manuscripts, have been studied. It is based on primary sources that the poet‘s ghazal retains aspects such as weight and content, and introduces innovations, focusing on the gradual development of the content. The mukhammas and musaddas included in the collection were studied from the point of view of textual and source studies, comparing them with the poems copied to the manuscript.