CULTURE AND ARTS

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Nurmatov, I. . (2023). CULTURE AND ARTS. Modern Science and Research, 2(12), 782–787. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/27196
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Abstract

This article describes in detail the relationship between culture and art, the role of culture and art in society, as well as the fact that it is one of the most important links for the development of a country to the world.

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ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

782

CULTURE AND ARTS

Nurmatov Islambek Kyzilbekovich

Teacher of the department of general education of

Jizzakh region legal technical school

Abstract.

This article describes in detail the relationship between culture and art, the role

of culture and art in society, as well as the fact that it is one of the most important links for the
development of a country to the world.

Key words:

The festivals, culture of Uzbekistan, literature in Uzbekistan, music of

Uzbekistan, danse of Uzbekistan.

КУЛЬТУРА И ИСКУССТВО

Аннотация.

В этой статье подробно описывается взаимосвязь между культурой

и искусством, роль культуры и искусства в обществе, а также тот факт, что это одно

из важнейших звеньев развития страны в мире.

Ключевые слова:

фестивали, культура Узбекистана, литература Узбекистана,

музыка Узбекистана, танец Узбекистана.

INTRODUCTION

The culture of Uzbekistan is vibrant and unique—it was formed over thousands of years,

incorporating the traditions and customs of the peoples who at various times inhabited the

territory of modern Uzbekistan.

The ancient Persians, Greeks, Arabs, Chinese, Russians, and nomadic Turkic tribes have

all contributed to Uzbek culture, which is considered the epitome of Central Asian, crossroads

cultures. The traditions reflecting the multinational nature of Uzbekistan are omnipresent in its

music, dance, painting, applied arts, language, cuisine, and clothing. Each region of Uzbekistan

has its own unique shades as well, which are most clearly manifested in national dress and local

dialects.

To get acquainted with such richness and diversity, one must travel around the whole

country, but the festivals of Uzbekistan are a great events for those who want to see the whole

palette of culture in this country in one place. The festivals attract creative souls from all regions

of the country, and here that you can see the full assortment of Uzbek dances, music, applied arts,

etc.

Art in Uzbekistan reflects the distinctive history of this country on the canvases of its

masters. The wall painting at Afrosiab, for example, is one of the best examples of pre-Mongol

art in the region. With the advent of Islam, however, the image of a man was banned, and the use

of abstract painting grew. The art of miniatures appeared later and reached perfection over time,

becoming one of the most recognizable trends in the visual arts of Uzbekistan today. Kamoliddin

Behzod (16th century), Ahmad Donish (19th century), and Abdulkhalik-Mahmum (20th century)

are rightly considered to be Uzbekistan’s masters of miniatures. In the 20th century, there was a

dramatic shift in artistic style borne out of the influence of Russian ascetics, among whom Igor

Savitsky was particularly famous for creating a unique museum of painting in Nukus. In the 21st


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VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

783

century, the painting of Uzbekistan joined global trends, while also maintaining its unique

features.

The history of literature in Uzbekistan originates from oral traditions and folklore–

legends, epics and fairy tales. The tales of the bogatyr (knight-errant) Alpamysh and the

inventive Nasreddin Afandi are an integral part of Uzbek culture. In the Middle Ages poets and

writers whose names are now known to every inhabitant of the country appeared in Uzbekistan:

Ahmad Yugnaki, Alisher Navoi, Babur, Jami, and others. The literary heritage of Uzbekistan

from that era is full of poetry and most works explore the themes of love, happiness, and wisdom.

In the 19th and 20th centuries, satirical and more serious, dramatic works became popular in

Uzbekistan. The most famous Uzbek writers of the 20th century are Furkat, Gafur Ghulam,

Mukimi, Hamid Alimzhan, Zulfiya, Abdullah Kahhar, and several dozen others. The modern

literature of Uzbekistan is very diverse, but unfortunately not as popular as the classical canon.

The music of Uzbekistan, with its close ties to folklore and Uzbek poetry, is a unique

manifestation of the ancient culture of the Uzbek people. Shashmak, a special genre of music in

Uzbekistan and Tajikistan, which was included by UNESCO in the list of masterpieces of oral

and intangible cultural heritage of mankind, is especially noteworthy. Classical and modern

popular music have some similarities with generally accepted world music but maintain their

own unique flavor due to the special sound of Uzbek musical instruments. The most famous

musical instruments of Uzbekistan are karnay, surnay, dutar and doira. Today, Uzbek folk music

can be heard at weddings, gala events, concerts, as well as at the famous Sharq Taronalari

Festival, which is held every two years in Samarkand.

Uzbek dances are the personification of the beauty of the Uzbek people and culture in

Uzbekistan. Uzbek folk dances differ from other regional dances in that they have a special focus

on hand movements and facial expressions. Each part of Uzbekistan has its own dance schools—

in some, sharp movements prevail, while others are smooth and graceful; likewise, some prefer

to use a short step, while others go for something like running. Today, there are three main

schools of Uzbek dance: Khorezm, Bukhara and Fergana. It is quite easy to observe Uzbek

dances–not a single celebration is complete without them and everyone loves to dance! The

flavor of Uzbek dance can also be appreciated at the folklore show, which is held daily during

the tourist season in the building of the Nadir Divan-Begi Madrasah in Bukhara.

Uzbek crafts are one of the most popular parts of culture, giving tourists a lot of options

when choosing souvenirs. Uzbek artisans pass on the secrets of craftsmanship from generation to

generation, and their works are of high quality and extraordinary elegance. Blacksmiths, potters,

weavers, carvers, and many others create works of art from silk, clay, wood, and metal that are

recognizable throughout the world thanks to their smooth lines, geometrically perfect patterns,

and harmony of form. The most famous masters of Uzbekistan are the ceramists of Gijduvan and

Rishtan, the blacksmiths of Bukhara and Chust, the weavers of Margilan, and the winemakers of

Samarkand. Artisans often arrange master classes in their workshops and show collections of

their works in which you can get acquainted with the best creations of their fathers and

grandfathers

Authentic cultural and historical monuments of Uzbekistan, along with folk art, traditions,

and customs, are inscribed in the UNESCO World Heritage List. Thousands of tourists from


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different countries come to look at the medieval buildings of Bukhara, Samarkand, Khiva, and

Shakhrisabz.

Even if you have never been to Uzbekistan, you must have heard about some of the

intangible cultural heritage that was born in this country. For example, the traditional dish Palov

and fabrics - satin and adras, which world-famous fashion designers such as Oscar de la Renta,

Nicolas Ghesquière, and John Galliano used to create their famous collections.

The UNESCO list of the intangible cultural heritage of humanity from Uzbekistan

includes 12 elements:

The cultural space of the Boysun region was recognized by UNESCO as a masterpiece of

intangible cultural heritage in 2001, and in 2008 it was included in the UNESCO representative

list.

Shashmaqom is a style that combines singing and playing musical instruments. It was

named an intangible cultural heritage of mankind in 2003, and in 2008 entered the representative

list.

Navruz is an ancient Zoroastrian holiday dedicated to the coming of spring. It has been

on the UNESCO list since September 30, 2009, and in 2016 it was replenished with other

countries, including Uzbekistan.

Katta Ashula is a singing genre of the inhabitants of the Ferghana Valley. It was listed in

2009.

The art of wit Askiya, was listed in 2014.

Plov: tradition and culture of cooking (was included in 2016).

The practice of the Margilan Handicraft Center for the production of atlas and adras in

the traditional way (included in 2017).

Lazgi (lyazgi) - Khorazm dance (included in 2019).

The Art of Miniature (listed in 2020).

Bakhshi art - national stories with traditional music (included in 2021).

Sericulture and traditional production of silk for weaving (included in 2022).

Traditional stories and anecdotes about Hodja/ Molla Nesreddin (included in 2022).

The cultural space of the Boysun region is located in the Surkhandarya region one of the

most ancient places in Central Asia, where the trade caravans of the Great

Silk Road to India passed. In the Boysun region, there are unique archeological

monuments: the Teshik-Tash cave, the Payonkurgan fortress of the Kushans, the Kurganzol

fortress of the era of Alexander the Great, rock paintings in the Kugitang mountains, Surkhi

gorge, dinosaur footprints and much more.

Shashmaqom is a combination of poetry and music, which demonstrates the rich cultural

heritage of the Uzbeks. Shashmaqom was created no later than the 11th century (according to

some sources before the beginning of the 7th century). In the XVIII-XIX centuries, Shashmaqom

was the main musical direction in Samarkand, Bukhara, and other large cities of modern

Uzbekistan. Shashmaqom is also included in the UNESCO list of Tajikistan.

Navruz was included in the list of intangible heritage of mankind from Uzbekistan and 11

other countries. It is an ancient Zoroastrian holiday. Navruz is the celebration of the New Year,

which begins on March 21. On this day, it is customary to treat loved ones with delicious food


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ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

785

and exchange gifts. Folk festivals with fairs and national games are held in the cities of

Uzbekistan. During the Navruz holiday, it is customary to cook sumalak, a sweet festive dish

made from germinated wheat germ.

Katta Ashula, which literally means “big song”, is a genre of a traditional song that is

typical for the inhabitants of the Ferghana Valley. It is a combination of oriental poetry, singing,

playing musical instruments, as well as sacred rites. An integral element of the performance is a

small tray or porcelain plate, which directs the sound toward the audience.

Askiya, the art of wit is a unique genre of oral art, during which the participants conduct a

dialogue and argue on a given topic without affecting the honor of opponents. The genre was

born in the Fergana region not later than the 15th century. The participants must master the art of

improvisation, demonstrate the richness of the Uzbek language, and skillfully use humor.

The culture and traditions of making Palov - with this name, a favorite dish of Uzbek

people was inscribed on the list of UNESCO. Palov is a necessary part of weddings,

commemorations, holidays, and folk festivals. During religious holidays, it is customary to treat

Palov to the needy and the poor. The list of ingredients for Palov is simple: rice, meat, vegetables,

and spices, combined in the correct sequence. But to cook a delicious dish out of them, worthy of

being included in the UNESCO list, you need to have great skill and, of course, put a piece of

your soul into the cooking process.

The Margilan center for the development of crafts – the local atlas and adras is highly

appreciated by the world community. Atlas and adras fabrics began to be made many centuries

ago in Margilan, which today is located on the territory of the Fergana region. Over the past 100

years, the practice of skillfully handcrafting fabrics has begun to be lost. That is why in 2007 a

Center for the Development of Crafts was created in Margilan, the main goal of which is to

preserve and revive the traditions of making atlas and adras.

Khorezm dance Lazgi (lyazgi) is an ancient form of art of the Khorezm region. In the

ancient settlement of Toprak-kala, which existed in the 1st-6th centuries on the territory of

modern Karakalpakstan, scientists discovered images of this dance. Lazgi is often performed

while singing national songs that contain words about love and friendship.

The art of miniature is a special kind of Uzbek art, which is expressed in the creation of

small paintings. Uzbekistan entered the UNESCO World Heritage List with this site along with

Azerbaijan, Iran, and Turkey. Usually, the miniatures depict people, as well as national

ornaments. Today miniatures can be seen on textiles, books, ceramics, papier-mache, walls, and

carpets.

The art of Bakhshi is epic poetry, which is read to the accompaniment of national Uzbek

musical instruments: dombra and kobuz. Stories originate from folk tales, legends, and fairy tales.

The art of Bakhshi is passed down from generation to generation and is also taught in specialized

schools.

Sericulture and traditional production of silk for weaving - Uzbekistan shares this

element of cultural heritage with Afghanistan, Azerbaijan, Iran, Turkey, Tajikistan, and

Turkmenistan. Silk has been grown in Central Asia since the 5th-6th centuries, although some

historians have earlier evidence. In Uzbekistan, a full cycle of silk production is carried out, from

growing mulberry trees to dyeing silk threads and making fabrics, carpets, and curtains.


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ISSN:

2181-3906

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«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

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Uzbekistan shares the value of traditional stories and anecdotes about Khoja Nasreddin

with Azerbaijan, Kazakhstan, Kyrgyzstan, Tajikistan, Turkey, and Turkmenistan. Khoja

Nasreddin is a folk hero who finds himself in funny and instructive situations. Many stories

related to this character are known to both adults and children.

We recommend learning about the non-material culture of Uzbekistan during a visit to

this country. Be sure to try the traditional Uzbek Palov, get acquainted with the oriental culture,

and take a piece of Uzbekistan’s intangible heritage with you.

CONCLUSION

In conclusion, we can say that in the developing Uzbekistan, art and culture have existed

since ancient times, hundreds of years ago. The art of Uzbekistan has been surprising the whole

world for centuries. Over the years, the Uzbek people have brought art to its highest level. It

would not be wrong to say that there are unforgettable creations in all fields of music, painting,

weaving, pottery, painting. The works of Fergana, Samarkand, Bukhara, Khiva and other masters

have been historically notable outside the country and still continue to stir interest of lovers of

the beautiful from all over the world. Many schools of suzané embroidery and ceramics,

skullcaps of different type and purpose, national pichak-knives for every occasion, silk and

woolen carpets, silk and chasing – the wonderful works, produced by local masters for centuries,

make a unique exoticism of Uzbekistan.

Sui generis centers and schools of folk arts and crafts were formed in the territory of

Uzbekistan for centuries. Each region has its own direction. Chust, Namangan region, is widely

known for its skullcaps and knives; Rishtan, Fergana region, turquoise ceramics; ancient

Margilan, satin with iridescent play of colors; sacred Bukhara, gold embroidery.

Uzbekistan has been developing arts and crafts from century to century, handing down

the unique works of famous and unknown artists, which strike with the wealth of artistic

imagination and perfection of shapes.

REFERENCES

1. Mavrulov A. The general state of culture of Uzbekistan in the modern process: problems,

directions of development (1970-1990) // nauka publishing house. doct. scientific gorge

diss. – T. 1993;

2. Mavrulov A., Dekhkonov I. Nationalism and internationalism in culture // Problems of

culture and spirituality. – T., 1994. – B. 9-18. Cultural history. Textbook. – T.: "Teacher",

2007

3. Resolution of the President of the Republic of Uzbekistan dated November 1, 2018 No. PP-

3990 “on holding the International Festival of melon art"

4. Performance of Shavkat Mirziyoyev at the International Festival bakhshichilik. April 6,

2019 5. Resolution of the President of the Republic of Uzbekistan "on holding an

international Status Conference" dated April 6, 2018.

6. The Law of the Republic of Uzbekistan “On cultural activities and cultural organizations"

dated January 20, 2020.

7. Newspaper "Culture". 2021 years


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ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

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8. Rajabov T. I., Rutamova M. F. The Formation of the Spiritual and Moral Qualities of

Students through Folk Songs in Continuing Education is an Urgent Pedagogical Problem

//EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION. – 2022.

– Т. 2. – №. 2. – С. 404-408.

9. Rajabov, T. I. (2022). THE ROLE OF BUKHARA FOLKLORE SONGS IN YOUTH

EDUCATION IN THE SYSTEM OF CONTINUOUS EDUCATION. Web of Scientist:

International Scientific Research Journal, 3(1), 884-889.

10.Rajabov, T. I., & Rajabov, J. I. (2022). The Formation of Spiritual and Moral

Qualities of Students through Folk Songs is an Urgent Pedagogical

Problem. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL

EDUCATION, 2(1), 331-335.

11.Islomovna M. F. et al. DESIGNING THE METHODICAL SYSTEM OF THE

TEACHING PROCESS OF COMPUTER GRAPHICS FOR THE SPECIALTY OF

ENGINEER-BUILDER //Journal of Contemporary Issues in Business &

Government. – 2021. – Т. 27. – №. 4

12. Shadieva, S. S., Borieva, D. I., & Rakhimova, M. A. (2022). The Importance of

Agricultural Mapping in Soil Science. EUROPEAN JOURNAL OF INNOVATION IN

NONFORMAL EDUCATION, 2(3), 5-8.

13. Yunusov, R., Ganieva, F. A., Artikova, M. I., & Atayeva, Z. A. (2022). THE

DEPENDENCE OF THE GROWTH, DEVELOPMENT AND PRODUCTIVITY OF

APPLE TREES ON THE FACTORS OF CARE ON LOW-SALINE SOILS OF THE

BUKHARA REGION. Web of Scientist: International Scientific Research

Journal, 3(02), 773-781.

14.Ruziev D. Y. The Emergence of New Forms of Musical Ensembles in

Uzbekista//EUROPEAN

JOURNAL

OF

INNOVATION

IN

NONFORMAL

EDUCATION. –2022. – Т. 2. – №. 1. – С. 343-346.

15.Рамазанова, У. Х., & Рахматова, М. О. (2020). SOCIAL NORMS, SANCTIONS AND

PERSONALITY. Вестник науки и образования, (21-2), 115-118.

16.Ramazanova, O. K., & qizi Mustaqimova, G. G. (2022). Formation and Development of

National Musical Traditions. EUROPEAN JOURNAL OF INNOVATION IN

NONFORMAL EDUCATION, 2(1), 336-339.

17.Kayumov I.F. Psixologicheskie istoki muzyki // Academy. 62:11 (2020). C. 56-58.

18.KayumovIbroximFayzulloevich, JuraevaMaftuna PLACE OF MUSIC IN EDUCATION

OF

SPIRITUAL-SPIRITUAL

COUNTRIES

5-7

KLASSOV

OBshchEOBRAZOVATELNYX SCHOOL // Problems of pedagogy. 2020. №3 (48). URL:

19.Gaybullaevich N. F. THE ROLE OF FOLKLORE IN THE RAISING OFCHILDREN.

20.NURULLAYEV, F. (2021). Teaching Bukhara Children Folk Songs in Music

Lessons as an Actual Problem. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu.uz), 4(4).

21.Olimov, S. S., & Mamurova, D. I. (2021). Graphic Information Processing

Technology and its Importance. European Journal of Life Safety and Stability

(2660-9630), 10, 1-4.

References

Mavrulov A. The general state of culture of Uzbekistan in the modern process: problems, directions of development (1970-1990) // nauka publishing house. doct. scientific gorge diss. – T. 1993;

Mavrulov A., Dekhkonov I. Nationalism and internationalism in culture // Problems of culture and spirituality. – T., 1994. – B. 9-18. Cultural history. Textbook. – T.: "Teacher", 2007

Resolution of the President of the Republic of Uzbekistan dated November 1, 2018 No. PP-3990 “on holding the International Festival of melon art"

Performance of Shavkat Mirziyoyev at the International Festival bakhshichilik. April 6, 2019 5. Resolution of the President of the Republic of Uzbekistan "on holding an international Status Conference" dated April 6, 2018.

The Law of the Republic of Uzbekistan “On cultural activities and cultural organizations" dated January 20, 2020.

Newspaper "Culture". 2021 years

Rajabov T. I., Rutamova M. F. The Formation of the Spiritual and Moral Qualities of Students through Folk Songs in Continuing Education is an Urgent Pedagogical Problem //EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION. – 2022. – Т. 2. – №. 2. – С. 404-408.

Rajabov, T. I. (2022). THE ROLE OF BUKHARA FOLKLORE SONGS IN YOUTH EDUCATION IN THE SYSTEM OF CONTINUOUS EDUCATION. Web of Scientist: International Scientific Research Journal, 3(1), 884-889.

Rajabov, T. I., & Rajabov, J. I. (2022). The Formation of Spiritual and Moral

Qualities of Students through Folk Songs is an Urgent Pedagogical

Problem. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL

EDUCATION, 2(1), 331-335.

Islomovna M. F. et al. DESIGNING THE METHODICAL SYSTEM OF THE

TEACHING PROCESS OF COMPUTER GRAPHICS FOR THE SPECIALTY OF

ENGINEER-BUILDER //Journal of Contemporary Issues in Business &

Government. – 2021. – Т. 27. – №. 4

Shadieva, S. S., Borieva, D. I., & Rakhimova, M. A. (2022). The Importance of Agricultural Mapping in Soil Science. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION, 2(3), 5-8.

Yunusov, R., Ganieva, F. A., Artikova, M. I., & Atayeva, Z. A. (2022). THE

DEPENDENCE OF THE GROWTH, DEVELOPMENT AND PRODUCTIVITY OF APPLE TREES ON THE FACTORS OF CARE ON LOW-SALINE SOILS OF THE BUKHARA REGION. Web of Scientist: International Scientific Research

Journal, 3(02), 773-781.

Ruziev D. Y. The Emergence of New Forms of Musical Ensembles in Uzbekista//EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION. –2022. – Т. 2. – №. 1. – С. 343-346.

Рамазанова, У. Х., & Рахматова, М. О. (2020). SOCIAL NORMS, SANCTIONS AND PERSONALITY. Вестник науки и образования, (21-2), 115-118.

Ramazanova, O. K., & qizi Mustaqimova, G. G. (2022). Formation and Development of National Musical Traditions. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION, 2(1), 336-339.

Kayumov I.F. Psixologicheskie istoki muzyki // Academy. 62:11 (2020). C. 56-58.

KayumovIbroximFayzulloevich, JuraevaMaftuna PLACE OF MUSIC IN EDUCATION OF SPIRITUAL-SPIRITUAL COUNTRIES 5-7 KLASSOV OBshchEOBRAZOVATELNYX SCHOOL // Problems of pedagogy. 2020. №3 (48). URL:

Gaybullaevich N. F. THE ROLE OF FOLKLORE IN THE RAISING OFCHILDREN.

NURULLAYEV, F. (2021). Teaching Bukhara Children Folk Songs in Music

Lessons as an Actual Problem. ЦЕНТР НАУЧНЫХ ПУБЛИКАЦИЙ (buxdu.uz), 4(4).

Olimov, S. S., & Mamurova, D. I. (2021). Graphic Information Processing

Technology and its Importance. European Journal of Life Safety and Stability

(2660-9630), 10, 1-4.

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