DEVELOPMENT OF FANTASY GENRE IN 20TH CENTURY

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Karimova , G. (2023). DEVELOPMENT OF FANTASY GENRE IN 20TH CENTURY. Modern Science and Research, 2(10), 67–71. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/24832
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Abstract

Internal confusion, spiritual hopelessness, and anxious searches - these moods were characteristic of European culture in the period between the two world wars. Europe is anxiously awaiting a radical and significant change; it is looking for new ground on which to begin creative work. Escape from reality, the desire to return to the origins, the appeal to the mythical primeval time, comprehended in artistic form - all this turned out to be fundamental in the literature of the twentieth century and contributed to the emergence and development of new genres. In the middle of the 20th century, an unusual genre entered European prose, which later became known as the fantasy genre. The new genre quickly won success with readers, especially among young people, and this was the key to its heyday.


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 9 / UIF:8.2 / MODERNSCIENCE.UZ

67

DEVELOPMENT OF FANTASY GENRE IN 20TH CENTURY

Karimova Go’zal Ixtiyorovna

Osiyo Xalqaro Universiteti o’qituvchisi

https://doi.org/10.5281/zenodo.8340669

Abstract.

Internal confusion, spiritual hopelessness, and anxious searches - these moods

were characteristic of European culture in the period between the two world wars. Europe is

anxiously awaiting a radical and significant change; it is looking for new ground on which to

begin creative work. Escape from reality, the desire to return to the origins, the appeal to the

mythical primeval time, comprehended in artistic form - all this turned out to be fundamental in

the literature of the twentieth century and contributed to the emergence and development of new

genres. In the middle of the 20th century, an unusual genre entered European prose, which later

became known as the fantasy genre. The new genre quickly won success with readers, especially

among young people, and this was the key to its heyday.

Key words:

fiction, sociological research, fantasy genre, modern literature, fantastic book,

fantastic literature.

РАЗВИТИЕ ЖАНРА ФЭНТЕЗИ В ХХ ВЕКЕ

Аннотация.

Внутренняя растерянность, душевная безысходность и тревожные

поиски – эти настроения были характерны для европейской культуры в период между

двумя мировыми войнами. Европа с тревогой ожидает радикальных и значительных

перемен; оно ищет новую почву, на которой можно было бы начать творческую работу.

Бегство от действительности, стремление вернуться к истокам, обращение к

мифическому первобытному времени, осмысленному в художественной форме, - все это

оказалось основополагающим в литературе ХХ века и способствовало возникновению и

развитию новых жанров. В середине 20 века в европейскую прозу вошел необычный жанр,

который впоследствии стал называться жанром фэнтези. Новый жанр быстро завоевал

успех у читателей, особенно среди молодежи, и это стало залогом его расцвета.

Ключевые слова:

художественная литература, социологические исследования,

жанр фэнтези, современная литература, фантастическая книга, фантастическая

литература.

I. Introduction

The fantasy genre appeared in England at the beginning of the 20th century. The genre is

based on the use of mythological and fairy-tale motifs. Its founder was Oxford University professor


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 9 / UIF:8.2 / MODERNSCIENCE.UZ

68

J.R.R. Tolkien. Fantasy involves the disclosure of eternal moral, philosophical and social issues,

but these issues are considered in a different, parallel world, a kind of "thirtieth kingdom", created

based on various myths, legends, and epics, processed by the author's imagination.

The main goal of fantasy is not stories about great warriors, magicians and pointy-eared

freaks of non-human origin, but a story about the struggle between Good and Evil in the human

soul, about the ways of becoming a person's self-consciousness. In this genre, any mysticism,

magical creatures, mandatory clarity in the alignment of forces are only means for imagery, clarity

of the narrative, and not its basis.

II. Main part

The most famous representatives of the fantasy genre are John Ronald Reuel Tolkien,

Ursula Le Guin, Nick Perumov, Michael Moorcock, Roger Zelazny, Andre Norton, Andrzej

Sapkowski, Sergey Lukyanenko and others.

Fantasy in general is a description of worlds like ours, worlds with magic at work in them;

worlds with a clear boundary between Darkness and Light. These worlds may be some variation

of Earth in the distant past; distant future; alternative present, as well as parallel worlds that exist

outside or in connection with the Earth. Many of the books in the latter category are about a man

from Earth, our contemporary, entering the magical world, and trace their lineage back to A

Yankee in King Arthur's Court and John Carter's Adventures on Mars.

Fantasy works most often resemble a historical adventure novel, which takes place in a

fictional world close to the real Middle Ages, whose characters encounter supernatural phenomena

and creatures. Often fantasy is built because of archetypal plots.

Fantasy literature traces its history from the myths of ancient Greece and medieval epics.

Medieval novels had a strong influence on the fantasy genre. The Arthurian legend with its magic,

swords and romance, according to Andrzej Sapkowski, underlies most fantasy works.

The first works of modern fantasy began to appear in the early twentieth century. In the

19th and early 20th centuries, fantasy works were often published in the same journals as science

fiction and were often written by the same authors. The true birth of modern fantasy came with the

publication of The Lord of the Rings by J.R.R. Tolkien. This book, as well as The Chronicles of

Narnia by K.S. Lewis and W. Le Guin's Earthsea laid the foundations for one of the most popular

genres in which hundreds of writers are currently working.

Nowadays, fantasy is also a genre in cinema, painting, computer and board games. Most

fantasy films are adaptations of books or based on them. Film adaptations include Peter Jackson's

The Lord of the Rings and Andrew Adamson's The Lion, the Witch and the Wardrobe. The books


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ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 9 / UIF:8.2 / MODERNSCIENCE.UZ

69

were also based on John Milius' Conan the Barbarian and Conan the Destroyer, N. Lebedev's

Wolfhound of the Gray Dogs, the 13th Warrior, the series The Witcher and The Wizard of

Earthsea. Fantasy is also represented in animation, in particular with the paintings "Fire and Ice",

"The Hobbit" and "The Lord of the Rings" by Ralph Bakshi. In the 1960s and 1970s, the popularity

of fantasy led to the birth of role-playing games. In role-playing games, a party of one/multiple

players travels through a fantasy world in search of various adventures. In addition, each player

has a variety of characteristics that change with increasing experience. Dungeons & Dragons is

one of the most successful gaming systems. Role-playing games, in turn, spawned a new wave of

fantasy fiction. Game companies publish books based on their fantasy universes. Some of the more

popular series are Forgotten Realms and Warhammer.

The development of fantasy art went in parallel and similar to the development of literature,

as the majority of artists painted covers and illustrations for books and games, as well as fantastic

comics and collectible game cards. The style of Boris Vallejo, Julia Bell, Luis Royo, Frank Frazetta

is close to heroic fantasy. Their paintings depict beautiful, muscular men and women, like ancient

sculptors. In addition to fantasy paintings, Frank Frazetta drew the animated film Ice and Fire.

Brothers Tim and Greg Hildebrandt, Alan Lee, John Howe, Ted Nasmith became famous for

illustrations to Tolkien and collection calendars based on his motives. Larry Elmore, Keith

Parkinson, Clyde Caldwell, Jeff Easley were the art editors for TSR, Inc. / Wizards of the Coast,

designing the "Dragonlance" and "Forgotten Realms" universes. Some of the notable current artists

are: Todd Lockwood, art editor for Wizards of the Coast - works in the Forgotten Realms universe;

Matt Stavitsky - illustrations for the books of the Dragonlance series; Samwise Didier - concept

art of the Warcraft universe; Leo Hao - illustrations for the books of Yuri Nikitin and Nick

Perumov, album covers of the groups "Aria" and "Blind Guardian"; Vladimir Bondar - works

based on books by Nick Perumov and Sergey Lukyanenko; Canadian artist Georges Grieux is a

neo-surrealist, widely known for numerous works of modern fantasy.

Musical groups, mainly from those playing folk or metal, have repeatedly turned to the

fantasy theme. There are a number of concept albums from bands such as Blind Guardian,

Summoning, Battlelore, with lyrics dedicated to works, in most cases Tolkien's books. Rhapsody

and Bal-Sagoth release a series of concept albums with a storyline. Their subject matter is close to

the books of R.E. Howard and H. Lovecraft. The Epidemia group also created a concept story

album called Elvish Manuscript. There are also rock operas with fantasy plots such as Avantasia.


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 9 / UIF:8.2 / MODERNSCIENCE.UZ

70

III. Analysis

Despite its popularity, fantasy among the phenomena of the literary process of the 20th

century remained on the periphery of researchers' attention for a long time. Meanwhile, the rapid

development of fantasy in the literature of the twentieth century can be correlated with the

fundamental changes that have taken place and are taking place in the spheres of social, scientific,

informational, etc. Fantasy, as it were, responds to the changes in life - both with its content,

reflecting the desire to return to the origins, to the mythical time, to the harmonious world, and by

its artistic form. The fantasy genre is a notable phenomenon of the modern literary process, and its

study is important both in literary and ideological terms.

REFERENCES

1.

Bozhovich L.I. Personality and its formation in childhood. / L.I. Bozhovich.- M., 1968.

2.

Gogoleva S.A. Influence of the Gothic novel on the fantasy genre and its role in the

development of the genre // Science and Education. - 2007. - No. 3. - p. 166.

3.

Osipov A.N. Fiction from "A" to "Z": A Brief Encyclopedic Reference. - M: Dograf, 1999.

4.

Yakovenko O.K. Genre features of fantasy (based on the analysis of dictionary definitions

of fantasy and science fiction).

5.

http://cyberleninka.ru/article/n/zhanrovye-osobennosti-fentezi-na-osnove-analiza-

slovarnyh-definitsiy-fentezi-i-nauchnoy-fantastiki

6.

Kayumovna, Bakayeva Muhabbat, and Shamamedova Zinnat Xayrulloyevna. "Description

of Historical Background and Socio-Economic Life in Theodore dreiser’s “The Financier”."

Middle European Scientific Bulletin.

7.

Shamamedova Zinnat Xayrulloyevna. “DEVELOPMENT OF THE DETECTIVE GENRE

IN AMERICAN LITERATURE”. International Journal Of Literature And Languages, vol.

3, no. 03, Mar. 2023, pp. 24-33, doi:10.37547/ijll/Volume03Issue03-06.

8.

Qurbonova Nodira Roziqovna, and Eshonqulova Nasiba Husniddin qizi. “‘LOBO’

HIKOYASIDAGI OBRAZLARGA XOS XUSUSIYATLAR HAMDA TABIAT

TASVIRLARI UYG’UNLIGI”. PEDAGOGS Jurnali, vol. 10, no. 4, June 2022, pp. 188-91

9.

Rozikovna, Kurbonova Nodira, and Mustafoeva Makhfuza. "ORIGIN AND FEATURES

OF THE SONNET GENRE." Finland International Scientific Journal of Education, Social

Science & Humanities 11.1 (2023): 141-147.


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 9 / UIF:8.2 / MODERNSCIENCE.UZ

71

10.

Nodira Rozikovna Kurbonova. “ANALYSIS OF SETTING IN ‘EMMA’ BY JANE

AUSTEN”. International Engineering Journal For Research & Development, vol. 6, no.

TITFL, Apr. 2021, pp. 123-6,

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Kurbanova, N. «Фитратнинг „Киёмат“ хикоясида нореал дунё тасвири». ЦЕНТР

НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu.Uz), т. 18, вып. 18, июнь 2022 г.

References

Bozhovich L.I. Personality and its formation in childhood. / L.I. Bozhovich.- M., 1968.

Gogoleva S.A. Influence of the Gothic novel on the fantasy genre and its role in the development of the genre // Science and Education. - 2007. - No. 3. - p. 166.

Osipov A.N. Fiction from "A" to "Z": A Brief Encyclopedic Reference. - M: Dograf, 1999.

Yakovenko O.K. Genre features of fantasy (based on the analysis of dictionary definitions of fantasy and science fiction).

http://cyberleninka.ru/article/n/zhanrovye-osobennosti-fentezi-na-osnove-analiza-slovarnyh-definitsiy-fentezi-i-nauchnoy-fantastiki

Kayumovna, Bakayeva Muhabbat, and Shamamedova Zinnat Xayrulloyevna. "Description of Historical Background and Socio-Economic Life in Theodore dreiser’s “The Financier”." Middle European Scientific Bulletin.

Shamamedova Zinnat Xayrulloyevna. “DEVELOPMENT OF THE DETECTIVE GENRE IN AMERICAN LITERATURE”. International Journal Of Literature And Languages, vol. 3, no. 03, Mar. 2023, pp. 24-33, doi:10.37547/ijll/Volume03Issue03-06.

Qurbonova Nodira Roziqovna, and Eshonqulova Nasiba Husniddin qizi. “‘LOBO’ HIKOYASIDAGI OBRAZLARGA XOS XUSUSIYATLAR HAMDA TABIAT TASVIRLARI UYG’UNLIGI”. PEDAGOGS Jurnali, vol. 10, no. 4, June 2022, pp. 188-91

Rozikovna, Kurbonova Nodira, and Mustafoeva Makhfuza. "ORIGIN AND FEATURES OF THE SONNET GENRE." Finland International Scientific Journal of Education, Social Science & Humanities 11.1 (2023): 141-147.

Nodira Rozikovna Kurbonova. “ANALYSIS OF SETTING IN ‘EMMA’ BY JANE AUSTEN”. International Engineering Journal For Research & Development, vol. 6, no. TITFL, Apr. 2021, pp. 123-6,

Kurbanova, N. «Фитратнинг „Киёмат“ хикоясида нореал дунё тасвири». ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu.Uz), т. 18, вып. 18, июнь 2022 г.

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