PSIXODRAMA TUSHUNCHASI HAQIDA UMUMIY MA’LUMOTLAR

Annotasiya

Ushbu tadqiqot pedagogik va psixologik metodlarga asoslangan o’qitish texnologiya har qanday sohada ta’limda, san’atda qo‘llaniladigan texnikalar to‘plami sifatida belgilanadi. Psixodrama nafaqat innovatsion, balki ta’lim texnologiyasidir. Pedagogik metodlarda o’qitish texnologiyasi - bu ta’lim shakllarini optimallashtirishga qaratilgan texnik va kadrlar hamda ularning o‘zaro munosabatlarini hisobga olgan holda bilimlarni egallashning butun jarayonini yaratish, qo‘llash va belgilashning tizimli usuldir.

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Yildan beri qamrab olingan yillar 2022
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Turemuratova , A., Nurmetova, M., Shomurodova , Z. ., & Kadirov , X. (2025). PSIXODRAMA TUSHUNCHASI HAQIDA UMUMIY MA’LUMOTLAR. Zamonaviy Fan Va Tadqiqotlar, 4(4), 1186–1192. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/80064
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Annotasiya

Ushbu tadqiqot pedagogik va psixologik metodlarga asoslangan o’qitish texnologiya har qanday sohada ta’limda, san’atda qo‘llaniladigan texnikalar to‘plami sifatida belgilanadi. Psixodrama nafaqat innovatsion, balki ta’lim texnologiyasidir. Pedagogik metodlarda o’qitish texnologiyasi - bu ta’lim shakllarini optimallashtirishga qaratilgan texnik va kadrlar hamda ularning o‘zaro munosabatlarini hisobga olgan holda bilimlarni egallashning butun jarayonini yaratish, qo‘llash va belgilashning tizimli usuldir.


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ISSN:

2181-3906

2025

International scientific journal

«MODERN

SCIENCE

АND RESEARCH»

VOLUME 4 / ISSUE 4 / UIF:8.2 / MODERNSCIENCE.UZ

1186

PSIXODRAMA TUSHUNCHASI HAQIDA UMUMIY MA’LUMOTLAR

Turemuratova Aziza Begibaevna

Qoraqalpoq davlat universiteti “Pedagogika va psixologiya” kafedrasi assistenti.

azizaturemuratova85@gmail.com

Nurmetova Manzura Alisherovna

Qoraqalpoq davlat universiteti talabasi.

Shomurodova Zeboxon Dilmurod qizi

Qoraqalpoq davlat universiteti talabasi.

Kadirov Xaydar Raxmanbergenovich

Qoraqalpoq davlat universiteti talabasi.

https://doi.org/10.5281/zenodo.15252650

Annotatsiya. Ushbu tadqiqot pedagogik va psixologik metodlarga asoslangan o’qitish

texnologiya har qanday sohada ta’limda, san’atda qo‘llaniladigan texnikalar to‘plami sifatida

belgilanadi. Psixodrama nafaqat innovatsion, balki ta’lim texnologiyasidir. Pedagogik

metodlarda o’qitish texnologiyasi - bu ta’lim shakllarini optimallashtirishga qaratilgan texnik va

kadrlar hamda ularning o‘zaro munosabatlarini hisobga olgan holda bilimlarni egallashning

butun jarayonini yaratish, qo‘llash va belgilashning tizimli usuldir.

Kalit so’zlar: Psixodrama, pedagogik tadqiqotlar, psixologik tadqiqotlar, ta’lim, tarbiya,

psixologik muammolar.

GENERAL INFORMATION ABOUT THE CONCEPT OF PSYCHODRAMA

Abstract. This study defines teaching technology as a set of techniques used in education,

art in any field based on pedagogical and psychological methods. Psychodrama is not only

innovative, but also educational technology. Teaching technology in pedagogical methods is a

systematic method of creating, applying and defining the entire process of acquiring knowledge,

taking into account technical and personnel factors and their interrelationships, aimed at

optimizing forms of education.

Keywords:

Psychodrama, pedagogical research, psychological research, education,

upbringing, psychological problems.

ОБЩАЯ ИНФОРМАЦИЯ О КОНЦЕПЦИИ ПСИХОДРАМЫ

Аннотация. В настоящем исследовании педагогическая технология определяется

как совокупность приемов, используемых в образовании и искусстве любой сферы,

основанных на педагогических и психологических методах.


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Психодрама — это не только инновационная, но и образовательная технология. В

педагогической методике технология обучения — это системный метод создания,

применения и определения всего процесса получения знаний с учетом технических и

человеческих ресурсов и их взаимодействия, направленный на оптимизацию форм

обучения.

Ключевые слова:

Психодрама, педагогические исследования, психологические

исследования, образование, воспитание, психологические проблемы.

Introduction

Nowadays, all types of activities that are part of the functional elements of the formation

of a culture of interethnic interaction among students are involved. In this movement, first of all,

game and educational-search activities are manifested. At the same time, not only real events and

life crises are dramatized and studied, but also various aspects of a person’s life experience and

relationships are considered. Psychodrama also appears as a group method, so one person

(student), studying the actions of his world, allows other members of the group to look into his

deep world, where they see their own feelings and their reflection. Psychodrama does not mean

just retelling past events. A great therapeutic effect is provided by playing and living out events

in the conditional space of drama. M.V. Klarin defines pedagogical technologies as a systematic

set and order of work of all personal, instrumental and methodological means used to achieve

pedagogical goals. In scientific literature, psychodrama is assigned general functions inherent in

innovative technologies. When students systematically form a culture of interethnic relations:

- develop the dialectics of communication and interaction in a communicative way;

- self-awareness as a training ground for the formation of a future specialist in

educational practice - overcoming various difficulties arising from other types of life;

- make positive changes in the structure of personal indicators (corrective function);

- mastering socio-cultural values common to all people (interethnic dialogue);

-enter the system of social relations, mastering the norms of human society

(socialization).

Psychodrama is primarily known as a specific psychotherapeutic method created by

psychotherapist Jacob Moreno Levi. However, the psychodramatic approach should be

understood beyond the scope of psychotherapy. It is also a broad set of ideas and methods that

can be effective in various forms of individual and group work and is currently widely used in


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psychotherapy and other areas of role-based training, education and upbringing, management, as

well as other research. However, the theoretical and methodological sources of psychodramatic

tools are often overlooked. At the same time, an important advantage of psychodrama as a

unique holistic method is the philosophical and existential depth of understanding of the human

essence and its interaction with the world, despite the detailed technological development. A.B.

Dobrovich metaphorically describes psychodrama as follows: “When a person enters a special

room, he is amazed by the changes in its walls - they are painted in different colors, impressive

landscapes or reproductions of paintings are installed, or they are decorated with shining stars,

giving the room a sense of the spirit of the universe, and pleasant music plays. The “hosts” of the

room - a psychologist, director, designer, actors, musicians and other specialists - help people get

to know each other and understand themselves better. Entering here, you suddenly look at the

screen on the wall and see that your face is big. Sometimes, on the contrary, you become a small

person against the background of the huge others. Here you can find yourself in any landscape or

in the plot of any exciting picture. All such metamorphoses are carried out by an intelligent and

kind psychologist, whose task is to help you meet the “subjective element” of people and your

own “I”. But the psychologist requires activity from you, for example, you and the actors will

play these plots on stage, they will offer you something close to the low points of your life. You

can change clothes, as in a masquerade, and play any role, you will be engaged in modeling,

collage, verbal improvisation. The sound of the music depends on how flexible your movements

in pantomime or dance are. But all these entertainments are not necessary in themselves. Their

goal is to restore the freshness of others' feelings and self-perception, to immerse you in the very

diverse inner worlds of people and to converse in their spiritual environment. You will have the

opportunity to "talk." You will study other people's speeches with attention and respect. It will

not be like returning from a lecture or a performance where you listened and empathized. You

will return to a space of deep and spiritual interpersonal interpenetration, where you are not an

observer, but an actor. You will discover new, advanced forms of communication. " Of foreign

scientists, Moreno was interested in the ways of psychological survival of man. Constantly

turning to the history of culture, theology, philosophy, he develops the idea of the human spirit,

creativity as the essence of human inner experiences, in a broad sense, as an important way to

realize this essence. Moreno's concept, including his theory of roles, covers all levels of human

life. Drama pedagogy originates from psychodrama as a means of creating a culture of

interethnic interaction, which, in our opinion, is a complex innovative technology for the


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formation of a culture of interethnic relations among students. This complex technology includes

all the methods of various disciplines: philosophy, sociology, pedagogy, psychology, medicine,

art. Putting his views into practice in the educational process of a holistic drama, rural school

teacher Harith Johnson Moreno believes that any scientific subject, whether it is history,

geography, arithmetic or other subjects, should be “sharply adapted” to the goal. H. Johnson

justifies his point of view by the reasons for the natural dramatic instinct of children, and many

teachers of drama pedagogy also emphasize this idea. For them, the process of dramatization

itself is more important than the result. The formation of a culture of interethnic interaction

among students should become a continuous educational process within higher education, in

which the process and the result should be on an equal footing. This does not mean striving for

results, but should be aimed at stimulating the continuation of the process of formation of a

culture of interethnic interaction among students, in which the result is not artificially, but

naturally ripening. Drama pedagogy and psychodrama are the manifestation of internal positive

psychological experiences in a dominant way over the external plot through mature dramas. The

same is the main feature of psychodrama on stage in the spirit of theater, where dramas are

performed on the stage of the human soul. As M. Bakhtin emphasized, drama is a vivid formula

of polyphony “not to confuse voices that do not have an equal level of consciousness with their

own worlds”, in which there is no truth of one voice, but there is a truth of interaction, a truth of

meeting. At the same time, there are significant differences between psychodrama and theater in

the usual sense. Psychodrama is a return not only to time, but also to the human self. In it, a

person feels the feeling of living on his own in the conditional space of the stage, perceiving the

world of real feelings, thoughts, ideas. At the same time, in psychodrama, the concept of

"dramatic" is understood not as theatricality, but as a symbol of flexibility, the idea that a person

can view and re-view events in their life as dramatic situations. Psychodrama synthesizes

dramatic means and the achievements of modern psychology. The purpose of psychodrama is to

search for effective methods of solving psychological problems of various levels. Psychological

problems are understood not only as a narrow range of problems, but also a wider range of

problems, including pedagogical ones, which are solved using drama-pedagogical means of

forming a culture of interethnic interaction among students. Psychodrama is also a method of

therapy in which the student, with the help of a teacher and a group, reflects important events

from his life in dramatic action, plays out scenes related to his problem. Moreover, instead of

talking about them, these scenes are performed as if they happened at that very moment, which


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gives them intensity and energy, allowing you to change your life here. Action creates an

opportunity to clarify and clarify the problem, to understand, not to repeat old attitudes and

cognitive habits, to implement appropriate changes in behavior. New roles, alternative, affective

and behavioral styles are studied, constructive models of problem solving are sought and tested.

The psychodramatic method combines the tools of cognitive analysis with dramatic

actions and active participation in the group process. Moreno believed that life itself passes from

actions to interaction, therefore, the direction of dominance is a characteristic feature of the

method he created. Above, we considered that the formation of a culture of interethnic relations

among students has its own characteristics. Among them, the pedagogical process has the power

of action and interaction at the same time. Action, built on the basis of psychodrama, is an

important source of knowledge of oneself and others, which increases the possibility of using it

as a signal for actions. In the process of the game, the influence of the usual verbal defensive

reactions is reduced, so psychodrama is very effective for people who have difficulty in moving

from thinking to active actions. On the other hand, psychodrama can significantly help students

who have difficulty verbally examining their feelings and their life experiences in general. In a

psychodramatic session, a person is simultaneously the main character of the drama and its

creator, the discoverer of himself and his life.

Conclusion

Psychodrama appears in the form of an extravaganza of various roles, some of which are

synthesized, others are defined, it consists of new and old, forced and flexible, potentially

consciously selected roles, on the basis of their commonality, various features of human life are

reflected. Psychodrama can be spiritually and aesthetically educational, reflecting the real and

imaginary self, depicting the future, present and past, serious and comedic, promoting feelings

and thinking.

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ISSN:

2181-3906

2025

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«MODERN

SCIENCE

АND RESEARCH»

VOLUME 4 / ISSUE 4 / UIF:8.2 / MODERNSCIENCE.UZ

1191

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ISSN:

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International scientific journal

«MODERN

SCIENCE

АND RESEARCH»

VOLUME 4 / ISSUE 4 / UIF:8.2 / MODERNSCIENCE.UZ

1192

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Bibliografik manbalar

Turemuratova, Aziza, Rita Kurbanova, and Barno Saidboyeva. "EDUCATIONAL TRADITIONS IN SHAPING THE WORLDVIEW OF YOUNG PEOPLE IN FOLK PEDAGOGY." Modern Science and Research 2.10 (2023): 318-322.

Turemuratova, Aziza, et al. "ANALYSIS OF PEDAGOGICAL AND PSYCHOLOGICAL MECHANISMS OF DEVELOPING COLLABORATIVE SKILLS OF STUDENTS BASED ON A MULTI-VECTOR APPROACH." Современные подходы и новые исследования в современной науке 3.14 (2024): 46-49.

Turemuratova, Aziza, and Mahliyo Ruzimova. "PEDAGOGICAL ANALYSIS OF THE FORMATION OF COLLABORATIVE SKILLS OF STUDENTS BASED ON MULTI-VECTOR PEDAGOGICAL APPROACHES IN EDUCATION." Наука и инновации в системе образования 3.13 (2024): 88-92.

Turemuratova, Aziza, and Khurshıda Atabaeva. "THE MAIN PEDAGOGICAL ASPECTS OF THE FORMATION OF COLLABORATIVE SKILLS OF STUDENTS BASED ON MULTI-VECTOR PEDAGOGICAL APPROACHES IN HIGHER EDUCATION." Академические исследования в современной науке 3.45 (2024): 30-33.

Turemuratova, Aziza, and Sirgagul Orinbaeva. "MULTI-VECTOR RESEARCH ON IMPROVING STUDENTS'COLLABORATIVE SKILLS IN HIGHER EDUCATION BASED ON PEDAGOGICAL AND PSYCHOLOGICAL APPROACHES." Современные подходы и новые исследования в современной науке 3.15 (2024): 140-143.

Begibaevna, Turemuratova Aziza. "EFFECTIVE EDUCATIONAL INDICATORS OF MULTI-VECTOR APPROACHES IN FORMING COLLABORATIVE SKILLS OF STUDENTS BASED ON PEDAGOGICAL METHODS OF INNOVATIVE EDUCATION." International Journal of Pedagogics 4.11 (2024): 153-157.

Begibaevna, Turemuratova Aziza. "THE ROLE OF PEDAGOGICAL METHODS BASED ON MULTI-VECTOR APPROACHES IN MODERN EDUCATION IN IMPROVING STUDENTS'COLLABORATIVE SKILLS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 5.11 (2024): 98-102.

Begibaevna, Turemuratova Aziza, and Ayimbaeva Aynura Rustamovna. "PEDAGOGICAL ANALYSIS AND ESSENCE OF MULTI-VECTOR APPROACHES IN IMPROVING STUDENTS'COLLABORATIVE SKILLS BASED ON THE EDUCATIONAL PROGRAM." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 5.11 (2024): 88-92.

Begibaevna, Turemuratova Aziza, and Asamatdinova Bazargul Bakhadirovna. "PEDAGOGICAL FOUNDATIONS OF DEVELOPING STUDENTS'COLLABORATIVE SKILLS BASED ON A MULTI-VECTOR APPROACH." European International Journal of Pedagogics 4.11 (2024): 183-187.

Begibaevna, Turemuratova Aziza. "APPLYING METHODS THAT IMPROVE STUDENTS'COLLABORATIVE SKILLS BASED ON MULTI-VECTOR PEDAGOGICAL APPROACHES." European International Journal of Pedagogics 4.11 (2024): 178-182.

Begibaevna, Turemuratova Aziza, Kushbaeva Indira Tursinbaevna, and Dawletmuratova Raxila Genjemuratovna. "THE MAIN ESSENCE OF DEVELOPING STUDENTS'COLLABORATIVE SKILLS BASED ON MULTI-VECTOR PEDAGOGICAL APPROACHES IN MODERN EDUCATION." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 5.09 (2024): 43-46.

Begibaevna, Turemuratova Aziza, Kujamuratova Gulnaz Jumabayevna, and Iskendarova Shayra Sabirovna. "PEDAGOGICAL MECHANISMS OF DEVELOPING COLLABORATIVE SKILLS OF STUDENTS BASED ON A MULTI-VECTOR APPROACH." International Journal of Pedagogics 4.09 (2024): 55-62.

Jarilkapovich, Matjanov Aman. "USE OF PEDAGOGICAL METHODS BASED ON THE MODERN EDUCATIONAL PROGRAM TO INCREASE THE EFFECTIVENESS OF EDUCATION." European International Journal of Pedagogics 4.06 (2024): 26-33.

Jarilkapovich, Matjanov Aman. "Program Technology for Choosing an Effective Educational Methodology Based on Modern Pedagogical Research in The Educational System." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 6.02 (2025): 30-33.

Kurbanova, R. J., and B. E. Saidboeva. "MAKTAB VA OILADA ESTETIK TARBIYANI SHAKLLANTIRISH JARAYONIDA O'QUVCHILARNING AKSIOLOGIK DUNYOQARASHINI RIVOJLANTIRISH." Inter education & global study 9 (2024): 114-121.