Авторы

  • Nafisa Teshaboyeva
    Scientific advisor Jizzakh branch of National University of Uzbekistan named after Mirzo Ulug`bek The Faculty of Psychology, the department of Foreign languages Philology and foreign languages
  • Dildora Saidova
    Student of group 102-23 Jizzakh branch of National University of Uzbekistan named after Mirzo Ulug`bek The Faculty of Psychology, the department of Foreign languages Philology and foreign languages

DOI:

https://doi.org/10.71337/inlibrary.uz.yosc.61738

Ключевые слова:

pre-listening while-listening post-listening listening avtevities.

Аннотация

You know that listening is one of the most skills that help to learn foreign language.  In this article, I will present the three stages of a good listening activity, and present some basic suggestions for each stage.


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PRE-LISTENING, WHILE-LISTENING, POST-LISTENING

Teshaboyeva Nafisa Zubaydulla qizi

Scientific advisor

nafisateshaboyeva@gmail.com

Saidova Dildora Anvar qizi

Student of group 102-23

Jizzakh branch of National University of Uzbekistan

named after Mirzo Ulug`bek

The Faculty of Psychology, the department of Foreign languages

Philology and foreign languages

https://doi.org/10.5281/zenodo.14233548

Abstract

: You know that listening is one of the most skills that help to learn foreign

language.

In this article, I will present the three stages of a good listening activity, and present

some basic suggestions for each stage.

It’s important to plan and organize a listening lesson in order to support our students

and help them succeed at listening in English. By assigning tasks and focusing attention on
different aspects of a listening text, we can help students develop their listening skills and
identify where they need to improve.

The three stages are the pre-listening stage, the while-listening stage, and the post-

listening stage. If you are teaching with a coursebook that contains listening activities, you
should probably be able to identify these stages in your book. You may want to consider if you
want to follow the plan in the teacher’s book or make some changes to it.

Key words:

pre-listening, while-listening, post-listening, listening avtevities.

Pre-Listening

In the pre-listening stage, you are preparing the students to listen.
Ideally, you should already be familiar with the listening task. Before class, take a listen

to the listening track and ponder these questions.

What is the situation?
How many people are speaking?
What different accents do you hear?
What is the topic?
Do you notice any language that students might find challenging (slang, colloquialisms,

advanced level vocabulary)?

Also, before class begins, make sure the equipment is working properly. Test the CD or

audio track. Also test the volume.

When you are in class, there are several things you need to do before you press play.

Set up the listening activity.

Give students a simple preview of the listening text. You

want to give them a little information, but not too much. Ideally, you should get your students
thinking about what they hear. Give them just a tiny bit of information, such as the title, the
topic, or a short sentence, and allow them to predict what they’re going to hear.

Ask them to preview the course book page or worksheet.

If there is a worksheet or

course book page that accompanies the listening track, give students time to look at the
pictures, the tasks, the instructions, the questions. All this provides valuable information for


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the student. Remember: the students have (probably) not heard the listening track before,
and they’re listening in a second language.

Steven Brown recommends that you “always set a pre-listening task”. He mentions two

types of pre-listening tasks: bottom-up and top-down.

Bottom-up listening refers to focusing on grammar and vocabulary in order to

understand the listening track, so a bottom-up pre-listening activity would be pre-teaching
some vocabulary or grammar that is central to the listening text.

Top-down listening refers to using background knowledge (of the world or of text

structure) to understand a listening text, so a top-down pre-listening activity would involve
asking students to recall what they know about the topic of the listening track. For example, if
your listening track takes place in a coffee shop, you can ask students what people say and do
in a coffee shop or what things you usually see in a coffee shop. You can also ask students
what they know about the type of listening text they’re about to listen to. For example, if it’s a
video of a cook explaining how to make a dish, you can ask students to suggest what words
might come up as the cook explains each step of the recipe (first, then, after that).

However, it’s important to keep the pre-listening stage fairly brief. McCaughey has noted

that some teachers spend ten to fifteen minutes on a pre-listening task that is followed by a
one-minute listening text. Choose one short task, and don’t let it drag on too long.

Finally, you should set up a while-listening task right before they listen. Explain the task

briefly in English, and write it on the board, if necessary. Take a quick look around and make
sure everyone is on the right page or the right side of the worksheet. Then. . . tap the play
button and relax.

While-Listening

The while-listening stage is where students listen and do a task. Many coursebooks

feature tasks, such as listening for gist, listening for main ideas, making inferences, and
summarizing. Assigning a task can help students focus and develop important strategies for
language learning.

Here’s a little more information about some common listening tasks.

Listening for gist

– This means listening to get the main idea, so students should be

trying to get the topic or theme of the listening track.

Listening for detail

– This means listening to get specific information, such as How

much was the meal? or Where was the bus going?

Making inferences

– Here’s where students are listening to get information not

explicitly stated on the track. Some examples: How do the two people feel about each other?
or Where do you think the man will go next?

Ideally, you should play the listening track 2 or 3 times, setting a different task each

time. Many experts suggest grading the tasks, going from easier to more difficult, such as
starting with one gist question, proceeding with 3 to 5 detail questions, then following up with
an inference question.

You should also give yourself a task: monitor the class. Are they paying attention? Does

anyone look frustrated? What is the general vibe in the room?

Post-Listening

The post-listening task is the stage where you take them beyond the listening text, and

use it as a springboard for further language practice.


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Mine the transcript.

At this point, you can ask students to look over the transcript and

see what they might have had trouble understanding. Some ELT experts protest against ever
showing students the transcript, but I think it’s an excellent way for students to get another
look at the language contained in the listening track. In addition, it can help students
understand words and phrases that they didn’t understand when they were listening. Also, it
can help students notice some of the differences between spoken language and written
language.

Set a speaking task.

Assign students to do a related speaking activity. For example, if

students heard a conversation between two people at a party, ask them to reproduce the
conversation in a different setting.

Detect problems.

Get students to discuss what problems came up during the listening.

Which sections were the most difficult? What caused them confusion or misunderstanding?

Personalize the listening text.

Find ways that students can relate to the text. For

example, if the listening is a monologue of a person expressing their opinion, you can ask
students to tell you if they agree or disagree and give reasons for their position.

Conclusion:

Overall, these three stages are a reliable format for doing a listening activity

in class. However, sometimes there are good reasons to break from this format. For example,
students could read the transcript before the listening to pick up the context of the listening.
Or the activity could begin with a short excerpt from the middle of listening text (no pre-
listening task), to simulate the kind of listening we do in real life (turning on a TV show in the
middle of a program, or walking into a room where a conversation has already started).

References:

1.

Brown, S. (2006) Teaching Listening. Cambridge University Press.

2.

Brown, S. (2011) Listening Myths. University of Michigan Press.

3.

Marks, J. Methodology: New Ways to Teach Listening. One Stop English.

(

http://www.onestopenglish.com/methodology/ask-the-experts/methodology-

questions/methodology-new-ways-to-teach-listening/146394.article

)

4.

Teshaboyeva, N. (2023). THE MODERN INNOVATIVE TECHNOLOGIES IN TEACHING

FOREIGN LANGUAGES. Журнал иностранных языков и лингвистики,
5.

Teshaboyeva, N., & Rayimberdiyev, S. (2023, May). THE IMPORTANCE OF USING

MULTIMEDIA TECHNOLOGY IN TEACHING ENGLISH CLASSES. In Academic International
Conference on Multi-Disciplinary Studies and Education
6.

Nafisa, T., & Marina, S. (2023). TEACHING AND LEARNING OF ENGLISH

7.

Ibrohimovna, M. S. (2019). BASICS OF TEACHING FOREIGN LANGUAGES THROUGH

INTERCULTURAL COMMUNICATION COMPETENCE IN MILITARY EDUCATIONAL
INSTITUTIONS. European Journal of Research and Reflection in Educational Sciences Vol,
7(12).
8.

Musayeva, S. I., & Mengliyeva, S. S. (2022). Kursantlarning madaniyatlararo

rivojlantirish.
9.

McCaughey, K. (2015) Practical Tips for Increasing Listening

Practice

Time. English

Teaching

Forum.

(pp.

2-13)

(http://americanenglish.state.gov/files/ae/resource_files/53_1_article_practical_tips_increasi
ng_listening_.pdf)
10.

Richards, J.C. (2012) Tips for Teaching Listening. Pearson

Библиографические ссылки

Brown, S. (2006) Teaching Listening. Cambridge University Press.

Brown, S. (2011) Listening Myths. University of Michigan Press.

Teshaboyeva, N. (2023). THE MODERN INNOVATIVE TECHNOLOGIES IN TEACHING FOREIGN LANGUAGES. Журнал иностранных языков и лингвистики,

Teshaboyeva, N., & Rayimberdiyev, S. (2023, May). THE IMPORTANCE OF USING MULTIMEDIA TECHNOLOGY IN TEACHING ENGLISH CLASSES. In Academic International Conference on Multi-Disciplinary Studies and Education

Nafisa, T., & Marina, S. (2023). TEACHING AND LEARNING OF ENGLISH

Ibrohimovna, M. S. (2019). BASICS OF TEACHING FOREIGN LANGUAGES THROUGH INTERCULTURAL COMMUNICATION COMPETENCE IN MILITARY EDUCATIONAL INSTITUTIONS. European Journal of Research and Reflection in Educational Sciences Vol, 7(12).

Musayeva, S. I., & Mengliyeva, S. S. (2022). Kursantlarning madaniyatlararo rivojlantirish.

McCaughey, K. (2015) Practical Tips for Increasing Listening Practice Time. English Teaching Forum. (pp. 2-13) (http://americanenglish.state.gov/files/ae/resource_files/53_1_article_practical_tips_increasing_listening_.pdf)

Richards, J.C. (2012) Tips for Teaching Listening. Pearson

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