ISSN:
2181-3906
2024
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
537
ISSUES OF USING TECHNOLOGICAL INNOVATIONS IN THE CREATION OF
CLOTHES.
Ayjamal Ismailova
Teacher of Karakalpak State University named after Berdak.
https://doi.org/10.5281/zenodo.10835733
Abstract.
This article discusses the issues of using technological innovations in the creation
of dresses, the artistic and technical issues of dress design and preparation.
Key words:
dress, design, design, creation, culture, field, practical task.
ВОПРОСЫ ИСПОЛЬЗОВАНИЯ ТЕХНОЛОГИЧЕСКИХ ИННОВАЦИЙ ПРИ
СОЗДАНИИ ОДЕЖДЫ.
Аннотация.
В статье рассматриваются вопросы использования технологических
инноваций при создании платьев, художественно-технические вопросы проектирования и
изготовления платья.
Ключевые слова:
платье, дизайн, проектирование, творчество, культура, сфера,
практическое задание.
Dress design and its preparation is a complex, complex process that includes the solution
of artistic, technical and social problems. Human needs are determined by his personal
characteristics and level of culture. Biological (age, gender, anthropometric description of a
person), social (social position of a person in society, his nationality, specialization), personal
(manifestation of individuality, comfortable feeling conditions, etc.) indicators describe and reveal
the level of development of personal characteristics and culture.
As a result of the development of the field of clothing design, new products are created that
highly satisfy the needs of consumers. People's growing desire for clothing forces designers to find
new ways and opportunities to design, providing new, diverse looking clothing at a relatively low
cost. The issues of economic development of our country, the process of globalization in the world
require understanding the future development of design as a means of regulating relations in
society.
The introduction and development of technological innovations in the fields of textiles and
clothing can be shown as a direction that increases the importance of design. The need to study
and forecast the development processes of modern fashion requires the analysis of the use of
technological innovations in the creation of clothes.
The development of modern fashion is one of the important elements of the social and
cultural space that influences the formation of the human personality and accelerates the design of
modern clothes. Today's fast changing fashion trends; the increase of innovative technologies that
expand the possibility of creating new types and designs of clothing; improving the design of
clothing models in accordance with the pace of development of innovative technologies;
study of the processes taking place in fashion at the beginning of the 21st century; the
increase in the demand for dress design, its technical and aesthetic indicators due to the
improvement of the standard of living of the population; The need to improve the knowledge and
skills of dress designers requires the analysis of technological innovations in the development of
modern dresses. The world-wide and, in particular, light clothing industry in Uzbekistan requires
ISSN:
2181-3906
2024
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
538
adaptation to the new conditions of the modern world economy and needs a theoretical
understanding of the role of innovative technologies in the modern production system.
Today, this is due to the rapid development of technological progress, which brings
together previously unrelated or weakly interconnected fields of activity, causing the arts, science
and industry to work together and interact more actively. In turn, this is inventing new directions
in the development of these areas. This process also applies to the field of design. Globalization in
the world also has an impact on this process, that is, forces to combine efforts to optimize
production processes, increase production mobility, and reduce the time spent on introducing
innovations.
It is known that the object of design is bifunctional. That is, it should fulfill both the
utilitarian-practical task and the aesthetic task. The main goal of the research is to investigate the
impact of innovative technologies on modern design. The tasks of this research are to determine
the level of relevance of innovative technologies in modern design; is to study the creativity of
modern designers who use innovative technologies in their work and to show the direction of the
process of implementing technological innovations in this field.
That is why it is important to study innovative technologies in fashion that can be
effectively used by dress designers and other specialists in the future, and to analyze the experience
of using them within the framework of the fashion industry of Uzbekistan. The analysis of the use
of innovative technologies in fabric and material preparation, tailoring, and design in Uzbekistan
revealed that it requires the activation of forms of communication between fashion and science.
However, the history of clothing design and fashion development shows that innovation
has had a strong impact on the art of design.
For example, the introduction of machine-knitted knitwear, which was originally intended
only for men's underwear, but was later used in women's outerwear thanks to Gabrielle Chanel,
was an innovation for its time. In the 20s of the 20th century, knitwear became the most fashionable
material for everyday clothes.
Sweaters and pullovers made of wool or silk, knitted cardigans, knitted hats and scarves
were worn not only by men, but also by women. Since such items have not lost their relevance to
this day, they can be raised to the level of a kind of classic in clothing. Artificial silk (more
precisely, viscose, invented in 1892) and silk crepes (invented and patented by the Biankini-Fere
company in Lyon in 1918, had an extremely wrinkled and "shedding" feature.
The famous French fashion designer Madeleine Vionne was one of the first to model her
models from silk crepes, which were new for that time (because of the cooperation agreement,
mainly crepe deshine, crepe-romaine, and special fabrics with a mixture of silk and acetate
developed by the firm "Bianchini-Fere"). This made it possible to create shimmering folds when
the fabric was cut diagonally. In addition, Vionne cooperated with the company "Rode".
Intentionally, according to his order, this company produced very large (up to 4-5 meters)
wool fiber fabrics. The width of these fabrics allowed Vionne to create coats without a single seam
thanks to the bias cut. As a result, Madeleine Vionne was the first to create a dress without a collar,
a hooded collar and a turtleneck collar; the lining of the shirt and coat suggested an ensemble
consisting of garments made of the same fabric. And the famous silk evening dresses cut in his
style defined the silhouette of fashion in the 20s and 30s of the 20th century. The use of the
ISSN:
2181-3906
2024
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
539
"zummer" accessory, which once appeared in a completely different field, by the inventor of
surrealism in fashion, Elsa Schiappareli, determined not only the future of this accessory, but also
the future of modern clothing, especially youth fashion. Fibers such as viscose, kapron, lycra,
invented in recent years, have an incomparable influence on clothing design and fashion. \
Currently, scientific and research work is being carried out in the world on the development
of modern materials with natural fiber and good hygienic properties, which are useful for health,
meet the technological requirements. The future design project includes bio-, nanofibers, plasma,
laser, radiation and other latest technologies with very active results. First of all, military
developments are considered as the sources of all new technologies.
But over time, they are successfully implemented by design, taking on a domestic tone.
One of the most advanced trends of the future is nanofiber, which will begin to be used not
only in military and pilot clothing, but also in everyday clothing. Today, the innovative process is
unlimited in its revolutionary developments, and the design of a new innovative object requires
the creation of a unified functional, technical and meaningful complex of objects.
Design as a process of creating a new way of life of a person is not only the design of the
external appearance of the object, but also the creation of a common "smart" space around the
person with a system of future objects that adapt to the person and even inspire him. That is, design
does not disappear as a form-creating project activity, it simply moves to another level, entering
the innovative process, and is no longer perceived only as a "beautiful object". Today, the designer
enhances functionality and plays an important role in the application of technologies. As a result
of the integration of design-project and advanced scientific and technical processes, new styles
and trends emerge.
If the main task of today's design is to find a new form, a new aesthetic of the form, the
main goal of the design of the modern future may be to restructure the cultural space, to create
new values by renewing the environment around people. A similar situation was observed in the
avant-garde trend of futurism, which appeared in art in the 10-20s of the 20th century. Based on
denial, this movement is rich in fun and powerful ideology, in which lies the idea that the old world
must be destroyed before the new world can be created. The following were the basic elements in
the aesthetics of futurism: new feelings of life, the problem of feeling the new world, the theme of
the city and the new technical world, interest in the psychology of perception, the formation of
inner feeling as the basis of the creative method. Game environment, grotesque, supernatural
changes, description of objects that are often outside of real events - all these are elements of
futuristic style.
However, if the basis of futurism was the denial of the form of the past, the basis of the
current design is the rapidly developing electronics, materials and technologies that create new
opportunities for design. In turn, the designer's predictive activity challenges scientists and
technologists to find new ways to create something that does not yet exist in our lives. As
mentioned above, in the modern understanding, design objects are not objects, but needs.
With the development of new technologies, there was a need to create a more intellectual
and scientific space around a person. However, the more complex the human technical
environment, the less likely it is to create design patterns. The forms of innovative design objects
are often simple and compact. There is a kind of biomorphism and, therefore, inspiration in the
ISSN:
2181-3906
2024
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
540
figures, exaggerated plasticity combines with technological pieces to create the image of a
technically perfect organism. In particular, depending on the modern space, it is possible to note
the trends of total technicalization of the environment, micro-miniaturization of product elements
and their interactivity, the development of the installed system, and the merging of several objects
into one technically complex object.
In this design process, the human factor becomes the main factor, the object is no longer a
futuristic fantasy, but an object or a system of objects that changes the way of human life and
makes the way of life more comfortable due to new technologies. A number of scientific and
practical studies are being conducted in Uzbekistan to improve the technical and cost-effective
properties of materials that meet aesthetic, technological and production requirements. In
particular, S. Tashpulatov's262 on the creation of high-efficiency resource-saving technology for
the production of sewing products, N. Khankhadzhaeva's263 on the creation of new assortments
of knitwear, Kh. On the effective use of raw materials in the production of Khazratkulov's 264
patterned knitwear assortment, F. Nigmatova265 on improving the quality of the technology of
making clothes from local leather, Q. Kholikov266 on obtaining new types of woolen knitted
fabrics, J. Akhmedov's 267 on the production of new structured sewing and embroidery threads,
D. Aripdzhanova268 scientific research on the creation of a complex technology for the production
of women's clothing from wool and mixed fabrics should be cited as an example.
But it is known that the results of these researches are not reaching the designers. Most of
the researches are aimed at proving their effectiveness from an economic point of view, and
Tashpulatov S.Sh. Creation of high-efficiency resource-saving technology of production of sewing
products.
As a result, these developments "become obsolete" without reaching the buyer. The lack
of "agile" techniques and methods in production and chemical industry in Uzbekistan is delaying
the implementation of designers' proposals, or on the contrary, designers are not aware of
innovative developments in new materials and sewing technologies, they may not know about such
news. These situations require the strengthening of cooperation relations with the relevant
ministries and organizations, as well as the development of mechanisms for the implementation of
joint projects, since the field of design is a field at the junction of art, science, and production. For
example, as shown in the previous section: ready-to-wear, pret-a-porte, haute couture, stage and
image-oriented, conceptual clothing design trends, each based on its goals and objectives, use
technological innovation in varying degrees. and uses it in different ways.
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«MODERN SCIENCE АND RESEARCH»
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