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SYMBOLICAL EXPRESSION OF SOCIAL AND POLITICAL CHANGES IN THE
JADID POETRY
Ismatova Mohigul satanevna
Independent research of Bukhara State University
Ismatova communicator@gmail.com
Annotation:
The symbolic images used in Uzbek literature were unique in the mythology,
folklore and written literature. In the Jadid poetry, we can see that the meaning of the meaning
imposed on this image is further expanded. In Cholpon, Fitrat, Avloni, Siddiqiyadi Ajzi, in
Uzbek poetry, are creators in Uzbek poet as a separate position as a symbolist. The
symbolization of socio-political concepts is evident in their poems. In this article, Jadid poetry
appraised socio-political problems of socio-political problems through symbolic images and the
skills of poet.
Keywords:
Symbol, folkology, Matology, Clock, Navoi, Anglo Glour, Istiqlol, Munjala,
morning.
Impressive expressing words, giving in a hidden form is the result of talent. The delivery of the
idea in the "naked" form will only appeal, a media. One of the most important features of poetry
will often be away from the main sense. Therefore, in such works, especially poems, contain the
Connotival and metaphorical meanings of the language.
Classical literature does not only use the words, but also in new meanings, using words and
meaning-symbols - symbols, and also used the symbols. In this way, they created a new image
that has a unique aesthetic action. There are daily incidents and religious, socio-political,
spiritual, spiritual, spiritual and enlightenment by describing such concepts and creating unusual
associations have a aesthetic value. This served to enrich the tongue of poem by expanding the
boundaries of the meaning.
It is noteworthy that the opposite of each era was created by unique symbols of each time. At the
same time, it is also possible to see that their use in artistic vocabulary is also related to the moral
views of the period directly, religious, religious, religious. For example, when religious samples
of folklore, first of all, flower is in memory of the shatue, the bully - in love, rival. The expansion
of meaning in these emblems is through them to capture other meaning through them. In
particular, in folk, the meaning of "Gül" is not only left in classic poetry, which is expressed in
the "flower", can only be observed in classical poetry, which is used in other sense. For example,
it is a vivid example of our view that in Uzbek classical poetry became the symbol of the Prophet
Muhammad (S.A.W).
"Poem is to create another language in the language," said Simademist poets. Of course, the
ideas you want to say in their daily life can be expressed in ordinary sentences, but wanted to
describe the "reality" Description of the other person, the description varies depending on our
word or syllabus.
When we look at the history of literary, every period creates its symbols. Therefore, all the
symbols created in the fiction are related to their time with philosophical, socio-political,
religious, spiritual, spiritual, and similar problems. The oldest monuments also interpreted socio-
political issues through a figurative image, symbol-u. We can also see this in the example of the
piece from the monument "Kegin".
The blood ran like water,
The somewogewing lay like a mountain.
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A hard boy was a slave,
Suvlu was a boy's Boyge Compile.
For you not knowing, for your radicalness
My uncle went to three,
I sewed the ballbalin of Kyrgyz article per head.
"Round like water" in the passage, "became a slave", "Slave", "Thira" revived the social and
political life of his time as a feature interpretation of the historic reality.
Socio-political problems were the main tasks in allever. However, over the passage of the time,
only these films changed, but also the history of expressing them has changed. In world literature,
the ultimate end of the XIX century entered the synthesis of the twentieth century as a current
with a form of special expression.
The main feature of symbolism is to instill the subtle aspects of emotions in the poem using
words and signs. For this, the symbols describe poetry as "quiet song."
The symbols have accepted it as one of the important elements of its creative methods to
emphasize its quality or symbol in place of a clear image. Such an approach has served as an
effective tool for their works sensitive to express the sensual.
In Uzbek poetry, symbolism entered the twentieth century under the influence of Russian and
European character. These actions have led to the formation of new styles and images in Uzbek
literature.
The Jadid literature formed in the early twentieth century was formed as an integral part of
Uzbek literature. The Jadid literature has launched a new era in the history of Uzbek literature, is
based on many studies. In Jadid literature, attention is paid attention to the symptoms, first of all,
the poetry. Of course, it depends on several important factors:
First, the Jadid poets sought to restore the past, culture and values of the Uzbek people.
Symbolism has led new methods in the expression of the national spirit.
Second, the difference between characters from traditional poetry allows you to seek new shapes
and images.
Third, the nature of nature was used in the voice sense, which helped the creators in deposing
and expressing their feelings to the creators.
This means that political and social change in the early twentieth century forced Jadid authors to
search for new way of thinking. Symbolism, on the other hand, allowed them to express their
creative thoughts through symbols.
Jadid poetry effectively took advantage of Uzbek classical literature and world literature for
centuries. However, the poetography reflects the peculiarities, scale and image system features of
the new era of poetry. Therefore, the Jadid poetry differs from traditional poetry with its
symbolic properties. The symbolic played an important role in the work of the Jadid poets, which
processed traditional images and symbols in a new context.
It should be noted that tradition is a concept that includes duration and integrity in a broad sense.
It means understanding the historicalism of literature created in the past in the past. This is
undoubtedly the historicity of the form. Because when tradition shows only the duration and
integrity in the literature, the content varies depending on social conditions. Literature is a two-
level group created through the national language: direct meaning (dermotation) and
consumption level.
The Gadid poetry fed by the immoral tradition of folk and Uzbek classical poetry effectively
used these sources in the artistic interpretation of the socio-political issues of the period. "Jadid
literature is a field literature at the intersection of tradition and an innate." The old and novel
were in the work of the Jadid writes - in poetry. "
Jadid literature was implemented in our series of literature related to the nutrition of classical
customers. In particular, M. Tadjibayeva was studied in a major study in Uzbek classical
literature in the "Celebrations traditions" in Uzbek classical literature in Uzbek literature in the
new literature of the new literature of the weight and rhyming. Of course, based on these
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research in our literaryography, we want to draw attention to the role of folklore and classical
literature in the art and political problem of socio-political problems.
One of the most used symbolic images in Jadid poetry is "Road". A symbol of the way in fairy
tales is usually represented by the choices and goals of man, while the road is expected and
unexpected consequences. The symbol of the path is not just a way, but the struggle to achieve
the goals of life. The road is also used in the sense of reference to barriers, problems, and the
process of overcoming them
The symbolic image of the "road" was used in the classic Uzbek literature, especially in the
poetry of the Great Poser Navoi poetry. Of course, the symbolic meanings generated through this
image are often involved in the doctrine of mycidity. In particular, we can see that a number of
compounds, such as the Teacher, Road, Palace Way, Adam's way, is symbolically used in
symbolical sense. In the epics of the "Xamsa", the "Road Chronoint" is also explored as an
object of special research.
The purpose of the EUR is away, the valley is long, tuna pour, fugs
Mix Yuvkin, saying, Suhukbor.
The tax wants to achieve the goal. And to do this, you have to go through a hard path. Self-burial
burglary should be free from the tax to travel the way. The path is the spiritual journey of man,
the way to the consciousness of God is the way of the secrets of truth. Therefore, the poet warns
the tax from his hardship.
In the poet of Cholpon, a poetry "is on the great path" is also set to a great goal. His goal is to
"solve the old gracious of the east." For this, "the back of the backs said to the" passenger's goal
of the passenger, and his flight is high. Therefore, he wants "to wing birds":
Deserts, waters, seas,
The traces of not recognizing the pressure.
Shul presses the traces of the seas,
We are going with great practices.
In the pool's poetry, the images of the road and passenger are closely related to the ideas of ERK
and Macism. These images represent the struggle of the people and their hopes for the future.
Through his work, the poet reflects the pursuit of the nation to independence. We can also
observe this in poem "The way of the country". My thoughts in the poet in the poem "Long road
//, from these means, the views on the" harsh ways "of achieving the independence of the country
were encouraged.
Long ... I'm going to a roadside roadman,
My wife's weapon is a star on these roads.
I am the pure desirable power of my country,
He is the day of that star.
My veins sound like fire,
It is possessed by the blood of his blood.
He jumped in my wrist, played,
My feet is full of fold.
A long-pathwaymanmanmen, boramen,
My desire is from these ways! ..
As a child, the nation of Children, His people sang their dreams and hopes as a guide. The trailer
was set out without fear of freedom of his people, the purpose of fighting for his independence.
Because he believes in his "pure love power".
In Abduraouf Fitrat, the leading representative of the Jadidery Movement and Literature, the
concept of "Road" aimed to draw the image of the socio-political reality symbolically. In
particular, compounds such as the "right path", "the true way" in poem "Teachers' ATTAGE"
transported symbolic meaning. We are human blood boilers,
The Turkish Arslolin is an income of the seat.
We are all assembled by the flag of enlightenment
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Whoever shots shows true ways ...
The poet describes the "right path", "the right way" in every Egypt of poetry, science. "Waking
the Turkish lion out of sleep" is a sign of the action that needs to introduce and promote the
people, to preserve national values. "Truth" is justice and the way of truth shows that it is
important for the development of the people.
In general, Jadids looked only as an art, but also as a means of social change, but also as a
helping to "lift" and solve problems in society. This period, along with samples based on reality
principal, sought the original state of life and real feelings of people. Under the influence of the
Jadid poetry, traditional images are enriched with new meanings, while the emergence of modern
images and symbols ensured the diversity and vitality of the Jadid literature.
Jadid literature has created important works in the cultural and spiritual life of the society
through the emergence, spread and general of symbols.
In Jadid poetry, it can be seen that it is manifested as a complex synthesis of symbolism. During
this period, symbolic fellas and orphanages were formed on the basis of religious-ironal sources.
The system of classic poetry began to acquire a new meaning in Jadid literature as well.
Symbolic emblems are connected to real life, social system events. This is the unique aspect of
the Jadid poetry.
References
:
Mingboyeva is the language of D.Timsols. -T.: The new century generation. 2007.
Cholpon. I got it again. - Tashkent: Literature and art, 1991.
Quranov D. Cholpon life and creative heritage. T.: Teacher, 1997.
Quranov D. Cholpon Nasri Petics. Main Editorial Office "Sharq" Publishing and Printing Joint-
Stock Company.: - 2004.
Eshankulov H. Samovot - Ishkjari. Navoi studies of independence. XXX folder. XXIII Volume
-t.: "Tamadadun", 2021.
Kasimov B., Yusupov Sh., Dolimov U., Rizayev Sh, Ahmedov S. Uzbek literature of the
national awareness. Textbook for the Faculty of Philology of higher education institutions. -
Tashkent: Spirituality, 2004.
