“Temurnoma” is a work of folklore that interprets the image of Sahibkiran in folklore. In this regard, along with historical images, which are interpreted by folklore, textual images also play an important role in the characterization of Amir Temur. In “Temurnoma” the image of Sahibkiran and various historical and tissue images are used in parallel with the image of Amir Temur, who played an important role in illuminating his character. One hundred and forty-three characters took part in the play. These images unite around the image of Amir Temur and play an important role in illuminating the character of Sahibkiran. In this study, such images described
in “Temurnoma” were classified as historical and textual images from a historical point of view.
The depiction of some non-historical fabricated images in the work is the basis for evaluating it as an epic work dedicated to the interpretation of the image of Sahibkiran in the imagination of the people. The depiction of historical figures who were contemporaries of Amir Temur in the war,
but did not meet him in real life, is based on the fact that the ideal of the ethnos was accompanied by people close to him. While the main images
form the core of the plot, the auxiliary images play a supporting role in the interpretation of the image of Sahibkiran. Episodic images participate as a peripheral element in the system. The “Temurnoma” also contains folklore-inspired fairy-tale textual images, indicating that the work is based on pure folklore.
The paper deals with the information about well known historian of Timurid’s period Hāfeze Abru and his historical essay «Zobdat al-tawārie Bāysonhori». This historical work is one of the main sources of the reign of Amir Timur and his son Shahrukh.
In this scientific article, an attempt was made to cover the activities of Sahibkiran Amir Temur as a great statesman and a skillful commander on the basis of historical sources. The place of Amir Temur in the history of the peoples of the world and Central Asia was covered.