Gazelles of Mutlib Khonakharob copied into Bayaz manuscript

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Мадиримова, С. (2023). Gazelles of Mutlib Khonakharob copied into Bayaz manuscript. in Library, 20(2), 1–4. https://doi.org/10.47689/SOHIBA2023-iss2-pp1-4
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Аннотация

Bayaz(a collection of poems written in 2 languages) was copied by Mullo Muhammad Sharif ibn Muhammad devon mulaqqab ba Kharrot according to Feruz's decree. The manuscript is stored in the main fund under the inventory number-6932 of the institute of Oriental Studies named after Abu Raykhon Beruni of the Academy of Sciences of Uzbekistan. The article deals with gazelles of bilingual poet Mutlib Khonakharob the son of Mukhammadkhan Hasan Devon Khoji Tabib. It includes 20 Turkish, 21 Persian-Tadjik gazelles in his bayaz. The author provides information about 15 Turkish gazelles that aren’t mentioned in his divan manuscript.

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Proceeding of The ICECRS

Vol 6 (2020): Conference of Management of Islamic Education Leadership In The Era
of Revolution 4.0
Articles

Gazelles of Mutlib Khonakharob copied into
Bayaz manuscript

Madirimova Sokhiba
Makhmudovna

Tashkent State University of Uzbek Language and
Literature (PhD) base doctoral student

Bayaz(a collection of poems written in 2 languages) was copied by Mullo Muhammad Sharif
ibn Muhammad devon mulaqqab ba Kharrot according to Feruz's decree. The manuscript is
stored in the main fund under the inventory number-6932 of the institute of Oriental Studies
named after Abu Raykhon Beruni of the Academy of Sciences of Uzbekistan. The article deals
with gazelles of bilingual poet Mutlib Khonakharob the son of Mukhammadkhan Hasan Devon
Khoji Tabib. It includes 20 Turkish, 21 Persian-Tadjik gazelles in his bayaz. The author
provides information about 15 Turkish gazelles that aren’t mentioned in his divan
manuscript.

INTRODUCTION.

Mutrib Khanakharob (1853-1923)[3: 125-155] is one of the great bilingual poets of the second half
of the XIX century. He has written in many genres, including murabba, gazelles, muhammas,
musaddas and kasida. Nowadays, his manuscript divan is kept in the manuscript fund of the
Institute of Oriental Studies named after Abu Rayhon Beruni of the Academy of Sciences of
Uzbekistan under the inventory numbers 2679 / II, 903 / V, 906 / VII.

As a result of our research, it was found that the poet's poems were copied to the manuscript under
the inventory number-6932, which is stored in the main fund of the IOSASU.

MAIN BODY.

This bayaz, which is kept in the main fund of the Institute of Oriental Studies named after Abu
Rayhan Beruni of the Academy of Sciences of Uzbekistan begins with "Basmala" and includes the
poems of 21 poets as Muznib, Sadiq, Mutrib, Yusuf, Devoni, Khaki, Kamoli, Shinosi, Rogib, Asad,
Ghazi, Mirzo, Akil, Niyazi, Chokar, Khadim, Purkomil, Nadimiy, Nozir, Avaz, Inoyat.

In hijri 1328/1908 the bayaz was copied by Mullah Muhammad Sharif ibn Muhammad Yaqub devon
mulaqqab ba Harrat according to the decree of Sayyid Muhammad Rahim Bahadur Khan.

The bayaz consists of overall 41 gazelles of Mutrib Khanakharobi and 20 of them are in Turkish, the
remaining 21 of them are in Persian-Tadjik. Only five of these poems have been copied in the divan
manuscripts under the inventory numbers 2679 / II, 903 / V, 906 / VII. They are radif gazelles as
“G‘amima” (my sorrow), “Bilmadimmu” (didn’t know), “Ko‘rmadimmu” (didn’t see), “Emasmu”
(didn’t it), “Keldim” (I’m here). The poems copied into bayaz were compared with the versions
copied in the manuscripts of the poet’s divan, and there were no differences between them.

The number of gazelles are not included in the manuscript is fifteen. All poems are 7 bytes long.
They are: “

Ruhi khurshidi .

.. (pp. 10a / b)”, “

Quyoshosojamoling...

(pp. 128b, 129a)”, “

Mani jono

visoling shahdidin

... (pp. 129a / b)”,

“G'amindin, ey sanam

... (pp. 138a / b),“

Mudomo sandin

...

(pp. 142b, 143a) ”,

“Manga rukhsori tobo

... (pp. 143b, 144a)”,“

Fig‘onkim, orazing...

( (pages 144a /

b)”, “

Butunkulbamg‘a...

(pp. 144b, 145a) ”, “

Bukechabazmimg‘a...

(pages 146b, 147a)”,

Firoqichramaning...

(pages 147b, 148a) ”,“

Mani, yorab, bukecha...

( pages 150a / b) ”,“Nihon etma

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jamoling ... (150b, 151a- pages)”,“Mani ishq ichra ... (pages 151a / b), “

Nargisibemoringa...

( (pages

151b, 152a)”, “

Bihamdillah, visoli .

.. (pages 152b, 153a)”.

Mutrib's prolific work has been copied into a number of bayaz, tazkira, and complexes. There are
many poems that are not included in his divan manuscripts.

At the same time, it should be noted that the main task of the secretaries is to preserve the works.

In order to fill in the gaps left by the secretary, it is advisable to restore the work on the basis of
versions copied to other sources. On the contrary, it faces a number of challenges.

It can be seen the caution by Mullo Muhammad Sharif ibn Muhammad Yaqub divan mulaqqab ba
Harrat, who copied this statement, in the followings:

- there are also passages in the text that influence the weight and the content of the poem. For
example, in the fifth verse of the radif gazelles of the poet's

“birmanmu?”

the letter "re" in the word

"

bo’lursan"

is dropped and occurs in the form "

bo’lusan

”:

Bo‘lu

r

san

h

ar

nafas

raf’

i

niqob

o‘rtatgali

,

Gulistoni

jamoling

bulbuli

noloni

bir

manmu

?

Chiqarg‘a

yetdi

jonim

emdi

va

h

mi

ijtinobingdin,

Bukim,

h

ajring

h

ajring

o‘tini

paykari

so‘zoni

bir

manmu?

Mani

jono

visoling

sha

ҳ

didin

masruri

xandon

din

qil

,

Damo

dam

ko‘rguzu

blut

fikaram

ozodi

h

ijron

qil

.

Mango

ruxsori

toboning

yetoshmos

,

Labingdin

xayri

e

h

soning

yetushmas

.

- In the ninth verse of tradif gazelle "

kelibdur

", the compound (Gulistoni Eram) is added with the

letter "

mim

" like "

Gulistonim

Eram

":

Gulistoni

m

Eramni

naylay

emdi

,

Qadi

sarvi

xiromonim

kelibdur

.

- The phrase "

lali khandonimmu

" in the first verse of the gazelle, which begins with the words "

bu

kecha bazmimg’a kelgan la’li xandonimmudur

", is copied with the dropped suffix "

immu

":

Bu

kecha

bazmimg‘a

kelgan

la’li

xandon

immu

dur

,

Sunbuloso

iki

yuz

anbarafshonimmudur

.

Muruvvat

ko‘rguzub

ag‘yor

eliga,

Mato’i

h

usning

g

arzon

qilmadingmu.

1. the word "

yetushmas

" in the first verse of radif gazelle "

yetushmas

" is given as "

yetoshmas

".

2. the word "

arzon

" in the sixth verse of radif gazelle "

qilmadingmu

" became as “

g’arzon

”:

3. we can find the word ﺩﺎﯿﺻ“

sayyod

” (

hunter

) in the sixth bayt of the gazelle, which begins

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with the verses, "

nihon etma jamoling, ey parizod

". The word "

sod

" in this word is dotted and

copied as ﺩﺎﯿﺿ(

zayyod

) which doesn't mean anything:

Sumanso

,

anbar

afshon

zulflaringkim

,

Ajabdur

bulbuli

ko‘nglumg‘a

zayyod

.

In restoring the preservations in the text, it is expedient to study the words or affixes in terms of
their logical connection and proportionality to the ideological and artistic level of the author [5; 68].

Matndagi saktaliklarni tiklashda so‘zlarning yoki qo‘shimchalarning mantiq jihatidan bog‘lanishi va
muallifning g‘oyaviy-badiiy saviya va darajasiga mutanosibligi jihatidan kelib chiqib o‘rganish
maqsadga muvofiqdir[5; 68].

Bayaz is covered with a solid dark green cardboard. The cover has three carvings. The poems are
copied on a thin blue sheet of paper. The poems are written with black and red ink in astalik
handwriting. The poems are copied in two rows with in italics. Each page contains 12 lines of
poetry. The titles and numbers of the copied gazelles are given in red ink. Dimension is 18x11.5.
Bayaz consists of 306 pages, with 2 blank pages at the beginning and 3 blank pages at the end.

Bayaz is well preserved.

CONCLUSION.

Such manuscripts, which are currently being studied, are important. It should be noted that it is

important and relevant to identify the sources of the rich creative heritage of Mutrib and his
contemporaries, such as Tabibi, Purkomil, Muznib, Shinasi, Aqil, and to study their works.
Therefore, the study of inaccuracies in the text of the poet's works included in his divan
manuscripts on the basis of variants copied to other manuscript sources requires the
implementation of his comparative text.

REFERENCES

1. Mutrib Xonaharob. Bayazi ash'ar. Main Fund Manuscript of the Academy of Sciences of the
Republic of Uzbekistan, inv. №1184. B. 2-135.

2. Mutrib Xonaharob. Devoni Mutrib. Manuscript of the H.Sulaiman Foundation of the Academy of
Sciences of the Republic of Uzbekistan, inv. № 2679 / II, Basic Fund Manuscript, inv. №№ 903 / V,
906 / VII.

References

1. Mutrib Xonaharob. Bayazi ash'ar. Main Fund Manuscript of the Academy of Sciences of the

Republic of Uzbekistan, inv. №1184. B. 2-135.

2. Mutrib Xonaharob. Devoni Mutrib. Manuscript of the H.Sulaiman Foundation of the

Academy of Sciences of the Republic of Uzbekistan, inv. № 2679 / II, Basic Fund Manuscript,
inv. №№ 903 / V, 906 / VII.

3. Arora, P., ., M., & Mishra, D. S. K. (2020). Contextualizing Ecocriticism as a Bio-centric

Study of Relationship between Human and Nature in John Favreau’s The Jungle Book.
American Journal of Social and Humanitarian Research, 1(2), 1-10. Retrieved from
https://www.grnjournals.us/index.php/AJSHR/article/view/150

4. Narziev, Z. I. (2020). “KASHF UL MAHJOOB”: SOURSES, TRANSLATIONS, COPIES AND

EFFECTS. American Journal of Social and Humanitarian Research, 1(1), 67-72. Retrieved
from https://www.grnjournals.us/index.php/AJSHR/article/view/133

Copyright © 2019 Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY).

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5. Muzaffarov, F. D. (2020). IMAM GHAZALI: THE NECESSITY FOR PERFECTION AND

CONSENSUS. American Journal of Social and Humanitarian Research, 1(1), 78-82.
Retrieved from https://www.grnjournals.us/index.php/AJSHR/article/view/145

6. Kurian, K., & Saikrishna, M. (2020). JOB RELATED STRESS AMONG WORKING WOMEN.

American Journal of Social and Humanitarian Research, 1(1), 87-94. Retrieved from
https://www.grnjournals.us/index.php/AJSHR/article/view/147

7. Khujanova, T. J. (2020). THEORETICAL BASES AND DIRECTIONS OF UPBRINGING THE

YOUNG GENERATION IN THE SPIRIT OF PERFECTION. American Journal of Social and
Humanitarian Research, 1(1), 83-86. Retrieved from
https://www.grnjournals.us/index.php/AJSHR/article/view/146

Copyright © 2019 Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY).

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Библиографические ссылки

Mutrib Xonaharob. Bayazi ash'ar. Main Fund Manuscript of the Academy of Sciences of the Republic of Uzbekistan, inv. №1184. B. 2-135.

Mutrib Xonaharob. Devoni Mutrib. Manuscript of the H.Sulaiman Foundation of the Academy of Sciences of the Republic of Uzbekistan, inv. № 2679 / II, Basic Fund Manuscript, inv. №№ 903 / V, 906 / VII.

Arora, P., ., M., & Mishra, D. S. K. (2020). Contextualizing Ecocriticism as a Bio-centric Study of Relationship between Human and Nature in John Favreau’s The Jungle Book. American Journal of Social and Humanitarian Research, 1(2), 1-10. Retrieved from https://www.grnjournals.us/index.php/AJSHR/article/view/150

Narziev, Z. I. (2020). “KASHF UL MAHJOOB”: SOURSES, TRANSLATIONS, COPIES AND EFFECTS. American Journal of Social and Humanitarian Research, 1(1), 67-72. Retrieved from https://www.grnjournals.us/index.php/AJSHR/article/view/133

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