DESIGNING A SINGLE ITEM, AN ENSEMBLE AND A SET

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Jóraeva, M. (2024). DESIGNING A SINGLE ITEM, AN ENSEMBLE AND A SET. Modern Science and Research, 3(2), 595–598. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/30309
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Abstract

This article discusses the need to design uniform items in the costume design environment

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background image

ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ

595

DESIGNING A SINGLE ITEM, AN ENSEMBLE AND A SET

Jóraeva Moxigul

Teacher of Karakalpak State University named after Berdak.

https://doi.org/10.5281/zenodo.10868206

Abstract.

This article discusses the need to design uniform items in the costume design

environment

Key words:

costume, design, assortment, ensemble, design, object, color.

ПРОЕКТИРОВАНИЕ ОТДЕЛЬНОГО ПРЕДМЕТА, АНСАМБЛЯ И

КОМПЛЕКТА.

Аннотация.

В данной статье рассматривается необходимость проектирования

предметов униформы в среде дизайна костюма.

Ключевые слова:

костюм, дизайн, ассортимент, ансамбль, дизайн, предмет, цвет.


Costume design is one of the solutions to the product environment, that is, designing a

costume. The object of costume design can be a single item, a set, an ensemble and a collection.

The necessity of designing uniform items of various assortments was due to the following

reasons:

- the narrow specialization of the enterprise for the production of sewing products

(outerwear, underwear, light shirts);

- the modern consumer organizes his wardrobe mainly from individual items that are

compatible with each other;

- democratization of modern fashion, it is recommended to choose multi-functional clothes

and consumer free clothes in fashion;

- the psychological type of the modern consumer requires the ability to adapt to the times

due to the individuality, rapid changes in lifestyle, and the ability to quickly change the appearance
according to the situation.

Usually, industrial enterprises design individual items that are produced in large or small

series. The design of the product is aimed at the typical size of the consumer, is drawn according
to the general construction method, and is supposed to meet popular demands. When single items
are designed, their stylistic solutions, materials, color, texture, compositional solutions, etc.
compatibility with each other should be assumed, because the consumer builds a set of them
according to his will. One-of-a-kind items allow you to choose items according to your taste and
create a unique artistic image.

Ensemble design. Ensemble (fr. ensemble - together, together) - created for a certain artistic

idea, taking into account the interdependence of its elements, the subordination of clothes and
accessories to each other, It is a collection of individual objects that reflect an artistic image created
for a person and a purpose.

The ensemble implies the unity of the parts of the suit, their silhouette, proportions, color

and decoration, in terms of compatibility and organic interdependence. It is a whole, consisting of
clothes, shoes, hats, hairstyles, decorations, accessories and make-up, and does not expect any
changes. Adding or removing any element will destroy its integrity. The ensemble is multi-layered,
all its parts can be worn together. They are interconnected and subordinate to each other.


background image

ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ

596

Completeness and completeness are always an aesthetic criterion in a modern suit. The

color, pattern, decoration, etc. of all parts of a suit created for a specific purpose. properties tend
to match each other. For example, in England in the 16th century, the sleeves and petticoats of
court ladies' shirts were made of the same fabric. However, the pure ensemble was built in the
"Modem" period (1890-1900) at the end of the 19th - beginning of the 20th century. In the 20th
century, the ensemble became a special "peak" for couturiers. They created a completely custom
suit. In traditional modeling, the design of a clothing ensemble is considered the highest point of
artistic expression. However, during the 20th century, the idea of the ensemble changed. For
example, in the 1920s. the solution of the ensemble implies the unity of color in the suit: the hat,
gloves, shoes, bag, umbrella, etc. in the color tone of the shirt. is selected; the color of the shirt
decoration is repeated in the color of the accessory. 1930s. Such extravagance was not possible in
the conditions of the "Great Recession", when each dress had a special hat, shoes, etc. was
required. In this period, the wholeness of the suit was solved by means of a unit of accessories: the
bag, shoes, gloves, and hat should be of the same color, but this gamut could be worn with any
shirt. For example, black shoes, hat and gloves could be worn with a light colored shirt. Even
during the Second World War, the ensemble was preserved, for example, a turban was used to
make a blouse or a bag.

The real triumph of the ensemble began with the "New look" era. K.Dior redefined the

exact rules of good taste and the elegant female figure. The dress had to be worn with an
appropriate hat, gloves, bag and jewelry. According to K. Dioming, "a woman without a hat is not
fully dressed." 1960s. The ensemble is also preserved in fashion. For example, in the fashions of
A. Courrej, gloves and hats are often made of the same fabric. However, from the second half of
the 1960s, street fashion, especially in youth subcultures, began to abandon the ensemble. For
example, the hippies freely mixed different styles of clothing and actively abandoned middle class
and elaborate costumes. 1970s. the ensemble began to occupy the center of the ensemble. In
modern fashion, the ensemble idea has remained only on the catwalk, not in real life. The demand
for convenience, comfort and functionality in clothes makes the previous idea of an ensemble
obsolete. Set design. Complete (lat. completes - complete) - a set of compatible costume elements
adapted to a specific purpose and artistic solution. The set is an open system that can interchange
the elements of the costume, in which each item is independent, multi-layered. Depending on the
situation, the set allows to change the costume. A suit consists of separate items: jackets, skirts,
pants, skirts, headwear and shoes, accessories and jewelry. Individual items of the set change their
purpose (everyday wearable, everyday travel wearable, etc.). Therefore, when designing a set, it
is necessary to expand the limits of use of some items. For the first time, a set was used as an
alternative to an ensemble in the 1920s. used in stage costumes. Constructivism was the logical
conclusion of the emergence of the idea of a set using the combinatory style in clothing design. In
1929, fashion designer E. Skyparelli recommended a set of six items that could be combined during
the day. Sets were popular only in the 1970s. spread in In 1972, English fashion designers Luke
and DJ Tallis presented matching skirts, trousers, skirts, and blouses in their fashion collections.
1970s. during the economic crisis, it was popular because it was possible to build a "reasonable"
or "basic" wardrobe from an assortment of individual items. In modern times, ensembles have
completely replaced ensembles from fashion.


background image

ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ

597

Now the wardrobe of a modern man consists of sets. The consumer could combine costume

elements according to his wishes and show his individuality in creating a costume. The unity of
some parts of the set is usually achieved by compatibility of color, shape, decoration, and style.

This quality should be taken into account at the stage of designing the collection. The main

demand of today's consumer for clothes is to allow combination. For example, the seasonal
collections of the German company "Eskada" consist of an assortment of individual items that
match each other in terms of color, shape, pattern, and other properties, and you can easily add
items from the previous season's collection with items from the new collection.

All parts of the collection may be similar in style, but the 1970s. appeared in the costume

"diffuse style?" According to this style, different styles were mixed in the suit: for example, a
classic jacket was combined with a double pleated skirt in the "folk" style, and classic trousers
were combined with a sporty jacket and a romantic blouse. Modern sets often include items made
of different styles, different colors, and patterned materials. 1990s At the beginning, such mixtures
were called "non-combining compounds". 1990s new ways of wearing clothes have appeared in
the set system: it is possible to split the composition, the item sits freely on the figure, the item is
moved to one side, the accessory is moved to the side or behind, etc. differs from Usually, sets are
made of materials with different textures. Sets consist of the following parts: coats (from long to
short), pants of various shapes, sweaters, shirts, etc. 1998-1999 all elements of the set are made in
the same or similar colors. 2000-2002 contrasting colors and combinations of different items
appeared and in the 1970s. A multi-layered trend reminiscent of the "onion" style was presented.

However, the trend of searching for a new way to wear traditional costume elements

remained.


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background image

ISSN:

2181-3906

2024

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ

598

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Ismailova A., Jóraeva M. HARMONY OF MODERN DRESSES AND BLACK NATIONAL PATTERNS //Modern Science and Research. – 2023. – Т. 2. – №. 10. – С. 767-770.

Хожамуратов К. Б. МАҲОБАТЛИ РАНГТАСВИР АСАРЛАРИНИНГ МАЪНАВИЙАҲАМИЯТИ //Ученый XXI века. – 2022. – №. 2 (83). – С. 31-33.

Bazarbaevich K. K. THE SPIRITUALITY OF MAHOBATLI PAINTING WORKS IMPORTANCE //Archive of Conferences. – 2021. – С. 224-227.

Xojamuratov K. B. THE FOUNDATIONS AND FORMATION OF PAINTING IN THE FINE ARTS OF KARAKALPAKSTAN IN THE 1970S AND 1980S //Modern Science and Research. – 2024. – Т. 3. – №. 2. – С. 341-345.

Xojamuratov Q. B. ISSUES OF THE DEVELOPMENT OF FINE ARTS IN SCHOOLS //Modern Science and Research. – 2024. – Т. 3. – №. 2. – С. 333-336.

Bazarbaevich X. K. TASVIRIY SAN ‘AT DARSLARIDA TALABALARNI MUSTAQIL TA ‘LIM OLISH FAOLIYATIGA YO ‘NALTIRISH METODLARI //BOSHQARUV VA ETIKA QOIDALARI ONLAYN ILMIY JURNALI. – 2023. – Т. 3. – №. 2. – С. 526-529.

Абдукаримова М.А. Разработка технологии проектирования женской одежды на основе бесконтактных методов. Автореферат дисс. на соискание ученой степени доктора технических наук (DSc). Ташкент, 2018 г.

Арипджанова Д.У. Жун ва аралаш матолардан аёллар кийимларини ишлаб чиқаришнинг комплекс технологиясини яратиш. Техника ф.д. диссерт. автореферати. –Тошкент, 2015 й. –84 бет.

Alford, Н. P. Who's Who in Fashion Text. / H. P. Alford, A. Stegemeyer. 5th

ed. - Oxford: Berg Publishers, 2009. - 496 p. : ill.

English, Bonnie. A Cultural History of Fashion in the 20th and 21st Centuries From Catwalk to Sidewalk. –USA, New York: Bloomsbury Academic, 2013. – 314 р.

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