K. Marloning "Buyuk Temur"dramasidagi “buyuk shaxs” gʻoyasining leksik-semantik oʻziga xosliklari

Annotasiya

Ushbu maqola Kristofer Marloning "Buyuk Temur" dramasi bilan bog'liq, bizni shuhratparastlik, kuch va zabt dunyosi bilan tanishtiradi. O'n to'rtinchi asr fonida tasvirlangan spektakl Yelizaveta davri dramasining asosiy asaridir. Bosh qahramon Amir Temurni ayyor va maftunkor bosqinchi sifatida tasvirlash orqali Marlo “buyuk shaxs” g‘oyasini va uning ijtimoiy ta’sirlarini ko‘rib chiqadi. Asarda inson tabiatining nozik jihatlari, ulug‘likka intilish yo‘lga qo‘yilgan, axloq va shuhratparastlik o‘rtasidagi ziddiyatga urg‘u berilgan. “Buyuk Temur” asaridagi “buyuk shaxs” tushunchasining leksik-semantik jihatini o‘rganar ekanmiz, Marlo bu atamaning murakkab xarakterini ko‘rsatish uchun turli lingvistik va semantik usullardan foydalanganligini ko’ramiz.

Manba turi: Jurnallar
Yildan beri qamrab olingan yillar 2022
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Кўчирилди

Кўчирилганлиги хақида маълумот йук.
Ulashish
Tasheva , N. . (2023). K. Marloning "Buyuk Temur"dramasidagi “buyuk shaxs” gʻoyasining leksik-semantik oʻziga xosliklari. Xorijiy Lingvistika Va Lingvodidaktika, 1(6), 15–21. Retrieved from https://inlibrary.uz/index.php/foreign-linguistics/article/view/67425
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Annotasiya

Ushbu maqola Kristofer Marloning "Buyuk Temur" dramasi bilan bog'liq, bizni shuhratparastlik, kuch va zabt dunyosi bilan tanishtiradi. O'n to'rtinchi asr fonida tasvirlangan spektakl Yelizaveta davri dramasining asosiy asaridir. Bosh qahramon Amir Temurni ayyor va maftunkor bosqinchi sifatida tasvirlash orqali Marlo “buyuk shaxs” g‘oyasini va uning ijtimoiy ta’sirlarini ko‘rib chiqadi. Asarda inson tabiatining nozik jihatlari, ulug‘likka intilish yo‘lga qo‘yilgan, axloq va shuhratparastlik o‘rtasidagi ziddiyatga urg‘u berilgan. “Buyuk Temur” asaridagi “buyuk shaxs” tushunchasining leksik-semantik jihatini o‘rganar ekanmiz, Marlo bu atamaning murakkab xarakterini ko‘rsatish uchun turli lingvistik va semantik usullardan foydalanganligini ko’ramiz.


background image

Xorijiy lingvistika va lingvodidaktika

Зарубежная

лингвистика

и

лингводидактика

Foreign

Linguistics and Linguodidactics

Journal home page:

https://inscience.uz/index.php/foreign-linguistics

Lexico-

semantic peculiarities of the idea of “great person”

in Ch. Marlowe

s

Tamburlaine the Great

Nafisa TASHEVA

1


Asian International University

ARTICLE INFO

ABSTRACT

Article history:

Received September 2023

Received in revised form

10 September 2023

Accepted 25 October 2023

Available online

15 December 2023

This article deals with Christopher Marlowe

s drama

Tamburlaine the Great

which introduces us to a world of

ambition, power, and conquest. The play, which is set against
the backdrop of the fourteenth century, is a major work of

Elizabethan drama. By depicting Tamburlaine, the main
character, as a cunning and charming conqueror, Marlowe

examines the idea of a

great person

and its social

ramifications. The play explores the intricacies of human nature
and the quest for greatness, emphasizing the conflict between

morality and ambition. Examining the lexico-semantic quirks of
the concept of a

great person

in

Tamburlaine the Great

, we

find that Marlowe uses a variety of linguistic and semantic

techniques to illustrate the complex character of this term.

2181-3701

2023 in Science LLC.

DOI:

https://doi.org/10.47689/2181-3701-vol1-iss6-pp15-21

This is an open-access article under the Attribution 4.0 International

(CC BY 4.0) license (

https://creativecommons.org/licenses/by/4.0/deed.ru

)

Keywords:

the concept of a

“great

person”,

lexico-semantic

peculiarities,

historical dramas,

Elizabethan period,

the importance of the idea of

a

“great person”.

K. Marloning

Buyuk Temur

” dramasidagi “buyuk shaxs”

gʻoyasining leksik

-

semantik oʻziga xosliklari

ANNOTATSIYA

Kalit so

zlar:

buyuk shaxs

tushunchasi,

leksik-semantik o

ziga

xosliklar,

tarixiy dramalar,

Yelizaveta davri,

buyuk shaxs

g

oyasining ahamiyati.

Ushbu maqola Kristofer Marloning

Buyuk Temur

dramasi

bilan bog

liq, bizni shuhratparastlik, kuch va zabt dunyosi bilan

tanishtiradi. O

n to

rtinchi asr fonida tasvirlangan spektakl

Yelizaveta davri dramasining asosiy asaridir. Bosh qahramon

Amir Temurni ayyor va maftunkor bosqinchi sifatida tasvirlash

orqali Marlo “buyuk shaxs” g‘

oyasini va uning ijtimoiy

ta

sirlarini ko

rib chiqadi. Asarda inson tabiatining nozik

jihatlari, ulug

likka intilish yo

lga qo

yilgan, axloq va

shuhratparastlik o

rtasidagi ziddiyatga urg

‘u berilgan. “Buyuk

Temur” asaridagi “buyuk shaxs” tushunchasining

leksik-

1

Lecturer, Department of History and Philology, Asian International University.


background image

Xorijiy lingvistika va lingvodidaktika

Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

1

6 (2023) / ISSN 2181-3701

16

semantik jihatini o

rganar ekanmiz, Marlo bu atamaning

murakkab xarakterini ko

rsatish uchun turli lingvistik va

semantik usullardan foydalanganligini ko

ramiz.

Лексико

-

семантические особенности понятия «великий

человек» в драме К.

Марло «Тамерлан Великий»

АННОТАЦИЯ

Ключевые слова:

концепт

«великий человек»,

лексико

-

семантические

особенности,

исторические драмы,

елизаветинский период,

значение идеи «великого

человека».

Эта статья посвящена драме Кристофера Марлоу

«Тамерлан Великий», которая знакомит нас с миром

амбиций, власти и завоеваний. Пьеса, действие которой
разворачивается в четырнадцатом веке, представляет

собой

значительное

произведение

елизаветинской

драматургии. Показывая главного героя Тамерлана как
хитрого и обаятельного завоевателя, Марлоу исследует

идею «великого человека»

и ее социальные последствия.

Спектакль анализирует тонкости человеческой натуры и
стремление к величию, подчеркивая конфликт между

моралью

и

амбициями.

При

изучении

лексико

-

семантических особенностей понятия «великий человек»

в «Тамерлане Великом»

мы обнаруживаем, что Марлоу

использует

разнообразные

лингвистические

и

семантические приемы для иллюстрации сложной

природы этого термина.

INTRODUCTION

In the play ‘Tamburlaine the Great’, written by Christopher Marlowe, we are

introduced to a world of power, ambition, and conquest. Set in the backdrop of the 14th
century, the play holds significant importance in the realm of Elizabethan drama.

Marlowe’s portrayal of the protagonist, Tamburlaine, as a charismatic and ruthless
conqueror, explores the concept of a ‘great person’ and its implications within society.

The play delves into the complexities of human nature and the pursuit of greatness,
highlighting the tension between ambition and morality. As we delve into the lexico-

semantic peculiarities of the idea of a ‘great person’ in ‘Tamburlaine the Great’,

it becomes evident that Marlowe employs a range of linguistic and semantic devices to

convey the multifaceted nature of this concept. Through the use of symbolism and
imagery, Marlowe creates a vivid and evocative world that immerses the audience in the

grandeur and brutality of Tamburlaine’s conquests. As we explore the various
dimensions of this play, it becomes clear that ‘Tamburlaine the Great’ is not merely a

historical drama, but a profound exploration of power, ambition, and the complexities of
human nature. Its significance in Elizabethan drama lies in its ability to captivate

audiences with its compelling characters, thought-provoking themes, and masterful use
of language.

One of Marlowe’s most famous and influential works is his drama Tamburlaine the

Great. This play, written in two parts and first performed in the late 1580s, showcases

Marlowe’s exceptional talent for dramatic storytelling and his exploration of complex


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Xorijiy lingvistika va lingvodidaktika

Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

1

6 (2023) / ISSN 2181-3701

17

themes. Tamburlaine the Great tells the story of a shepherd who rises to power and

becomes a conqueror, challenging the established order and questioning the limits of
human ambition.

Marlowe’s vivid and poetic language, combined with his intricate

character development, captivates audiences and provides a thought-provoking
reflection on power, ambition, and the human condition.

Exploring the concept of a ‘great person’ and its role in Marlowe’s play,

‘Tamburlaine the Great’, reveals a multifaceted and complex understanding of this idea.

In the play, a ‘great person’ is not simply defined by their physical prowess or military

conquests, but rather by their ability to inspire awe and fear in others. Tamburlaine, the

protagonist of the play, embodies this notion of greatness through his relentless ambition
and thirst for power. He is portrayed as a charismatic leader who possesses an uncanny

ability to sway the opinions and actions of those around him. This ability to manipulate

and control others is a defining characteristic of a ‘great person’ in Marlowe’s play.

Furthermore, the concept of greatness is also closely tied to the idea of divine providence.
Tamburlaine sees himself as a chosen instrument of fate, destined to conquer and rule

over vast territories. This belief in his greatness is reinforced through various symbolic
references throughout the play, such as the recurring motif of the eagle, which represents

both strength and majesty. Additionally, Marlowe employs vivid imagery to depict

Tamburlaine’s greatness, describing him as a “

thunderbolt

and a

scourge of God.

These

powerful and evocative descriptions further emphasize the awe-inspiring nature of a

‘great person’ in the context of the play. In conclusion, Marlowe’s portrayal of the ‘great

person’ in ‘Tamburlaine the Great’ delves into the complexities of power, manipulation,

and divine providence. Through the character of Tamburlaine, the play explores the

multifaceted nature of greatness and its impact on those who encounter it. In Christopher

Marlowe’s play ‘Tamburlaine the Great’, the concept of a ‘great person’ is explored

through various lexico-semantic peculiarities. The play, set in the 14th century, follows
the rise and reign of Tamburlaine, a shepherd turned conqueror who aspires to greatness

and dominance. This introduction aims to provide an overview of the play and its
significance in the context of lexico-semantic peculiarities surrounding the idea of a

‘great person’. ‘Tamburlaine the Great’ is a highly influential and controversial work of
Elizabethan drama, known for its grandeur and ambitious portrayal of power. Marlowe’s

use of language and vocabulary highlights the complexities and contradictions inherent

in the notion of greatness. Through the exploration of Tamburlaine’s character and

actions, the play delves into the shifting meanings and connotations associated with the
concept of greatness. By examining the lexical choices employed by Marlowe, we gain

insight into the multifaceted nature of the ‘great person’ and

how language shapes our

understanding of this idea. The analysis of lexico-

semantic peculiarities in ‘Tamburlaine

the Great’ offers a deeper understanding of the play’s themes and the complexities

surrounding the concept of greatness in Elizabethan society.

LEXICO-SEMANTIC ANALYSIS

The language and word choices used in Christopher Marlowe’s play ‘Tamburlaine

the Great’ play a significant role in depicting the idea of a ‘great person’.

Through a lexico-

semantic analysis of the text, we can examine the unique linguistic features that

contribute to the portrayal of greatness. Marlowe employs a rich and varied vocabulary,

carefully selecting words that convey power, authority, and magnificence.

The protagonist, Tamburlaine, is described using words such as

mighty,

majestic,

and


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Xorijiy lingvistika va lingvodidaktika

Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

1

6 (2023) / ISSN 2181-3701

18

regal,

highlighting his extraordinary qualities. These lexical choices not only emphasize

his physical strength but also his ability to inspire awe and admiration in others.

Additionally, Marlowe employs figurative language, such as metaphors and similes, to

further enhance the portrayal of greatness.

For example, Tamburlaine is compared to a

conquering storm

and a

thunderbolt,

emphasizing his forceful and unstoppable nature. Symbolism and imagery

are also employed to reinforce the idea of a ‘great person’. The use of symbols, such as

the crown and the scepter, represents power and authority, while vivid descriptions of

Tamburlaine’s conquests and triumphs create a visual image of his greatness. Overall, the

lexico-

semantic analysis of ‘Tamburlaine the Great’ reveals the meticulous use of

language and word choices to depict the idea of a ‘great person’. Marlowe’s selection of

powerful and evocative words, combined with the use of symbolism and imagery,

effectively conveys the magnificence and awe-inspiring nature of Tamburlaine.

Analyzing the symbolic and imagery devices employed to convey the notion of a

‘great person’ in the play, “

Tamburlaine the Great,

reveals the intricate and layered

portrayal of greatness. Marlowe skillfully utilizes symbolism and imagery to depict the

multifaceted nature of a ‘great person.’ One prominent symbol is the crown, which

represents power and authority. Throughout the play, the crown is frequently associated

with Tamburlaine, emphasizing his status as a great leader. Additionally, the imagery of

the sun is employed to convey the immense influence and dominance of Tamburlaine.

The sun is often used to describe his radiant presence and ability to command attention.

Furthermore, Marlowe employs the imagery of conquest and warfare to symbolize

Tamburlaine’s greatness.

The depiction of battles and victories serves to highlight his

military prowess and strategic brilliance. Another significant symbol is the throne, which

represents Tamburlaine’s ambition and desire for power.

The throne becomes a powerful

metaphor for his relentless pursuit of greatness. Moreover, Marlowe utilizes the imagery

of language and rhetoric to convey the persuasive and charismatic qualities of a ‘great

person.’ Tamburlaine’s eloquent speeches and persuasive rhetoric captivate his followers

and solidify his position as a charismatic leader. Lastly, the imagery of the heavens and

celestial bodies is employed to elevate Tamburlaine’s status and emphasize his divine

-

like qualities. By utilizing these symbolic and imagery devices, Marlowe effectively

conveys the complexities and nuances of the idea of a ‘great person’ in “

Tamburlaine the

Great.

In Ch. Marlowe’s ‘Tamburlaine the Great’, the lexical choices play a crucial role in

portraying the concept of a ‘great person’.

Examining the specific words and phrases

used in the play reveals the semantic implications associated with this idea. One such

lexical choice is the repeated use of words like

conquer

and

victory

, which emphasize

Tamburlaine’s ambition and desire for power.

These words not only highlight his

determination but also reflect the societal perception of greatness as dominance and

success. Additionally, the play employs a range of adjectives such as

noble

,

valiant

,

and

mighty

to describe Tamburlaine, further enhancing his image as a great person.

These adjectives not only emphasize his physical strength and prowess but also convey a

sense of admiration and awe. Furthermore, the play utilizes metaphors and similes to

enhance the lexical choices and their semantic implications. For instance, Tamburlaine is

compared to

the scourge of God

and

the terror of the world

, evoking a sense of fear

and reverence. These metaphors not only highlight his power and influence but also

contribute to the overall portrayal of a great person. Overall, the analysis of lexical

choices in ‘Tamburlaine the Great’ reveals the careful selection of words and phrases that

effectively convey the concept of a ‘great person’ and their semantic implications.


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Зарубежная лингвистика

и лингводидактика

Foreign Linguistics and Linguodidactics

Issue

1

6 (2023) / ISSN 2181-3701

19

Throughout Christopher Marlowe’s play “

Tamburlaine the Great,

the idea of a

‘great person’ undergoes several semantic shifts, which have a significant impact on the

overall meaning and interpretation of the play. These shifts can be observed through the

changing connotations and associations attached to the term ‘great person’ as the
narrative progresses. Initially, the concept of a ‘great person’ is closely linked to military

prowess and conquest. Tamburlaine, the protagonist of the play, is portrayed as a
fearless and ambitious conqueror who seeks to establish his dominance over vast

territories. However, as the play unfolds, the semantic scope of the term expands to
encompass not only military might but also qualities such as intelligence, strategic

thinking, and leadership.

Tamburlaine’s greatness is not solely defined by his military

victories but also by his ability to inspire loyalty and command respect from his

followers. Moreover, the idea of a ‘great person’ undergoes a further shift in meaning
when Tamburlaine’s character is juxtaposed with that of other rulers in the play.

While Tamburlaine is portrayed as a benevolent and just leader, other rulers are depicted
as corrupt and tyrannical.

This contrast serves to emphasize Tamburlaine’s greatness not only in terms of his

military accomplishments but also in terms of his moral character. Overall, the

exploration of semantic shifts surrounding the idea of a ‘great person’ in “

Tamburlaine

the Great

adds depth and complexity to the play, highlighting the multifaceted nature of

greatness and its impact on the interpretation of the narrative.

CONCLUSION

This article delves into a detailed analysis of Marlowe’s drama Tamburlaine the

Great, examining its themes, characters, and dramatic techniques. Tamburlaine the Great

is a play written by Christopher Marlowe in the late 16th century. It is a two-part play
that follows the rise and fall of Tamburlaine, a shepherd who becomes a powerful

conqueror. One of the main themes explored in the play is the pursuit of power and its
consequences.

Tamburlaine’s relentless ambition drives him to conquer nations and

assert his dominance, but this ultimately leads to his downfall. The play also explores
themes of love, loyalty, and the nature of leadership.

Marlowe’s use of language and

poetic techniques adds depth and complexity to the characters and their interactions.
The play is known for its powerful and vivid imagery, as well as its exploration of moral

and philosophical ideas. The character of Tamburlaine is portrayed as a complex and
charismatic figure, capable of both great cruelty and great compassion.

Marlowe’s use of

dramatic techniques, such as soliloquies and asides, allows the audience to gain insight

into the characters’ thoughts and motivations. Overall, Tamburlaine the Great is a

thought-provoking and compelling drama that explores timeless themes and showcases

Marlowe’s skill as a playwright.

Throughout the lexico-

semantic analysis of the idea of a ‘great person’ in

Ch.

Marlowe’s ‘Tamburlaine the Great’, several key findings and insights have emerged.

Firstly, it is evident that the concept of a ‘great person’ is multifaceted and encompasses
various dimensions. Marlowe’s portrayal of Tamburlaine as a powerful and ambitious

ruler highlights the notion of greatness as being synonymous with political prowess and
dominance. Additionally, the lexical choices employed by Marlowe contribute to

the development of the ‘great person’ motif, with words such as ‘conquer,’ ‘subdue,’

and ‘command’ emphasizing Tamburlaine’s authoritative nature.


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Furthermore, the semantic nuances associated with the idea of a ‘great person’ in

the play extend beyond political power. Marlowe explores the psychological aspects of

greatness, delving into Tamburlaine’s complex psyche and his insatiable thirst for

conquest. The use of imagery, such as the metaphorical references to Tamburlaine as a

scourge of God,

further reinforces the grandeur and magnificence associated with the

‘great person’ archetype.

Moreover, the symbolism employed in ‘Tamburlaine the Great’ adds depth to the

portrayal of a ‘great person.’ The recurring motif of the crown symbolizes the ultimate

attainment of power and authority, highlighting the central role of ambition in defining

greatness. Additionally, the imagery of the battlefield serves as a symbolic representation

of the challenges and obstacles faced by a ‘great person’ on their path to dominance.

In conclusion, the lexico-

semantic analysis of the idea of a ‘great person’ in

Ch.

Marlowe’s ‘Tamburlaine the Great’ reveals a comprehensive exploration of the

multifaceted nature of greatness. Marlowe’s careful choice of words, the intricate use of

symbolism, and the vivid imagery employed all contribute to the portrayal of

Tamburlaine as a ‘great person.’ This examination of the lexico

-semantic peculiarities of

the idea provides valuable insights into the complexities of greatness and its

representation in literature.

In conclusion, Christopher Marlowe’s life and work are a testament to his immense

talent and impact on Elizabethan drama. From his humble beginnings in Canterbury to

his influential plays, Marlowe’s legacy as a playwright and poet endures.

His exploration

of power, ambition, and morality, coupled with his innovative use of language, cemented
his place in literary history.

Despite his tragic end, Marlowe’s contributions to English

literature remain invaluable.

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Foreign Linguistics and Linguodidactics

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1

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Tasheva, N. (2023). THE IMAGE OF THE EAST IN THE PLAY" TAMERLANE THE

GREAT" BY K. MARLOWE. International Bulletin of Applied Science and Technology, 3(3),

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THE THEATRICAL TERMINOLOGY OF THE ENGLISH LANGUAGE. Modern Science and
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Tasheva, N. (2023). SEMANTIC ANALYSIS OF LEXEMES WITHIN THE CONCEPT OF THE IDEA OF THE GREAT MAN IN MARLOWE’S DRAMA" TAMERLANE THE GREAT". Инновационные исследования в современном мире: теория и практика, 2(18), 90-93.

Tasheva, N. (2023). EXPRESSION OF LEXICAL-SEMANTIC AND SOCIO-EDUCATIONAL PARAMETERS IN THE CREATION OF A GREAT HUMAN FIGURE IN ENGLISH RENAISSANCE DRAMA: A COMPREHENSIVE ANALYSIS. Solution of social problems in management and economy, 2(7), 11-14.

Tasheva, N. (2023). THE ROLE OF CHRISTOPHER MARLOWE IN THE DEVELOPMENT OF NATIONAL ENGLISH DURING THE RENAISSANCE. Models and methods in modern science, 2(7), 14-19.

Tasheva, N. (2023). THE IMAGE OF THE EAST IN THE PLAY" TAMERLANE THE GREAT" BY K. MARLOWE. International Bulletin of Applied Science and Technology, 3(3), 113-120.

Tasheva, N. (2023). THE GREAT TAMBURLEN AS THE PSYCHOTYPE OF THE EASTERN RULER IN THE POETRY OF CHRISTOPHER MARLOW. Академические исследования в современной науке, 2(4), 52-58.

Tasheva, N. (2022). INDIVIDUALISM OF THE PHENOMENON OF A STRONG PERSONALITY IN THE AGE OF THE RENAISSANCE. Евразийский журнал академических исследований, 2(13), 454-462.

Tasheva, N. (2023). LEXICO-SEMANTIC WORD WORKS AS A WAY OF FORMING THE THEATRICAL TERMINOLOGY OF THE ENGLISH LANGUAGE. Modern Science and Research, 2(10), 75-83.