THE ROLE OF BAKHSHI IN KARAKALPAK MUSIC CULTURE DEVELOPMENT.

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Orazbaeva , D. (2023). THE ROLE OF BAKHSHI IN KARAKALPAK MUSIC CULTURE DEVELOPMENT. Modern Science and Research, 2(12), 1308–1311. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/27550
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Abstract

Bakhshi art, which is one of the rich national heritage of the Karakalpak people, that has come down to the present day, it’s development and bakhshi musicians who have worked tirelessly on this pat with lucky achievements are mentioned in this article.

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background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

1308

THE ROLE OF BAKHSHI IN KARAKALPAK MUSIC CULTURE

DEVELOPMENT.

Orazbaeva Dilnaz

Nukus Branch of the State Inistitute of Art and Culture of Uzbekistan, 70212001- Culture

and arts Management, 1st year Master’s student

https://doi.org/10.5281/zenodo.10441667

Abstract.

Bakhshi art, which is one of the rich national heritage of the Karakalpak people,

that has come down to the present day, it’s development and bakhshi musicians who have worked
tirelessly on this pat with lucky achievements are mentioned in this article.

Key words:

Bakhshi art, national music, folk music, Alamoynaq duwtar, Húrliman

bakhshi, time inequality, Bakhshi festival.

РОЛЬ БАХШИ В РАЗВИТИИ КАРАКАЛПАКСКОЙ МУЗЫКАЛЬНОЙ

КУЛЬТУРЫ.

Аннотация.

В этой статье упоминается искусство бахши, которое является

одним из богатейших национальных достояний каракалпакского народа, дошедшее до
наших дней, его развитие и музыканты бахши, неустанно работавшие над этим
искусством и достигшие больших успехов.

Ключевые слова:

искусство бахши, национальная музыка, фолк-музыка, Аламойнак

дувтар, Херлиман бахши, неравенство во времени, фестиваль бахши.

President of the Republic of Uzbekistan Sh. Mirziyoev emphasized that "Bakhshi people

are not only the face of the people's past, but also the voice of this day."

The originality of bakhshi art, which has been handed down orally from father to child

and instructor to pupil from the beginning of time, has not been compromised. The art of bakshy,
whose original name begins with Aqimbet bakhshi, is regarded as one of the more advanced arts
in existence today. The mastery of our national heritage is approaching as Bakhshi play not only
folk songs but also poems written by poets. They also perform epics on the subject of love, which
are regarded as the Karakalpak people's greatest treasure and nurture the souls of the populace
spiritually.

The national folk songs of the Karakalpak people play a significant role in the development

of a person's spiritual consciousness, which makes bakhshi art unique from other forms of art. It
has a different position in the overall Karakalpak musical culture.

The reason for this is that with the aid of those 12 curtains and 2 millets, the sound of songs

and words that resounded in the alamoynaq dutor, the dreams and goals of our ancestors who faced
many challenges in the early times, the beauty of a peaceful and harmonious life like ours today,
found a place in the hearts of people far, far away. It's as if you take it, change the attitude, and it
takes you to another universe. When a dutor's voice is exceptionally gentle and his high-pitched
song creates a lovely ambiance, the listener won't even be aware that he is becoming absorbed in
the music.

The Karakalpak people's national instrument, alamoynaq dutor, is important to the growth

of musical tradition. Every Karakalpak family has alamoynaq dutori since it is so ingrained in


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

1309

everyday life. The explanation is that, in comparison to our forefathers, it is better to have a dutor
in every family.

Due to the absence of advancement in television and Internet networks in the past, many

people performed songs and epics till dawn at weddings and other events in order to serve the
public. These days, our Bakhshi musicians do live broadcasts on television and social media using
poetry, folk songs, and epics, winning the hearts of our people in the process. The art of giving is
receiving a lot of attention in modern society. This is demonstrated by the contests and
international festivals held in our nation.

At the II-International Bakhshi Festival, which was held in our capital city of Nukus in

September 2021, our Bakhshi people were able to meet new people, exchange knowledge with
artists and Bakhshi performers from nearby nations, and forge connections.

Today, anyone can be happy thanks to the accomplishments of our young singers, the talent

of performances with juicy tactics. Naturally, these are not unplanned events. The importance of
mentors who devote their entire lives to raising such young generations cannot be overstated. In
our nation, a variety of techniques are being used to carefully conserve and transfer the bakshy art,
which has been passed down from our ancestors, to the future owners. Palaces of Culture, music,
and art schools, which enhance the attractiveness of our city, help to pass on our art to future
generations and instill a sense of patriotism in them.

National charities of Uzbekistan include G. Utemuratov, T. Qalliev, and People's Charity

of Karakalpakstan. G. Allambergenova, Z. Sharipova, O. O'tambetov, recipient of the Order of
Friendship, "Zufiya" award laureate G.Aqimbetova, U. Orinbaeva, "Nihol" award laureates L.
Maxammatdinova, E. Askarov, and M. Torebekov have been learning the secrets of the universal
dutor musical instrument and contributing to the development of our national music and its
sounding on world stages.

It should be emphasized that there is no longer a difference between men and women who

pursue this job. In the past, it was forbidden for women to do public singing. Despite their talent
and lovely voices, our women were unable to showcase their originality to the wider audience.
However, even if our courageous heroines asserted their rights and sang at the wedding receptions,
they were unable to display their talent in accordance with the needs of the moment.

Despite the inequalities of the day, Hurliman Bakhshi (1861–1906) was one of the first

female Bakhshi to play the dutor and sing for the public. She is the daughter of Karakalpak famous
classical poet Berdakh. In addition to writing poetry, Berdakh practiced the art of being a bakhshi.
This talent was passed down to Hurliman by her father, Berdakh. Hurliman initially performed his
father's songs in their village. Later, after learning epics from her father, she started reciting them
in front of audiences at weddings.

The poet recognized his daughter's amazing talent and blessed her by stating that she had

no objections to her learning this skill and performing in front of the public. Hurliman female
bakhshi, the courageous daughter of Karakalpak who conquered all challenges despite several
challenges and inconsistencies, paved the road for later generations of women to become masters
of the bakhshi art. "Hurliman Karakalpak girl is one of the great talents born out of her daughters,
one of the bakhshi who have a magnificent title called female bakhshi," claims Q. Ayimbetov.


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

1310

A significant part of Karakalpak music culture is bakhshi art. The reason is because this art

allows the people of Karakalpak to express their identity and sense of nationality; it also reveals
the depth of their national culture.

In general, the Bakhshi people are the Karakalpak people's face.

REFERENCES

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МУСТАҚИЛ

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background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

1311

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tiykarında). Вестник музыки и искусства, 1(2), 46–51.

17.

Allambergenovna A. R. Historical Image of" Alpamys" In Karakalpak Music (Example
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Allambergenovna A. R. Historical Image of" Alpamys" In Karakalpak Music (Example
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Maksetbaevich, Otegenov Khakimbay. "Ethnodemographic procesess at the headquarters
of amudarya on the EVE of the 1916 uprising." Journal of Critical Reviews 7.11 (2020):
391-395.

23.

Отегенов, Хакимбай. "К оценке восстаний в Хивинском ханстве и Амударьинском
отделе в 1916 г." Каспийский регион: политика, экономика, культура 2 (59) (2019):
31-36.









References

Q.Maqsetov. “Dаstanlar Jırawlar Baqsılar” Karakalpakstan. 1992-year.

A.Erejepov. “Baqsı hám jırawshılıq tiykarları” Nukus. 2020-year.

Q.Ayımbetov “Xalıq danalıǵı” Nukus. 1968-year.

Tajimuratova S. FORMATION OF STUDENTS'SKILLS OF INDEPENDENT PERFORMANCE THROUGH THE TEACHING OF ART HISTORY //Modern Science and Research. – 2023. – Т. 2. – №. 10. – С. 841-849.

Saginbaevna T. S. FORMATION OF STUDENTS'SKILLS OF INDEPENDENT PERFORMANCE THROUGH THE TEACHING OF ART HISTORY //Spectrum Journal of Innovation, Reforms and Development. – 2022. – Т. 9. – С. 386-392.

Sag’inbaevna T. S. Cultural Life in Uzbekistan during the Years of Independence //Spanish Journal of Innovation and Integrity. – 2023. – Т. 18. – С. 39-41.

Tajimuratova S. FORMATION OF STUDENTS'SKILLS OF INDEPENDENT PERFORMANCE THROUGH THE TEACHING OF ART HISTORY //Modern Science and Research. – 2023. – Т. 2. – №. 10. – С. 841-849.

Saginbaevna T. S. Management and study of culture and art. – 2022.

Тажимуратова Ш. С. САНЪАТШУНОСЛИК ФАНЛАРИНИ ЎҚИТИШ ОРҚАЛИ ТАЛАБАЛАРНИНГ МУСТАҚИЛ ИШЛАШ КЎНИКМАЛАРИНИ ШАКЛЛАНТИРИШ. – 2023.

Tajimuraova S. S. INFORMATION AND COMMUNICATIONS IN MANAGEMENT //Journal of Integrated Education and Research. – 2022. – Т. 1. – №. 5. – С. 509-511.

Allambergenovna A. R. THE MANIFESTATION OF EUROPEAN AND NATIONAL TRADITIONS IN THE OPERA" GULAYIM" //International Journal of Philosophical Studies and Social Sciences. – 2022. – Т. 2. – №. 2. – С. 185-187.

Абатбаева Р. А. ҚОРАҚАЛПОҒИСТОН МУСИҚА МАДАНИЯТИНИ РИВОЖЛАНИШИДА МАШХУР БАСТАТОР Н. МУҲАММЕДДИНОВНИНГ ЎРНИ //Oriental Art and Culture. – 2022. – Т. 3. – №. 1. – С. 648-653.

АБАТБАЕВА Р. КОМПОЗИТОР НАЖИМАДДИН МУХАММЕДДИНОВ ИЖОДИДА ТАРИХИЙ СИЙМОЛАР //Journal of Culture and Art. – 2023. – Т. 1. – №. 1. – С. 60-66.

Abatbaeva, R. (2023). BALLAD GENRE BY COMPOSER NAJIMADDIN MUHAMMEDDINOV. Modern Science and Research, 2(10), 340–343.

Abatbaeva, R. "International Scientific Journal Theoretical & Applied Science manifestation of european and national traditions in the karakalpak ethno-opera «gulayym» SOI: 1.1/TAS DOI: 10.15863/TAS http." T-Science. org 18 (2022).

Abatbaeva, R. (2023). KOMPOZITOR NAJIMADDIN MUXAMMEDDINOV DÓRETIWSHILIGINDE ERTEK JANRÍ (Toǵız tońqıldaq bir shińkildek ertegi tiykarında). Вестник музыки и искусства, 1(2), 46–51.

Allambergenovna A. R. Historical Image of" Alpamys" In Karakalpak Music (Example in the Works of Nazhimaddin Muhammeddinov) //Best Journal of Innovation in Science, Research and Development. – 2023. – Т. 2. – №. 6. – С. 138-144.

Allambergenovna A. R. Historical Image of" Alpamys" In Karakalpak Music (Example in the Works of Nazhimaddin Muhammeddinov) //Best Journal of Innovation in Science, Research and Development. – 2023. – Т. 2. – №. 6. – С. 138-144.

Maksetbaevich, Otegenov Khakimbay. "Ethnodemographic procesess at the headquarters of amudarya on the EVE of the 1916 uprising." Journal of Critical Reviews 7.11 (2020): 391-395.

Отегенов, Хакимбай. "К оценке восстаний в Хивинском ханстве и Амударьинском отделе в 1916 г." Каспийский регион: политика, экономика, культура 2 (59) (2019): 31-36.

Отегенов, Хакимбай Максетбаевич. "Восстание 1916 года в Каракалпакстане: общее и особенное." Перекрёстки истории. Актуальные проблемы исторической науки: материалы XV Международ (2019): 131.

Maksetbaevich, Otegenov Khakimbay. "Ethnodemographic procesess at the headquarters of amudarya on the EVE of the 1916 uprising." Journal of Critical Reviews 7.11 (2020): 391-395.

Отегенов, Хакимбай. "К оценке восстаний в Хивинском ханстве и Амударьинском отделе в 1916 г." Каспийский регион: политика, экономика, культура 2 (59) (2019): 31-36.

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