Authors

  • Matluba Sadullaeva
  • Nargiza Raupova

DOI:

https://doi.org/10.71337/inlibrary.uz.science-research.139319

Keywords:

Chinese women Eastern women individuality self-sacrifice endurance female image concubine motherhood Confucianism.

Abstract

This study examines the portrayal of Chinese (Eastern) women in five of Pearl S. Buck’s novels: East Wind: West Wind, The Good Earth, The Mother, Pavilion of Women, and Peony. Buck’s female characters, both as individuals and as typical representations, provide a realistic picture of women in Chinese society. The study shows that these women, often constrained by social norms, use intelligence, resilience, and subtle strategies, including manipulation or self-sacrifice, to pursue dignity, love, happiness, and personal goals. Buck presents them as courageous, enduring, and morally strong figures, highlighting their roles as mothers, wives, and family pillars. Her works reflect Confucianism and the social conditions of the time, demonstrating women’s struggle for survival, ethical values, and fortitude. Through these depictions, Buck bridges cultural understanding between East and West, emphasizing universal themes of womanhood and motherhood.

References

Akobirova, S. (2002). American Literature and the East (on the example of the first half of the 20th century). PhD Dissertation, Tashkent.

Adams, J. D. (1934, January 14). “A True Epitome of Motherhood: Mrs. Buck’s Deeply Elemental Novel of Chinese Peasant Life.” The New York Times.

Bentley, P. (1935). “The Art of Pearl S. Buck.” English Journal, 24(12), 791–800.

Gao, X. (1993). Images of Chinese Women in Pearl S. Buck’s Novels: A Study of Characterization. PhD Dissertation.

Doan Cao Ly. (n.d.). [Reference details if available].